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Coronavirus Pedagogy in the Zoomoscape 动物模型中的冠状病毒教学法
Pub Date : 2021-12-01 DOI: 10.25158/l10.2.16
M. Breen
The COVID-19 pandemic emptied universities, colleges, and schools across the United States in March 2020, forcing instructors into an unavoidable culture in which a networked commercial technology mediated teaching and learning. In the tradition of critical pedagogy, this article argues that students and instructors alike engaged through the artificial lenses and screens of Zoom. The “pinhole intimacy” of the Zoomscape is assessed using conscientization, the concept offered by the Brazilian educator Paulo Freire, to describe most pedagogy as an oppressive apparatus that can be overcome with direct engagement between students and instructors. In such an opticentric context, the Zoomosphere’s intimacy is used to explore how the emancipation proposed by conscientization might be applied to the culture of pedagogy in a college with a diverse student population, including pedagogical interventions to address the challenges associated with teaching Division I athletes. The context of a large communication department at Boston College provides the empirical foundation for the exploration of coronavirus pedagogy.
2020年3月,2019冠状病毒病大流行清空了美国各地的大学、学院和学校,迫使教师进入一种不可避免的文化,在这种文化中,网络化的商业技术介导了教学。在批判教学法的传统中,本文认为学生和教师都是通过Zoom的人工透镜和屏幕来参与的。Zoomscape的“针孔亲密”是用巴西教育家Paulo Freire提出的概念“自训化”来评估的,他将大多数教学法描述为一种压迫性的工具,可以通过学生和教师之间的直接接触来克服。在这样一个以光学为中心的背景下,Zoomosphere的亲密关系被用来探索如何将尽责化提出的解放应用于一所拥有多样化学生群体的大学的教育学文化,包括教学干预,以解决与教学一级运动员相关的挑战。波士顿学院大型传播系的背景为探索冠状病毒教学法提供了经验基础。
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引用次数: 0
Commodifying Tragedy 商品化的悲剧
Pub Date : 2021-12-01 DOI: 10.25158/l10.2.5
Ce Heim
By focusing on the representation of violence against Native American women in Craig Johnson’s "The Cold Dish" and the television show "Longmire," this article demonstrates how these cultural productions perpetuate settler-colonial power relations. Although Longmire is one of the more progressive shows thanks to its development of Native American characters and storylines, the settler-colonial status quo is affirmed in four main ways. Not only do the novel and TV show redeploy the racist stock characters of the Magical Indian and the White Savior, but the TV show especially also reiterates a version of the stereotypical Vanishing American narrative inherited from the Western genre. Furthermore, both cultural productions heavily pathologize the Cheyenne community, depriving them of agency. Finally, the novel and show both transform pain, suffering, and grief into transferable commodities. This allows them to disinvest the pain and tragedy suffered by the Native American characters in order to reinvest this tragic potential in white characters, which serves to reinforce the white characters’ heroism. The commodification of tragic potential and emphasis on its sentimentalization help obscure the settler-colonial origins and systemic perpetuation of violence against Native American women. In sum, this analysis shows that the deeply ingrained and normalized settler-colonial ideology inherent to representational strategies limit the progressive potential of even the most benevolent and well-meaning white cultural productions.
