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Instructional Content in Undergraduate Art Therapy Education 本科艺术治疗教育的教学内容
IF 1.3 Q1 Health Professions Pub Date : 2022-11-15 DOI: 10.1080/07421656.2022.2131356
J. Schwartz, Patricia A. St. John, Carol Greiff Lagstein, Michelle C. Pate, Heather J. Denning
Abstract Undergraduate art therapy education programs in the United States have endeavored to prepare students for graduate level art therapy training and entry level positions in art facilitation since the mid-1970s with minimal published guidelines or established professional standards. The authors reviewed the art therapy literature regarding current undergraduate and graduate educational instructional content, and educational pathways. We scrutinized current undergraduate guidelines and standards for instructional content among allied disciplines and investigated current undergraduate level employment opportunities and skills required for these positions. Based on these findings, we propose seven undergraduate instructional content areas appropriate for non-clinical pre-professionals. Recommendations include expanding the scope of practice to include undergraduate level art facilitators, developing scaffolded learning outcomes, establishing tiered credentialing, and evaluating outcomes.
自20世纪70年代中期以来,美国的本科艺术治疗教育项目一直在努力为学生准备研究生水平的艺术治疗培训和艺术促进的入门级职位,很少有出版的指导方针或建立的专业标准。作者回顾了当前本科和研究生艺术治疗教育的教学内容和教育途径的文献。我们仔细研究了当前相关学科的本科指导方针和教学内容标准,并调查了当前本科水平的就业机会和这些职位所需的技能。基于这些发现,我们提出了适合非临床预科专业人员的七个本科教学内容领域。建议包括扩大实践范围,包括本科水平的艺术辅导员,开发脚手架学习成果,建立分级证书,并评估结果。
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引用次数: 0
Antifascist Art Therapy 反法西斯艺术疗法
IF 1.3 Q1 Health Professions Pub Date : 2022-10-02 DOI: 10.1080/07421656.2022.2144649
Jordan S. Potash
“Everything Hitler did in Germany was legal.” I stared at these words on a wheat-pasted poster accompanied by a stenciled portrait of Dr. Martin Luther King, Jr. who wrote them in his 1963 Letter from Birmingham Jail. The Washington, DC–based street artist, who goes by the moniker Absurdly Well, generally illustrates modern politicians and leaders. At this moment in July 2022, though, he offered a historic reference as a contemporary warning. There has been a notable global rise of authoritarian trends—even among democratic societies (Freedom House, 2021). Foreboding signs include voter suppression and election manipulation; disinformation promotions and independent press reductions; populist assertions and migrant castigations; subgroup accusations and economic destitutions; queer defamations and judiciary deprivations; free speech limitations and political opposition eliminations; labor union restraints and civil society constraints. The arts are often casualties, simultaneously censored and refashioned into propaganda under the guise of alternative perspectives (Batycka, 2021). Gesson (2020) posited that people tend to disregard alarms that are deemed pass e:
“希特勒在德国所做的一切都是合法的。”我盯着一张小麦糊的海报上的这些话,海报上还有一幅马丁·路德·金博士的模版肖像,这是他1963年在伯明翰监狱的信中写下的。这位住在华盛顿特区的街头艺术家以“荒诞之井”(Absurdly Well)为名,主要创作现代政治家和领导人的作品。然而,在2022年7月的这个时刻,他提出了一个历史参考,作为当代的警告。威权主义趋势在全球范围内显著上升,甚至在民主社会中也是如此(自由之家,2021年)。不祥的迹象包括选民压制和选举操纵;虚假宣传和独立媒体减少;民粹主义主张和对移民的谴责;小组指控和经济贫困;同性恋诽谤和司法剥夺;限制言论自由和消灭政治反对派;工会约束和公民社会约束。艺术往往是牺牲品,同时被审查,并在另类观点的幌子下被改造成宣传(Batycka, 2021)。Gesson(2020)认为,人们倾向于忽视被认为已经通过的警报。
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引用次数: 0
Development of the Expressive Therapies Continuum: The Lifework of Vija B. Lusebrink, PhD, ATR-BC, HLM 表达疗法连续体的发展:Vija B.Lusebrink博士的一生
IF 1.3 Q1 Health Professions Pub Date : 2022-10-02 DOI: 10.1080/07421656.2022.2131951
L. Hinz, Megan L. VanMeter, V. Lusebrink
Abstract This Viewpoint essay serves three purposes: (1) revealing the life experiences of Vija Lusebrink that shaped what would become the pantheoretical art therapy assessment and treatment model known as the Expressive Therapies Continuum; (2) clarifying the broad and deep scope of this model; and (3) encouraging the art therapy audience to recognize this model as a complex marriage of information processing and agents of change. The Expressive Therapies Continuum (ETC) lends itself to outcome-informed treatment in art therapy as a systems-oriented means of gauging client responses to multidimensional interventive inputs and modifying the therapist’s approach accordingly. It is important for art therapists to share a unified understanding of the ETC that is consistent with the ideas of its co-creators.
