Pub Date : 2022-06-01DOI: 10.56032/2523-4684.2022.2.2.127
Sukanya Sarker
The currently popular Indian Musical Instruments have undergone tremendous changes during the passing of time. This has occurred in terms of its playing styles, modes of presentations and its architecture. What caused these changes is remained to be studied. There might be some inter-relationship between these four factors, namely, the changes/advancement occurred in playing techniques, picking preferences of playable materials, changes in execution styles and the changes of architecture of the instruments. Consequently, the effect of changes in the society which directly reflected on the patronization and general attitude of the people towards this art form may have played important roles in the changes in music. How the musicians felt the urge of widening its area of penetration amongst the masses of the world and what was the impact of globalization on this art and craft remained to be studied.
{"title":"INDIAN INSTRUMENT MAKERS IN PERFORMING ARTS","authors":"Sukanya Sarker","doi":"10.56032/2523-4684.2022.2.2.127","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.2.2.127","url":null,"abstract":"The currently popular Indian Musical Instruments have undergone tremendous changes during the passing of time. This has occurred in terms of its playing styles, modes of presentations and its architecture. What caused these changes is remained to be studied. There might be some inter-relationship between these four factors, namely, the changes/advancement occurred in playing techniques, picking preferences of playable materials, changes in execution styles and the changes of architecture of the instruments. Consequently, the effect of changes in the society which directly reflected on the patronization and general attitude of the people towards this art form may have played important roles in the changes in music. How the musicians felt the urge of widening its area of penetration amongst the masses of the world and what was the impact of globalization on this art and craft remained to be studied.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"482 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76999532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.56032/2523-4684.2022.2.2.75
Sakshi Chanana
Punjab, one of the diverse states of India, is known for its composite culture, impeccable hospitality, delish food and incredible history; having been the site of great partition, it is also replete with the stories of loss, suffering and resilience. While Punjab can be seen and comprehended through various vantage points, the current paper proposes and focuses on the proposition that ‘Punjabiyat’- the essence and way of being a Punjabi, is reflected specifically through its attire-folk embroidery (Fulkaari and Baag), Folk-Dance and Music Art forms (Sammi and Jaago) and the focal point of hospitality (Saada Pind). Phulkari, literally translated as flower shape, is a folk-art embroidery that originated in 15th c by rural women in Punjab, and is popularly arranged on Dupattas135. “Many Punjabi women used phulkari (literally, “flower-work”) embroidery to decorate their daily garments and handmade gifts in the nineteenth century. Illustrations only partially convey the vibrant visual impact of phulkaris, and even color photographs fail to capture fully the sheen of the silk thread. The embroidery ranges from striking geometric medallions in reds, shocking pinks, and maroons, through almost monochromatic golden tapestry-like, fabriccovering designs, to narrative embroideries depicting people and objects of rural Punjab”.136 Initially intended to be given away to daughters in marriage and holding a strong emotional value, the use of Fulkaari has widened and transitioned in the recent past. This study asserts that it can now also be seen as a cultural symbol and an artefact, to convey the bright and cheerful attitude of Punjabis and their general happy disposition towards lifeCarpe Diem. Similarly, the folk-dance art form of Sammi- a dance performed originally by tribal women of Punjab, represents the true culture and spirit of Punjabiyat- the friendship, longing, celebration of love and a sense of optimism for life. While Bhangra and Giddha folk dance art forms have gained wide popularity; folk dance art forms like Sammi and Jaago too need representation and space in academic and historical discourse. This paper also intends to trace these two relatively lost dance art forms as signifying essentiality of ‘Punjabiyat’. Further ‘Saada Pind’- roughly translated as ‘my village’; conveys a sense of oneness, camaraderie, raw emotion and a place in time-space continuum where each stranger is welcomed with ‘Ji Aaayan Nu’137. This study would establish how ‘Punjabiyat’; and consequentially ‘Indian’ cultural art forms can be a possibility of re-looking at the lost values of friendship, camaraderie, connection with the outside real world rather than a disparate and robotic connect with the monotonous clicks on our smart devices.