本文以克雷格·约翰逊的小说《冷盘》和电视剧《朗迈尔》中对美国土著妇女的暴力表现为重点,展示了这些文化作品是如何使定居者与殖民地的权力关系永久化的。虽然《朗迈尔》是一部较为进步的美剧,因为它塑造了印第安人的角色和故事情节,但它在四个主要方面肯定了定居者-殖民地的现状。这部小说和电视剧不仅重新使用了“神奇印第安人”和“白人救世主”这样的种族主义角色,而且还特别重申了从西部片中继承下来的刻板的“消失的美国”叙事。此外,这两种文化产品严重病态的夏安社区,剥夺了他们的代理。最后,小说和电视剧都将痛苦、苦难和悲伤转化为可转移的商品。这使得他们能够将印第安人角色所遭受的痛苦和悲剧重新投入到白人角色身上,从而强化白人角色的英雄主义。悲剧潜力的商品化和对其感性化的强调,有助于掩盖移民-殖民起源和对美洲土著妇女的暴力行为的系统性延续。总而言之,这一分析表明,代表性策略固有的根深蒂固和规范化的定居者-殖民意识形态限制了即使是最仁慈和善意的白人文化作品的进步潜力。
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引用次数: 0
First-Person Shooters, Tunnel Warfare, and the Racial Infrastructures of the US–Mexico Bordere 第一人称射击游戏,地道战争,以及美墨边境的种族基础设施
Pub Date : 2021-12-01 DOI: 10.25158/l10.2.2
Juan Llamas-Rodriguez
Digital networked media actively participate in the nation-state’s and tech entrepreneurs’ efforts to imagine and manage the borderlands. These media facilitate virtual forms of thinking about the border both by offering popular reference points for the new technology being developed (e.g. Google Maps, Pokémon Go, Call of Duty) and by providing the actual tools through which these ideas can become actionable. This article analyzes one such reference point within the first-person shooter (FPS) console game Call of Juarez: The Cartel (Ubisoft, 2011). Like other border-themed video games, The Cartel borrows on colonial tropes and ideologies by creating playable narratives that invoke the untamable frontier and position racialized subjects as Other. Through its virtual modes of representation and interaction, the game encodes the racialization processes that continue to shape popular imaginings of the border. While its digital aesthetics animate a dynamic space of possibility, the logic of the first-person shooter reins in the expansiveness of animated space by restricting it to an interactive experience of tunnel warfare, an ideological orientation to the border underground that channels the players’ purposive motion into a space of direct confrontation and racial violence. Analyzing the narrative and procedural work of this ostensibly reactionary video game demonstrates how border infrastructures structure and shape specific forms of racial and colonial violence.
数字网络媒体积极参与民族国家和技术企业家想象和管理边疆的努力。这些媒体通过为正在开发的新技术提供流行的参考点(如Google Maps, poksammon Go, Call of Duty)以及通过提供实际的工具使这些想法变得可行,从而促进了对边界的虚拟思考。本文将分析第一人称射击(FPS)主机游戏《Call of Juarez: the Cartel》(育碧,2011)中的一个参考点。与其他以边界为主题的电子游戏一样,《The Cartel》通过创造可玩的叙述来借用殖民主义的比喻和意识形态,并将不可征服的边界和种族化的主题定位为“他者”。通过其虚拟的表现和互动模式,游戏编码了种族化过程,继续塑造大众对边界的想象。虽然它的数字美学创造了一个充满可能性的动态空间,但第一人称射击游戏的逻辑却限制了动画空间的扩展性,将其限制在地道战的互动体验中,这是一种对地下边界的意识形态取向,将玩家的有目的动作引导到直接对抗和种族暴力的空间中。分析这款表面上反动的电子游戏的叙事和程序工作,可以展示边界基础设施是如何构建和塑造特定形式的种族和殖民暴力的。
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引用次数: 0
Years in Cultural Studies: 2013 研究年限:2013年
Pub Date : 2021-12-01 DOI: 10.25158/l10.2.17
Karel Šima, Ondřej Daniel, Tomáš Kavka
n Eastern Europe, which is the focus of our study, different national scholarly traditions assigned their own place to the study of culture. Although the influence of the kulturologia (“culturology”) schools installed at Russian universities in the 1980s radiated out into Eastern European countries, local academic communities dictated the approach to the study of popular culture. While the Polish field of kulturoznawstwo was propelled by internal forces from the early 1970s onwards, in Czechoslovakia, kulturologie emerged as a new discipline around the fall of the Communist regime. Even so, it failed to take off and by 2012 had vanished completely from the Czech Republic. Central European countries were also affected by the German academic tradition of Kulturwissenschaften with its emphasis on philosophy and aesthetics. Our inquiry highlights the first international conference on cultural studies in the Czech Republic in 2013. It was during this event that a group of new postdocs from Charles University, including ourselves, raised the topic of changes in Eastern European popular culture due to the political transformation in 1989. This group had also arranged for Ann Gray, the final director of the UK Centre for Contemporary Cultural Studies (CCCS) to give a keynote address at the conference, a gesture that clearly linked the CCCS with the group’s own Centre for the Study of Popular Culture (CSPK) established three years earlier. From the outset, CSPK’s organizers aimed to promote the Anglo-American tradition of cultural studies both in the academy and among the general public. At the same time, they sought to retain their independence from academic structures and funding systems that might restrict their political activism.
