Pub Date : 2018-12-21DOI: 10.30687/TOL/2499-5975/2018/20/011
Federica Cozzio
The article proposes a reflection on how the intertwined themes of power, subjectivity and agency are articulated in Lyonel Trouillot’s 2016 novel Kannjawou. In its narrative space, the hermeneutics of collective reality is produced by an individual memory engaged in questioning the relations of power that affect subjectivity and action of both the occupied Haitians and the foreigners occupiers. A close reading of the novel seeks to unpack its ethnographic thickness, its capacity to built layers of understanding around the stakes of a disadvantaged microcosm in contemporary Port-au-Prince.
{"title":"« Un pays occupé est une terre sans vie »","authors":"Federica Cozzio","doi":"10.30687/TOL/2499-5975/2018/20/011","DOIUrl":"https://doi.org/10.30687/TOL/2499-5975/2018/20/011","url":null,"abstract":"The article proposes a reflection on how the intertwined themes of power, subjectivity and agency are articulated in Lyonel Trouillot’s 2016 novel Kannjawou. In its narrative space, the hermeneutics of collective reality is produced by an individual memory engaged in questioning the relations of power that affect subjectivity and action of both the occupied Haitians and the foreigners occupiers. A close reading of the novel seeks to unpack its ethnographic thickness, its capacity to built layers of understanding around the stakes of a disadvantaged microcosm in contemporary Port-au-Prince.","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":"324 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74411862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-21DOI: 10.30687/TOL/2499-5975/2018/20/033
Giacomo Bottosso
{"title":"Organisation internationale de la Francophonie [2006] (2013). Le Mouvement panafricaniste au vingtième siècle. Paris, 640 pp.","authors":"Giacomo Bottosso","doi":"10.30687/TOL/2499-5975/2018/20/033","DOIUrl":"https://doi.org/10.30687/TOL/2499-5975/2018/20/033","url":null,"abstract":"<jats:p>\u0000</jats:p>","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91137474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-21DOI: 10.30687/tol/2499-5975/2018/20/017
Silvia Boraso
This case study aims to analyse the difficulties a translator faces when dealing with a text that is built around the representation of oral language. In The Butcher Boy, the Irish author Patrick McCabe uses linguistic characterisation to confer social plausibility to his characters and builds the entire novel as a monologue the first-person narrator delivers in his own voice. The challenge such a variety of factors poses makes the translation of the book into any language an interesting subject of investigation. This contribution will draw a parallel between the original text and its French translation by focusing on the hermeneutic choices the translator has to make during the entire translating process.
{"title":"The Sieve of Translation","authors":"Silvia Boraso","doi":"10.30687/tol/2499-5975/2018/20/017","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2018/20/017","url":null,"abstract":"This case study aims to analyse the difficulties a translator faces when dealing with a text that is built around the representation of oral language. In The Butcher Boy, the Irish author Patrick McCabe uses linguistic characterisation to confer social plausibility to his characters and builds the entire novel as a monologue the first-person narrator delivers in his own voice. The challenge such a variety of factors poses makes the translation of the book into any language an interesting subject of investigation. This contribution will draw a parallel between the original text and its French translation by focusing on the hermeneutic choices the translator has to make during the entire translating process.","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":"164 5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86690623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-21DOI: 10.30687/TOL/2499-5975/2018/20/014
F. Guadeloupe, Ivette Romero
One of the important things that we who share in the human condition do when we write, read, interpret, and discuss written works, is relate to death; the death of the unruliness of Life. We are referring here to that counter, that unforeseen, that chaos, that deconstructive constant, that je ne sais quoi that perpetually undoes all the certainties and structures and truths we hold dear in our attempt master and colonize our existence. Let us call this the aesthetic-real understanding of death that, at its best, is ethical in character. But, and this is crux of our argument in this essay, Caribbean literature as it is also expressed in the musical productions from the region, remind us that this general aesthetic-real of relating to death is inextricably bound up with the specific historical-real of non-Europeans, and those who Europeans deemed lesser creatures, being murdered by overwork, guns, disease or poverty as a result of western greed and anti-human humanism. Again, to repeat, in this essay, we plan to explore this and its summoning an alternative conception of being human via the literature housed in Caribbean music: those written, sung, performed, and sometimes, danceable texts.
