Pub Date : 2020-12-17DOI: 10.1080/10344233.2020.1788881
A. Pagliarino, A. Meredith
The climate change variables of temperature, relative humidity, rainfall and fire weather are used in conjunction with spatial methodologies to produce maps that overlay locations of Australian nat...
温度、相对湿度、降雨和火灾天气等气候变化变量与空间方法结合使用，生成覆盖澳大利亚地理位置的地图。
{"title":"Mapping climate change and risks for Australian cultural collections","authors":"A. Pagliarino, A. Meredith","doi":"10.1080/10344233.2020.1788881","DOIUrl":"https://doi.org/10.1080/10344233.2020.1788881","url":null,"abstract":"The climate change variables of temperature, relative humidity, rainfall and fire weather are used in conjunction with spatial methodologies to produce maps that overlay locations of Australian nat...","PeriodicalId":7847,"journal":{"name":"AICCM Bulletin","volume":"41 1","pages":"3-26"},"PeriodicalIF":0.0,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10344233.2020.1788881","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41338758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-17DOI: 10.1080/10344233.2020.1831826
R. Sloggett, A. Wain
The conservation profession in Australia has a tradition of thoughtful, collaborative and innovative work that has continuously sought to improve techniques, explore new developments and respond to...
澳大利亚的保护行业有着深思熟虑、合作和创新的工作传统，不断寻求改进技术、探索新发展和应对。。。
{"title":"Cultural Materials Conservation in Australia: critical reflections and key issues in the twenty-first century","authors":"R. Sloggett, A. Wain","doi":"10.1080/10344233.2020.1831826","DOIUrl":"https://doi.org/10.1080/10344233.2020.1831826","url":null,"abstract":"The conservation profession in Australia has a tradition of thoughtful, collaborative and innovative work that has continuously sought to improve techniques, explore new developments and respond to...","PeriodicalId":7847,"journal":{"name":"AICCM Bulletin","volume":"41 1","pages":"1-2"},"PeriodicalIF":0.0,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10344233.2020.1831826","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46732903","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-17DOI: 10.1080/10344233.2020.1797331
M. Scott, J. O’Connell
In 2017 the AICCM received a Community Heritage – Peak Organisations grant from the NSW Office of Environment and Heritage. With funding for two years the AICCM and its project partners, Bathurst R...
{"title":"Sustainable conservation: linking conservation students and graduates with local communities to build a sustainable skills-based heritage preservation model in rural and regional Australia","authors":"M. Scott, J. O’Connell","doi":"10.1080/10344233.2020.1797331","DOIUrl":"https://doi.org/10.1080/10344233.2020.1797331","url":null,"abstract":"In 2017 the AICCM received a Community Heritage – Peak Organisations grant from the NSW Office of Environment and Heritage. With funding for two years the AICCM and its project partners, Bathurst R...","PeriodicalId":7847,"journal":{"name":"AICCM Bulletin","volume":"41 1","pages":"27-34"},"PeriodicalIF":0.0,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10344233.2020.1797331","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41714920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-17DOI: 10.1080/10344233.2020.1802912
Malgorzata Sawicki
Frames conservation is based as strongly on materials science and technical art history as on practical art and craft skills. Few conservation training courses prepare students for future work as a...
{"title":"New challenges for frames conservation in Australia: a pragmatic vision of future hands-on training","authors":"Malgorzata Sawicki","doi":"10.1080/10344233.2020.1802912","DOIUrl":"https://doi.org/10.1080/10344233.2020.1802912","url":null,"abstract":"Frames conservation is based as strongly on materials science and technical art history as on practical art and craft skills. Few conservation training courses prepare students for future work as a...","PeriodicalId":7847,"journal":{"name":"AICCM Bulletin","volume":"41 1","pages":"61-68"},"PeriodicalIF":0.0,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10344233.2020.1802912","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42167326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-17DOI: 10.1080/10344233.2020.1788882
J. O’Connell, B. Dabrowa, Jessie Firth, Lisa Mansfield, Frances Paterson, Malgorzata Sawicki, Emily Vearing
Three AICCM Special Interest Groups (SIGs) address the topic ‘critical reflections and key issues for the twenty-first century.’ Participating SIGs include Textiles, Gilded Objects Conservation and...
