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“Out in the Streets” “在街上”
IF 0.3 Q4 WOMENS STUDIES Pub Date : 2023-04-01 DOI: 10.1215/15366936-10220557
Natalia A. Koutsougera
This article provides a socio-anthropological portrayal of the hip-hop narrational mosaics in Greece through the intertemporal exploration of two hip-hop scenes: the rap scene and the hip-hop dance scene. It explores the gray and contested zones of a local hip-hop culture—which reflect on global hip-hop imageries, norms, and antinomies–through permutations and manifestations of difference, hybridization and subcultural capital, and their subversive intersections with race, class, gender, and affective states in contemporary Greece in landscapes of crisis. Drawing on content analysis of rap lyrics and ethnographic fieldwork on rap and hip-hop dance performativities, resonating contemporary Greek society’s precarities, traumas, and ethics, this article explains why hip-hop and street cultures are so popular today in Greece. Furthermore, it highlights their global dynamics and their present and future potential as an empowering and emancipatory space for young generations.
本文通过对两个嘻哈场景:说唱场景和嘻哈舞蹈场景的跨时期探索,提供了希腊嘻哈叙事马赛克的社会人类学写照。它通过对差异、杂交和亚文化资本的排列和表现,以及它们与当代希腊危机景观中的种族、阶级、性别和情感状态的颠覆性交叉,探索了当地嘻哈文化的灰色和有争议的区域,反映了全球嘻哈文化的形象、规范和矛盾。通过对说唱歌词的内容分析和对说唱和嘻哈舞蹈表演的民族志田野调查,本文解释了为什么嘻哈和街头文化今天在希腊如此流行。此外,它还强调了它们的全球动态以及它们作为年轻一代赋权和解放空间的当前和未来潜力。
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引用次数: 0
Flamboyant 艳丽的
IF 0.3 Q4 WOMENS STUDIES Pub Date : 2023-04-01 DOI: 10.1215/15366936-10220469
Chandra Frank
This essay draws on the feminist and queer organization Flamboyant, the first and only nationwide Black and migrant women–run meeting place, active in the 1980s in Amsterdam, the Netherlands. After five years, the collective was forced to leave their space due to a lack of funding and burnout. The organization was named after the tropical flamboyant tree (Delonix regia), which according to the founders “has not been tamed and would prefer to die instead of shrinking in the Dutch living room.” I argue that this metaphorical mission statement is an articulation of wildness that rejects Dutch colonial expectations of integration and order. Flamboyant’s refusal to be tamed eventually led to the demise of the only archive run by Black women and women of color. This essay firmly situates Flamboyant within a Black and women of color (WOC) European scholarly and activist experience. Drawing on archival materials and geographical reflections of place, I demonstrate how the loss of Dutch feminist and queer of color spaces and archives are embedded within transnational feminist genealogies of mourning.
这篇文章借鉴了女权主义者和酷儿组织Flamboyant,这是第一个也是唯一一个全国性的黑人和移民妇女经营的聚会场所,活跃于20世纪80年代的荷兰阿姆斯特丹。五年后,由于缺乏资金和倦怠,这个集体被迫离开了他们的空间。该组织以热带艳丽的树(Delonix regia)命名,根据创始人的说法,这棵树“没有被驯服,宁愿死去也不愿在荷兰人的客厅里萎缩。”我认为,这种隐喻性的使命宣言是一种野性的表达,它拒绝了荷兰殖民时期对融合和秩序的期望。Flamboyant拒绝被驯服,最终导致了唯一一个由黑人女性和有色人种女性管理的档案馆的消亡。这篇文章坚定地将Flamboyant置于黑人和有色女性(WOC)欧洲学术和活动家的经历中。利用档案材料和地理位置的反映,我展示了荷兰女权主义者和酷儿的色彩空间和档案的丧失是如何嵌入到跨国女权主义哀悼谱系中的。
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引用次数: 1
Couwenbergh’s The Rape of the Negress 考文伯格的《强奸黑人
IF 0.3 Q4 WOMENS STUDIES Pub Date : 2023-04-01 DOI: 10.1215/15366936-10220524
Amey Victoria Adkins-Jones
This essay analyzes Christiaen van Couwenbergh’s The Rape of the Negress (1632). The author argues the image as theological artifact, capturing the emergence of a white colonial gaze and the Dutch state concern of Christian piety as an emerging colonial power. The article reviews the context of the image and the art reception history that resisted naming it an image of rape. The author juxtaposes the painting with a Marian statue hidden and thus saved from the Dutch iconoclasm—now one of the most famous Black Madonnas in Europe—to locate theologically the process of colonial unseeing and the refusal to name Black female flesh as sacred. She rereads these visual artifacts through the question of iconicity, and claim these images as sites of Black feminist fugitivity and resistance.
