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Multifunctionality and Roman Oven-to-Table Wares: Internal Red-Slip Vessels 多功能和罗马烤箱到桌子的器皿:内部红滑容器
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.1086/724595
L. Banducci
Examining several hundred samples of internal red-slip vessels from the Roman sites of Musarna, Populonia, Cetamura del Chianti, Gabii, and Pompeii, this article presents a study using morphology, use-wear, and ceramic petrography to consider why this ware was produced for such a long period of time (third century BCE until at least the first century CE) and why it was so widespread in the empire. The article looks at this ware in the context of the other pottery types that were popular at the same time and that were visually similar. Considering the aesthetics of glossy red Roman cooking pans engages with the idea of the ceramic service of matching vessels and allows us to fruitfully explore the possibilities for multifunctionality in object use, bringing us closer to the ancient consumer’s experience in the kitchen and at the table. The study includes more than 50 thin sections and presents the first petrographic examination of any pottery from Musarna or Populonia.1
本文研究了从罗马的Musarna、Populonia、Cetamura del Chianti、Gabii和Pompeii等遗址中获得的几百个内部红条容器样本,通过形态学、使用磨损和陶瓷岩石学的方法来研究为什么这种器皿的生产时间如此之长(公元前3世纪直到至少公元1世纪),以及为什么它在罗马帝国如此普遍。这篇文章将这种陶器与当时流行的其他陶器类型联系起来,这些陶器在视觉上很相似。考虑到有光泽的红色罗马烹饪锅的美学与陶瓷服务的理念相结合,使我们能够富有成效地探索物体使用的多功能可能性,使我们更接近古代消费者在厨房和餐桌上的体验。这项研究包括50多个薄片,并首次对来自Musarna或populonia的陶器进行岩石学检查
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引用次数: 0
:Global Perspectives on Landscapes of Warfare :战争景观的全球视角
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.1086/725885
Haggai Olshanetsky
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引用次数: 0
:Musarna 4: La céramique à paroi fine Musarna 4:薄壁陶瓷
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2023-05-09 DOI: 10.1086/725628
R. Roth
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引用次数: 0
:The Julian Basilica: Architecture, Sculpture, Epigraphy :朱利安大教堂:建筑、雕塑、金石
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2023-05-09 DOI: 10.1086/725629
B. Russell
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引用次数: 1
:Il Mediterraneo occidentale dalla fase fenicia all’egemonia cartaginese: Dinamiche insediative, forme rituali e cultura materiale nel V secolo a.C. :从腓尼基阶段到迦太基霸权的西地中海:公元前5世纪的定居动态、仪式形式和物质文化。
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2023-04-04 DOI: 10.1086/725314
I. Ortega
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引用次数: 1
:Pots and Graves: The Lost Centuries of Early Iron Age Tenos :罐子和坟墓:早期铁器时代Tenos失落的几个世纪
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2023-04-04 DOI: 10.1086/725315
Xenia Charalambidou
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引用次数: 0
:Obsidian Across the Americas: Compositional Studies Conducted in the Elemental Analysis Facility at the Field Museum of Natural History 横跨美洲的黑曜石:在菲尔德自然历史博物馆的元素分析设施中进行的成分研究
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2023-04-04 DOI: 10.1086/725312
E. Frahm
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引用次数: 0
Notes on Phrygian Architecture: A Sixth-Century BCE Date for the Midas Monument at Midas City 弗里吉亚建筑札记:米达斯城米达斯纪念碑的公元前六世纪日期
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1086/723426
G. D. Summers
This article considers evidence for the form and materials used in monumental Phrygian architecture in Central Anatolia during the Middle Iron Age (eighth–sixth centuries BCE) to argue for a later (sixth-century BCE) date for the Midas Monument. Examination of this monument and other rock-cut architectural facades in the Phrygian Highlands leads to the conclusion that all of the monumental facades in the Phrygian Highlands represent buildings with low, double-pitched, tiled roofs and architectural terracotta revetment tiles that should be dated to the first half of the sixth century. This conclusion has significant implications for the history of Midas City itself and the nature of Lydian rule in Central Anatolia.1
