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Danielle Fuentes Morgan: Laughing to keep from dying: African American satire in the twenty-first century 丹妮尔·富恩特斯·摩根:笑而不死:21世纪的非裔美国人讽刺
Pub Date : 2022-09-26 DOI: 10.1515/humor-2022-0087
D. Bobker, Catherine Sauvé Dowers
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引用次数: 0
Organizational humor as making our work more meaningful: mediation by crafting job resources 组织幽默使我们的工作更有意义:通过精心设计工作资源进行调解
Pub Date : 2022-09-26 DOI: 10.1515/humor-2022-0033
Neslihan Turnalar-Çetinkaya, Irem Keskin, Gamze Bora, Reyhan İkan, Şeyma Gümrükçü
Abstract In the present study, we examined the impact of humor’s positive functions on the perception of a job’s meaningfulness. We argued that liberating and stress-relieving humor act as job resources enhancing job crafting to increase social and structural resources to experience meaningfulness. We hypothesized that crafting the job to increase structural and social resources would mediate the link between organizational humor functions (i.e., liberating and stress-relieving) and meaningfulness. We conducted a cross-sectional study among 200 Turkish employees from different occupations. Our results revealed that increasing structural resources mediated the relationship between liberating humor and meaningfulness, while this mediation was partially for stress-relieving humor. The mediating role of increasing social resources was partial and conditional for both types of organizational humor functions. The practical and theoretical implications have been discussed from a positive organizational scholarship perspective.
摘要本研究考察了幽默的积极作用对工作意义感知的影响。我们认为,解放和缓解压力的幽默作为一种工作资源,加强工作制作,增加社会和结构资源,以体验意义。我们假设,精心设计工作以增加结构和社会资源将调解组织幽默功能(即解放和缓解压力)与意义之间的联系。我们对来自不同职业的200名土耳其员工进行了横断面研究。研究结果表明,结构资源的增加在释放性幽默和意义性之间起中介作用,而这种中介作用在缓解压力的幽默中起部分作用。增加社会资源对两类组织幽默功能的中介作用都是局部的、有条件的。本文从积极的组织学术角度探讨了其实践意义和理论意义。
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引用次数: 1
Baumgartner, Jody C. and Amy B. Becker, eds: Political Humor in a Changing Media Landscape: A New Generation of Research 鲍姆加特纳,乔迪C.和艾米B.贝克尔编:政治幽默在不断变化的媒体景观:新一代的研究
Pub Date : 2022-09-26 DOI: 10.1515/humor-2022-0092
S. Polak
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引用次数: 5
Prosodic markers of satirical imitation 讽刺模仿的韵律标志
Pub Date : 2022-09-23 DOI: 10.1515/humor-2021-0138
Saskia Leymann, T. Lentz, C. Burgers
Abstract Satirical imitation is a popular format of late-night comedy shows and can provide political entertainment and education. However, little research has been conducted on how satirists mark their satirical intent to clue audiences in on their intended messaging. This study investigates the prosodic marking of satirical imitation and contrasts it with prosodic marking of irony. We conducted a detailed case study of the prosodic marking in Alec Baldwin’s satirical imitation of Donald Trump in his audiobook You Can’t Spell America Without Me contrasted with both Baldwin’s and Trump’s regular voices. The analyzed corpus contained six hours of audio material across the three sources. Through a combination of automatic and manual coding, we measured average pitch, pitch variation, and speech rate. Our analysis did not reveal marking of satirical imitation by pitch or pitch variation. The satirical imitation was only marked by a faster speech rate than both baseline voices. These findings contrast with previous studies that identified a lower pitch, less pitch variation, and a slower speech rate as markers of verbal irony. Our study provides first evidence that satirical imitation is prosodically marked differently from verbal irony, with a faster speech rate as one potential marker.
