{"title":"Danielle Fuentes Morgan: Laughing to keep from dying: African American satire in the twenty-first century","authors":"D. Bobker, Catherine Sauvé Dowers","doi":"10.1515/humor-2022-0087","DOIUrl":"https://doi.org/10.1515/humor-2022-0087","url":null,"abstract":"","PeriodicalId":73268,"journal":{"name":"Humor (Berlin, Germany)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72944356","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract In the present study, we examined the impact of humor’s positive functions on the perception of a job’s meaningfulness. We argued that liberating and stress-relieving humor act as job resources enhancing job crafting to increase social and structural resources to experience meaningfulness. We hypothesized that crafting the job to increase structural and social resources would mediate the link between organizational humor functions (i.e., liberating and stress-relieving) and meaningfulness. We conducted a cross-sectional study among 200 Turkish employees from different occupations. Our results revealed that increasing structural resources mediated the relationship between liberating humor and meaningfulness, while this mediation was partially for stress-relieving humor. The mediating role of increasing social resources was partial and conditional for both types of organizational humor functions. The practical and theoretical implications have been discussed from a positive organizational scholarship perspective.
{"title":"Organizational humor as making our work more meaningful: mediation by crafting job resources","authors":"Neslihan Turnalar-Çetinkaya, Irem Keskin, Gamze Bora, Reyhan İkan, Şeyma Gümrükçü","doi":"10.1515/humor-2022-0033","DOIUrl":"https://doi.org/10.1515/humor-2022-0033","url":null,"abstract":"Abstract In the present study, we examined the impact of humor’s positive functions on the perception of a job’s meaningfulness. We argued that liberating and stress-relieving humor act as job resources enhancing job crafting to increase social and structural resources to experience meaningfulness. We hypothesized that crafting the job to increase structural and social resources would mediate the link between organizational humor functions (i.e., liberating and stress-relieving) and meaningfulness. We conducted a cross-sectional study among 200 Turkish employees from different occupations. Our results revealed that increasing structural resources mediated the relationship between liberating humor and meaningfulness, while this mediation was partially for stress-relieving humor. The mediating role of increasing social resources was partial and conditional for both types of organizational humor functions. The practical and theoretical implications have been discussed from a positive organizational scholarship perspective.","PeriodicalId":73268,"journal":{"name":"Humor (Berlin, Germany)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74952031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Baumgartner, Jody C. and Amy B. Becker, eds: Political Humor in a Changing Media Landscape: A New Generation of Research","authors":"S. Polak","doi":"10.1515/humor-2022-0092","DOIUrl":"https://doi.org/10.1515/humor-2022-0092","url":null,"abstract":"","PeriodicalId":73268,"journal":{"name":"Humor (Berlin, Germany)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84824598","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Satirical imitation is a popular format of late-night comedy shows and can provide political entertainment and education. However, little research has been conducted on how satirists mark their satirical intent to clue audiences in on their intended messaging. This study investigates the prosodic marking of satirical imitation and contrasts it with prosodic marking of irony. We conducted a detailed case study of the prosodic marking in Alec Baldwin’s satirical imitation of Donald Trump in his audiobook You Can’t Spell America Without Me contrasted with both Baldwin’s and Trump’s regular voices. The analyzed corpus contained six hours of audio material across the three sources. Through a combination of automatic and manual coding, we measured average pitch, pitch variation, and speech rate. Our analysis did not reveal marking of satirical imitation by pitch or pitch variation. The satirical imitation was only marked by a faster speech rate than both baseline voices. These findings contrast with previous studies that identified a lower pitch, less pitch variation, and a slower speech rate as markers of verbal irony. Our study provides first evidence that satirical imitation is prosodically marked differently from verbal irony, with a faster speech rate as one potential marker.