摘要这篇观点文章有三个目的:(1)揭示Vija Lusebrink的生活经历,这些经历塑造了后来被称为表达治疗连续体的泛理论艺术治疗评估和治疗模型;(2) 明确了这一模式的广度和深度;以及(3)鼓励艺术治疗受众认识到这种模式是信息处理和变革推动者的复杂结合。表达治疗连续体(ETC)有助于在艺术治疗中进行基于结果的治疗,作为一种以系统为导向的手段,衡量客户对多维干预输入的反应,并相应地修改治疗师的方法。对于艺术治疗师来说,分享与共同创作者的想法一致的对ETC的统一理解是很重要的。
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引用次数: 1
Art Therapy Drawing Protocols for Chronic Pain: Qualitative Findings From a Mixed-Method Pilot Study 慢性疼痛的艺术治疗绘图方案:一项混合方法试点研究的定性结果
IF 1.3 Q1 Health Professions Pub Date : 2022-10-02 DOI: 10.1080/07421656.2022.2085491
Noah Hass-Cohen, Rebecca Bokoch, Katherine Goodman, J. McAnuff
Abstract This publication presents the qualitative findings from a mixed-method pilot study on three- and four-drawing protocols for chronic pain, which have demonstrated significant positive quantitative results. For this report, thematic analysis and magnitude coding of drawing titles, narratives, and characteristics including resource representations and integration, was conducted. Findings demonstrated positive changes associated with specific drawing protocol prompts and sequences. Participants (N = 25) reported positive changes, demonstrated in part by their final drawings, which integrated depictions of their resources. Findings included positive shifts in cognitive and affective functioning, social support, stress levels, psychological processing, pain experiences, and representations of self. These findings suggested further support for the clinical utility of drawing protocols for chronic pain.
摘要本出版物介绍了一项针对慢性疼痛的三次和四次绘图方案的混合方法试点研究的定性结果,该研究已经证明了显著的积极定量结果。在本报告中,对图纸标题、叙述和特征(包括资源表示和整合)进行了主题分析和数量编码。研究结果表明,与特定绘图协议提示和序列相关的积极变化。参与者(N = 25)报告了积极的变化,其最终图纸部分证明了这一点,该图纸整合了对其资源的描述。研究结果包括认知和情感功能、社会支持、压力水平、心理处理、疼痛体验和自我表征的积极转变。这些发现为绘制慢性疼痛方案的临床实用性提供了进一步的支持。
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引用次数: 1
Reconciling Demonically-Monstrous Self-Images in Those Labeled as Sex Offenders 调和那些被贴上性犯罪者标签的恶魔般的可怕自我形象
IF 1.3 Q1 Health Professions Pub Date : 2022-09-09 DOI: 10.1080/07421656.2022.2110807
Bani Malhotra, D. Gussak
Abstract This practice paper demonstrates an art therapy session that revealed the internalized monstrous and demonic identities amongst those who have sexually offended. Several of the participants represented their shadow-self as: (1) nebulous demonic self-representations, (2) internalized monstrous selves as hurtful or uncontrolled, or (3) a dichotomy of power and helplessness. Making these negative self-images visible during such an art therapy process can inform the initial step toward reconciliation, especially within the transitional space of reintegrating into society post-incarceration. Implications demonstrate the use of metaphorical expression and how such images can address the stigmatized and internalized negative self-perceptions of those who have sexually offended.