本文分析了克里斯蒂安·范·考文伯格的《强奸黑人》(1632)。作者认为这幅图像是神学上的人工制品,捕捉到了白人殖民者的目光和荷兰国家对基督教虔诚作为新兴殖民力量的关注。文章回顾了这幅图像的背景和拒绝将其命名为强奸图像的艺术接受历史。作者将这幅画与一尊隐藏起来的玛丽安雕像并置,并因此从荷兰的反偶像主义中获救——现在是欧洲最著名的黑人圣母像之一——从神学上定位了殖民时期的视而不见和拒绝将黑人女性肉体称为神圣的过程。她通过象似性的问题重新解读了这些视觉文物,并声称这些图像是黑人女权主义逃亡和抵抗的场所。
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引用次数: 0
2023 Paula J. Giddings Best Article Award 2023年宝拉·j·吉丁斯最佳文章奖
IF 0.3 Q4 WOMENS STUDIES Pub Date : 2023-04-01 DOI: 10.1215/15366936-10221089
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引用次数: 0
I Am Queen Mary 我是玛丽女王
IF 0.3 Q4 WOMENS STUDIES Pub Date : 2023-04-01 DOI: 10.1215/15366936-10476851
L. Belle, Jeannette Ehlers
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引用次数: 0
Gendering the Nador/Melilla Border 纳多尔/梅利利亚边境的性别划分
IF 0.3 Q4 WOMENS STUDIES Pub Date : 2023-04-01 DOI: 10.1215/15366936-10220502
L. Gordillo
This essay first analyzes the construction of a “Muslim Woman Other” as a particular social reality through the dissemination of academic and media discourses, militarization of the border, and the implementation of immigration policies and practices that allow “for the normalization of exclusionary practices,” which the Nijmegen school calls a process of “B/Ordering as Ordering and Othering.” Second, it positions porteadoras’ deaths and risks to their health within the political and the religious order; Muslim Moroccan women operate within strong religious and cultural spaces that dominate their everyday lives. The concept of “bordering and ordering” through “Othering” helps frame the Nador/Melilla border as the site where the “Muslim Woman Other” is constructed either as a de facto trope of victimhood in need of saving or as a national threat transgressing the management and ordering of the border and in need of violent discipline. The militarization of the Nador/Melilla border and implementation of immigration laws have served as major justifications to covertly exploit and cheapen the labor of Moroccan Muslim working-class women through globalized free market economies that erode welfare policies while supporting the free exchange of consumer goods.
本文首先分析了“穆斯林女性他者”作为一种特殊的社会现实的建构,通过学术和媒体话语的传播、边境的军事化、以及允许“排斥性行为正常化”的移民政策和实践的实施,奈梅亨学派称之为“B/秩序即秩序和他者”的过程。第二,它将porteadoras的死亡及其健康面临的风险置于政治和宗教秩序之中;摩洛哥穆斯林妇女在强大的宗教和文化空间中活动,这些空间主导着她们的日常生活。通过“他者”的“边界和秩序”的概念有助于将纳多尔/梅利利亚边境作为“穆斯林妇女他者”被构建为需要拯救的受害者的事实上的比喻,或作为违反边界管理和秩序的国家威胁,需要暴力纪律。纳多尔/梅利利亚边境的军事化和移民法的实施成为了通过全球化自由市场经济暗中剥削摩洛哥穆斯林工人阶级妇女劳动力的主要理由,这些经济在支持消费品自由交换的同时削弱了福利政策。
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引用次数: 0
Editor’s Introduction 编辑器的介绍
Q4 WOMENS STUDIES Pub Date : 2023-04-01 DOI: 10.1215/15366936-10220436
Ginetta E. B. Candelario
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引用次数: 0
Intersectional Vulnerabilities and the Banality of Harm: The Dangerous Desires of Women of Color Activists 交叉脆弱性和伤害的平庸性:有色人种女性激进分子的危险欲望
IF 0.3 Q4 WOMENS STUDIES Pub Date : 2023-04-01 DOI: 10.1215/15366936-10220491
A. Emejulu, Francesca Sobande
Abstract:In this article we examine how intersectional vulnerabilities are experienced and made sense of by women of color activists in Europe. We name intersectional vulnerabilities as a broad, sometimes contradictory, set of emotions, all tied to activists’ complex experiences of insecurity and community. Intersectional vulnerabilities are those risks and rewards, derived from women of color activists’ positioning in relation to race, class, gender, sexuality, disability, and legal status, which shape the possibilities of women of color’s activist labor. These vulnerabilities are Janus-faced, in that they are experienced as social harms that oftentimes lead to community. Our article grapples with the bittersweetness of vulnerability and how the banality of harms meted out to women of color nevertheless contains the seeds of resistance, solidarity, and self-love.