讽刺模仿是一种流行的深夜喜剧节目形式，可以提供政治娱乐和教育。然而，关于讽刺作家如何标记他们的讽刺意图以提示观众他们想要传达的信息的研究很少。本文研究了讽刺模仿的韵律标记，并将其与反讽的韵律标记进行了对比。我们对亚历克·鲍德温在他的有声书《You Can 't Spell America Without Me》中讽刺模仿唐纳德·特朗普的韵律标记进行了详细的案例研究，并与鲍德温和特朗普的正常声音进行了对比。分析的语料库包含三个来源的六个小时的音频材料。通过自动编码和手动编码的结合，我们测量了平均音高、音高变化和语速。我们的分析并没有揭示音调或音调变化对讽刺模仿的标记。讽刺模仿者的语速只比两种基准声音的语速都快。这些发现与之前的研究形成了对比，之前的研究发现，较低的音调、较少的音调变化和较慢的语速是言语讽刺的标志。我们的研究提供了第一个证据，证明讽刺模仿在韵律上的标记与口头讽刺不同，语速更快是一个潜在的标记。
{"title":"Prosodic markers of satirical imitation","authors":"Saskia Leymann, T. Lentz, C. Burgers","doi":"10.1515/humor-2021-0138","DOIUrl":"https://doi.org/10.1515/humor-2021-0138","url":null,"abstract":"Abstract Satirical imitation is a popular format of late-night comedy shows and can provide political entertainment and education. However, little research has been conducted on how satirists mark their satirical intent to clue audiences in on their intended messaging. This study investigates the prosodic marking of satirical imitation and contrasts it with prosodic marking of irony. We conducted a detailed case study of the prosodic marking in Alec Baldwin’s satirical imitation of Donald Trump in his audiobook You Can’t Spell America Without Me contrasted with both Baldwin’s and Trump’s regular voices. The analyzed corpus contained six hours of audio material across the three sources. Through a combination of automatic and manual coding, we measured average pitch, pitch variation, and speech rate. Our analysis did not reveal marking of satirical imitation by pitch or pitch variation. The satirical imitation was only marked by a faster speech rate than both baseline voices. These findings contrast with previous studies that identified a lower pitch, less pitch variation, and a slower speech rate as markers of verbal irony. Our study provides first evidence that satirical imitation is prosodically marked differently from verbal irony, with a faster speech rate as one potential marker.","PeriodicalId":73268,"journal":{"name":"Humor (Berlin, Germany)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88750445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This paper is about the interactional organization of shared laughter in a multi-party institutional setting. It explored how laughter was produced and shared in a series of panel meetings in a medical school. The audio data were taken from Competency Project, a NIHM-funded (National Institute of Mental Health) research designed to investigate how the judgments of professional competence in medical schools were constructed. In the panel meetings, a group of three panelists (physician-instructors) gathered together and came to an agreement for the medical students’ performances with the standard patients. While they negotiated their individual ratings, the panelists repeatedly laughed. Finding its interest in these repeated laughs, this study first displayed how laughter was produced and shared in a formal institutional setting. The second section in the paper gave a detailed account of the three cases where at least a panelist in the meetings did not join in the shared laughter sequences. The closer look at these cases suggested that when at least a panelist did not participate in the shared laughter, (1) the non-laughing panelists were mitigating the tension rooted in the disagreement on the negotiated rating, or (2) they were postponing their laugh to create a follow-up laughable, or (3) due to the conflict on the individual ratings, they were teased by the other panelists.