讽刺模仿是一种流行的深夜喜剧节目形式,可以提供政治娱乐和教育。然而,关于讽刺作家如何标记他们的讽刺意图以提示观众他们想要传达的信息的研究很少。本文研究了讽刺模仿的韵律标记,并将其与反讽的韵律标记进行了对比。我们对亚历克·鲍德温在他的有声书《You Can 't Spell America Without Me》中讽刺模仿唐纳德·特朗普的韵律标记进行了详细的案例研究,并与鲍德温和特朗普的正常声音进行了对比。分析的语料库包含三个来源的六个小时的音频材料。通过自动编码和手动编码的结合,我们测量了平均音高、音高变化和语速。我们的分析并没有揭示音调或音调变化对讽刺模仿的标记。讽刺模仿者的语速只比两种基准声音的语速都快。这些发现与之前的研究形成了对比,之前的研究发现,较低的音调、较少的音调变化和较慢的语速是言语讽刺的标志。我们的研究提供了第一个证据,证明讽刺模仿在韵律上的标记与口头讽刺不同,语速更快是一个潜在的标记。
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引用次数: 0
Laughing alone and laughing together in panel meetings: laughter as an interactional accomplishment during negotiation talks 在小组会议上独自笑和一起笑:在谈判谈判中,笑是一种互动的成就
Pub Date : 2022-09-23 DOI: 10.1515/humor-2022-0013
Mehmet Ali Içbay, T. Koschmann
Abstract This paper is about the interactional organization of shared laughter in a multi-party institutional setting. It explored how laughter was produced and shared in a series of panel meetings in a medical school. The audio data were taken from Competency Project, a NIHM-funded (National Institute of Mental Health) research designed to investigate how the judgments of professional competence in medical schools were constructed. In the panel meetings, a group of three panelists (physician-instructors) gathered together and came to an agreement for the medical students’ performances with the standard patients. While they negotiated their individual ratings, the panelists repeatedly laughed. Finding its interest in these repeated laughs, this study first displayed how laughter was produced and shared in a formal institutional setting. The second section in the paper gave a detailed account of the three cases where at least a panelist in the meetings did not join in the shared laughter sequences. The closer look at these cases suggested that when at least a panelist did not participate in the shared laughter, (1) the non-laughing panelists were mitigating the tension rooted in the disagreement on the negotiated rating, or (2) they were postponing their laugh to create a follow-up laughable, or (3) due to the conflict on the individual ratings, they were teased by the other panelists.
摘要本文研究了多方制度环境下共享笑的互动组织。它探讨了在一所医学院的一系列小组会议上,笑声是如何产生和分享的。音频数据取自能力项目,这是一个nihm资助的(美国国家心理健康研究所)研究项目,旨在调查医学院专业能力的判断是如何构建的。在小组会议上,三名小组成员(医师-指导员)聚集在一起,就医学生与标准患者的表现达成一致。当他们讨论各自的评分时,小组成员不断地笑。这项研究从这些重复的笑声中发现了它的兴趣,它首先展示了笑声是如何在正式的制度环境中产生和分享的。论文的第二部分详细描述了三种情况,在这些情况下,至少有一个小组成员没有加入到共同的笑声序列中。仔细观察这些案例表明,当至少有一个小组成员没有参与共享笑声时,(1)不笑的小组成员缓解了因协商评分分歧而产生的紧张情绪,或者(2)他们推迟了他们的笑声,以创造一个后续的笑声,或者(3)由于个人评分的冲突,他们被其他小组成员取笑。
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引用次数: 0
Humor and resilience: relationships with happiness in young adults 幽默和适应力:年轻人的幸福关系
Pub Date : 2022-09-23 DOI: 10.1515/humor-2021-0079
S. Kennison
Abstract Prior research has shown that more resilient individuals report higher levels of happiness. Other research also shows that those who use positive humor styles (i.e., self-enhancing and affiliative) more often and use negative humor styles (i.e., aggressive and self-defeating) less often report higher levels of happiness. Resilience research has characterized resilience as involving multiple protective factors that contribute to functioning better than expected despite past or present adversities. The present research tested the hypothesis that the use of one or more humor styles may function as distinct protective factors of resilience in predicting happiness. An online survey study with a sample of 204 (105 men, 99 women) young adults showed that after controlling for resilience, less frequent use of the negative humor styles (i.e., aggressive and self-defeating) emerged as protective factors, related to higher levels of happiness. The use of the positive humor styles did not account for additional variance in happiness after resilience was controlled. The results are compatible with research suggesting that improvements in well-being are associated with behavioral changes.