这篇实践论文展示了一个艺术治疗课程,揭示了那些性侵犯者内在的怪物和恶魔身份。一些参与者将他们的影子自我描述为:(1)模糊的恶魔自我表征,(2)内化的可怕自我,作为伤害或不受控制的自我,或(3)权力和无助的二分法。在这种艺术治疗过程中,将这些消极的自我形象呈现出来,可以为和解的第一步提供信息,特别是在监禁后重新融入社会的过渡空间中。暗示展示了隐喻表达的使用,以及这些图像如何解决那些性侵犯者的污名化和内化的负面自我认知。
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引用次数: 2
The Effect of Art Practice on the Happiness of Art Therapy Students 艺术实践对艺术治疗学生幸福感的影响
IF 1.3 Q1 Health Professions Pub Date : 2022-09-09 DOI: 10.1080/07421656.2022.2110808
Juliet Jue
Abstract This study set out to quantitatively examine the influence of art practice on art therapy students’ subjective well-being. A total of 158 Korean art therapy graduate students participated in the study, completing the Art Practice Scale and Concise Measure of Subjective Well-Being. Data were analyzed using descriptive statistics, correlation, and regression analyses. The analyses revealed positive interrelationships between art practice and subjective well-being. A comparison of the two sub-variables art competency and attitudes toward art work showed that actually engaging in art work is more important than having a positive attitude toward art. The study’s implications highlight the importance of art practice in art therapy students’ psychological happiness.
摘要本研究旨在定量考察艺术实践对艺术治疗学生主观幸福感的影响。共有158名韩国艺术治疗研究生参与了这项研究,完成了《艺术实践量表》和《主观幸福简明量表》。使用描述性统计、相关性和回归分析对数据进行分析。这些分析揭示了艺术实践和主观幸福感之间的积极相互关系。通过对两个子变量艺术能力和对艺术工作的态度的比较,表明实际从事艺术工作比对艺术持积极态度更重要。该研究的启示突显了艺术实践在艺术治疗学生心理幸福感中的重要性。
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引用次数: 0
The Compassionate Arts Psychotherapy Program: Benefits of a Compassionate Arts Media Continuum 同情艺术心理治疗计划:同情艺术媒体的好处
IF 1.3 Q1 Health Professions Pub Date : 2022-08-17 DOI: 10.1080/07421656.2022.2100690
Noah Hass-Cohen, Rebecca Bokoch, G. Fowler
Abstract The Compassionate Arts Psychotherapy (CAP) program integrates self-compassion and arts psychotherapy practices, which are informed by a compassionate arts media (CAM) continuum. A mixed methods pilot program evaluation with a pretest-posttest single group design, followed by an open-ended survey, was conducted. Participants included 18 graduate students who engaged in ten 2.5-hour meetings, over the course of two weekends. Results showed statistically significant increases in self-compassion, and cognitive and affective mindfulness over time and at two-week follow-up. Qualitatively, participants reported positive gains, specifically: openness to new experiences, here-and-now mindful awareness, and self-compassion. These results suggest the clinical utility of CAP and provide novel perspectives on the directionality of the traditional art therapy media continuum.
富有同情心的艺术心理治疗(CAP)项目整合了自我同情和艺术心理治疗实践,这是由富有同情心的艺术媒体(CAM)连续体提供的信息。采用前测后测单组设计进行混合方法试点项目评估,随后进行开放式调查。参与者包括18名研究生,他们在两个周末参加了10次2.5小时的会议。结果显示,随着时间的推移和两周的随访,自我同情、认知和情感正念在统计上显著增加。从质量上讲,参与者报告了积极的收获,特别是:对新体验的开放态度,此时此刻的正念意识,以及自我同情。这些结果表明了CAP的临床应用,并为传统艺术治疗介质连续体的方向性提供了新的视角。
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引用次数: 1
Art Therapy Impact on Aging Adults’ Quality of Life: Leisure and Learning 艺术治疗对老年人生活质量的影响:休闲与学习
IF 1.3 Q1 Health Professions Pub Date : 2022-08-11 DOI: 10.1080/07421656.2022.2100688
Eileen Misluk, Haley Rush
Abstract Quality of life (QoL) is influenced by physical and psychological health, but includes subjective qualities that are inherent in social and cognitive processes necessary for healthy aging and overall well-being. A quantitative study analyzed the effects of art therapy for 14 aging adults utilizing the Brunnsviken Brief Quality of Life Scale (BBQ) at pre, mid, and post 32-week study. Regression analysis showed significant positive changes in two areas: Importance of Learning and Leisure. Participating in art therapy increased the importance of learning and leisure, that are influential factors in QoL for aging adults. This demonstrates that art therapy has the potential to support healthy aging.
