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ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)最新文献

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In Memoriam : Anne Marty (1947-2018) 纪念:安妮·马蒂(1947-2018)
Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/038
Alessandro Costantini
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引用次数: 0
« Un pays occupé est une terre sans vie » “被占领的国家是一片没有生命的土地”
Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/011
Federica Cozzio
The article proposes a reflection on how the intertwined themes of power, subjectivity and agency are articulated in Lyonel Trouillot’s 2016 novel Kannjawou. In its narrative space, the hermeneutics of collective reality is produced by an individual memory engaged in questioning the relations of power that affect subjectivity and action of both the occupied Haitians and the foreigners occupiers. A close reading of the novel seeks to unpack its ethnographic thickness, its capacity to built layers of understanding around the stakes of a disadvantaged microcosm in contemporary Port-au-Prince.
这篇文章提出了一种思考,即在莱奥内尔·特鲁约2016年的小说《坎尼亚乌》中,权力、主体性和代理这三个交织在一起的主题是如何表达出来的。在它的叙事空间中,集体现实的解释学是由一种个人记忆产生的,这种记忆参与了对影响被占领的海地人和外国占领者的主体性和行动的权力关系的质疑。仔细阅读这部小说,你会发现它的民族志厚度,以及它围绕当代太子港一个弱势微观世界的利害关系建立层层理解的能力。
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引用次数: 0
Collins Klobah, Loretta (2018). Ricantations. Leeds: Peepal Tree Press Ltd, 138 pp. 柯林斯·克洛巴,洛丽塔(2018)。Ricantations。利兹:Peepal Tree Press Ltd, 138页。
Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/037
Michela A. Calderaro
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引用次数: 0
Sénac, Jean (2018). L'Enfant fruitier et Hadj Hamou, Abdelkader (2018). L'Offense Jean senac(2018)。《水果男孩》和《哈吉·哈穆》,Abdelkader(2018)。冒犯
Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/026
Alice Petruzzellis
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引用次数: 0
Organisation internationale de la Francophonie [2006] (2013). Le Mouvement panafricaniste au vingtième siècle. Paris, 640 pp. 法语国家国际组织[2006](2013 年)。二十世纪的泛非主义运动》。巴黎,640 页。
Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/033
Giacomo Bottosso
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引用次数: 0
Pfersmann, Andréas ; Porcher-Wiart, Titaua (éds.) (2017). « Francophonies océaniennes ». Interculturel Francophonies, 31, juin-juillet, 417 pp.
Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/029
Anna Michieletto
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引用次数: 0
The Sieve of Translation 翻译之筛
Pub Date : 2018-12-21 DOI: 10.30687/tol/2499-5975/2018/20/017
Silvia Boraso
This case study aims to analyse the difficulties a translator faces when dealing with a text that is built around the representation of oral language. In The Butcher Boy, the Irish author Patrick McCabe uses linguistic characterisation to confer social plausibility to his characters and builds the entire novel as a monologue the first-person narrator delivers in his own voice. The challenge such a variety of factors poses makes the translation of the book into any language an interesting subject of investigation. This contribution will draw a parallel between the original text and its French translation by focusing on the hermeneutic choices the translator has to make during the entire translating process.