先前的研究表明,适应力越强的人幸福感越高。其他研究也表明,那些更经常使用积极幽默风格(即自我提升和亲近)和更少使用消极幽默风格(即攻击性和自我挫败)的人往往报告更高的幸福水平。弹性研究将弹性描述为包括多种保护因素,这些因素有助于在过去或现在的逆境中比预期更好地发挥作用。目前的研究验证了一个假设,即使用一种或多种幽默风格可能作为预测幸福的弹性的独特保护因素。一项针对204名年轻人(105名男性,99名女性)的在线调查研究表明,在控制了弹性因素后,较少使用负面幽默风格(即攻击性和自我挫败)成为了保护因素,与更高的幸福感相关。在恢复力被控制后,积极幽默风格的使用并不能解释幸福感的额外变化。研究表明,幸福感的提高与行为的改变有关。
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引用次数: 4
Humor and fear of COVID-19 in Polish adults: the mediating role of generalized anxiety 波兰成年人对COVID-19的幽默和恐惧:广泛性焦虑的中介作用
Pub Date : 2022-08-05 DOI: 10.1515/humor-2022-0014
P. Brudek, S. Steuden
Abstract Since the end of 2019 to the present day, the COVID-19 pandemic has been affecting the functioning of countries, institutions and individuals. So far, despite the increasing number of studies, little is known about the effects of the pandemic on the psychosocial well-being of a person. Research results obtained to date suggest that the fear of COVID-19 may be reduced by humor. However, to be able to harness this observation to provide more effective psychological assistance to those struggling with serious concerns about the aftermaths of the pandemic, one has to understand the mechanisms of the relationship between humor and fear of COVID-19. Both clinical experience and research findings show that the postulated relationship may be mediated by generalized anxiety. In the present study, we investigated the relationship between humor, conceptualized as a dimension of wisdom, and fear of COVID-19, and the role of generalized anxiety as a potential mediator of this relationship in adults. A longitudinal three-wave field study was carried out in a sample of 214 adults from Poland. A mediation analysis with bias-corrected bootstrapping method confirmed that the relation between humor and fear of COVID-19 was mediated by generalized anxiety.
自2019年底至今,新冠肺炎疫情对国家、机构和个人的运作产生了影响。迄今为止,尽管开展了越来越多的研究,但人们对大流行对人的心理社会健康的影响知之甚少。迄今为止获得的研究结果表明,幽默可以减少对COVID-19的恐惧。然而,为了能够利用这一观察结果,为那些对大流行的后果感到严重担忧的人提供更有效的心理援助,人们必须了解幽默与对COVID-19的恐惧之间的关系机制。临床经验和研究结果都表明,这种假定的关系可能是由广泛性焦虑介导的。在本研究中,我们调查了幽默(被定义为智慧的一个维度)与对COVID-19的恐惧之间的关系,以及广泛性焦虑作为成人这种关系的潜在中介的作用。对214名波兰成年人进行了纵向三波场研究。采用偏差校正自举法进行中介分析,证实幽默与COVID-19恐惧之间的关系是由广泛性焦虑介导的。
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引用次数: 0
The (Ab)use of freedom of speech and the 1788 Ismaël-controversy: the legal limitations and affordances of a parodic periodical in the Dutch Republic (Ab)言论自由的使用和1788年Ismaël-controversy:荷兰共和国恶搞期刊的法律限制和启示
Pub Date : 2022-08-01 DOI: 10.1515/humor-2021-0101
E. Dongen, M. Veldhuizen
Abstract This article highlights a fascinating legal wrestling match over the legal limits of free speech through humorous artistic works in the late eighteenth century – just before freedom of speech became a constitutional right. It concerned the parodic item “Reports from Babel” in an issue of the anonymous Dutch journal Ismaël from 15 September 1788. The city of Utrecht and specific authorities were allegedly targeted who in turn prosecuted the local sellers of these perceived libels, Gijsbert Timon van Paddenburg and Justus Visch. The controversy is studied through the political-historical background of the Orangists, who had been returned to power following a turbulent period. The arguments of the court and the parties involved are analysed, as well as the reception of the Roman law of iniuria – specifically regarding libels. Literary and philosophical-linguistic theories are employed to gain insight into the way this particular parody as a form of free speech was perceived as dangerous to late-eighteenth-century society. We show that these defendants exploited the ambiguity of parodic language as part of their defense strategy. Nonetheless, the judicial authorities dismissed these language-based arguments, ultimately condemning the two booksellers with the considerable fine of 1000 guilders. This legal-historical discussion of humorous artistic works, such as Ismaël, highlights the complex relationship between libel laws and free speech.