摘要生活质量(QoL)受身体和心理健康的影响,但也包括健康老龄化和整体幸福所必需的社会和认知过程中固有的主观品质。一项定量研究利用Brunsviken简明生活质量量表(BBQ)分析了14名老年人在32周研究前、中期和研究后接受艺术治疗的效果。回归分析显示,在学习的重要性和休闲两个方面存在显著的正变化。参与艺术治疗增加了学习和休闲的重要性,这是影响老年人生活质量的因素。这表明艺术疗法具有支持健康衰老的潜力。
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引用次数: 1
The Effect of Medium and Instruction While Creating Mandalas 媒介与教学在曼荼罗创作中的作用
IF 1.3 Q1 Health Professions Pub Date : 2022-08-05 DOI: 10.1080/07421656.2022.2097833
Ashley Hartman, C. Campenni
Abstract This randomized controlled study examined the effects of creating open circle mandalas with divergent instruction type (distraction and reflection) and medium type (resistive and fluid) on state anxiety, mood, and mindfulness. The design followed a 2 (instruction type) × 2 (medium type) × 3 (time) mixed experimental design. Reflective writing tasks were analyzed for linguistic expression. Results indicated anxiety reduction and improved mood across all conditions as evidenced by explicit assessment. Implicit assessments determined enhanced mindfulness for reflection instruction type and fluid medium type. Practical connections to the Expressive Therapies Continuum (Lusebrink, 1990) and Media Dimensions Variable (Kagin & Lusebrink, 1978) frameworks are discussed.
摘要:这项随机对照研究考察了创建具有发散式教学类型(分心和反思)和中等类型(阻力和流动)的开放式圆圈曼陀罗对状态焦虑、情绪和正念的影响。该设计遵循2(指令型)×2(介质型)×3(时间)混合实验设计。对反思性写作任务的语言表达进行了分析。结果表明,在所有情况下,焦虑减轻,情绪改善,明确的评估证明了这一点。内隐评估确定了反思教学类型和流动媒介类型的增强正念。讨论了与表达治疗连续体(Lusebrink,1990)和媒介维度变量(Kagin&Lusebrick,1978)框架的实际联系。
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引用次数: 0
An Expressive Arts Approach to Healing Loss and Grief: Working Across the Spectrum of Loss with Individuals and Communities 一种表达艺术的方法来治疗损失和悲伤:工作与个人和社区的损失范围
IF 1.3 Q1 Health Professions Pub Date : 2022-07-28 DOI: 10.1080/07421656.2022.2095182
Julie Lusk
Irene Renzenbrink’s book, An Expressive Arts Approach to Healing Loss and Grief: Working Across the Spectrum of Loss with Individuals and Communities, indeed addresses the deep and wide spectrum of individual and collective grief and the power of the expressive arts for healing. As I sit here writing this review, I think on my current clinical work with teens and adults who are grieving over recent losses; a father, a husband, a son, a daughter, a job, a home, previous social lives, and ideas about how things used to be and “should be still.” The past few years have been a barrage of news and social media outlets reporting on social and political injustices, immigration crises, world conflicts and the global pandemic. These past few years have heightened the awareness of many coming into my office of the untenability of escape from grief and loss. No one is immune. Renzenbrink highlights the disparate types of loss, expanding one’s understanding of grief; “What all these experiences have in common, although in varying degrees, is distress, disruption, and a wounding of body, mind and spirit” (p. 30). Renzenbrink is internationally recognized for her experience and expertise as a social worker, educator, author, and expressive arts therapist working in palliative care and grief and loss counseling and education. The author discovered art therapy at a point in her life when she was processing her own experience of loss and identified through her own studies “a way of working with grief that was nourishing, imaginative, and had a healing power that I had never before experienced” (p. 24). In clear and concise writing, her new book highlights the powerful use of the expressive arts in working through grief and loss, while broadening our understanding of individual and community grief. As Renzenbrink writes, “working through grief helps people to risk investing in new relationships, purposes, and projects” (p. 46). In her first two chapters, Renzenbrink walks readers through an extensive review of historical and theoretical studies on grief and bereavement. She describes the field’s initial emphasis on symptomatology and medical definitions then comprehensively highlights the main models, theories, and people involved in expanding the field. She details “death systems” (p. 30) which encompass the people, places, and times of remembering associated with death and dying. She covers various types of grief and bereavement including disenfranchized grief, and resilience and post traumatic growth after grief and loss have occurred. In chapter one, Renzenbrink introduces the concept of poiesis, a theme that runs throughout the entirety of the book. Renzenbrink defines poiesis as “the idea of shaping ourselves and our world through art making” (p. 56). As Levine writes in the book’s foreword, poiesis is a fundamental principle in Renzenbrink’s work with grief and loss, “she brings the possibility of self-overcoming to all who suffer, not by mastering the pain
Irene Renzenbrink的书《一种治疗失去和悲伤的表达艺术方法:与个人和社区一起跨越失去的范围》,确实解决了个人和集体悲伤的深刻和广泛的范围,以及表达艺术治疗的力量。当我坐在这里写这篇评论时,我想到了我目前与青少年和成年人的临床工作,他们正在为最近的损失而悲伤;一个父亲,一个丈夫,一个儿子,一个女儿,一份工作,一个家,以前的社会生活,以及关于事情过去是什么样子和“应该是什么样子”的想法。过去几年,新闻和社交媒体铺天盖地地报道社会和政治不公、移民危机、世界冲突和全球大流行病。在过去的几年里,许多来到我办公室的人都意识到,要摆脱悲伤和失去亲人是不可能的。没有人能幸免。Renzenbrink强调了不同类型的损失,扩展了人们对悲伤的理解;“所有这些经历的共同点,尽管程度不同,都是痛苦、破坏和对身体、思想和精神的伤害”(第30页)。Renzenbrink是国际公认的社会工作者、教育家、作家和表达艺术治疗师,在姑息治疗、悲伤和损失咨询和教育方面工作。作者在处理自己失去亲人的经历时发现了艺术疗法,并通过自己的研究发现了“一种处理悲伤的方式,这种方式富有营养,富有想象力,具有我从未体验过的治愈力量”(第24页)。在清晰简洁的写作中,她的新书强调了表达艺术在克服悲伤和失去时的强大应用,同时拓宽了我们对个人和社区悲伤的理解。正如Renzenbrink所写,“从悲伤中走出来有助于人们冒险投资于新的关系、目标和项目”(第46页)。在她的前两章中,Renzenbrink带领读者对悲伤和丧亲之痛的历史和理论研究进行了广泛的回顾。她描述了该领域最初对症状学和医学定义的强调,然后全面强调了主要模型、理论和参与扩展该领域的人员。她详细介绍了“死亡系统”(第30页),其中包括与死亡和死亡有关的人、地点和记忆时间。她涵盖了各种类型的悲伤和丧亲之痛,包括被剥夺权利的悲伤,以及悲伤和损失发生后的复原力和创伤后成长。在第一章中,Renzenbrink介绍了poiesis的概念,这是贯穿全书的主题。Renzenbrink将poiesis定义为“通过艺术创作塑造我们自己和我们的世界的想法”(第56页)。正如莱文在书的前言中所写的那样,自我创造是Renzenbrink关于悲伤和失去的作品中的一个基本原则,“她给所有受苦的人带来了自我克服的可能性,不是通过控制痛苦,而是通过向痛苦投降,让它以一种让我们更接近自己经验的形式出现”(第14页)。Renzenbrink在第二章结束时讨论了互联网对悲伤和丧亲之痛的影响,以及目前正在进行的关于当前全球大流行中悲伤和丧亲之痛的研究。在这样做的过程中,Rezenbrink为她的读者提供了一个当代和最新的教育。在第三章中,作者对那些参与发展表现艺术领域的人进行了另一个广泛的探索。她将创造的概念与罗曼尼辛的“第三……”概念相吻合。在物质身体和精神之间”(第80页),运动员的“区域”(第80页),凯尔特人对这里和另一个世界之间“稀薄空间”的看法(第81页),温尼科特的“保持环境”(第82页),以及埃伯哈特和尼尔的“去中心”概念(第83页)。正如Renzenbrink所描述的那样,创作“需要一种对可能性开放的意愿,放弃控制,需要提前知道艺术创作经验结束时将会发生什么”(第80页)。在第四章中,Renzenbrink描述了表达艺术在治疗中的力量。通过她在研讨会上遇到的人的个人小特写,以及其他表达艺术治疗师的个人小特写,她提供了处理悲伤和失去的多重视角。她的个人故事说明了各种表达艺术练习和媒体的使用:拼贴画、诗歌、绘画、舞蹈、表演和自传写作。然而,我一直在寻找更具体、更清晰的艺术指导。第五章到第十章深入探讨了具体的悲伤类型和表达艺术的运用。在Renzenbrink对诗歌的讨论中,诗学的主题再次浮出水面,
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引用次数: 0
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Art Therapy
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