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Queering Puerto Rican Women’s Narratives 奇怪的波多黎各妇女的叙述
IF 0.3 Q4 Social Sciences Pub Date : 2020-12-01 DOI: 10.1215/15366936-8566001
Lourdes Torres
While in the last decades there has been a proliferation of writings by Latina lesbians who theorize issues of intersectionality, missing still are the voices and analyses of Puerto Rican lesbians who articulate the specificity of Puerto Rican sexual, racial, national, and class dynamics. It is within this context that the author examines Memoir of a Visionary (2002) by Antonia Pantoja and The Noise of Infinite Longing (2004) by Luisita López Torregrosa; the article considers how these recent memoirs engage with intersecting issues in the lives of Puerto Rican women and suggest how shame implicitly conditions the articulation of Puerto Rican identity.
虽然在过去的几十年里,拉丁裔女同性恋的著作大量涌现,将交叉性问题理论化,但波多黎各女同性恋的声音和分析仍然缺失,她们阐明了波多黎各性、种族、国家和阶级动态的特殊性。正是在这种背景下,作者研究了安东尼娅·潘托哈的《一个梦想家的回忆录》(2002)和路易西塔·López·托雷格罗萨的《无限渴望的噪音》(2004);这篇文章考虑了这些最近的回忆录如何与波多黎各妇女生活中的交叉问题联系在一起,并表明羞耻如何隐含地影响了波多黎各人身份的表达。
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引用次数: 0
Art Comes for the Archbishop 艺术为大主教而来
IF 0.3 Q4 Social Sciences Pub Date : 2020-12-01 DOI: 10.1215/9781478003403-034
Luz Calvo
Inspired by the Chicana feminist artist Alma López’s Our Lady (1999), this essay explores Chicana cultural and psychic investments in representations of the Virgin of Guadalupe. As an image of the suffering mother, the Virgin of Guadalupe is omnipresent in Mexican-American visual culture. Her image has been refigured by several generations of Chicana feminist artists, including Alma López. Chicana feminist reclaiming of the Virgin, however, has been fraught with controversy. Chicana feminist cultural work—such as the art of Alma López, performances by Selena Quintanilla, and writings by Sandra Cisneros and John Rechy—expand the queer and Chicana identifications and desires, and contest narrow, patriarchal nationalisms. By deploying critical race psychoanalysis and semiotics, we can unpack the libidinal investments in the brown female body, as seen in both in popular investments in protecting the Catholic version of the Virgin of Guadalupe and Chicana feminist reinterpretations.
受Chicana女权主义艺术家Alma López的《圣母》(1999)的启发,这篇文章探讨了Chicana文化和精神投资在瓜达卢佩圣母的表现。作为受难母亲的形象,瓜达卢佩圣母在墨西哥裔美国人的视觉文化中无处不在。她的形象被几代美国女权主义艺术家重新塑造,包括阿尔玛López。然而,墨西哥女权主义者对圣母的收复一直充满争议。墨西哥裔女性主义文化作品——如Alma López的艺术作品、Selena Quintanilla的表演、Sandra Cisneros和John rechy的作品——扩大了酷儿和墨西哥裔的身份和欲望,并与狭隘的父权民族主义进行了抗争。通过运用批判性的种族精神分析和符号学,我们可以揭示棕色女性身体中的性欲投资,正如在保护天主教版本的瓜达卢佩圣母和墨西哥女权主义者重新解释的流行投资中看到的那样。
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引用次数: 0
Practicing Love 练习爱
IF 0.3 Q4 Social Sciences Pub Date : 2020-12-01 DOI: 10.1215/15366936-8566089
J. Nash
This article studies love as a distinct, transformative, and radical Black feminist politic. By closely sitting with the work of Alice Walker, June Jordan, and Audre Lorde, this article treats love-politics as another political tradition that has emerged from within the parameters of Black feminist thought, one that challenges the political tradition most closely associated with Black feminist thought: intersectionality.
