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Mediterranean Captivity through Arab Eyes, 1517–1798 阿拉伯人眼中的地中海囚禁(1517-1798
Pub Date : 2022-06-01 DOI: 10.5325/mediterraneanstu.30.1.0124
Ali Atabey
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引用次数: 0
The Importance of the Mediterranean in the Syro-Mesopotamian Kingdom of Mari in the Amorite Period 地中海在亚摩利时期锡罗美索不达米亚马里王国的重要性
Pub Date : 2022-06-01 DOI: 10.5325/mediterraneanstu.30.1.0003
Maria de Fátima Rosa
abstract:Since the dawn of Mesopotamian history, the Mediterranean Sea has been considered a natural frontier, both feared and admired as the Great Sea. With the settlement of the Amorites in Mesopotamia, whose cradle was thought of as the “Land of the Sea,” that is, the Mediterranean shore, the importance of this natural element became notorious. The voyages of the sovereigns of the Amorite Syro-Mesopotamian kingdom of Mari—Yahdun-Lim, Samsi-Addu, and Zimri-Lim—to the Mediterranean coast, which this article analyzes in detail, attest to this importance. These journeys were previously studied by Abraham Malamat, among others. But due to the absence of a monumental record to attest to the displacement of Zimri-Lim, the importance of the latter as well as the connection between them have not been thoroughly examined. This article does so.
摘要:自美索不达米亚历史开始以来,地中海一直被认为是一个自然的边界,既令人敬畏又令人钦佩,就像大海一样。随着亚摩利人在美索不达米亚的定居,其摇篮被认为是“海洋之地”,即地中海沿岸,这种自然元素的重要性变得臭名昭著。阿摩利-锡罗-美索不达米亚马里王国的君主叶赫敦·林、桑西·阿杜和齐姆里·林前往地中海海岸的航行,本文对此进行了详细分析,证明了这一重要性。亚伯拉罕·马拉马特等人曾对这些旅程进行过研究。但是,由于没有一个不朽的记录来证明Zimri Lim的流离失所,后者的重要性以及它们之间的联系还没有得到彻底的研究。这篇文章就是这么做的。
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引用次数: 0
A Stranger in Rome: Musine Kokalari and Her Memoir La mia vita universitaria in Twentieth-Century Albanian Literature 《罗马的陌生人》:穆辛·科卡拉里及其回忆录《二十世纪阿尔巴尼亚文学的普遍性生活》
Pub Date : 2022-06-01 DOI: 10.5325/mediterraneanstu.30.1.0076
Bavjola Shatro Gami
This article focuses on the memoir of Musine Kokalari, the first woman writer in Albanian literature. Her memoir La mia vita universitaria (My University Life) was written in Italian during her stay in Rome as a student at Sapienza University. It was published only in 2009 (Tirana) and in 2016 (Rome) as a result of the author being harshly persecuted by the communist regime and her work being banned in Albania for almost half a century. Kokalari’s memoir is analyzed through a cultural and biographical approach as well as text analysis. Being a stranger and remaining one while living in Italy is a fundamental aspect of Kokalari’s memoir as she narrates her journey toward the expression of the self as an Albanian woman writer in fascist Rome.
本文以阿尔巴尼亚文学史上第一位女作家Musine Kokalari的回忆录为研究对象。她的回忆录《我的大学生活》(La mia vita universitaria)是她在罗马萨皮恩扎大学(Sapienza University)读书时用意大利语写的。由于作者受到共产主义政权的严厉迫害,她的作品在阿尔巴尼亚被禁了近半个世纪,这本书只在2009年(地拉那)和2016年(罗马)出版。通过文化和传记方法以及文本分析来分析Kokalari的回忆录。在科卡拉里的回忆录中,她讲述了自己作为一名阿尔巴尼亚女作家在法西斯罗马的自我表达之旅,作为一个陌生人,在意大利生活是她回忆录的一个基本方面。
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引用次数: 0
Ancient Greece and Rome in Videogames: Representation, Play, Transmedia by Ross Clare (review) 电子游戏中的古希腊和罗马:表现、玩法和跨媒体
Pub Date : 2022-06-01 DOI: 10.5325/mediterraneanstu.30.1.0131
Álvaro Ibarra
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引用次数: 1
Sea Change: Ottoman Textiles between the Mediterranean and the Indian Ocean by Amanda Phillips (review) Amanda Phillips的《海洋变化:地中海和印度洋之间的奥斯曼纺织品》(综述)
Pub Date : 2022-06-01 DOI: 10.5325/mediterraneanstu.30.1.0129
Selin Ipek
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引用次数: 0
A Panel Discussion: “Teaching the Mediterranean” 小组讨论:“地中海教学”
Pub Date : 2022-06-01 DOI: 10.5325/mediterraneanstu.30.1.0108
Susan L. Rosenstreich, Geraldo U. de Sousa, Ann E. Zimo, Darryl A. Phillips, Jesús-David Jerez-Gómez
abstract:A panel discussion on teaching the Mediterranean was convened at the 2021 Annual Congress of the Mediterranean Studies Association. Three panelists presented their approaches to teaching the Mediterranean. These presentations were followed by a general discussion that included members of the audience.