摘要:在这篇文章中,我们研究了欧洲有色人种女性活动家是如何经历和理解交叉脆弱性的。我们将交叉脆弱性称为一系列广泛的、有时是矛盾的情绪,所有这些情绪都与活动家的不安全感和社区的复杂经历有关。跨部门脆弱性是指有色人种女性活动家在种族、阶级、性别、性取向、残疾和法律地位方面的定位所带来的风险和回报,这些风险和回报塑造了有色人种女性维权劳动的可能性。这些脆弱性是Janus面临的,因为它们被视为经常导致社区的社会危害。我们的文章探讨了脆弱的苦乐参半,以及对有色人种女性的平庸伤害是如何包含抵抗、团结和自爱的种子的。
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引用次数: 0
Writing Letters as Counter-Archiving 写信作为反存档
IF 0.3 Q4 WOMENS STUDIES Pub Date : 2023-04-01 DOI: 10.1215/15366936-10220546
O. Diallo, Jasmine Kelekay, Maimuna Abdullahi, L. Sawyer
Can counter-archiving be a form of social care? This essay is a dialogue on this topic among four Afro-Nordic feminists writing to each other in the form of letters over a five-month period during 2021. Using an explorative and intuitive practice informed by Black feminist thought, the authors dive into the archives of their families and of the communities that they relate to and are part of as a way to communicate how and why they approach counter-archiving. Black diasporic contributions to Nordic histories are widely erased, silenced, and forgotten, both in the past and present, which is why the authors write them into being. The aim of the essay is to communicate some of the specificities of living and negotiating a Black feminist life in the Nordics. The authors also want to inscribe the Nordics into the Black European archive. The following themes are used to organize the dialogue: 1) positionalities and contexts; 2) Multigenerational legacies: silences, gifts, stories, 3) Counter-Archiving (as) mobilization, transformation, refusal, 4) Imagining otherwise: letter writing as a practice of care. Finally, we argue that counter-archiving through letter-writing dialogue can be a pleasurable, caring, and collective form of knowledge creation that transgresses traditional academic forms.
反存档能成为一种社会关怀吗?这篇文章是四位非裔北欧女权主义者在2021年的五个月时间里以信件的形式相互之间关于这个话题的对话。在黑人女权主义思想的指导下,作者运用了一种探索性和直觉性的实践,深入研究了他们的家庭和他们所涉及的社区的档案,作为一种交流他们如何以及为什么采取反档案的方式。无论是过去还是现在,散居在外的黑人对北欧历史的贡献都被广泛地抹去、沉默和遗忘,这就是作者将其写入现实的原因。这篇文章的目的是传达北欧黑人女权主义生活和谈判的一些特点。作者还想把北欧人纳入黑欧洲档案。以下主题被用来组织对话:1)位置和语境;2)多代人的遗产:沉默、礼物、故事;3)反存档(作为)动员、转变、拒绝;4)想象不一样:写信是一种关怀的实践。最后,我们认为,通过书信对话的反存档可以成为一种超越传统学术形式的令人愉快的、关心的和集体的知识创造形式。
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引用次数: 0
Motherwork, Daughterwork Motherwork, Daughterwork
IF 0.3 Q4 WOMENS STUDIES Pub Date : 2023-04-01 DOI: 10.1215/15366936-10220480
Paulina de los Reyes, Diana Mulinari
This article explores how young women born in Sweden, or arriving in Sweden as toddlers, who belong to the Latin American diaspora give meaning to and act on their experiences of being the daughters of migrant mothers, whose political activism shapes their views and practices of mothering and migration. The analysis is inspired by feminist/antiracist methodologies and consists of eight in-depth interviews with young adult women, all of them daughters of political refugees who came to Sweden to escape persecution by the military dictatorships in Latin America in the late 1970s. The interviews are combined with two focus groups that took place in the two largest Swedish cities. The category we will bring to light is that of the daughters; adults now, aged between thirty and forty-five (six of them mothers themselves). The central question in this article is what perceptions of mothering can be articulated from the perspective of daughters of Latin American migrant mothers, in a context where memories of political persecution and exile and experiences of institutional and everyday racism shape the conditions of motherwork for both the migrant mothers and their daughters.
本文探讨了拉丁美洲侨民中出生在瑞典或蹒跚学步时抵达瑞典的年轻女性如何赋予她们作为移民母亲女儿的经历以意义和行动,移民母亲的政治激进主义塑造了她们对母性和移民的看法和做法。该分析受到女权主义/反种族主义方法的启发,包括对8名年轻成年女性的深度访谈,她们都是政治难民的女儿,她们在20世纪70年代末为了逃避拉丁美洲军事独裁政权的迫害而来到瑞典。采访结合了在瑞典两个最大城市进行的两个焦点小组。我们要说明的一类是女儿;现在是成年人,年龄在30到45岁之间(其中6人自己就是母亲)。本文的中心问题是,在政治迫害和流放的记忆以及制度和日常种族主义的经历塑造了移民母亲及其女儿的母亲工作条件的背景下,从拉丁美洲移民母亲的女儿的角度来看,可以清楚地表达对母亲的看法。
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Meridians-Feminism Race Transnationalism
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