这篇文章通过幽默的艺术作品讲述了18世纪晚期——在言论自由成为宪法权利之前——关于言论自由的法律限制的一场引人入胜的法律角力比赛。它涉及1788年9月15日荷兰匿名杂志Ismaël一期上的模仿项目“来自巴别塔的报告”。据称乌得勒支市和有关当局成为目标,这些当局反过来起诉这些被认为是诽谤罪的当地卖家Gijsbert Timon van Paddenburg和Justus Visch。这一争议是通过橘红色分子的政治历史背景来研究的,橘红色分子在经历了一段动荡时期后重新掌权。本文分析了法院和当事各方的争论,以及对罗马法的接受,特别是关于诽谤。文学和哲学语言学理论被用来深入了解这种特殊的恶搞作为一种自由言论的形式被认为对18世纪晚期的社会是危险的。我们表明,这些被告利用模仿语言的模糊性作为其辩护策略的一部分。然而,司法当局驳回了这些基于语言的论点,最终以1000荷兰盾的巨额罚款谴责了这两名书商。对幽默艺术作品(如Ismaël)的法律-历史讨论凸显了诽谤法与言论自由之间的复杂关系。
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引用次数: 0
Satire and the law: an interview with German lawyer Gabriele Rittig 讽刺与法律:采访德国律师加布里埃尔·里蒂格
Pub Date : 2022-08-01 DOI: 10.1515/humor-2022-0057
Brigitte Adriaensen, A. Bricker, Alberto Godioli, T.S.E. Laros
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引用次数: 0
“This does not interest the court!”: the 1966 Soviet Satire Trial and its persistent legacy “法庭对这个不感兴趣!”: 1966年苏联讽刺审判及其持久的遗产
Pub Date : 2022-08-01 DOI: 10.1515/humor-2021-0100
Elisa Kriza
Abstract Soviet writers Yuli Daniel (aka Nikolay Arzhak) and Andrey Sinyavsky (aka Abram Tertz) published several satires anonymously in capitalist countries during the Cold War. In 1965 both writers were arrested in the Soviet Union and they were put on trial in February 1966. They were charged under Article 70 of the Penal Code that criminalized libel and defamation of the state and agitation with the aim of undermining or weakening the state. Sinyavsky was sentenced to seven years in a labor camp and Daniel was given five years. This trial’s controversial discussions about authorial opinions and intentions and the complex relationship between satire and social reality remain highly relevant today. This article presents seven contradictions and ambiguities inherent to satire in order to disentangle different arguments and viewpoints in their context. The reception of satirical texts is complicated by issues surrounding ethics and violence, seriousness and non-seriousness, truth and fiction, ambiguous or dubious empathy, morality, political content in non-political texts, and the use of a fictional persona. The vagueness and in-betweenness of satire can pose a challenge to environments averse to ambiguity, as was the case in this Soviet trial, but also in similar cases until today.
冷战时期,苏联作家尤里·丹尼尔(Nikolay Arzhak)和安德烈·辛亚夫斯基(Andrey Sinyavsky)在资本主义国家匿名发表了多篇讽刺小说。1965年,两位作家都在苏联被捕,并于1966年2月接受审判。根据《刑法》第70条,他们受到指控,该条款将诽谤和诽谤国家以及以破坏或削弱国家为目的的煽动定为犯罪。辛雅夫斯基被判7年劳改,丹尼尔被判5年。这次审判对作者的观点和意图以及讽刺与社会现实之间复杂关系的争议性讨论在今天仍然具有高度相关性。本文提出了讽刺文学固有的七种矛盾和歧义,以便在语境中理清不同的论点和观点。对讽刺文本的接受因以下问题而变得复杂:道德与暴力、严肃与非严肃、真实与虚构、模棱两可或可疑的移情、道德、非政治文本中的政治内容以及虚构角色的使用。讽刺作品的模糊性和中间性可能会对不喜欢模棱两可的环境构成挑战,就像苏联审判中的情况一样,但直到今天,类似的案件也是如此。
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引用次数: 0
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Humor (Berlin, Germany)
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