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Empire and Catastrophe: Decolonization and Environmental Disaster in North Africa and Mediterranean France Since 1954 by Spencer D. Segalla (review) 帝国与灾难:1954年以来北非和地中海法国的非殖民化与环境灾难斯宾塞D.塞加拉
Pub Date : 2022-10-01 DOI: 10.5325/mediterraneanstu.30.2.0241
G. Jackson
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引用次数: 0
The Bronze Horseman of Justinian in Constantinople: The Cross-Cultural Biography of a Mediterranean Monument by Elena N. Boeck (review) 君士坦丁堡查士丁尼的青铜骑士:埃琳娜·n·博克的地中海纪念碑的跨文化传记(书评)
Pub Date : 2022-10-01 DOI: 10.5325/mediterraneanstu.30.2.0234
P. Stephenson
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引用次数: 0
The Ancient Greek Roots of Human Rights 古希腊人权的根源
Pub Date : 2022-10-01 DOI: 10.7560/322918
Susan O. Shapiro
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引用次数: 1
Something Rotten in the State of Gibraltar: M. G. Sanchez's Autobiographical Explorations of Borderlands 在直布罗陀国家腐烂的东西:m·g·桑切斯的边疆自传体探索
Pub Date : 2022-10-01 DOI: 10.5325/mediterraneanstu.30.2.0163
I. Habermann
abstract:This article is concerned with Gibraltar as a hybrid borderland in M. G. Sanchez's autobiographical works. Sanchez grew up in Gibraltar during the border closure in the 1970s and now lives in England, having traveled widely and lived for some years in Japan and India. A British Gibraltarian writer and in some ways a "nomadic subject," Sanchez keeps close ties with Gibraltar, where he has family and friends, visiting regularly and taking an active part in Gibraltarian cultural and political debates. In his work, Sanchez explores the palimpsestic quality of Gibraltarian culture, registering the changes in his birthplace while also attending to the traces of the past, the memories and the residue of a colonial culture. In particular, Sanchez sees Gibraltar as a borderscape and a culturally hybrid place preoccupied with borderlines. This article argues that with his approach to writing Gibraltar, Sanchez makes an important contribution to Gibraltar's current negotiation of identity in times of Brexit.
本文关注的是桑切斯自传作品中直布罗陀作为一个混合边界的问题。桑切斯在20世纪70年代边境关闭期间在直布罗陀长大,现在住在英国,曾广泛旅行,并在日本和印度生活了几年。桑切斯是英国直布罗陀作家,在某种程度上是一个“游牧民族”,他与直布罗陀保持着密切的联系,在那里他有家人和朋友,定期访问直布罗陀,并积极参与直布罗陀的文化和政治辩论。在他的作品中,桑切斯探索了直布罗陀文化的重写性质,记录了他出生地的变化,同时也关注了过去的痕迹、记忆和殖民文化的残余。特别是,桑切斯将直布罗陀视为一个边界景观和一个专注于边界线的文化混合之地。本文认为,桑切斯以其写作《直布罗陀》的方式,为英国脱欧时期直布罗陀当前的身份谈判做出了重要贡献。
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引用次数: 0
The Napoleonic Mediterranean: Enlightenment, Revolution, and Empire, A Global History of the Napoleonic Wars, The Forgotten War against Napoleon: Conflict in the Mediterranean, 1793–1815 《拿破仑的地中海:启蒙、革命和帝国》,《拿破仑战争的全球史》,《被遗忘的反拿破仑战争:地中海冲突,1793-1815》
Pub Date : 2022-10-01 DOI: 10.5325/mediterraneanstu.30.2.0236
C. Esdaile
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引用次数: 0
The Battleground of Imperial Memory: The Antique Spoliation of the Complex of Algerian Gazi Hasan Paşa on Kos and Its Contestation 帝国记忆的战场:阿尔及利亚人加齐·哈桑·帕沙在科斯的建筑群及其竞争
Pub Date : 2022-10-01 DOI: 10.5325/mediterraneanstu.30.2.0141
Sean Silvia
abstract:The mosque complex of Gazi Hasan Paşa is a remarkable synthesis of Ottoman and classical culture in which each structure includes ancient building materials from nearby ruins. This article analyzes the heretofore unexamined use of antique remains with a multidisciplinary approach, incorporating history, archaeology, and art history. The mosque complex positions the Ottoman Empire as the heir of ancient Mediterranean civilization. This claim posed an ideological threat to Western European viewers because they claimed the inheritance of Mediterranean civilization themselves. Western European authors erased Ottoman reuse of ancient materials from their accounts in order to ideologically exclude the Ottomans from the legacy of ancient civilization, thereby characterizing them as "barbarians." These same authors criticized the Ottomans for engaging with antiquity too much when the Ottomans began resisting colonial archaeology. Ottoman engagement with antiquity in Gazi Hasan Paşa's complex thus became a venue to contest imperial identities.
Gazi Hasan pa清真寺建筑群是奥斯曼帝国和古典文化的杰出综合体,其中每个建筑都使用了附近遗址的古代建筑材料。本文分析了迄今为止未经审查的使用与多学科的方法,结合历史,考古学和艺术史的古董遗骸。清真寺建筑群将奥斯曼帝国定位为古代地中海文明的继承人。这种说法对西欧观众构成了意识形态上的威胁,因为他们声称自己继承了地中海文明。西欧作家从他们的记载中抹去了奥斯曼帝国对古代材料的再利用,以便在意识形态上将奥斯曼人排除在古代文明的遗产之外,从而将他们描述为“野蛮人”。当奥斯曼人开始抵制殖民考古学时,这些作者批评奥斯曼人过多地参与古代研究。因此,奥斯曼帝国在加齐哈桑建筑群中与古代的接触成为了争夺帝国身份的场所。
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引用次数: 0
Greening The Core of The Mediterranean City 绿化地中海城市的核心
Pub Date : 2022-10-01 DOI: 10.5325/mediterraneanstu.30.2.0204
Anda Rosenberg, I. Schnell
abstract:Mediterranean cities are the oldest in Europe, built according to the practices and worldviews of their times. City cores are densely settled, having developed spontaneously with almost no systematic planning. The result is a core that lacks open spaces for greenery. The goal of the present study is to compare the existing state of residential greenery and urban parks in the Mediterranean with cities in Northern Europe that include such spaces. To achieve that goal, existing greenery per capita (residential greenery and urban parks) data for selected Mediterranean cities were gathered based on Google Earth. Results are compared with greenery per capita in selected cities in Northern Europe. Additional aspects of urban green spaces, such as landscaping and urban park design, are identified and compared to Mediterranean city cores. Suggestions for improving greenery within Mediterranean cities are offered at the conclusion of the study.
地中海城市是欧洲最古老的城市,它们是根据当时的习俗和世界观建造的。城市核心人口密集,自发发展,几乎没有系统规划。其结果是缺少绿化的开放空间。本研究的目的是比较地中海地区的住宅绿化和城市公园的现状与北欧城市的绿化和城市公园的现状。为了实现这一目标,根据谷歌Earth收集了选定地中海城市的现有人均绿化(住宅绿化和城市公园绿化)数据。结果与北欧选定城市的人均绿化量进行了比较。城市绿地的其他方面,如景观美化和城市公园设计,被确定并与地中海城市核心进行比较。在研究的最后,提出了改善地中海城市绿化的建议。
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引用次数: 0
Invited Discussion 邀请讨论
Pub Date : 2022-10-01 DOI: 10.5325/mediterraneanstu.30.2.0138
Darryl A. Phillips

