Pub Date : 2022-09-01DOI: 10.56032/2523-4684.2022.3.3.13
Diana Agzamova, Kamilla Payzakhmetova
The article discusses ballet (parterre) gymnastics in the context of professional and additional education, its goals and objectives, teaching methods.
本文论述了芭蕾(花式)体操在专业教育和附加教育的背景下，芭蕾(花式)体操的教学目标和教学方法。
{"title":"THE ROLE OF BALLET (GROUND) GYMNASTICS IN PROFESSIONAL AND ADDITIONAL EDUCATION","authors":"Diana Agzamova, Kamilla Payzakhmetova","doi":"10.56032/2523-4684.2022.3.3.13","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.3.3.13","url":null,"abstract":"The article discusses ballet (parterre) gymnastics in the context of professional and additional education, its goals and objectives, teaching methods.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82535146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.56032/2523-4684.2022.3.3.44
Danil Tsichler, Evgeny Moiseev
The article is devoted to the current problem of the lack of description of the principles of the body and the basic techniques of45 the figures performed in the international wheelchair (Para Dance) ballroom dancing program in the «combi» category.
{"title":"PARA DANCE AND ITS THEORETICAL BASIS","authors":"Danil Tsichler, Evgeny Moiseev","doi":"10.56032/2523-4684.2022.3.3.44","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.3.3.44","url":null,"abstract":"The article is devoted to the current problem of the lack of description of the principles of the body and the basic techniques of45 the figures performed in the international wheelchair (Para Dance) ballroom dancing program in the «combi» category.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75728234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.56032/2523-4684.2022.3.3.27
Tatyana Ten
The article discusses the features of the «Allegro» section in a classical dance lesson. The main purpose of this article is to consider the concept of «Allegro» as one of the main sections of a classical dance lesson, to determine the meaning and role of jumps in classical dance and ballet performances.
{"title":"FEATURES AND FUNCTIONS OF JUMPING TECHNIQUE IN CLASSICAL DANCE","authors":"Tatyana Ten","doi":"10.56032/2523-4684.2022.3.3.27","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.3.3.27","url":null,"abstract":"The article discusses the features of the «Allegro» section in a classical dance lesson. The main purpose of this article is to consider the concept of «Allegro» as one of the main sections of a classical dance lesson, to determine the meaning and role of jumps in classical dance and ballet performances.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"254 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90260328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.56032/2523-4684.2022.3.3.5
Izim Toigan Ospankyzy
The article examines the creative and pedagogical path of G. Saitova, who studies the dance art of Kazakhstan, including the dance culture of the Uighur people. Having received choreographic education at the Republican Studio of Variety and Circus Art (now the College named after Zh. Yelebekov), since 1971, the performing and choreographer path has been held at the State Academic Uighur Theater named after K. Kozhamyarov.In Kazakhstan, she is recognized as a scientist who plays an important role in the study of choreographic art, including the dance culture of the Uighur backgammon.
{"title":"GULNARA SAITOVA'S CREATIVE ROLE IN THE DEVELOPMENT OF UYGHUR FOLK DANCE ART","authors":"Izim Toigan Ospankyzy","doi":"10.56032/2523-4684.2022.3.3.5","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.3.3.5","url":null,"abstract":"The article examines the creative and pedagogical path of G. Saitova, who studies the dance art of Kazakhstan, including the dance culture of the Uighur people. Having received choreographic education at the Republican Studio of Variety and Circus Art (now the College named after Zh. Yelebekov), since 1971, the performing and choreographer path has been held at the State Academic Uighur Theater named after K. Kozhamyarov.In Kazakhstan, she is recognized as a scientist who plays an important role in the study of choreographic art, including the dance culture of the Uighur backgammon.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87520613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.56032/2523-4684.2022.3.3.81
Gvantsa Narmania
In this letter, it is discussed the enigma of the sea in the chrestomathy story of the American writer «The Old Man and the Sea». In the text the sea transcends the function of a landscape and acquires the role of a character. Writers seem to use an artistic way of personification. We can assume that for the old man element of the sea is sacred, blessed, is an object of adoration and worship. We see harmonious coexistence of The Old Man and the Sea in the story. The text also compares the story «The Old Man and the Sea» with the story of the outstanding Georgian writer Guram Rcheulishvili «Dumb Ahmed and Life», in which the sea is one of the main characters as well.