{"title":"Laughing alone and laughing together in panel meetings: laughter as an interactional accomplishment during negotiation talks","authors":"Mehmet Ali Içbay, T. Koschmann","doi":"10.1515/humor-2022-0013","DOIUrl":"https://doi.org/10.1515/humor-2022-0013","url":null,"abstract":"Abstract This paper is about the interactional organization of shared laughter in a multi-party institutional setting. It explored how laughter was produced and shared in a series of panel meetings in a medical school. The audio data were taken from Competency Project, a NIHM-funded (National Institute of Mental Health) research designed to investigate how the judgments of professional competence in medical schools were constructed. In the panel meetings, a group of three panelists (physician-instructors) gathered together and came to an agreement for the medical students’ performances with the standard patients. While they negotiated their individual ratings, the panelists repeatedly laughed. Finding its interest in these repeated laughs, this study first displayed how laughter was produced and shared in a formal institutional setting. The second section in the paper gave a detailed account of the three cases where at least a panelist in the meetings did not join in the shared laughter sequences. The closer look at these cases suggested that when at least a panelist did not participate in the shared laughter, (1) the non-laughing panelists were mitigating the tension rooted in the disagreement on the negotiated rating, or (2) they were postponing their laugh to create a follow-up laughable, or (3) due to the conflict on the individual ratings, they were teased by the other panelists.","PeriodicalId":73268,"journal":{"name":"Humor (Berlin, Germany)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85314880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Prior research has shown that more resilient individuals report higher levels of happiness. Other research also shows that those who use positive humor styles (i.e., self-enhancing and affiliative) more often and use negative humor styles (i.e., aggressive and self-defeating) less often report higher levels of happiness. Resilience research has characterized resilience as involving multiple protective factors that contribute to functioning better than expected despite past or present adversities. The present research tested the hypothesis that the use of one or more humor styles may function as distinct protective factors of resilience in predicting happiness. An online survey study with a sample of 204 (105 men, 99 women) young adults showed that after controlling for resilience, less frequent use of the negative humor styles (i.e., aggressive and self-defeating) emerged as protective factors, related to higher levels of happiness. The use of the positive humor styles did not account for additional variance in happiness after resilience was controlled. The results are compatible with research suggesting that improvements in well-being are associated with behavioral changes.
{"title":"Humor and resilience: relationships with happiness in young adults","authors":"S. Kennison","doi":"10.1515/humor-2021-0079","DOIUrl":"https://doi.org/10.1515/humor-2021-0079","url":null,"abstract":"Abstract Prior research has shown that more resilient individuals report higher levels of happiness. Other research also shows that those who use positive humor styles (i.e., self-enhancing and affiliative) more often and use negative humor styles (i.e., aggressive and self-defeating) less often report higher levels of happiness. Resilience research has characterized resilience as involving multiple protective factors that contribute to functioning better than expected despite past or present adversities. The present research tested the hypothesis that the use of one or more humor styles may function as distinct protective factors of resilience in predicting happiness. An online survey study with a sample of 204 (105 men, 99 women) young adults showed that after controlling for resilience, less frequent use of the negative humor styles (i.e., aggressive and self-defeating) emerged as protective factors, related to higher levels of happiness. The use of the positive humor styles did not account for additional variance in happiness after resilience was controlled. The results are compatible with research suggesting that improvements in well-being are associated with behavioral changes.","PeriodicalId":73268,"journal":{"name":"Humor (Berlin, Germany)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79288712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Since the end of 2019 to the present day, the COVID-19 pandemic has been affecting the functioning of countries, institutions and individuals. So far, despite the increasing number of studies, little is known about the effects of the pandemic on the psychosocial well-being of a person. Research results obtained to date suggest that the fear of COVID-19 may be reduced by humor. However, to be able to harness this observation to provide more effective psychological assistance to those struggling with serious concerns about the aftermaths of the pandemic, one has to understand the mechanisms of the relationship between humor and fear of COVID-19. Both clinical experience and research findings show that the postulated relationship may be mediated by generalized anxiety. In the present study, we investigated the relationship between humor, conceptualized as a dimension of wisdom, and fear of COVID-19, and the role of generalized anxiety as a potential mediator of this relationship in adults. A longitudinal three-wave field study was carried out in a sample of 214 adults from Poland. A mediation analysis with bias-corrected bootstrapping method confirmed that the relation between humor and fear of COVID-19 was mediated by generalized anxiety.