在东欧,这是我们研究的重点,不同的国家学术传统为文化研究分配了自己的位置。虽然20世纪80年代在俄罗斯大学设立的文化学(“文化学”)学校的影响辐射到东欧国家,但当地的学术团体决定了流行文化研究的方法。波兰文化领域从20世纪70年代初开始受到内部力量的推动,而在捷克斯洛伐克,文化学是在共产主义政权垮台前后作为一门新学科出现的。即便如此,它也未能起飞,到2012年,它已经完全从捷克共和国消失了。中欧国家也受到德国强调哲学和美学的学术传统“文化智慧”的影响。我们的调查强调了2013年在捷克共和国举行的第一届文化研究国际会议。正是在这次活动中,查理大学的一群新博士后,包括我们自己,提出了1989年政治转型导致的东欧流行文化变化的话题。该组织还安排了英国当代文化研究中心(CCCS)的最后一任主任安·格雷(Ann Gray)在会议上发表主题演讲,这一姿态显然将英国当代文化研究中心与该组织三年前成立的流行文化研究中心(CSPK)联系起来。从一开始,CSPK的组织者就希望在学术界和公众中推广英美文化研究的传统。与此同时,他们寻求保持自己的独立性,不受可能限制其政治活动的学术结构和资助制度的影响。
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引用次数: 0
Editors' Introduction: Materializing Immaterial Labor in Cultural Studies 编者按:文化研究中非物质劳动的物质化
Pub Date : 2021-12-01 DOI: 10.25158/l10.2.1
R. Carley, Stefanie A. Jones, Eero Laine, C. Sula
This introduction frames the six original articles in this issue and the forum on "Corona A(e)ffects: Radical Affectivities of Dissent and Hope" around the concept of immaterial labor. Two full years into a pandemic that has uprooted place-based work for many, and forced even more indoors, away from public spaces, and onto screens, we reflect on the very material effects of present-day immaterial and emotional labor.
这篇引言将本期的六篇原创文章和围绕非物质劳动概念的“Corona A(e) effects: Radical affective of Dissent and Hope”论坛结合起来。这场大流行已经持续了整整两年,许多人被迫在室内工作,远离公共空间,转向屏幕。我们反思当今非物质和情感劳动的物质影响。
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引用次数: 0
Review of Another Aesthetics is Possible: Arts of Rebellion in the Fourth World War by Jennifer Ponce de León (Duke University Press) 《另一种美学是可能的:第四次世界大战中的反叛艺术》詹妮弗·庞塞·德León(杜克大学出版社)
Pub Date : 2021-11-01 DOI: 10.25158/l10.2.24
Michael Dango
In Another Aesthetics is Possible, Jennifer Ponce de León looks at recent aesthetic practices in Argentina, Mexico, and the United States that shift the commonsense of history, space, and violence in order to usher in an anticapitalist and anticolonial world. With an expansive archive and a method that combines interviews, journalism, and close formal readings of art–activist practices, Ponce de León demonstrates the importance of aesthetics—and of aesthetic criticism—for making another world possible.
在《另一种美学是可能的》一书中,Jennifer Ponce de León着眼于阿根廷、墨西哥和美国最近的美学实践,这些实践改变了历史、空间和暴力的常识,从而迎来了一个反资本主义和反殖民主义的世界。庞塞·德·León凭借丰富的档案和结合采访、新闻和对艺术活动家实践的密切正式阅读的方法,展示了美学和美学批评的重要性,使另一个世界成为可能。
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引用次数: 0
Feelings, Fascism, and Futures 感情、法西斯主义和未来
Pub Date : 2021-10-01 DOI: 10.25158/l10.2.9
S. Enzerink
The COVID-19 pandemic has exposed some of the most glaring inequalities within nations and across the globe. While the disruption caused by the pandemic has given rise to hopes for a cultural reset to address these structures of inequality—captured compellingly by Arundhati Roy in her vision of the pandemic as a portal—the sediments of inequality have proven hard to erode. In this contribution, I explore this regressive impulse by honing in on the affect of restraint. While restraint is not ordinarily characterized as such, in the pandemic it has been a defining feature of our lives. However, it was not afforded equally. I begin by showing how restraint has become racialized, serving as a political tool to suppress protests, notably Black Lives Matter. I then move to show how globally, too, there has been an imbalance in who is—and what countries are—expected to practice nonintervention, linking both domestic and international uses of restraint to these preexisting structures of inequality. I end by proffering a vision for how, despite all these obstacles, the pandemic has also offered ways to bypass the state and form new social formations.
