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On Witnessing a Riot 关于目睹暴乱
Pub Date : 2021-10-01 DOI: 10.25158/l10.2.8
Andrew Brooks, M. Richardson
In the midst of the COVID-19 pandemic, the murder of George Floyd by Minneapolis police has sparked protests and riots around the world. The policing of the pandemic reveals the racial biases inherent to law enforcement and state-led discipline, laying bare ongoing infrastructural inequalities that render racialized subjects more vulnerable to premature death at the hands of police and public health systems alike. With the video embedded in the article, we guide readers through thirty-nine seconds of rioting in Los Angeles on May 31, 2020, shot on a mobile phone and circulated virally on Twitter. The affected body of the witness indexes both the intensity of the event and the embodied experience of the witness, establishing a relation between the two. The experiential aesthetics of the video exceeds the content and this affectivity circulates with its mediation and movement through networked platforms. Such forms of affective witnessing allow for an attunement to political struggle that occurs through what Hortense Spillers would call the analytic of the flesh. Thinking at the intersection of Black studies, affect theory, and media studies, we argue that the flesh is an affective register crucial to the building of global anti-racist solidarities towards abolition.
在新冠肺炎大流行期间,明尼阿波利斯警察杀害乔治·弗洛伊德(George Floyd)的事件在世界各地引发了抗议和骚乱。大流行的警务工作揭示了执法和国家主导的纪律中固有的种族偏见,暴露了持续存在的基础设施不平等,这些不平等使种族化的主体更容易在警察和公共卫生系统手中过早死亡。通过文章中嵌入的视频,我们引导读者了解2020年5月31日在洛杉矶发生的39秒骚乱,这是用手机拍摄并在推特上病毒式传播的。证人的受感体既反映了事件的强度,也反映了证人的具体经验,建立了两者之间的关系。视频的体验美学超越了内容,这种情感通过网络平台的中介和运动而循环。这种形式的情感见证允许对政治斗争的调谐,这种调谐通过Hortense Spillers所说的对肉体的分析而发生。在黑人研究、情感理论和媒体研究的交叉思考中,我们认为肉体是一种情感域,对于建立全球反种族主义团结一致,争取废除种族主义至关重要。
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引用次数: 0
The Green Color of Grief 悲伤的绿色
Pub Date : 2021-10-01 DOI: 10.25158/l10.2.13
S. Stanković, Linda Paganelli
This essay tries to read the pandemic-afflicted (human) world in terms of post-human translation. In echoing Anna Tsing’s call for “collaborative survival,” it speaks in images of human-spiders in the forest who sense the radical isolation of humans and, thus, loss of proximity. One witnesses ill-treatment of various bodies: those that are economized, racialized, or nationalized. In this way, the essay proposes a post-human approach to distorted intimacies worldwide. It uses multimodal means of reflection: film, photography, sounds, and words. Through such a combination of nonverbal and verbal elements, the essay argues against the divisions of humans-culture-nature. It asks the reader to rethink how we could exist in equal mutuality.
