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:Fanum Iunonis Melitense: L’area centrale del santuario di Tas-Silġ a Malta in età tardo-repubblicana :Fanum Iunonis Melitense:共和时代晚期马耳他 Tas-Silġ 庇护所的中心区域
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2024-03-05 DOI: 10.1086/730093
Amelia Robertson Brown
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引用次数: 0
:The Attalids of Pergamon and Anatolia: Money, Culture, and State Power 佩加蒙和安纳托利亚的阿塔利德人:金钱、文化和国家权力
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2024-02-06 DOI: 10.1086/729773
Marcus Chin
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引用次数: 0
:The Attalids of Pergamon and Anatolia: Money, Culture, and State Power 佩加蒙和安纳托利亚的阿塔利德人:金钱、文化和国家权力
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2024-02-06 DOI: 10.1086/729773
Marcus Chin
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引用次数: 0
:The Life and Death of Ancient Cities: A Natural History :《古代城市的生与死》:一部自然史
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2024-01-09 DOI: 10.1086/729155
Manuel Fernández-Gotz
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引用次数: 0
:Male Nudity in the Greek Iron Age: Representation and Ritual Context in Aegean Societies 希腊铁器时代的男性裸体:爱琴海社会的表象和仪式背景
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2024-01-09 DOI: 10.1086/729156
Stefanos Gimatzidis
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引用次数: 0
:Roman Funerary Rituals in Mutina (Modena, Italy): A Multidisciplinary Approach 穆蒂纳(意大利摩德纳)的古罗马丧葬仪式:多学科方法
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2024-01-09 DOI: 10.1086/729154
Alessandro Sebastiani
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引用次数: 0
Kızıldağ, Karadağ, and Sacred Peak Sites in Central Anatolia During the Late Bronze and Iron Ages 青铜时代晚期和铁器时代安纳托利亚中部的克孜勒达格、卡拉达格和圣峰遗址
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2024-01-01 DOI: 10.1086/727315
Michele Massa, James Osborne
Mountain peaks and rocky outcrops have long been recognized to have been crucial components of the religious beliefs of people in Anatolia during the Late Bronze and Iron Ages. Archaeologically, however, sanctuaries that are associated with these features are much less understood. This article considers what is known about Anatolian peak sites textually and archaeologically for the second and first millennia BCE. While Late Bronze Age textual accounts of rituals and built features on peaks are abundant, archaeological data is comparatively scarce. The converse is true during the Iron Age, from which there are several archaeologically attested kinds of monuments associated with rocky outcrops and peaks, including stelae and step monuments, but a limited textual record. Assessing the evidence for continuity and innovation in peak-site usage across the two periods sheds new light on the Bronze to Iron Age transition, contributing additional nuance to what is increasingly recognized to have been a highly variable and localized phenomenon. In particular, the Iron Age peak sanctuaries of Kızıldağ and Karadağ and the associated settlement of Türkmen-Karahöyük serve as a useful case study for the ways in which Late Bronze Age precedents were consciously adapted into new forms in the Iron Age.1
长期以来,人们一直认为山峰和岩石露头是青铜时代晚期和铁器时代安纳托利亚人宗教信仰的重要组成部分。然而,从考古学角度来看,人们对与这些地貌相关的圣所的了解要少得多。本文探讨了公元前二千年和公元前一千年安纳托利亚山顶遗址的文字和考古情况。虽然青铜时代晚期关于祭祀和山顶建筑特征的文字记载非常丰富,但考古数据却相对稀少。铁器时代的情况则恰恰相反,考古发现了几种与岩石露头和山峰相关的纪念碑,包括石碑和阶梯碑,但文字记录却很有限。评估这两个时期山顶遗址使用的连续性和创新性的证据,为青铜时代向铁器时代的过渡提供了新的线索,使人们越来越认识到这是一个高度多变和局部化的现象。特别是,铁器时代的 Kızıldağ 和 Karadağ 山顶圣地以及相关的 Türkmen-Karahöyük 聚居地是一个有用的案例研究,说明青铜时代晚期的先例在铁器时代如何被有意识地改造成新的形式。
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引用次数: 0
Ecocriticism on the Wall: Roman Landscapes at the San Antonio Museum of Art 墙上的生态批评:圣安东尼奥艺术博物馆的罗马景观
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2024-01-01 DOI: 10.1086/728419
Sophie Crawford-Brown
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引用次数: 0