本文考虑了铁器时代中期(公元前八至六世纪)安纳托利亚中部弗里吉亚纪念碑建筑的形式和材料的证据,以论证米达斯纪念碑的日期较晚(公元前六世纪)。对这座纪念碑和弗里吉亚高地的其他岩石切割建筑立面的研究得出的结论是,弗里吉亚高地的所有纪念碑立面都代表了具有低矮、双坡、瓷砖屋顶和建筑用陶土护坡瓷砖的建筑,其年代应为六世纪上半叶。这一结论对米达斯城本身的历史和安纳托利亚中部吕底亚统治的性质具有重要意义。1
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引用次数: 0
Burying the Alabaster Goddess in Hellenistic Babylonia: Religious Power, Sexual Agency, and Accessing the Afterlife Through Ishtar-Aphrodite Figurines from Seleucid-Parthian Iraq 埋葬希腊化巴比伦的雪花石膏女神:宗教权力、性代理和通过塞琉古-帕提亚伊拉克的伊什塔尔·阿佛洛狄特雕像进入余生
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1086/723488
Stephanie M. Langin-Hooper
This article presents a new evaluation of alabaster figurines wearing crescent crowns, identified as the syncretized deity Ishtar-Aphrodite, from the Seleucid-Parthian period in Babylonia (ca. second century BCE–first century CE). Unlike previous studies, this article recontextualizes the alabaster goddesses as the most opulent and explicitly divine versions of two popular types in the broader, flourishing figurine tradition of Hellenistic Babylonia. Miniaturization theory, which elucidates the sensory and perceptual effects of small-scale objects, forms the methodological basis of this analysis, in dialogue with archaeological data and textual sources from Mesopotamia and the wider Hellenistic world. Using this approach, I argue that these figurines were open to identification as both goddesses and mortals so that a girl or woman could use them to construct her own sexual agency and facilitate her journey to the afterlife, even as she invoked the goddess’ assistance with both. The few unambiguous goddess figurines were depicted with crescent crowns to link their elite owners to the Babylonian temples and their prestigious astrological knowledge. This article makes the contribution of articulating the significant intertwining of Greek and Babylonian cultural values and religious beliefs that shaped these figurines, which were hybrid in more than just style.1
本文对巴比伦尼亚塞琉古-帕提亚时期(约公元前2世纪-公元前1世纪)戴新月形王冠的雪花石膏雕像进行了新的评价,这些雕像被认定为融合神伊什塔尔·阿佛洛狄特。与之前的研究不同,本文将雪花石膏女神重新文本化为希腊化巴比伦更广泛、繁荣的雕像传统中两种流行类型中最华丽、最明确的神圣版本。微型化理论阐明了小规模物体的感官和感知效果,与美索不达米亚和更广泛的希腊化世界的考古数据和文本来源对话,构成了这一分析的方法论基础。使用这种方法,我认为这些雕像可以被识别为女神和凡人,这样女孩或女人就可以用它们来构建自己的性中介,并为她通往死后的旅程提供便利,即使她同时请求女神的帮助。为数不多的明确的女神雕像被描绘成新月形王冠,以将其精英主人与巴比伦神庙及其著名的占星术知识联系起来。这篇文章阐述了希腊和巴比伦文化价值观和宗教信仰的重要交织,这些雕像不仅仅是风格上的混合。1
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引用次数: 0
Demographic Dynamics of Publishing in the American Journal of Archaeology 《美国考古杂志》出版的人口学动态
IF 1.2 1区 历史学 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1086/723220
Laura E. Heath-Stout, Grace K. Erny, Dimitri Nakassis
This article presents the results of a demographic survey of authors who published in the American Journal of Archaeology between 2000 and 2020. We sought to better understand the demographics of knowledge production in one of the major English-language journals for Mediterranean archaeology, and, by extension, in the field in general. The survey, delivered by email in the spring of 2021, asked authors about their gender, race or ethnicity, nationality, sexual orientation, the educational attainment of up to two of their parents, their current academic position and rank, and the number of times they have published in the AJA. Our results indicate that people of color and the children of parents without advanced degrees are greatly underrepresented among AJA authors over the past two decades when compared to the U.S. population as a whole—a phenomenon that likely confirms many scholars’ perceptions of the field but has not yet been empirically demonstrated. We conclude with some reflections on possible causes of underrepresentation and suggestions for creating a more inclusive discipline and publication process.1
本文介绍了2000年至2020年间发表在《美国考古杂志》上的作者的人口统计调查结果。我们试图在地中海考古的一本主要英文期刊上更好地了解知识生产的人口统计数据,进而了解该领域的总体情况。这项调查于2021年春季通过电子邮件发布,询问了作者的性别、种族或民族、国籍、性取向、最多两位父母的教育程度、当前的学术地位和排名,以及他们在AJA上发表的次数。我们的研究结果表明,在过去20年中,与整个美国人口相比,有色人种和父母没有高等学位的孩子在AJA作者中的代表性大大不足——这一现象可能证实了许多学者对该领域的看法,但尚未得到实证证明。最后,我们对代表性不足的可能原因进行了一些思考,并提出了创建一个更具包容性的学科和出版过程的建议。1
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引用次数: 1
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American Journal of Archaeology
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