{"title":"Humor and fear of COVID-19 in Polish adults: the mediating role of generalized anxiety","authors":"P. Brudek, S. Steuden","doi":"10.1515/humor-2022-0014","DOIUrl":"https://doi.org/10.1515/humor-2022-0014","url":null,"abstract":"Abstract Since the end of 2019 to the present day, the COVID-19 pandemic has been affecting the functioning of countries, institutions and individuals. So far, despite the increasing number of studies, little is known about the effects of the pandemic on the psychosocial well-being of a person. Research results obtained to date suggest that the fear of COVID-19 may be reduced by humor. However, to be able to harness this observation to provide more effective psychological assistance to those struggling with serious concerns about the aftermaths of the pandemic, one has to understand the mechanisms of the relationship between humor and fear of COVID-19. Both clinical experience and research findings show that the postulated relationship may be mediated by generalized anxiety. In the present study, we investigated the relationship between humor, conceptualized as a dimension of wisdom, and fear of COVID-19, and the role of generalized anxiety as a potential mediator of this relationship in adults. A longitudinal three-wave field study was carried out in a sample of 214 adults from Poland. A mediation analysis with bias-corrected bootstrapping method confirmed that the relation between humor and fear of COVID-19 was mediated by generalized anxiety.","PeriodicalId":73268,"journal":{"name":"Humor (Berlin, Germany)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74150456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article highlights a fascinating legal wrestling match over the legal limits of free speech through humorous artistic works in the late eighteenth century – just before freedom of speech became a constitutional right. It concerned the parodic item “Reports from Babel” in an issue of the anonymous Dutch journal Ismaël from 15 September 1788. The city of Utrecht and specific authorities were allegedly targeted who in turn prosecuted the local sellers of these perceived libels, Gijsbert Timon van Paddenburg and Justus Visch. The controversy is studied through the political-historical background of the Orangists, who had been returned to power following a turbulent period. The arguments of the court and the parties involved are analysed, as well as the reception of the Roman law of iniuria – specifically regarding libels. Literary and philosophical-linguistic theories are employed to gain insight into the way this particular parody as a form of free speech was perceived as dangerous to late-eighteenth-century society. We show that these defendants exploited the ambiguity of parodic language as part of their defense strategy. Nonetheless, the judicial authorities dismissed these language-based arguments, ultimately condemning the two booksellers with the considerable fine of 1000 guilders. This legal-historical discussion of humorous artistic works, such as Ismaël, highlights the complex relationship between libel laws and free speech.
这篇文章通过幽默的艺术作品讲述了18世纪晚期——在言论自由成为宪法权利之前——关于言论自由的法律限制的一场引人入胜的法律角力比赛。它涉及1788年9月15日荷兰匿名杂志Ismaël一期上的模仿项目“来自巴别塔的报告”。据称乌得勒支市和有关当局成为目标，这些当局反过来起诉这些被认为是诽谤罪的当地卖家Gijsbert Timon van Paddenburg和Justus Visch。这一争议是通过橘红色分子的政治历史背景来研究的，橘红色分子在经历了一段动荡时期后重新掌权。本文分析了法院和当事各方的争论，以及对罗马法的接受，特别是关于诽谤。文学和哲学语言学理论被用来深入了解这种特殊的恶搞作为一种自由言论的形式被认为对18世纪晚期的社会是危险的。我们表明，这些被告利用模仿语言的模糊性作为其辩护策略的一部分。然而，司法当局驳回了这些基于语言的论点，最终以1000荷兰盾的巨额罚款谴责了这两名书商。对幽默艺术作品(如Ismaël)的法律-历史讨论凸显了诽谤法与言论自由之间的复杂关系。
{"title":"The (Ab)use of freedom of speech and the 1788 Ismaël-controversy: the legal limitations and affordances of a parodic periodical in the Dutch Republic","authors":"E. Dongen, M. Veldhuizen","doi":"10.1515/humor-2021-0101","DOIUrl":"https://doi.org/10.1515/humor-2021-0101","url":null,"abstract":"Abstract This article highlights a fascinating legal wrestling match over the legal limits of free speech through humorous artistic works in the late eighteenth century – just before freedom of speech became a constitutional right. It concerned the parodic item “Reports from Babel” in an issue of the anonymous Dutch journal Ismaël from 15 September 1788. The city of Utrecht and specific authorities were allegedly targeted who in turn prosecuted the local sellers of these perceived libels, Gijsbert Timon van Paddenburg and Justus Visch. The controversy is studied through the political-historical background of the Orangists, who had been returned to power