{"title":"PHULKARI131, SAMMI AND SAADA PIND – UNDERSTANDING PUNJABIYAT","authors":"Sakshi Chanana","doi":"10.56032/2523-4684.2022.2.2.75","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.2.2.75","url":null,"abstract":"Punjab, one of the diverse states of India, is known for its composite culture, impeccable hospitality, delish food and incredible history; having been the site of great partition, it is also replete with the stories of loss, suffering and resilience. While Punjab can be seen and comprehended through various vantage points, the current paper proposes and focuses on the proposition that ‘Punjabiyat’- the essence and way of being a Punjabi, is reflected specifically through its attire-folk embroidery (Fulkaari and Baag), Folk-Dance and Music Art forms (Sammi and Jaago) and the focal point of hospitality (Saada Pind). Phulkari, literally translated as flower shape, is a folk-art embroidery that originated in 15th c by rural women in Punjab, and is popularly arranged on Dupattas135. “Many Punjabi women used phulkari (literally, “flower-work”) embroidery to decorate their daily garments and handmade gifts in the nineteenth century. Illustrations only partially convey the vibrant visual impact of phulkaris, and even color photographs fail to capture fully the sheen of the silk thread. The embroidery ranges from striking geometric medallions in reds, shocking pinks, and maroons, through almost monochromatic golden tapestry-like, fabriccovering designs, to narrative embroideries depicting people and objects of rural Punjab”.136 Initially intended to be given away to daughters in marriage and holding a strong emotional value, the use of Fulkaari has widened and transitioned in the recent past. This study asserts that it can now also be seen as a cultural symbol and an artefact, to convey the bright and cheerful attitude of Punjabis and their general happy disposition towards lifeCarpe Diem. Similarly, the folk-dance art form of Sammi- a dance performed originally by tribal women of Punjab, represents the true culture and spirit of Punjabiyat- the friendship, longing, celebration of love and a sense of optimism for life. While Bhangra and Giddha folk dance art forms have gained wide popularity; folk dance art forms like Sammi and Jaago too need representation and space in academic and historical discourse. This paper also intends to trace these two relatively lost dance art forms as signifying essentiality of ‘Punjabiyat’. Further ‘Saada Pind’- roughly translated as ‘my village’; conveys a sense of oneness, camaraderie, raw emotion and a place in time-space continuum where each stranger is welcomed with ‘Ji Aaayan Nu’137. This study would establish how ‘Punjabiyat’; and consequentially ‘Indian’ cultural art forms can be a possibility of re-looking at the lost values of friendship, camaraderie, connection with the outside real world rather than a disparate and robotic connect with the monotonous clicks on our smart devices.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"274 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75650098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.56032/2523-4684.2022.2.2.119
Sujata Agrawal
The article highlights the history of the Indian miniature as a carrier of unique cultural information. The author considers the artistic miniature not only as a special genre of Indian culture, but also as a means of transmitting social traditions, culture, values, including religious ones. Pahari and Kangra miniatures are considered under the direct influence of the topos, in the context of their historical and chronological development. The author gives a commentary on each miniature, its color painting, highlights the main themes and images, connects local motifs with the history of the country, religion.
{"title":"INDIAN MINIATURES (PAHARI PAINTINGS A STUDY OF INDIAN LANDSCAPES, SOCIAL LIFE AND LOVING SONGS OF GEET GOVINDA)","authors":"Sujata Agrawal","doi":"10.56032/2523-4684.2022.2.2.119","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.2.2.119","url":null,"abstract":"The article highlights the history of the Indian miniature as a carrier of unique cultural information. The author considers the artistic miniature not only as a special genre of Indian culture, but also as a means of transmitting social traditions, culture, values, including religious ones. Pahari and Kangra miniatures are considered under the direct influence of the topos, in the context of their historical and chronological development. The author gives a commentary on each miniature, its color painting, highlights the main themes and images, connects local motifs with the history of the country, religion.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"29 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87364488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.56032/2523-4684.2022.2.2.144
Tapan R. Mohanty
The art of weaving has been one of the oldest occupations in the +world over and is deeply associated with the culture of production in terms of both material and non-material dimensions. This traditional craft combines both the utilitarian and aesthetics aspects rather intrinsically often providing a vantage point in the study of modernization of tradition. In this article an effort has been made to locate the intersection of culture and business in a rurban setting thus exploring the ambit of business anthropology in Indian context. The study highlights the tradition of craft, the life-world and worldviews of weavers, their trade, toil and transforming lifestyles. It also highlights their impoverishment, exploitation and the wind of change brought through by globalization that is slowly and surely changing the dynamics of market and man-management skill even in the hinterlands.