本案例研究旨在分析翻译人员在处理围绕口头语言表征构建的文本时所面临的困难。在《屠夫男孩》中,爱尔兰作家帕特里克·麦凯布(Patrick McCabe)运用语言特征赋予人物社会合理性,并将整部小说构建为第一人称叙述者用自己的声音讲述的独白。各种各样的因素带来的挑战使得这本书被翻译成任何一种语言都是一个有趣的研究课题。这一贡献将通过关注译者在整个翻译过程中必须做出的解释学选择,将原文与其法语翻译进行比较。
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引用次数: 0
Thou shalt not kill! Or Notes on Caribbean Music as Literary Text on Being Human 不可杀人!或者把加勒比音乐笔记作为人类的文学文本
Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/014
F. Guadeloupe, Ivette Romero
One of the important things that we who share in the human condition do when we write, read, interpret, and discuss written works, is relate to death; the death of the unruliness of Life. We are referring here to that counter, that unforeseen, that chaos, that deconstructive constant, that je ne sais quoi that perpetually undoes all the certainties and structures and truths we hold dear in our attempt master and colonize our existence. Let us call this the aesthetic-real understanding of death that, at its best, is ethical in character. But, and this is crux of our argument in this essay, Caribbean literature as it is also expressed in the musical productions from the region, remind us that this general aesthetic-real of relating to death is inextricably bound up with the specific historical-real of non-Europeans, and those who Europeans deemed lesser creatures, being murdered by overwork, guns, disease or poverty as a result of western greed and anti-human humanism. Again, to repeat, in this essay, we plan to explore this and its summoning an alternative conception of being human via the literature housed in Caribbean music: those written, sung, performed, and sometimes, danceable texts.
我们人类在写作,阅读,解释和讨论书面作品时所做的一件重要的事情,与死亡有关;生命的无法无天的死亡我们在这里指的是那个反作用,那个不可预见的,那个混乱,那个解构的常量,那个我无法形容的永恒,它永远地破坏了我们在试图主宰和殖民我们的存在时所珍视的所有确定性、结构和真理。让我们称之为对死亡的美学上的真正理解,这种理解在最好的情况下,具有伦理性质。但是,这也是我们在这篇文章中争论的关键,加勒比文学,正如它在该地区的音乐作品中所表达的那样,提醒我们,这种与死亡有关的一般美学真实,与非欧洲人的特定历史真实,以及那些被欧洲人视为低等生物的人,被过度劳累,枪支,疾病或贫穷所谋杀,这是西方贪婪和反人类人道主义的结果,是密不可分的。再次重申,在这篇文章中,我们计划探索这一点,并通过加勒比音乐中的文学来召唤人类的另一种概念:那些写的、唱的、表演的,有时还有可跳舞的文本。
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引用次数: 0
Modenesi, Marco (éd.) (2017). « Jouer avec les mots ». Ponts, Langues littératures civilisations des Pays francophones, 17, 245 pp. Modenesi, Marco(编)(2017)。“玩文字游戏”。桥梁,语言文学,法语国家的文明,17,245页。
Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/032
Veronica Brunetto
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引用次数: 0
Pudeur et splendeur de la prostitution chez Aimé Césaire et Zadi Zaourou aime cesaire和Zadi Zaourou的卖淫的谦虚和辉煌
Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/008
Houessou Dorgelès
In the Cahier d’un retour au pays natal, Césaire depicts prostitution in its abject and reprehensible dimension. Many stylistic processes, such as the reference to the biblical account of the fall, thus define a servile and shameful practice. The reason is that the poet subtly encodes the vice of the sex trade that he makes the equivalent of cultural assimilation. In contrast, Zadi Zaourou Bernard, Ivorian poet and disciple of Césaire, generally depicted prostitution under the aegis of admiration. Elegy for those bodies offered to the libidinal satisfaction of whoever is able to pay the price, some poems from his collection titled À Califourchon sur le dos d’un nuage raise and sublimate the prostitute.
在《妇女返工记录表》中,卡萨伊描述了卖淫的卑鄙和应受谴责的一面。许多风格过程,例如引用圣经中关于堕落的描述,因此定义了一种奴性和可耻的行为。原因是诗人巧妙地将性交易的罪恶编码,他将其等同于文化同化。相比之下,科特迪瓦诗人、csamsaire的弟子扎迪·扎鲁·伯纳德(Zadi Zaourou Bernard)则普遍把卖淫描绘成在崇拜的庇护下。为那些能支付代价的人提供性欲满足的尸体的挽歌,他的诗集中的一些诗题为À Califourchon sur le dos d 'un nuage提升和升华了妓女。
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引用次数: 0
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ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)
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