本文将爱作为一种独特的、变革的、激进的黑人女权主义政治来研究。通过与爱丽丝·沃克、琼·乔丹和奥德丽·洛德的作品密切接触,本文将爱情政治视为另一种政治传统,这种政治传统是从黑人女权主义思想的范围内出现的,它挑战了与黑人女权主义思想最密切相关的政治传统:交叉性。
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引用次数: 8
'Vem Marchar com a Gente'/Come March with Us 'Vem Marchar com a Gente'/和我们一起来三月
IF 0.3 Q4 Social Sciences Pub Date : 2020-12-01 DOI: 10.1215/15366936-8759876
Sonia E. Álvarez
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引用次数: 0
Under/Water 在/水
IF 0.3 Q4 Social Sciences Pub Date : 2020-12-01 DOI: 10.1215/15366936-8566078
Myriam j. A. Chancy
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引用次数: 0
Race, Gender, and the Prison Industrial Complex 种族、性别和监狱工业综合体
IF 0.3 Q4 Social Sciences Pub Date : 2020-12-01 DOI: 10.1215/15366936-8565858
Angela Davis, Cassandra Shaylor
Despite the transnational growth of the prison industrial complex and the rapid expansion of the carceral state in the United States and beyond, violence against women in prisons has remained largely invisible. Reports from people inside prisons, amplified by activists on the outside and international human rights organizations documenting prison conditions, highlight rampant violations of human rights behind walls. The gendered nature of racism, which fuels the growth of the prison industrial complex, results in experiences of violence, including medical neglect, sexual abuse, lack of reproductive control, loss of parental rights, and the devastating effects of isolation, that manifest in particular ways in women’s prisons. Advocates who are challenging conditions inside increasingly are connecting with activists across the globe and organizing their efforts to resist this violence in concert with a broader resistance to carcerality overall.
尽管监狱工业综合体在跨国发展,监狱国家在美国和其他国家迅速扩张,但监狱中对妇女的暴力行为基本上仍然是不可见的。监狱内人士的报告,再加上监狱外的活动人士和国际人权组织对监狱状况的记录,突显了监狱内猖獗的侵犯人权行为。种族主义的性别性质助长了监狱工业综合体的发展,导致了暴力经历,包括忽视医疗、性虐待、缺乏生育控制、丧失父母权利以及孤立的破坏性影响,这些在女子监狱中特别表现出来。挑战监狱内部状况的维权人士越来越多地与全球各地的活动人士联系起来,组织他们的努力,抵制这种暴力,与更广泛的对残暴的整体抵制相一致。
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引用次数: 7
Rethinking Meridians 反思经络
IF 0.3 Q4 Social Sciences Pub Date : 2020-12-01 DOI: 10.1215/15366936-8566418
Karsonya Wise Whitehead
Alice Walker in her book, In Search of Our Mothers’ Garden, notes that when you write the book you want to read, you are both pointing and following your “direction of vision.” As a writer and a Black feminist scholar, the author understood this to mean that she needed to craft the tools that would help her to do her work. Rethinking Meridians is the critical knowledge project, the tool, that she wanted to have in her hand when she was a classroom teacher. Consisting of articles and lesson plans, the special issue was designed as a disruption tool that would inspire teachers and students to transcend the notion of the classroom as a static, constrained, and unliberated space. By using the lens of transdisciplinarity, Rethinking Meridians examines Black feminist theory as a teaching tool and a pedagogical practice that challenges teachers to connect the work across disciplines and beyond them.
爱丽丝·沃克(Alice Walker)在她的书《寻找我们母亲的花园》(in Search of Our Mothers’Garden)中指出,当你写一本你想读的书时,你是在指向并遵循你的“视觉方向”。作为一名作家和一名黑人女权主义学者,作者明白这意味着她需要精心设计能帮助她完成工作的工具。《重新思考子午线》是她在任课教师时想要掌握的关键知识项目和工具。这期特刊由文章和教案组成,旨在作为一种颠覆性的工具,激励教师和学生超越课堂是一个静态的、受约束的、不自由的空间的概念。通过使用跨学科的视角,《重新思考子午线》将黑人女权主义理论作为一种教学工具和教学实践,挑战教师将跨学科和超越学科的工作联系起来。
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引用次数: 0
Challenging Convictions 具有挑战性的信念
IF 0.3 Q4 Social Sciences Pub Date : 2020-12-01 DOI: 10.1215/15366936-8566133
L. Palacios
This essay, with accompanying lesson plan, explores how race-radical Black and Indigenous feminists theorize and resist the carceral state violence of White settler nations of Canada and the United States. It focuses on the theoretical interventions driven by Indigenous and Black race-radical feminists and how this has placed these activists at the forefront of anti-violence movement-building. Such an intervention specifically upholds the tensions within and refuses to collapse political approaches of Indigenous movements for sovereignty and Black race-radical traditions. Its transnational, comparative focus helps us to not only identify but to create multiple strategies that dismantle the carceral state and the racialized gendered violence that it mobilizes and sustains. Proceeding from the argument that both prison abolitionist praxis and race-radical feminist praxis are inherently and primarily pedagogical, the lesson plan explores the ways we learn, teach, and organize in a manner that teaches against the grain of carceral common sense.