{"title":"AICCM special interest groups—key issues for the twenty-first century","authors":"J. O’Connell, B. Dabrowa, Jessie Firth, Lisa Mansfield, Frances Paterson, Malgorzata Sawicki, Emily Vearing","doi":"10.1080/10344233.2020.1788882","DOIUrl":"https://doi.org/10.1080/10344233.2020.1788882","url":null,"abstract":"Three AICCM Special Interest Groups (SIGs) address the topic ‘critical reflections and key issues for the twenty-first century.’ Participating SIGs include Textiles, Gilded Objects Conservation and...","PeriodicalId":7847,"journal":{"name":"AICCM Bulletin","volume":"41 1","pages":"35-44"},"PeriodicalIF":0.0,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10344233.2020.1788882","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42051482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-07-02DOI: 10.1080/10344233.2020.1870301
R. Goodall, Danielle Measday
Mercury is present in the Museums Victoria collections in a variety of forms. These include mercuric chloride applied as a pesticide, pigments and paints containing mercury sulfide, scientific equipment containing liquid mercury and geoscience specimens including native mercury and cinnabar. All these materials can release mercury vapour into storage cabinets and have the potential to contaminate both storage surfaces and other nearby specimens. Extensive testing identified higher than acceptable levels of mercury vapour inside storage cabinets. Air from cabinets was sampled across all collecting disciplines including First Peoples, Society and Technology and Natural Sciences. Results showed levels of mercury vapour above 25 μg/m3 (TWA) in cabinets of bird skins and First Peoples’ artefacts treated with mercuric chloride pesticides and above 150 μg/m3 (TEEL) in the mineralogy collection. Mercury contamination was also detected on cabinet surfaces and storage boxes. Mitigation strategies implemented to reduce or handle this hazard include enclosing mercury minerals in gas barrier film, replacing contaminated cabinets with vented cabinets and engineering controls during the handling of specimens. Improved staff practices include procedures to dissipate vapour before accessing cabinets. Follow up testing confirmed a significant reduction of mercury vapour levels after the implementation of these mitigation strategies.
{"title":"Measuring and mitigating mercury vapour in the collection cabinets at Museums Victoria","authors":"R. Goodall, Danielle Measday","doi":"10.1080/10344233.2020.1870301","DOIUrl":"https://doi.org/10.1080/10344233.2020.1870301","url":null,"abstract":"Mercury is present in the Museums Victoria collections in a variety of forms. These include mercuric chloride applied as a pesticide, pigments and paints containing mercury sulfide, scientific equipment containing liquid mercury and geoscience specimens including native mercury and cinnabar. All these materials can release mercury vapour into storage cabinets and have the potential to contaminate both storage surfaces and other nearby specimens. Extensive testing identified higher than acceptable levels of mercury vapour inside storage cabinets. Air from cabinets was sampled across all collecting disciplines including First Peoples, Society and Technology and Natural Sciences. Results showed levels of mercury vapour above 25 μg/m3 (TWA) in cabinets of bird skins and First Peoples’ artefacts treated with mercuric chloride pesticides and above 150 μg/m3 (TEEL) in the mineralogy collection. Mercury contamination was also detected on cabinet surfaces and storage boxes. Mitigation strategies implemented to reduce or handle this hazard include enclosing mercury minerals in gas barrier film, replacing contaminated cabinets with vented cabinets and engineering controls during the handling of specimens. Improved staff practices include procedures to dissipate vapour before accessing cabinets. Follow up testing confirmed a significant reduction of mercury vapour levels after the implementation of these mitigation strategies.","PeriodicalId":7847,"journal":{"name":"AICCM Bulletin","volume":"41 1","pages":"140 - 151"},"PeriodicalIF":0.0,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10344233.2020.1870301","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47481437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-07-02DOI: 10.1080/10344233.2021.1892978
N. Tse
Papers in this volume focus on geographic locations drawn from Indonesia, Singapore, Taiwan, and the Eastern borders of Australia. In these parts of the world, we all know that there is a long record of active use and conservation of material culture through traditional systems, while the professionalised practice of conservation engendered by its existence, has a relatively recent history. In Australia the professionalisation of conservation was activated by the Piggott report in to then establish formal university training and the graduation of professional conservators (Sloggett ). Two papers in this volume represent such professional modes of conservation and focus on the Art Gallery of New South Wales (AGNSW) and Margel Hinder’s (–)sculptures; and Museum Victoria and hazard mitigation procedures for mercury identified in their Geology, Bird and Mammal skins, the First Peoples collection, and the Society and Technology collections. While in a Southeast Asian context, professional conservation practice has followed varied pathways to arrive at preservation methodologies appropriate to the object’s value and materiality, the diverse tropical climates and related degradation mechanisms, and the in-country resources, knowledge systems and expertise (Tse ). The three papers that speak to these notions centre on Indonesia and the embracing of traditional knowledge systems by The Borobudur Conservation Office; on Singapore and an examination of the significant twentieth century artists