{"title":"ENIGMA «THE SEA» IN ERNEST HEMINGWAY'S SHORT–STORY «THE OLD MAN AND THE SEA»","authors":"Gvantsa Narmania","doi":"10.56032/2523-4684.2022.3.3.81","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.3.3.81","url":null,"abstract":"In this letter, it is discussed the enigma of the sea in the chrestomathy story of the American writer «The Old Man and the Sea». In the text the sea transcends the function of a landscape and acquires the role of a character. Writers seem to use an artistic way of personification. We can assume that for the old man element of the sea is sacred, blessed, is an object of adoration and worship. We see harmonious coexistence of The Old Man and the Sea in the story. The text also compares the story «The Old Man and the Sea» with the story of the outstanding Georgian writer Guram Rcheulishvili «Dumb Ahmed and Life», in which the sea is one of the main characters as well.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"61 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80573836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.56032/2523-4684.2022.3.3.71
A. Mirzaev
This article explores the methods of PR and SMM in the art industry of the Republic of Kazakhstan. On the example of the personal pages of theaters in the Instagram social network, positive72 and negative aspects of using social network platforms for marketing purposes are demonstrated.
{"title":"PR AND SMM IN THE ART INDUSTRY","authors":"A. Mirzaev","doi":"10.56032/2523-4684.2022.3.3.71","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.3.3.71","url":null,"abstract":"This article explores the methods of PR and SMM in the art industry of the Republic of Kazakhstan. On the example of the personal pages of theaters in the Instagram social network, positive72 and negative aspects of using social network platforms for marketing purposes are demonstrated.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"14 4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88568639","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.56032/2523-4684.2022.3.3.56
Meiir Daribayev
Current article discloses principal functions of Arts Administration in music industry on the example of World biggest labels’ practice. Practical evaluation of the proposed information lays in an opportunity to apply foreign experience in order to develop local music industry. The novelty of our investigation lies in consideration of production and post-production processes of musical product through the prism of marketing and social psychology – after all exactly an comprehension of potential customers’ needs and wants differentiate a pure music art from musical show-business. Major labels – are the brands and trade marks of the biggest companies, engaged in all multistage production and post-production processes of musical and video products. Precisely on the example of Major label activities it is possible to descry all the subtleties in musical show-business
{"title":"THE ROLE OF ART MANAGEMENT IN THE MUSIC SHOW BUSINESS OF MAJOR LABELS","authors":"Meiir Daribayev","doi":"10.56032/2523-4684.2022.3.3.56","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.3.3.56","url":null,"abstract":"Current article discloses principal functions of Arts Administration in music industry on the example of World biggest labels’ practice. Practical evaluation of the proposed information lays in an opportunity to apply foreign experience in order to develop local music industry. The novelty of our investigation lies in consideration of production and post-production processes of musical product through the prism of marketing and social psychology – after all exactly an comprehension of potential customers’ needs and wants differentiate a pure music art from musical show-business. Major labels – are the brands and trade marks of the biggest companies, engaged in all multistage production and post-production processes of musical and video products. Precisely on the example of Major label activities it is possible to descry all the subtleties in musical show-business","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"37 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86078107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.56032/2523-4684.2022.2.2.38
Mallika Prasad, Ram Ganesh Kamatham
Breath has emerged as the preferred locus of performance energy over the last two decades, presenting a pragmatic approach to questions of contemporary actor training, postStanislavskian approaches (such as psychophysical approaches) and vitalisation of traditional performance practices (such as Kutiyattam and Kalaripayattu). In this paper, we elaborate outwards from this “rediscovery” of breath, to offer a methodological base from which to engage the concept of Rasa which occupies a pre-eminent position within Indian aesthetics. We argue that the constellation of bodily practices arising from within this field of knowledge, far from esoteric traditionalisms, inform the neuro-physiological basis for empathy. Practical engagement with these neuro-physiological processes widens understanding of the importance and role of well-being in contemporary actor training. We argue that a shift towards this well-being based approach within conservatories and performance training institutes, is a necessary adaptation to meet the challenges of a postpandemic world.