本文试图从后人类翻译的角度来解读受流行病折磨的(人类)世界。为了呼应安娜·青对“合作生存”的呼吁,它用人类蜘蛛在森林中的形象来表达,它们感觉到人类的彻底孤立,因此失去了亲近。人们目睹了对各种机构的虐待:那些被经济化、种族化或国有化的机构。通过这种方式,本文提出了一种后人类的方法来研究世界范围内扭曲的亲密关系。它使用多模态的反映方式:电影、摄影、声音和文字。通过这种非语言和语言元素的结合,本文反驳了人-文化-自然的划分。它要求读者重新思考我们如何才能在平等的相互关系中生存。
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引用次数: 0
Cycles of Quotidian Pandemic Instances 日常流行病实例的周期
Pub Date : 2021-10-01 DOI: 10.25158/l10.2.12
Paulina Lanz
By silencing the knowledge of our past, it will not disappear; it transforms into a hum. The hum, as a fluid object of silence can be mournful, can represent absence. The hum that we are neglecting connects with our feelings, registering as cyclic vibrations in contact with parts of the body. The vibrato of the hum speaks of unspoken relations that, according to Tina Campt, unifies quietness with sound, surrounded by affect within a register of meaningfulness. If we don’t dare to remember, some images will enunciate—and speak to—the affective register. With the sonic integration of Radio Influenza, artist Jordan Baseman’s computerized voices narrate stories from 1918 through newspaper fragments. The audible tracks add another register to the vibrations, complicating Paul Gilroy’s “politics of transfiguration,” where the “lower frequency” is purposefully over(p)layed mainly with a different set of forgotten histories suppressed from the war narrative. Hence, the sound is felt from an audible and visual register, enacted at the level of the quotidian narratives of twentieth-century photographs and newspaper stories. If we listen to these quiet photos, to these muffled stories, can we acknowledge that just as sonic vibrations, pandemics tend to come in waves as well? In the end, the 1918 spring influenza outbreak was followed by three waves: the fall of 1918, spring of 1919, and winter of 1919. These waves of history, sound, and pandemics, can push us to resist the neglectfulness and acknowledge what we have unlearned from the cycles of quotidian instances, time and time again.
通过对过去的沉默,它不会消失;它变成了嗡嗡声。嗡嗡声,作为静默的流动对象,可以是悲伤的,可以代表缺席。我们忽略的嗡嗡声与我们的感觉联系在一起,记录为与身体部位接触的循环振动。根据蒂娜·坎普特(Tina Campt)的说法,嗡嗡声的颤音讲述了未言说的关系,将安静与声音统一起来,在有意义的范围内被情感所包围。如果我们不敢记忆,一些图像就会清晰地表达——并与情感域对话。随着无线电流感的声音整合,艺术家乔丹·巴斯曼的电脑声音通过报纸碎片讲述1918年的故事。可听的音轨为震动增添了另一种音轨,使保罗·吉尔罗伊的“变形的政治”变得复杂起来,在那里,“较低的频率”被故意掩盖(p),主要是由一组不同的被遗忘的历史压抑在战争叙事中。因此,声音是从听觉和视觉的角度来感受的,在20世纪的照片和报纸故事的日常叙述层面上制定的。如果我们听听这些安静的照片,听听这些不为人知的故事,我们能不能承认,就像声波振动一样,流行病也会以波的形式出现?最后,1918年春季流感爆发之后出现了三波:1918年秋季、1919年春季和1919年冬季。这些历史、声音和流行病的浪潮可以促使我们抵制忽视,并承认我们一次又一次地从日常事件的循环中没有学到的东西。
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引用次数: 0
Finding Joy and Elegy 寻找欢乐和挽歌
Pub Date : 2021-10-01 DOI: 10.25158/l10.2.15
F. Karioris
Amidst the despair, desperation, death, and economic deprivation of the pandemic, poetry—and creative outlets more broadly—have arisen to assist us in both making sense of the world at large, as well as addressing our own struggles during and from these challenges. This essay seeks to put these works into conversation as part of a process—along with quarantine—of seeding, an opportunity to grow new roots and networks. Drawing from a field of established literary journals and ones established during and explicitly to address the pandemic, the essay aims to begin a process of distilling the ways that even amongst fear and loss we must (and will) find ways to find joy. This requires us to seek out new forms of elegy that elaborate and understand the importance of relations and joys between peoples, and the new relational possibilities that our life holds for us as we move towards a post-pandemic world.