following a turbulent period. The arguments of the court and the parties involved are analysed, as well as the reception of the Roman law of iniuria – specifically regarding libels. Literary and philosophical-linguistic theories are employed to gain insight into the way this particular parody as a form of free speech was perceived as dangerous to late-eighteenth-century society. We show that these defendants exploited the ambiguity of parodic language as part of their defense strategy. Nonetheless, the judicial authorities dismissed these language-based arguments, ultimately condemning the two booksellers with the considerable fine of 1000 guilders. This legal-historical discussion of humorous artistic works, such as Ismaël, highlights the complex relationship between libel laws and free speech.","PeriodicalId":73268,"journal":{"name":"Humor (Berlin, Germany)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86100988","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Brigitte Adriaensen, A. Bricker, Alberto Godioli, T.S.E. Laros
{"title":"Satire and the law: an interview with German lawyer Gabriele Rittig","authors":"Brigitte Adriaensen, A. Bricker, Alberto Godioli, T.S.E. Laros","doi":"10.1515/humor-2022-0057","DOIUrl":"https://doi.org/10.1515/humor-2022-0057","url":null,"abstract":"","PeriodicalId":73268,"journal":{"name":"Humor (Berlin, Germany)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87636095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Soviet writers Yuli Daniel (aka Nikolay Arzhak) and Andrey Sinyavsky (aka Abram Tertz) published several satires anonymously in capitalist countries during the Cold War. In 1965 both writers were arrested in the Soviet Union and they were put on trial in February 1966. They were charged under Article 70 of the Penal Code that criminalized libel and defamation of the state and agitation with the aim of undermining or weakening the state. Sinyavsky was sentenced to seven years in a labor camp and Daniel was given five years. This trial’s controversial discussions about authorial opinions and intentions and the complex relationship between satire and social reality remain highly relevant today. This article presents seven contradictions and ambiguities inherent to satire in order to disentangle different arguments and viewpoints in their context. The reception of satirical texts is complicated by issues surrounding ethics and violence, seriousness and non-seriousness, truth and fiction, ambiguous or dubious empathy, morality, political content in non-political texts, and the use of a fictional persona. The vagueness and in-betweenness of satire can pose a challenge to environments averse to ambiguity, as was the case in this Soviet trial, but also in similar cases until today.
{"title":"“This does not interest the court!”: the 1966 Soviet Satire Trial and its persistent legacy","authors":"Elisa Kriza","doi":"10.1515/humor-2021-0100","DOIUrl":"https://doi.org/10.1515/humor-2021-0100","url":null,"abstract":"Abstract Soviet writers Yuli Daniel (aka Nikolay Arzhak) and Andrey Sinyavsky (aka Abram Tertz) published several satires anonymously in capitalist countries during the Cold War. In 1965 both writers were arrested in the Soviet Union and they were put on trial in February 1966. They were charged under Article 70 of the Penal Code that criminalized libel and defamation of the state and agitation with the aim of undermining or weakening the state. Sinyavsky was sentenced to seven years in a labor camp and Daniel was given five years. This trial’s controversial discussions about authorial opinions and intentions and the complex relationship between satire and social reality remain highly relevant today. This article presents seven contradictions and ambiguities inherent to satire in order to disentangle different arguments and viewpoints in their context. The reception of satirical texts is complicated by issues surrounding ethics and violence, seriousness and non-seriousness, truth and fiction, ambiguous or dubious empathy, morality, political content in non-political texts, and the use of a fictional persona. The vagueness and in-betweenness of satire can pose a challenge to environments averse to ambiguity, as was the case in this Soviet trial, but also in similar cases until today.","PeriodicalId":73268,"journal":{"name":"Humor (Berlin, Germany)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89099347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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