在2021年地中海研究协会年会上召开了关于地中海教学的小组讨论。三位小组成员介绍了他们的地中海教学方法。这些介绍之后是包括听众成员在内的一般性讨论。
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引用次数: 0
Italy’s Sea: Empire and Nation in the Mediterranean, 1895–1945 by Valerie McGuire (review) 《意大利的海:地中海的帝国与民族,1895-1945》作者:瓦莱丽·麦奎尔
Pub Date : 2022-06-01 DOI: 10.5325/mediterraneanstu.30.1.0126
Mark I. Choate
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引用次数: 1
Philhellenes in Nineteenth-Century Greece: The Case of Eduard Schaubert 19世纪希腊的非希腊人:爱德华·舒伯特的案例
Pub Date : 2022-06-01 DOI: 10.5325/mediterraneanstu.30.1.0051
Agata Kubala
abstract:This article considers the work of the Wrocław-based architect Eduard Schaubert during the twenty years he spent in Greece. His involvement in the conservation and documentation of the heritage of antique material culture demonstrates his commitment to the ideals of philhellenism, a phenomenon spreading across Europe with new momentum and in a new form at the beginning of the nineteenth century. This trend fueled political and cultural transformations associated with modernity, resulting in an independent Greek state and the influx of Western European lovers of ancient Greece. The image of Schaubert is compared to that of other Western European philhellenes arriving in the first half of the nineteenth century in the “land of the Hellenes.”
摘要:本文考察了弗罗茨瓦夫建筑师爱德华·绍伯特在希腊度过的二十年中的作品。他参与了对古代物质文化遗产的保护和记录,这表明了他对爱乐主义理想的承诺,这一现象在19世纪初以新的势头和新的形式在欧洲蔓延。这一趋势推动了与现代性相关的政治和文化变革,导致了希腊独立和西欧古希腊爱好者的涌入。Schaubert的形象与19世纪上半叶在“希腊之地”抵达的其他西欧希腊人的形象相比较
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引用次数: 0
Female (Anti-)exempla in Plinian and Ovidian Letters: Rebellious Women's Silenced Battles 普利尼和奥维德书信中的女性(反)典范:反叛女性的无声战争
Pub Date : 2021-11-23 DOI: 10.5325/mediterraneanstu.29.2.0132
Stella Alekou
abstract:This article does not discuss the intertextual allusions to Ovidian epistolography in Pliny's letters, but puts forward the claim that women in both Ovid's and Pliny's letters are part of a female literary culture that implicitly clashes with the conventional gender patterns of what constitutes a female exemplum and a female anti-exemplum. This article presents Pliny's letters as both prescriptive and descriptive, and argues that the texts extol as well as advocate specific patterns of behavior, including that of the ideal wife. The examination of the Plinian text is enriched with a parallel reading of Ovid's letters in the Heroïdes, in which fictional women appear as "enabled" to rewrite their pseudo-biographies, even though these are composed and "edited" by a male poet. In reexamining Ovid's unconventional female mythological constructions vis-à-vis the Plinian perception of distinguished women of Roman history, the reader is eventually encouraged to reconsider some well-established views on Pliny's social, cultural, and political "conservatism."
本文不讨论普林尼书信中对奥维德书信的互文典故,而是提出奥维德和普林尼书信中的女性都是女性文学文化的一部分,这种文化含蓄地与构成女性范例和女性反范例的传统性别模式相冲突。本文从规定性和描述性两方面介绍了普林尼的信件,并认为这些文本既推崇也提倡特定的行为模式,包括理想妻子的行为模式。通过对Heroïdes中奥维德信件的平行阅读,丰富了对普林尼文本的研究,在这些信件中,虚构的女性似乎“有能力”重写她们的伪传记,即使这些传记是由男性诗人创作和“编辑”的。在重新审视奥维德的非传统女性神话建构-à-vis与普林尼对罗马历史上杰出女性的看法时,读者最终被鼓励重新考虑一些关于普林尼的社会、文化和政治“保守主义”的既定观点。
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引用次数: 0
"Moors Must Not Be Taken for Black": Race, Conflict, and Cultural Translation in the Early Modern French Mediterranean “不能把摩尔人当成黑人”:近代早期法属地中海地区的种族、冲突与文化翻译
Pub Date : 2021-11-23 DOI: 10.5325/mediterraneanstu.29.2.0182
Brian Sandberg
abstract:French actors mediated North African cultures and shaped French perceptions of others in the Mediterranean world during the late sixteenth and early seventeenth centuries. Francophone intermediaries experienced predominantly Muslim cultures as consuls, diplomats, military officers, naval captains, merchants, travelers, and prisoners in North Africa and across the Mediterranean during this period. This article reconsiders issues of race and conflict in the early modern Mediterranean by globalizing Francophone sources on the figure of the "Moor" and the conceptual space of the "Barbary Coast" in the late sixteenth and early seventeenth centuries. After introducing French cultural intermediaries in the Mediterranean, the article analyzes their depictions of North Africans through conflict narratives, geographic works, and ethnographic descriptions. New evidence of racial distinctions in the early modern French Mediterranean suggests that conflict reshaped French understandings of Muslims and produced racialized conceptions of "Moors." This finding supports recent historical interpretations of race as a category of differentiation already articulated and operative in the early modern world.
在16世纪末和17世纪初,法国演员扮演了北非文化的中介角色,并塑造了法国人对地中海世界其他人的看法。在此期间,以法语为母语的中间人在北非和地中海地区担任领事、外交官、军官、海军船长、商人、旅行者和囚犯,主要经历了穆斯林文化。本文通过将16世纪末和17世纪初“摩尔人”的形象和“巴巴里海岸”的概念空间的法语来源全球化,重新考虑了现代早期地中海的种族和冲突问题。在介绍了地中海地区的法国文化中介之后,本文通过冲突叙事、地理作品和民族志描述分析了他们对北非人的描述。近代早期法属地中海地区种族差异的新证据表明,冲突重塑了法国人对穆斯林的理解,并产生了“摩尔人”的种族化概念。这一发现支持了最近对种族的历史解释,种族是一种在早期现代世界中已经明确和有效的分化类别。
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引用次数: 0
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