在疫情带来的绝望、绝望、死亡和经济匮乏中,诗歌——以及更广泛的创造性渠道——应运而生,帮助我们理解整个世界,并解决我们在这些挑战期间和从这些挑战中进行的斗争。这篇文章试图将这些作品作为播种过程的一部分——连同隔离——纳入对话,这是一个生长新根和网络的机会。从已建立的文学期刊领域和在疫情期间建立并明确应对疫情的期刊中,本文旨在开始一个提炼方法的过程,即即使在恐惧和损失中,我们也必须(也将)找到找到快乐的方法。这要求我们寻找新的哀歌形式,阐述和理解各国人民之间关系和欢乐的重要性,以及在我们走向大流行后世界的过程中,我们的生活为我们提供的新的关系可能性。
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引用次数: 0
Plants, Vegetables, Lawn 植物,蔬菜,草坪
Pub Date : 2021-10-01 DOI: 10.25158/l10.2.14
Giulia Carabelli
This essay presents photos and words illustrating practices of care in homes shared by humans and plants during the COVID-19 pandemic. Drawing on interviews with plant carers, I highlight how humans (re)discovered plants as kin during forced social isolation. I reflect on how plants provided joy, hope, and reassurance during crisis, enabling strong affective bonds with their human carers. I read the creation/cementing of affective bonds between humans and plants for its political significance, and I interrogate the activity of making home/kin with plants as the emergence of interspecies solidarities, which challenge anthropocentric narratives of worldmaking and reinsert non-human beings as central to the making of more just and inclusive futures.
本文用图片和文字说明了2019冠状病毒病大流行期间人类和植物共享的家庭护理实践。通过对植物护理人员的采访,我强调了人类如何在被迫的社会隔离中(重新)发现植物是近亲。我思考植物如何在危机中提供欢乐、希望和安慰,使它们与人类照顾者建立起牢固的情感纽带。我读了人类和植物之间情感纽带的创造/巩固,因为它的政治意义,我质疑与植物建立家庭/亲属关系的活动,因为物种间团结的出现,这挑战了人类中心主义的世界创造叙事,并重新将非人类作为创造更公正和包容的未来的核心。
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引用次数: 0
Within and Against Racial Segregation 赞成和反对种族隔离
Pub Date : 2021-10-01 DOI: 10.25158/l10.2.10
I. Peano
The pandemic brought migrant farm workers into the limelight once again, as has happened repeatedly in the last three decades, in Italy as in many other parts of the world. Here I examine how intersecting and sometimes conflicting discourses and interventions, that have this biopolitically conceived population as their object, decide upon these subjects’ worthiness of attention, care, and sympathy through criminalizing, victimizing, and humanitarian registers. I reflect on some of the affective dynamics that sustain both the governmental operations through which these populations were (sought to be) managed and reactions against them from a situated perspective, as an accomplice to many of the forms of struggle in which migrant farm workers have engaged in the last decade in Italy. The stage for many such occurrences is what I have elsewhere defined as the “encampment archipelago” that many such workers, and particularly those who migrate from across West Africa, inhabit—labor or asylum-seeker camps, but also slums or isolated, derelict buildings, and various hybrid, in-between spaces among which people circulate.