{"title":"Thou shalt not kill! Or Notes on Caribbean Music as Literary Text on Being Human","authors":"F. Guadeloupe, Ivette Romero","doi":"10.30687/TOL/2499-5975/2018/20/014","DOIUrl":"https://doi.org/10.30687/TOL/2499-5975/2018/20/014","url":null,"abstract":"One of the important things that we who share in the human condition do when we write, read, interpret, and discuss written works, is relate to death; the death of the unruliness of Life. We are referring here to that counter, that unforeseen, that chaos, that deconstructive constant, that je ne sais quoi that perpetually undoes all the certainties and structures and truths we hold dear in our attempt master and colonize our existence. Let us call this the aesthetic-real understanding of death that, at its best, is ethical in character. But, and this is crux of our argument in this essay, Caribbean literature as it is also expressed in the musical productions from the region, remind us that this general aesthetic-real of relating to death is inextricably bound up with the specific historical-real of non-Europeans, and those who Europeans deemed lesser creatures, being murdered by overwork, guns, disease or poverty as a result of western greed and anti-human humanism. Again, to repeat, in this essay, we plan to explore this and its summoning an alternative conception of being human via the literature housed in Caribbean music: those written, sung, performed, and sometimes, danceable texts.","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":"85 7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87676781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-21DOI: 10.30687/TOL/2499-5975/2018/20/032
Veronica Brunetto
{"title":"Modenesi, Marco (éd.) (2017). « Jouer avec les mots ». Ponts, Langues littératures civilisations des Pays francophones, 17, 245 pp.","authors":"Veronica Brunetto","doi":"10.30687/TOL/2499-5975/2018/20/032","DOIUrl":"https://doi.org/10.30687/TOL/2499-5975/2018/20/032","url":null,"abstract":"","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":"55 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87320208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-21DOI: 10.30687/TOL/2499-5975/2018/20/008
Houessou Dorgelès
In the Cahier d’un retour au pays natal, Césaire depicts prostitution in its abject and reprehensible dimension. Many stylistic processes, such as the reference to the biblical account of the fall, thus define a servile and shameful practice. The reason is that the poet subtly encodes the vice of the sex trade that he makes the equivalent of cultural assimilation. In contrast, Zadi Zaourou Bernard, Ivorian poet and disciple of Césaire, generally depicted prostitution under the aegis of admiration. Elegy for those bodies offered to the libidinal satisfaction of whoever is able to pay the price, some poems from his collection titled À Califourchon sur le dos d’un nuage raise and sublimate the prostitute.
在《妇女返工记录表》中，卡萨伊描述了卖淫的卑鄙和应受谴责的一面。许多风格过程，例如引用圣经中关于堕落的描述，因此定义了一种奴性和可耻的行为。原因是诗人巧妙地将性交易的罪恶编码，他将其等同于文化同化。相比之下，科特迪瓦诗人、csamsaire的弟子扎迪·扎鲁·伯纳德(Zadi Zaourou Bernard)则普遍把卖淫描绘成在崇拜的庇护下。为那些能支付代价的人提供性欲满足的尸体的挽歌，他的诗集中的一些诗题为À Califourchon sur le dos d 'un nuage提升和升华了妓女。
{"title":"Pudeur et splendeur de la prostitution chez Aimé Césaire et Zadi Zaourou","authors":"Houessou Dorgelès","doi":"10.30687/TOL/2499-5975/2018/20/008","DOIUrl":"https://doi.org/10.30687/TOL/2499-5975/2018/20/008","url":null,"abstract":"In the Cahier d’un retour au pays natal, Césaire depicts prostitution in its abject and reprehensible dimension. Many stylistic processes, such as the reference to the biblical account of the fall, thus define a servile and shameful practice. The reason is that the poet subtly encodes the vice of the sex trade that he makes the equivalent of cultural assimilation. In contrast, Zadi Zaourou Bernard, Ivorian poet and disciple of Césaire, generally depicted prostitution under the aegis of admiration. Elegy for those bodies offered to the libidinal satisfaction of whoever is able to pay the price, some poems from his collection titled À Califourchon sur le dos d’un nuage raise and sublimate the prostitute.","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83644652","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：