2019冠状病毒病大流行暴露了国家内部和全球范围内一些最明显的不平等现象。虽然大流行造成的破坏使人们希望通过文化重置来解决这些不平等结构——阿兰达蒂·罗伊(Arundhati Roy)在将大流行视为门户的愿景中令人信服地抓住了这一点——但事实证明,不平等的沉积物难以消除。在这篇文章中,我通过研究约束的影响来探索这种退化冲动。虽然克制通常不被这样描述,但在这次大流行中,它已成为我们生活的一个决定性特征。然而,这并不是平等的。我首先展示了克制是如何变得种族化的,成为压制抗议活动的政治工具,尤其是“黑人的命也是命”。然后,我将向大家展示,在全球范围内,谁——以及哪些国家——被期望实行不干涉政策是多么的不平衡,将国内和国际上的克制与这些先前存在的不平等结构联系起来。最后,我提出了一个愿景,即尽管存在所有这些障碍,疫情也提供了绕过国家、形成新社会形态的途径。
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引用次数: 0
Review of Queer in Translation: Sexual Politics under Neoliberal Islam by Evren Savcı (Duke University Press) 《翻译中的酷儿:新自由主义伊斯兰教下的性政治》书评,作者:埃夫伦·萨夫奇(杜克大学出版社)
Pub Date : 2021-10-01 DOI: 10.25158/L10.2.X
Leelan Farhan
Evren Savcı’s Queer in Translation presents an alternative, both in methodology and analysis, to the Orientalist analytical frameworks typical of Western scholars studying queer politics in Middle Eastern regions. Specifically, Savcı analyzes the rise of Turkey’s Adalet ve Kalınma Partisi (AKP; in English, the Justice and Development Party) to show how the AKP’s increased securitization and oppression of marginalized communities—including, but not limited to, Turkey’s LGBTQ community—is the result of the marriage of Islam and neoliberalism. Savci produces compelling case studies that reveal how Turkey’s weaponization of religion, morality, and capitalism serve to secure the nation against dissenting citizens. From the discourse surrounding the complicated murder of a gay Kurdish man, to unlikely solidarities between religious hijabi women and LGBTQ activists, and the public commons that became Gezi Park, Savci’s critical translation methods reveal how the language to construct and resist securitization in Turkey are far more nuanced than simple attribution to solely Islamist extremism or Western neoliberal influence.
萨夫基的《翻译中的酷儿》在方法论和分析上都为西方学者研究中东地区酷儿政治的典型东方学分析框架提供了另一种选择。具体来说,savcyi分析了土耳其的Adalet ve Kalınma Partisi (AKP;正义与发展党)来展示正义与发展党对边缘群体(包括但不限于土耳其的LGBTQ群体)日益增加的证券化和压迫是伊斯兰教和新自由主义结合的结果。萨维奇制作了引人注目的案例研究,揭示了土耳其如何将宗教、道德和资本主义武器化,以保护国家免受异见公民的侵害。从围绕一名库尔德同性恋男子的复杂谋杀案的讨论,到宗教头巾妇女和LGBTQ活动家之间不太可能的团结,以及成为Gezi公园的公共场所,Savci的批判性翻译方法揭示了土耳其语言如何构建和抵制证券化的微妙之处,而不仅仅是简单地归因于伊斯兰极端主义或西方新自由主义的影响。
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引用次数: 0
Public Space as Infrastructure of Care 公共空间作为关怀的基础设施
Pub Date : 2021-10-01 DOI: 10.25158/l10.2.7
Yannis Kallianos, P. Karathanasis
Our contribution puts forward an examination of public spaces as infrastructures of care. The eruption of the COVID-19 pandemic, and the “social distancing” measures imposed by several governments around the world, transformed the very use and conceptualization of urban public spaces. In Athens, Greece, public space, which had already been in different ways at the forefront of multifarious crises since 2010, reemerged, once again, as a critical site of sociopolitical antagonism. Public spaces, such as squares, became central places where people could come together to share knowledge and emotions, collectively alleviate anxieties, and thus (re)negotiate their positionality in the city. Such formations and enactments of social connection, affectivity, and antagonism, reflect the entanglement between everyday life and the political, and also draw attention to the association of public space with practices of care for collective well-being during precarious times. During the ever-increasing securitization and policing of urban spaces in Athens, in which everyday life has come to be ever more permeated by precarity and uncertainty, public spaces have been reenacted as safe and more inclusive environments where people can be and act together. Our contribution also employs a video to render more intelligible the affective interconnectedness of sounds, images, bodies, materialities, and practices in public space. By attending to the affective dynamics of a public square in central Athens, we examine the entanglements between the sociopolitical production of public space and forms of care during the COVID-19 pandemic.