The Extramural Settlement at Vindolanda in the Early Second Century CE: Defining a Glocalized Environment on the Romano-British Frontier 公元二世纪早期文多兰达的村外定居点:定义罗马-英国边境的本土化环境
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2024-01-01 DOI: 10.1086/727259
Elizabeth M. Greene, A. Birley
Examining the Roman military settlement at Vindolanda, this article explores the archaeology of the northern frontier of the Roman empire in a glocalization framework, investigating the site during a specific occupation period to understand how the material culture found there operated within its particular local context. The soldiers and the extended military communities of auxiliary settlements that dominated the imperial frontiers make a complicated and intriguing case study because of their origins as subaltern and conquered subjects of imperial rule, followed by incorporation into the Roman army. A close examination of the extramural settlement outside the fort at Vindolanda in the site’s Period 4 (ca. 105–120 CE) allows the opportunity to apply a glocal lens to the architecture, foodways, literacy, and dress preserved in the material record. We are presented with a picture of adoption, adaptation, and retention that ultimately can be understood only as the result of ongoing change and creation in a multilayered imperial context. These spaces and their material culture are fully analyzed here, with careful consideration of the community present at Vindolanda, in order to tease out the unique and novel outcomes that this population created in their local context.1
本文通过考察文多兰达(Vindolanda)的罗马军事定居点,在 "全域化"(glocalization)框架下探索罗马帝国北部边疆的考古学,调查该遗址在特定占领时期的情况,以了解在那里发现的物质文化如何在其特定的地方背景下运作。在帝国边疆占主导地位的士兵和辅助定居点的扩展军事社区是一个复杂而有趣的案例研究,因为他们起源于帝国统治的次等和被征服的臣民,随后被编入罗马军队。通过对文多兰达要塞外第四时期(约公元 105-120 年)的城外居住区进行仔细研究,我们有机会从地方视角来观察保存在材料记录中的建筑、饮食习惯、文化和服饰。我们看到的是一幅采纳、适应和保留的图景,最终只能理解为在多层次的帝国背景下不断变化和创造的结果。本文对这些空间及其物质文化进行了全面分析,并对文多兰达的社区进行了仔细考量,以揭示这些人在当地环境中创造的独特而新颖的成果1。
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引用次数: 0
Heroics of Dress: Exekias and Ornament in Greek Vase Painting 服饰的英雄主义:希腊花瓶绘画中的埃克塞基亚斯和装饰品
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2024-01-01 DOI: 10.1086/727314
Anthony F. Mangieri
The Athenian vase painter Exekias, on his gaming amphora in the Vatican (Musei Vaticani 16757), embellishes the cloaks of Achilles and Ajax with stars, rosettes, swastikas, and other motifs. Although long admired, these historiated textiles have been overlooked by scholars as merely decorative rather than iconographic. But analysis of Exekias’ textile decoration yields new insights on a well-known vase and offers a case study for a poetics of dress in vase painting that transforms our understanding of ornament and storytelling in Greek art. Mapping the place of the cloaks’ adornment within the genealogy and context of such imagery in epic poetry, elite traditions, magical practices, and Near Eastern and Italian art reveals how Exekias’ decorative idiom conveys meaning and enhances his portrait of the two heroes. This article explores how Exekias’ fictive dress ornament evokes epic traditions, appropriates the authority of Near Eastern luxury arts, reflects knowledge of textile traditions in Italy, activates knowledge of the cosmos, and conjures magical associations. Ultimately, Exekias employs the decoration of dress to expound on the characters and fates of Achilles and Ajax and to offer an exegesis on the nature of the hero.1
雅典花瓶画家埃克塞基阿斯(Exekias)在其收藏于梵蒂冈(梵蒂冈博物馆,16757 年)的游戏双耳瓶上,为阿喀琉斯和阿贾克斯的斗篷点缀了星星、玫瑰花瓣、卐和其他图案。尽管长期以来这些纺织品一直备受推崇,但学者们却忽视了它们的历史意义,认为它们只是装饰而非图腾。但对埃克塞基阿斯织物装饰的分析为我们了解一个著名的花瓶提供了新的视角,并为花瓶绘画中的服饰诗学提供了一个案例研究,改变了我们对希腊艺术中装饰和故事的理解。在史诗、精英传统、魔法实践以及近东和意大利艺术中的此类意象的谱系和背景下,绘制斗篷装饰的位置,揭示了埃克塞基阿斯的装饰成语如何传达意义并增强他对两位英雄的描绘。本文探讨了埃克塞基阿斯虚构的服饰装饰是如何唤起史诗传统、挪用近东奢华艺术的权威、反映意大利纺织传统知识、激活宇宙知识并引发魔法联想的。最终,埃克塞基阿斯利用服饰装饰来阐释阿基里斯和阿贾克斯的性格和命运,并对英雄的本质进行了诠释1。
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引用次数: 0
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American Journal of Archaeology
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