正如过去三十年来在意大利和世界许多其他地方一再发生的那样,这次大流行再次使移徙农场工人成为人们关注的焦点。在这里,我研究了交叉的,有时是相互冲突的话语和干预,这些话语和干预以这些生物政治上被认为是他们的对象,如何通过定罪、受害和人道主义登记来决定这些主题是否值得关注、关心和同情。我反思了一些情感动力,这些情感动力既维持了政府的运作,通过这些运作(寻求)管理这些人口,也从一个特定的角度对他们进行了反应,作为过去十年中移民农场工人在意大利从事的许多形式的斗争的帮助者。许多此类事件发生的舞台是我在其他地方定义的“营地群岛”,许多这样的工人,特别是那些从西非迁移过来的工人,居住在劳动或寻求庇护的营地,但也有贫民窟或孤立的,废弃的建筑,以及各种混合的,介于人们之间的空间。
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引用次数: 0
Introduction—Corona A(e)ffects Introduction-Corona (e)结合
Pub Date : 2021-10-01 DOI: 10.25158/l10.2.6
Mattia Fumanti, E. Zambelli
Right from the emergence of the ongoing COVID-19 pandemic, national governments and international institutions have been relentlessly qualifying it as an “unprecedented” event. We have been told that the virus sees no color or class and that equal sacrifices from each one of us are and continue to be necessary to contain its spread. We have been instructed to look at the virus in scientific, neutral terms as if we had equal chances of being affected by it—as if its routes, that is, did not follow the roots of sedimented histories of oppression, exploitation, dispossession, and structural violence. This forum departs from such narratives to look at how the current COVID-19 pandemic intersects with other pre-existing and enduring pandemics, such as those produced by racism, capitalism, and speciesism. In building on the emerging critiques by Indigenous, feminist, Black, and queer academics, movements, and activists, the contributions it hosts offer multimedia reflections on affects triggered or evoked by the current pandemic, such as rage, fear, despair, restraint, care, and hope. Coming from different parts of the globe and disciplinary approaches, authors convey the “Corona(virus) a(e)ffects” in multisensorial ways, combining written essays, poetry, videos, and photographs. By contextualizing the ongoing COVID-19 pandemic within a historical legacy of structural violence within and across species, this forum moves beyond deceitfully single-focus and temporally flat narrations. In so doing, it provides a space for the expression of radical affectivities of dissent and hope that its outburst has arguably made only more visible and pressing.
自2019冠状病毒病大流行出现以来,各国政府和国际机构一直坚持将其定性为“前所未有”的事件。我们被告知,这种病毒不分肤色和阶级,我们每个人都必须做出同样的牺牲,以遏制其传播。我们被要求以科学的、中立的方式看待这种病毒,就好像我们有同样的机会受到它的影响——就好像它的路线,也就是说,不遵循压迫、剥削、剥夺和结构性暴力的根深蒂固的历史根源。本次论坛将从这些叙述出发,探讨当前的COVID-19大流行与其他已经存在和持续存在的大流行(如种族主义、资本主义和物种主义造成的大流行)之间的交集。在原住民,女权主义者,黑人和酷儿学者,运动和活动家的新兴批评的基础上,它所主持的贡献提供了对当前流行病引发或引起的影响的多媒体反思,如愤怒,恐惧,绝望,克制,关心和希望。作者来自全球不同地区,采用不同的学科方法,通过结合书面文章、诗歌、视频和照片,以多感官方式传达“冠状病毒(病毒)效应”。通过将当前的COVID-19大流行置于物种内部和物种间结构性暴力的历史遗产中,本论坛超越了具有欺骗性的单一焦点和暂时的扁平叙述。在这样做的过程中,它为表达异见的激进情感和希望提供了一个空间,而它的爆发可以说只会让这种表达更加明显和紧迫。
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引用次数: 0
Bewilderment, Hope, and Despair 困惑,希望和绝望
Pub Date : 2021-10-01 DOI: 10.25158/l10.2.11
Lasse Mouritzen, Madeleine Kate McGowan, Kristine Samson
This essay is a collective investigation of affective experience, bewilderment, and imagery during the COVID-19 situation in Copenhagen, Denmark through multivocal writing and filmmaking. By letting go of the promises of normality, both in thinking and creating, the writers explore various personal, academic, and aesthetic states of affect—hope, despair, desire, and frustration, like temporary landscapes or glimpses of a new world. Feeding on boredom and fear of being isolated, left inactive and frustrated, naive, or hopeful, this essay points into a different and shivering set of changes, personal and societal, that we are currently facing, and illustrates how such changes, full of pain or despair, might also open new becomings of desire and hope.