abstract:

This essay introduces the four articles included in Mediterranean Studies 30.2.

本文介绍了《地中海研究30.2》中收录的四篇文章。
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引用次数: 0
Editor’s Introduction 编辑器的介绍
Pub Date : 2022-06-13 DOI: 10.5325/mediterraneanstu.31.1.0001
Susan L. Rosenstreich
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引用次数: 0
Inverse Trajectories: Elite Music and Dance in the Medieval Mediterranean World (ca. 400–1400) 反向轨迹:中世纪地中海世界的精英音乐和舞蹈(约400–1400)
Pub Date : 2022-06-01 DOI: 10.5325/mediterraneanstu.30.1.0025
Carl Davila
abstract:Despite some interchange between the two shores of the medieval Mediterranean world, particularly in Sicily and Iberia after about 1000 CE, one may distinguish differences in between the enjoyment of secular music between Christian upper classes and Islamic upper classes on the shores of the sea in this era. Where the Islamic world is concerned, a distinction may be drawn between an initially more sophisticated east, including Egypt, the Levant, Arabia, and especially Iraq, which inherited much from the Persian and Byzantine musical heritage and from Greek philosophy of music, and a culturally remote west (North Africa and Iberia) that received some impetus from the east and only later developed its own distinctive forms. The early history of these arts in the Christian lands is more obscure but comes into sharper focus after about 1200. The two histories can be seen as almost exactly the inverse of one another, as cultural and religious discourses produced quite different attitudes toward both music and dance.
摘要:尽管中世纪地中海世界的两个海岸之间,特别是公元1000年后的西西里岛和伊比利亚岛之间发生了一些交流,但人们可以区分这个时代海边的基督教上层阶级和伊斯兰上层阶级在享受世俗音乐方面的差异。就伊斯兰世界而言,可以区分最初更为复杂的东方,包括埃及、黎凡特、阿拉伯,尤其是伊拉克,它们继承了波斯和拜占庭的音乐遗产以及希腊的音乐哲学,以及一个文化偏远的西部(北非和伊比利亚),它受到了东部的一些推动,后来才发展出自己独特的形式。这些艺术在基督教土地上的早期历史更加模糊,但在大约1200年后变得更加突出。这两段历史几乎完全相反,因为文化和宗教话语对音乐和舞蹈产生了截然不同的态度。
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引用次数: 0
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