{"title":"ENERGISING RASA THEORY: BREATH, EMPATHY, AND WELLBEING IN CONTEMPORARY ACTOR TRAINING","authors":"Mallika Prasad, Ram Ganesh Kamatham","doi":"10.56032/2523-4684.2022.2.2.38","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.2.2.38","url":null,"abstract":"Breath has emerged as the preferred locus of performance energy over the last two decades, presenting a pragmatic approach to questions of contemporary actor training, postStanislavskian approaches (such as psychophysical approaches) and vitalisation of traditional performance practices (such as Kutiyattam and Kalaripayattu). In this paper, we elaborate outwards from this “rediscovery” of breath, to offer a methodological base from which to engage the concept of Rasa which occupies a pre-eminent position within Indian aesthetics. We argue that the constellation of bodily practices arising from within this field of knowledge, far from esoteric traditionalisms, inform the neuro-physiological basis for empathy. Practical engagement with these neuro-physiological processes widens understanding of the importance and role of well-being in contemporary actor training. We argue that a shift towards this well-being based approach within conservatories and performance training institutes, is a necessary adaptation to meet the challenges of a postpandemic world.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74061368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.56032/2523-4684.2022.2.2.89
Shankar Rao
The article is an in-depth study of the performing rite in the major festival of Holi celebration in marking communities with complex performances. This article deals with the complex performances of Holi among the Gor Banjara Lambani, a nomadic, pastoral community of Karnataka. It is a systematic descriptive analysis of the different stages of celebration as well as production of orature in the performance. It extensively deals with the Holi spring festival and analyzes the complexity of the rite of dhund as the celebration as a part of Holi. It investigates how time, space, and human bodies are its elements to create activities and events for the process of community life. The mythical significance of Holi in the performance and gender role in the Dhund rite are analyzed.
{"title":"PERFORMING RITE IN THE HOLI","authors":"Shankar Rao","doi":"10.56032/2523-4684.2022.2.2.89","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.2.2.89","url":null,"abstract":"The article is an in-depth study of the performing rite in the major festival of Holi celebration in marking communities with complex performances. This article deals with the complex performances of Holi among the Gor Banjara Lambani, a nomadic, pastoral community of Karnataka. It is a systematic descriptive analysis of the different stages of celebration as well as production of orature in the performance. It extensively deals with the Holi spring festival and analyzes the complexity of the rite of dhund as the celebration as a part of Holi. It investigates how time, space, and human bodies are its elements to create activities and events for the process of community life. The mythical significance of Holi in the performance and gender role in the Dhund rite are analyzed.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89033030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.56032/2523-4684.2022.2.2.173
Thakur Sumit Kumar
The article “Theatre Arts and its Importance in Education” depicts the problem of Theatre Arts, one of the popular form of performing arts. This art form is rarely used from the preliminary stage of education to the senior secondary stage of education in our country. This article highlights the importance, challenge and seeks to improve the growth benefits of the younger generation. The children of the new generation are unaware of the culture, tradition, moral ethics etc. Theatre Arts helps them to present and apply these practically and creatively. In this article the researcher tries to study the benefits and impact of theatre arts in education, bearing in mind its long-term goals for the children. Theatre has been a means of entertainment and also a resource of cultural and social lifestyles of various regions, religions and societies. It is not only a means of entertainment but a very powerful tool to spread social messages across the length and breadth of the country. Indian Government has used it successfully for programmes. Such programmes go a long way in spreading awareness about polio eradication, save soil, afforestation, girl child education, various vaccinations, AIDS, COVID, Save Water, prevention of child marriage, dowry deaths etc.
{"title":"THEATRE ARTS AND ITS IMPORTANCE IN EDUCATION","authors":"Thakur Sumit Kumar","doi":"10.56032/2523-4684.2022.2.2.173","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.2.2.173","url":null,"abstract":"The article “Theatre Arts and its Importance in Education” depicts the problem of Theatre Arts, one of the popular form of performing arts. This art form is rarely used from the preliminary stage of education to the senior secondary stage of education in our country. This article highlights the importance, challenge and seeks to improve the growth benefits of the younger generation. The children of the new generation are unaware of the culture, tradition, moral ethics etc. Theatre Arts helps them to present and apply these practically and creatively. In this article the researcher tries to study the benefits and impact of theatre arts in education, bearing in mind its long-term goals for the children. Theatre has been a means of entertainment and also a resource of cultural and social lifestyles of various regions, religions and societies. It is not only a means of entertainment but a very powerful tool to spread social messages across the length and breadth of the country. Indian Government has used it successfully for programmes. Such programmes go a long way in spreading awareness about polio eradication, save soil, afforestation, girl child education, various vaccinations, AIDS, COVID, Save Water, prevention of child marriage, dowry deaths etc.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"41 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83532057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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