我们的贡献提出了公共空间作为护理基础设施的研究。2019冠状病毒病大流行的爆发,以及世界各国政府实施的“社会距离”措施,改变了城市公共空间的使用和概念。在希腊雅典,自2010年以来,公共空间已经以不同的方式处于各种危机的最前沿,再次成为社会政治对抗的关键场所。公共空间,如广场,成为人们聚集在一起分享知识和情感的中心场所,共同缓解焦虑,从而(重新)协商他们在城市中的位置。这种社会联系、情感和对抗的形成和制定反映了日常生活与政治之间的纠缠,也引起了人们对公共空间与在不稳定时期关心集体福祉的实践的关注。随着雅典城市空间的日益安全化和治安化,日常生活越来越充满不稳定性和不确定性,公共空间被重新塑造为安全、更具包容性的环境,人们可以在这里共同行动。我们的贡献还采用了视频,以使声音、图像、身体、物质和公共空间实践的情感相互联系更容易理解。通过关注雅典市中心公共广场的情感动态,我们研究了2019冠状病毒病大流行期间公共空间的社会政治生产与护理形式之间的纠缠。
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引用次数: 0
Review of Reproductive Rights as Human Rights: Women of Color and the Fight for Reproductive Justice by Zakiya Luna (New York University Press) 《作为人权的生殖权利回顾:有色人种妇女与生殖正义之战》扎基亚·卢娜著(纽约大学出版社)
Pub Date : 2021-10-01 DOI: 10.25158/l10.2.23
Djuna Hallsworth
Zakiya Luna’s rich study combines comprehensive discourse analysis of political rhetoric and archival documents with her own ethnographic experiences within the reproductive justice movement. This book is an entry point into this often-marginalized arena, presenting a unique perspective informed by years of participant observation and thorough research which has produced additional projects, attesting to Luna’s expertise in this field of study. As a woman of color, Luna’s work is symbolically significant, and her intersectional lens renders this study broadly applicable to scholars of law, sociology, and gender studies, to policymakers and activists, and, indeed, to all women, who the reproductive justice movement indirectly or directly impacts. In tracing the way that reproductive justice has been framed as a “human right,” Luna addresses the potential for the human rights discourse to deliver on its intrinsic promise to secure freedom and equity for all.
Zakiya Luna的丰富研究结合了对政治修辞和档案文件的全面话语分析,以及她自己在生殖正义运动中的民族志经历。这本书是进入这个经常被边缘化的领域的切入点,呈现了一个独特的视角,通过多年的参与者观察和彻底的研究,产生了额外的项目,证明了Luna在这一研究领域的专业知识。作为一名有色人种女性,露娜的工作具有重要的象征意义,她的交叉视角使这项研究广泛适用于法律、社会学和性别研究学者,适用于政策制定者和活动家,甚至适用于所有受到生殖正义运动间接或直接影响的女性。在追溯生殖正义被定义为一项“人权”的过程中,卢娜探讨了人权话语实现其内在承诺的潜力,即确保所有人的自由和平等。
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引用次数: 0
期刊
Amyotrophic Lateral Sclerosis
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