Georgette Chen (–) and Cheong Soo Pieng (–); and on Taiwan with a study of the artist Chen Cheng-Po (–), also an important twentieth century artist in the Asia Pacific region. In all, these papers represent localised conservation practises that have evolved from their regional contexts. Saiful Bakhri’s paper titled ‘Promoting Traditional Knowledge in Conservation: The Role of The Borobudur Conservation Office’, examines how the world heritage listed site, Borobudur, has managed and preserved the site utilising traditional and professional modes of conservation. Under the Ministry of Education, BCO has long incorporated living cultures and ‘locally sourced materials for use in conservation practice through scientific research and development’ and as such, has produced industry-grade materials as part of its creative economy and sustainable future. Bakhri notes that the integration of traditional ecological knowledge with scientific notions of conservation, has been long term with ‘cross-cultural engagements and participatory processes’ across knowledge hierarchies, communities, disciplines and professional domains at its core. As such, Bakhri sees the efforts of BCO as a sustainable model for conservation and draws on the wider theoretical discussions on the topic, which he is well situated to do so as a young Indonesian professional conservator. Likewise, Diana Tay’s paper ‘Expanding the Singaporean discourse: Exploring art
{"title":"Editorial","authors":"N. Tse","doi":"10.1080/10344233.2021.1892978","DOIUrl":"https://doi.org/10.1080/10344233.2021.1892978","url":null,"abstract":"Papers in this volume focus on geographic locations drawn from Indonesia, Singapore, Taiwan, and the Eastern borders of Australia. In these parts of the world, we all know that there is a long record of active use and conservation of material culture through traditional systems, while the professionalised practice of conservation engendered by its existence, has a relatively recent history. In Australia the professionalisation of conservation was activated by the Piggott report in to then establish formal university training and the graduation of professional conservators (Sloggett ). Two papers in this volume represent such professional modes of conservation and focus on the Art Gallery of New South Wales (AGNSW) and Margel Hinder’s (–)sculptures; and Museum Victoria and hazard mitigation procedures for mercury identified in their Geology, Bird and Mammal skins, the First Peoples collection, and the Society and Technology collections. While in a Southeast Asian context, professional conservation practice has followed varied pathways to arrive at preservation methodologies appropriate to the object’s value and materiality, the diverse tropical climates and related degradation mechanisms, and the in-country resources, knowledge systems and expertise (Tse ). The three papers that speak to these notions centre on Indonesia and the embracing of traditional knowledge systems by The Borobudur Conservation Office; on Singapore and an examination of the significant twentieth century artists Georgette Chen (–) and Cheong Soo Pieng (–); and on Taiwan with a study of the artist Chen Cheng-Po (–), also an important twentieth century artist in the Asia Pacific region. In all, these papers represent localised conservation practises that have evolved from their regional contexts. Saiful Bakhri’s paper titled ‘Promoting Traditional Knowledge in Conservation: The Role of The Borobudur Conservation Office’, examines how the world heritage listed site, Borobudur, has managed and preserved the site utilising traditional and professional modes of conservation. Under the Ministry of Education, BCO has long incorporated living cultures and ‘locally sourced materials for use in conservation practice through scientific research and development’ and as such, has produced industry-grade materials as part of its creative economy and sustainable future. Bakhri notes that the integration of traditional ecological knowledge with scientific notions of conservation, has been long term with ‘cross-cultural engagements and participatory processes’ across knowledge hierarchies, communities, disciplines and professional domains at its core. As such, Bakhri sees the efforts of BCO as a sustainable model for conservation and draws on the wider theoretical discussions on the topic, which he is well situated to do so as a young Indonesian professional conservator. Likewise, Diana Tay’s paper ‘Expanding the Singaporean discourse: Exploring art","PeriodicalId":7847,"journal":{"name":"AICCM Bulletin","volume":"41 1","pages":"93 - 94"},"PeriodicalIF":0.0,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10344233.2021.1892978","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42578332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-07-02DOI: 10.1080/10344233.2020.1867360
Saiful Bakhri
This paper reviews the incorporation of diverse forms of traditional knowledge in conservation research by the Borobudur Conservation Office (BCO), Indonesia. Research undertaken by the BCO relied on both social and natural scientific approaches. Traditional knowledge was acquired in consultation with traditional custodians and the properties of selected traditional materials were scientifically studied and adapted for use in a conservation context. These outcomes of collaborations with traditional custodians and the findings of scientific investigations have been embedded in the BCO's written and multimedia publications, as well as their training and research programs. It is argued that these efforts could promote sustainable conservation practices by providing alternative, biodegradable conservation materials. Furthermore, these efforts are viewed as a model for conservation best practice; in community that emphasises cross-cultural engagements.