本文通过多声音写作和电影制作,对丹麦哥本哈根疫情期间的情感体验、困惑和意象进行了集体调查。通过在思考和创作中放弃对正常的承诺,作家们探索了各种个人的、学术的和审美的情感状态——希望、绝望、欲望和沮丧,就像暂时的风景或对新世界的一瞥。这篇文章以厌倦和害怕被孤立、不活跃、沮丧、天真或充满希望为素材,指出了我们目前面临的一系列不同的、令人颤抖的变化,包括个人和社会的变化,并说明了这些充满痛苦和绝望的变化如何也可能开启新的欲望和希望。
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引用次数: 1
Review of Distributed Blackness: African American Cybercultures by André Brock, Jr. (New York University Press) 《分布式黑人:非裔美国人的网络文化》,作者:小安德烈·布鲁克(纽约大学出版社)
Pub Date : 2021-09-01 DOI: 10.25158/l10.2.21
Nora Suren
In Distributed Blackness: African American Cybercultures, interdisciplinary scholar André Brock, Jr. offers a timely and powerful examination of Blackness in the digital age. The book centers Black technology use from Black perspectives and investigates the online distribution of Black discourses. In six exploratory chapters, Brock reconceptualizes Black technoculture in a way that corrects deficit models of Black digital practice.
在《分布的黑人:非裔美国人网络文化》一书中,跨学科学者安德鲁·布鲁克对数字时代的黑人进行了及时而有力的审视。这本书从黑人的角度关注黑人技术的使用,并调查了黑人话语的在线传播。在六个探索性章节中,布洛克以一种纠正黑人数字实践缺陷模型的方式重新概念化了黑人技术文化。
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引用次数: 1
Review of Poor Queer Studies: Confronting Elitism in the University by Matthew Brim (Duke University Press) 《贫困酷儿研究综述:直面大学精英主义》作者:马修·布里姆(杜克大学出版社)
Pub Date : 2021-08-01 DOI: 10.25158/l10.2.20
Adrian Switzer
The review focuses on the practical work of Poor Queer Studies. Rather than retheorize queer studies from the class perspective of "rich" and "poor," Brim makes a case study of his work as a professor of queer studies at the College of Staten Island (CSI). Insisting on the particularity of his and his students’ relationship to queer studies, Brim makes an example of the work they do together in the classroom, and the ways they live their studies on public transit, at home with their families, and in their part-time jobs. This review questions the extent to which poor queer studies differs from the modern university’s reduction of all education to career-training. Brim’s praxis of poor queer studies is always undertaken with individual students in specific socio-economic circumstances—a particularity that makes it different than market-driven job-training. This review also raises questions about the general applicability of this case study. Would poor queer studies work elsewhere as it does at CSI? Berlant’s idea of exemplarity is helpful in answering this question. Unlike examples that confirm a norm, there are examples that change norms. Brim’s example of poor queer studies works to exemplarily change what counts as normal. Practically, this means no longer thinking of queer studies as operating without class distinction—and reclaiming part of the work of the discipline from seemingly classless rich queer studies at places like Yale and New York University.
这篇综述的重点是穷人酷儿研究的实际工作。Brim并没有从“富人”和“穷人”的阶级角度对酷儿研究进行重新理论化,而是对他作为史坦顿岛学院(CSI)酷儿研究教授的工作进行了案例研究。布里姆坚持认为他和他的学生与酷儿研究之间的关系是特殊的,他举例说明了他们在课堂上共同完成的工作,以及他们在公共交通上、与家人在家里、以及在兼职工作中完成学业的方式。这篇综述质疑了贫穷的酷儿研究在多大程度上不同于现代大学将所有教育减少到职业培训。Brim的穷酷儿研究实践总是针对特定社会经济环境下的个别学生进行的——这种特殊性使其与市场驱动的职业培训不同。这篇综述也提出了关于这个案例研究的普遍适用性的问题。糟糕的酷儿研究在其他地方也会像CSI一样有效吗?伯兰特的范例概念有助于回答这个问题。与确认规范的例子不同,有改变规范的例子。Brim关于可怜的酷儿研究的例子可以作为改变正常的范例。实际上,这意味着不再认为酷儿研究是没有阶级差别的,并从耶鲁大学和纽约大学等地看似没有阶级差别的丰富酷儿研究中收回该学科的部分工作。
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引用次数: 0
期刊
Amyotrophic Lateral Sclerosis
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