这篇文章,连同附带的课程计划,探讨了种族激进的黑人和土著女权主义者如何理论化和抵制加拿大和美国白人移民国家的州暴力。它侧重于由土著和黑人种族激进女权主义者推动的理论干预,以及这如何将这些活动家置于反暴力运动建设的前沿。这种干预特别维护了内部的紧张局势,并拒绝破坏土著运动争取主权和黑人种族激进传统的政治途径。它的跨国比较焦点不仅帮助我们确定,而且帮助我们制定了多种策略,以消除奴隶制国家及其动员和维持的种族化的性别暴力。从监狱废除主义者的实践和种族激进女权主义者的实践本质上和主要上都是教学的论点出发,课程计划探索了我们以一种违背人类常识的方式学习、教学和组织的方式。
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引用次数: 0
Cosmopolitan Whiteness 世界性的白度
IF 0.3 Q4 Social Sciences Pub Date : 2020-12-01 DOI: 10.1215/15366936-8566045
L. A. Saraswati
Previous scholarship on the immense popularity of skin-whitening frames this practice as revealing women’s desire to emulate whiteness and upper class White populations. Others have focused on whitening practices to highlight the working of racialized color hierarchy and European/Euro-American hegemony in local and global contexts. This article breaks away from these established theoretical trajectories by arguing that desire for “whiteness” is not the same as desire for “Caucasian whiteness.” Examining advertisements for skin-whitening products in the Indonesian version of Cosmopolitan and skin-tanning products in the American version of Cosmopolitan, the author points out the construction of “cosmopolitan whiteness.” Whiteness is not simply racialized or nationalized as such, but transnationalized. Whiteness is represented as “cosmopolitanness,” embodying transnational mobility.
先前关于皮肤美白的广泛流行的学术研究将这种做法描述为揭示了女性模仿白人和上层白人的愿望。其他人则专注于美白实践,以突出种族化的肤色等级和欧洲/欧美霸权在当地和全球背景下的作用。本文打破了这些既定的理论轨迹,认为对“白”的渴望与对“白种人白”的渴望是不同的。通过对印尼版《Cosmopolitan》的美白产品广告和美国版《Cosmopolitan》的美黑产品广告的分析,作者指出了“Cosmopolitan白”的建构。白人不是简单地种族化或国家化,而是跨国化。白人被代表为“世界主义”,体现了跨国流动。
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引用次数: 3
“All That You Can’t Leave Behind” 《你不能丢下的一切》
IF 0.3 Q4 Social Sciences Pub Date : 2020-12-01 DOI: 10.1215/15366936-8565979
Daphne A. Brooks
As numerous scholars have shown, Hurricane Katrina exacerbated the already-ongoing precarity of African American communities in New Orleans. The crisis demanded a reckoning with the afterlives of slavery at the national and global level. This article focuses on the work of Black women popular music artists whose early twenty-first century recordings and stirring performances addressed the traumas, the challenges, and the spectacular subjugation of Black women who fell victim to brutal disenfranchisement in the midst of the disaster. Beyonce’s B-Day album and Mary J. Blige’s history-making Katrina telethon performance are central to this discussion. The original title of this article was “‘All That You Can’t Leave Behind’: Black Female Soul Singing and the Politics of Surrogation in the Age of Catastrophe.”
正如许多学者所表明的那样,卡特里娜飓风加剧了新奥尔良非裔美国人社区本已存在的不稳定性。这场危机要求在国家和全球层面对奴隶制的后遗症进行清算。这篇文章关注的是黑人女性流行音乐艺术家的作品,她们在21世纪早期的录音和激动人心的表演,讲述了黑人女性在灾难中遭受残酷剥夺公民权的创伤、挑战和壮观的征服。碧昂斯的B-Day专辑和玛丽·j·布莱姬在卡特里娜飓风中创造历史的电视表演是这场讨论的核心。这篇文章的原标题是《‘你不能丢下的一切’:灾难时代黑人女性灵魂歌唱与代入政治》。
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Meridians-Feminism Race Transnationalism
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