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Pub Date : 2020-07-02DOI: 10.1080/10344233.2020.1868160
Ioseba I. Soraluze, Han-Chung Wu
This project restored 24 paintings of Chen Cheng-Po 陳澄波 (1895–1947), a significant Taiwanese painter in the Western style, across the three periods of the artist’s life. The restoration project employed chemical analysis, X-ray imaging, ultraviolet and infrared light examination to develop a deeper understanding of the artist’s technique. The conservation project examined how the artist used the canvas, the history of the canvases themselves and how the artist’s family protected the paintings from the then dictatorship to avoid their destruction. At the same time, we have also discovered how the artist transported canvases between outdoor locations where he painted and his studio. The technical conservation research carried out has provided us with a better understanding of Chen Cheng-Po’s technique in creating his paintings.
{"title":"Preserving the legacy of Chen Cheng-Po 陳澄波: Restoration project of the first Western style painter of Taiwan","authors":"Ioseba I. Soraluze, Han-Chung Wu","doi":"10.1080/10344233.2020.1868160","DOIUrl":"https://doi.org/10.1080/10344233.2020.1868160","url":null,"abstract":"This project restored 24 paintings of Chen Cheng-Po 陳澄波 (1895–1947), a significant Taiwanese painter in the Western style, across the three periods of the artist’s life. The restoration project employed chemical analysis, X-ray imaging, ultraviolet and infrared light examination to develop a deeper understanding of the artist’s technique. The conservation project examined how the artist used the canvas, the history of the canvases themselves and how the artist’s family protected the paintings from the then dictatorship to avoid their destruction. At the same time, we have also discovered how the artist transported canvases between outdoor locations where he painted and his studio. The technical conservation research carried out has provided us with a better understanding of Chen Cheng-Po’s technique in creating his paintings.","PeriodicalId":7847,"journal":{"name":"AICCM Bulletin","volume":"41 1","pages":"118 - 126"},"PeriodicalIF":0.0,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10344233.2020.1868160","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45845655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-07-02DOI: 10.1080/10344233.2020.1868144
M. Barrett, Lois Waters
Margel Hinder: Modern in Motion, an exhibition at the Art Gallery of New South Wales (AGNSW) in early 2021, celebrates the work of Margel Hinder AM (1906–1995), a pioneer of abstraction in Australian sculptural practice. This exhibition gave AGNSW’s Objects and Paper Conservators unique insight into materials and techniques of this highly significant, often underestimated sculptor. To facilitate the authentic display of Hinder’s oeuvre in Modern in Motion, the authors adopted Irvin’s [Irvin S 2005, ‘‘The artist’s sanction in contemporary art’’, The Journal of Aesthetics and Art Criticism, vol. 63, no. 4, pp. 315–326] concept of the artist’s sanction, undertaking: qualitative analysis of archival materials and artist’s interviews, visual and materials analysis of select maquettes and sculpture. The artist’s focus on the staging of her works to control relational and dematerialised elements—light, movement and space—encouraged the authors to consider the conservation contributions of curatorial and photography departments. The benefits of this case study are two-fold: one, it provides a holistic insight into the life and multifaceted practice of this underrepresented female artist; and two it reveals the importance of interdepartmental collaboration for the authentic presentation and thus conservation of an artist’s work.
Margel Hinder: Modern in Motion展览将于2021年初在新南威尔士州美术馆(AGNSW)举办，旨在纪念澳大利亚抽象雕塑实践的先驱Margel Hinder AM(1906-1995)的作品。这次展览让AGNSW的物品和纸张保护人员对这位非常重要，经常被低估的雕塑家的材料和技术有了独特的见解。为了使辛德的作品在现代运动中得到真实的展示，作者采用了Irvin的[Irvin S 2005，“艺术家在当代艺术中的制裁”，《美学与艺术批评杂志》，第63卷，第5期。[4, pp. 315-326]艺术家制裁的概念，承担:档案材料和艺术家访谈的定性分析，精选模型和雕塑的视觉和材料分析。艺术家专注于她的作品的舞台，以控制关系和非物质化的元素-光，运动和空间-鼓励作者考虑策展和摄影部门对保护的贡献。这个案例研究的好处是双重的:第一，它提供了一个整体的洞察生活和多方面的实践，这个被低估的女性艺术家;第二，它揭示了跨部门合作对艺术家作品的真实呈现和保护的重要性。
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