{"title":"CRAFT, CULTURE AND ENTREPRENEURSHIP: WEAVING TRADITION IN CHANDERI","authors":"Tapan R. Mohanty","doi":"10.56032/2523-4684.2022.2.2.144","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.2.2.144","url":null,"abstract":"The art of weaving has been one of the oldest occupations in the +world over and is deeply associated with the culture of production in terms of both material and non-material dimensions. This traditional craft combines both the utilitarian and aesthetics aspects rather intrinsically often providing a vantage point in the study of modernization of tradition. In this article an effort has been made to locate the intersection of culture and business in a rurban setting thus exploring the ambit of business anthropology in Indian context. The study highlights the tradition of craft, the life-world and worldviews of weavers, their trade, toil and transforming lifestyles. It also highlights their impoverishment, exploitation and the wind of change brought through by globalization that is slowly and surely changing the dynamics of market and man-management skill even in the hinterlands.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"27 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82731445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.56032/2523-4684.2022.2.2.46
Srishti Safaya
Among various arts and crafts of Kashmir, shawls remain the most well-known all over the world. What is a shawl? Which are the various types of shawls? What goes into its making? What are the multiple techniques for weaving the shawls? What are the different attributes that make it popular? Despite several challenges, the craftsmanship of Kashmir Shawl remained known throughout the world. The article will explore the art of the Kashmir shawl.
{"title":"SHAWL – THE UNIQUE TEXTILE FROM KASHMIR","authors":"Srishti Safaya","doi":"10.56032/2523-4684.2022.2.2.46","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.2.2.46","url":null,"abstract":"Among various arts and crafts of Kashmir, shawls remain the most well-known all over the world. What is a shawl? Which are the various types of shawls? What goes into its making? What are the multiple techniques for weaving the shawls? What are the different attributes that make it popular? Despite several challenges, the craftsmanship of Kashmir Shawl remained known throughout the world. The article will explore the art of the Kashmir shawl.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90613464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.56032/2523-4684.2022.2.2.28
Ananya Misra
Rudra Veena, an ancient musical instrument is believed to be most widely used in North Indian Classical Music. Being one of the first musical instruments in Hindustani Classical Music, it has a significantly interesting history of its own, which is intertwined with various captivating facts, myths, and beliefs. My goal in this paper is to explore the intricacies involved in the making of this extravagant instrument, the myths and the stereotypes related to it, and the efforts of some prominent Rudra Veena players who have fought with time and defied a change that’s inclined to modern musical taste in the quest to keep the tradition of Rudra Veena alive. In my opinion, it is significant to trace these elements that are now rooted in an unspeakable silence and demand a voice of their own
{"title":"IDENTIFYING THE SPACE OF SHIVA’S RUDRA VEENA: A QUEST TO EXPLORE MYTHS, BELIEFS, AND FACTS IN THE DISCOURSE OF THIS ANCIENT MUSICAL INSTRUMENT","authors":"Ananya Misra","doi":"10.56032/2523-4684.2022.2.2.28","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.2.2.28","url":null,"abstract":"Rudra Veena, an ancient musical instrument is believed to be most widely used in North Indian Classical Music. Being one of the first musical instruments in Hindustani Classical Music, it has a significantly interesting history of its own, which is intertwined with various captivating facts, myths, and beliefs. My goal in this paper is to explore the intricacies involved in the making of this extravagant instrument, the myths and the stereotypes related to it, and the efforts of some prominent Rudra Veena players who have fought with time and defied a change that’s inclined to modern musical taste in the quest to keep the tradition of Rudra Veena alive. In my opinion, it is significant to trace these elements that are now rooted in an unspeakable silence and demand a voice of their own","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"39 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79582654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.56032/2523-4684.2022.2.2.109
Shantanu Majee
This paper proposes to look at the issues of accessioning, cataloguing, audio-visual documentation, storage and retrieval of Folklore and Intangible Cultural Heritage (ICH) from the perspective of policy-making as well as implementation of the same with respect to the performance domain of Indian Arts. It also intends to look at the evolving character of living folklore through a contribution in understanding the process through which tradition changes rather than fixating on tangible forms as well as representation of the same in matters associated with cataloguing. The article would also reflect at the personal experience of working with audio-visual material in a music archive for the last ten years, ascertaining the fact that in spite of best of efforts to uphold the community in matters of safeguarding ICH, often rigidness of metadata structures may fall short to our intentions. Hence, the research will also devise ways in which the metadata may propose a scheme in incorporating a space not only for information but an excavation of those layers of experience from which the recorded artifact travels to the act of archiving.
{"title":"SAFEGUARDING FOLKLORE: ENGAGING WITH THE ISSUES OF ACCESSIONING, CATALOGUING, DOCUMENTATION, STORAGE AND RETRIEVAL IN INDIAN ARTS","authors":"Shantanu Majee","doi":"10.56032/2523-4684.2022.2.2.109","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.2.2.109","url":null,"abstract":"This paper proposes to look at the issues of accessioning, cataloguing, audio-visual documentation, storage and retrieval of Folklore and Intangible Cultural Heritage (ICH) from the perspective of policy-making as well as implementation of the same with respect to the performance domain of Indian Arts. It also intends to look at the evolving character of living folklore through a contribution in understanding the process through which tradition changes rather than fixating on tangible forms as well as representation of the same in matters associated with cataloguing. The article would also reflect at the personal experience of working with audio-visual material in a music archive for the last ten years, ascertaining the fact that in spite of best of efforts to uphold the community in matters of safeguarding ICH, often rigidness of metadata structures may fall short to our intentions. Hence, the research will also devise ways in which the metadata may propose a scheme in incorporating a space not only for information but an excavation of those layers of experience from which the recorded artifact travels to the act of archiving.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"216 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73797869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-11DOI: 10.56032/2523-4684.2022.1.1.126
Olzhas Tarlanov
This scientific article analyzes the question of how technological progress affects art in general, and choreography in particular. Based on the material of the scientific discussion that took shape within the framework of the Round Table "Modern trends in the development of choreographic education", held in 2021 as part of the II International Festival of Professional Choreographic Educational Institutions "Temps lié", the author shows the birth of a new understanding of digitalization in the art of choreography
{"title":"PANDEMIC AS A CATALYST FOR DIGITAL PROCESSES IN ART","authors":"Olzhas Tarlanov","doi":"10.56032/2523-4684.2022.1.1.126","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.1.1.126","url":null,"abstract":"This scientific article analyzes the question of how technological progress affects art in general, and choreography in particular. Based on the material of the scientific discussion that took shape within the framework of the Round Table \"Modern trends in the development of choreographic education\", held in 2021 as part of the II International Festival of Professional Choreographic Educational Institutions \"Temps lié\", the author shows the birth of a new understanding of digitalization in the art of choreography","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"138 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72832866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-01DOI: 10.56032/2523-4684.2022.1.1.15
N. S. Fokina
Modern Kazakh sources provide fragmentary information about the artistic and creative collectives of military ensembles. For the purposes of scientific and educational study of this issue, a historical overview of the appearance of song and dance in military formations is proposed. The novelty of the research lies in the proposed comparative analysis of the formation of military ensembles in different countries and in different historical periods. As a result of the research, recommendations will be developed on the systematization of historical facts and dates of formation of military song and dance ensembles in Kazakhstan, in order to form feelings of patriotism and respect for the history of their own people and army in the younger generation.
{"title":"ARTISTIC AND CREATIVE ACTIVITY OF THE MILITARY ENSEMBLE","authors":"N. S. Fokina","doi":"10.56032/2523-4684.2022.1.1.15","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.1.1.15","url":null,"abstract":"Modern Kazakh sources provide fragmentary information about the artistic and creative collectives of military ensembles. For the purposes of scientific and educational study of this issue, a historical overview of the appearance of song and dance in military formations is proposed. The novelty of the research lies in the proposed comparative analysis of the formation of military ensembles in different countries and in different historical periods. As a result of the research, recommendations will be developed on the systematization of historical facts and dates of formation of military song and dance ensembles in Kazakhstan, in order to form feelings of patriotism and respect for the history of their own people and army in the younger generation.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"51 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79182089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-01DOI: 10.56032/2523-4684.2022.1.1.88
I. Fedotenko
The article describes the process and result of the formation of students' preparedness to use various types of art in social work with the elderly. The author considers the essence, the structure of preparedness as a psychological and pedagogical phenomenon, the principles of organization of experimental work, reflecting the content of training. The author highlights the organizational and pedagogical conditions that stimulate the desire of students to use various types of art. The results of the study show that students were interested to include art into their palette of technologies they appropriated for social practice with elderly people. The purposeful formation of students' preparedness to use various types of art in social work contributed to several things: formation of their understanding of the aesthetic and humanistic nature of art, its potential in solving professional issues in a situation of uncertainty; improving the professionalism of future social workers; development of their moral and aesthetic qualities of personality.
{"title":"FORMING STUDENTS' PREPAREDNESS TO USE ART IN SOCIAL WORK WITH ELDERLY PEOPLE","authors":"I. Fedotenko","doi":"10.56032/2523-4684.2022.1.1.88","DOIUrl":"https://doi.org/10.56032/2523-4684.2022.1.1.88","url":null,"abstract":"The article describes the process and result of the formation of students' preparedness to use various types of art in social work with the elderly. The author considers the essence, the structure of preparedness as a psychological and pedagogical phenomenon, the principles of organization of experimental work, reflecting the content of training. The author highlights the organizational and pedagogical conditions that stimulate the desire of students to use various types of art. The results of the study show that students were interested to include art into their palette of technologies they appropriated for social practice with elderly people. The purposeful formation of students' preparedness to use various types of art in social work contributed to several things: formation of their understanding of the aesthetic and humanistic nature of art, its potential in solving professional issues in a situation of uncertainty; improving the professionalism of future social workers; development of their moral and aesthetic qualities of personality.","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"50 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81405592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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