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Reframing the Fall of the Zirid Dynasty, 1112–35 CE 重塑齐里德王朝的灭亡,公元1112–35年
Pub Date : 2018-05-31 DOI: 10.5325/MEDITERRANEANSTU.26.1.0001
Matt King
abstract:Ever since H. R. Idris categorized the last forty years of the Zirid emirate (972–1148) as one of “agony,” the characterization has stuck. According to his narrative, the fall of the Zirid dynasty was as inevitable as the ascent of the Normans in Sicily, who exploited the Zirids for years before seizing their capital of Mahdia in 1148. This article challenges this anachronistic view of the Zirid dynasty by showing the relative strength of the Zirids throughout the 1110s and 1120s, as they made strategic alliances with other Muslim powers in the Mediterranean and won multiple victories against the Normans.
自从h.r.伊德里斯将齐里德酋长国(972-1148)的最后四十年归类为“痛苦”以来,这种描述就一直存在。根据他的叙述,齐里德王朝的衰落和西西里诺曼人的崛起一样是不可避免的,诺曼人在1148年占领齐里德人的首都马赫迪亚之前剥削了齐里德人多年。这篇文章通过展示齐里德王朝在1110年代和1120年代的相对实力,挑战了这种对齐里德王朝的时代错误的看法,因为他们与地中海地区的其他穆斯林大国建立了战略联盟,并赢得了对诺曼人的多次胜利。
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引用次数: 0
The Circulation of Memory: Bahaettin Rahmi Bediz’s Postcards of Crete 1897–1909 记忆的循环:巴海廷·拉赫米·贝迪兹1897-1909年的克里特明信片
Pub Date : 2018-05-31 DOI: 10.5325/MEDITERRANEANSTU.26.1.0026
Rachel F. Ainsworth
abstract:This article discusses the postcard repertoire of Bahaettin Rahmi Bediz (1875–1951), a Cretan-Turkish photographer working in Candia, Crete. The article contends that Bahaettin’s work as a local photographer should be examined through what Michèle Hannoosh calls a “Mediterranean context.” This approach evaluates early photographic practices and visual representations alongside the varied networks of political and cultural subjectivities within a rapidly shifting Mediterranean region during the late nineteenth and early twentieth centuries. By analyzing Bahaettin’s work through the lens of a Mediterranean context, one can read Bahaettin’s affective voice within his images, as he documents radical political changes on the island.
摘要:本文讨论了在克里特岛坎迪亚工作的土耳其克里特摄影师巴海廷·拉赫米·贝迪兹(1875-1951)的明信片曲目。文章认为,巴哈廷作为一名当地摄影师的作品应该通过米歇尔·汉努什所说的“地中海背景”来审视。“这种方法评估了19世纪末和20世纪初快速变化的地中海地区早期的摄影实践和视觉表现,以及各种政治和文化主观主义网络。通过从地中海背景的角度分析巴哈廷的作品,人们可以从巴哈廷的图像中读出他情感的声音,因为他记录了岛上的激进政治变化。
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引用次数: 0
Renato Carosone and Neapolitan Music: Challenging Paradigms of Hybridity in the Mediterranean 雷纳托·卡罗松与那不勒斯音乐:挑战地中海混血的范式
Pub Date : 2018-05-31 DOI: 10.5325/MEDITERRANEANSTU.26.1.0054
J. Baldacchino
abstract:Hybridity has been a favored metaphor used to discuss cultural mixture in the Mediterranean and beyond. The mobility, interconnectivity, and exchange that characterize Mediterranean historiography lend themselves to the depiction of a cultural landscape of hybridity and mixture. The discourse of hybridity, however, has often been analytically “fuzzy,” with scholars sliding effortlessly from discussing instances of “aesthetic hybridity” to quasi-causal forms of “unconscious hybridity.” In the context of the Mediterranean the concept of hybridity is often used to reconstruct a regional unity built out of crossovers and hybridization. Discussions of “unconscious hybridity” must always, however, be contextualized in relation to the politicized discourses that invoke them—whether to decry or celebrate them. In this article I discuss this notion of Mediterranean hybridity in relation to Neapolitan music, focusing especially on the neglected work of Renato Carosone (1920–2001). While Neapolitan music is often celebrated for its cultural hybridity, such discussions often problematically conflate models of hybridity with models for hybridity.
摘要:杂交一直是一个受欢迎的隐喻,用于讨论地中海及其他地区的文化混合。地中海史学特有的流动性、相互联系和交流,有助于描绘混合性和混合性的文化景观。然而,关于混杂性的论述在分析上往往是“模糊的”,学者们毫不费力地从讨论“审美混杂性”的例子滑到了“无意识混杂”的准因果形式。在地中海的背景下,混杂性的概念经常被用来重建由交叉和混杂建立起来的区域统一。然而,关于“无意识混杂性”的讨论必须始终与援引它们的政治化话语联系在一起——无论是谴责还是庆祝它们。在这篇文章中,我讨论了地中海混合性与那不勒斯音乐的关系,特别关注雷纳托·卡洛松(1920–2001)被忽视的作品。虽然那不勒斯音乐经常以其文化混合性而闻名,但这种讨论往往会有问题地将混合性模型与混合性模型混为一谈。
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引用次数: 0
Theban Autochthony and Athenian Ideology in the phoenissae of Euripides 欧里庇得斯腓尼基的底比斯本土与雅典意识形态
Pub Date : 2017-12-23 DOI: 10.5325/MEDITERRANEANSTU.25.2.0147
Stephen A. Nimis
abstract:Recent scenes of Syrian refugees arriving in Europe and the nationalist reflections they have engendered recall the discourses of foreign and native in antiquity, a theme addressed frequently in Attic tragedy. Euripides' Phoenician Maidens is a meditation on the theme of autochthony, a key ideological and mythological nexus of ideas about identity and community. The ideal of a homogeneous community symbolized by Athenians' autochthonous heritage fits uncomfortably with another Athenian ideal: hospitality and openness to strangers. The Phoenician Maidens of Euripides reflects on the theme of sameness and otherness, foreign and native, using the resources of theater to articulate a utopian resolution of these conflicting desires.
最近叙利亚难民抵达欧洲的场景,以及由此引发的民族主义反思,让人想起了古代外国和本土的话语,这是阿提卡悲剧中经常出现的主题。欧里庇得斯的《腓尼基少女》是对本土主题的沉思,是关于身份和社区的关键意识形态和神话联系。以雅典人的本土传统为象征的同质社区的理想,与雅典人的另一个理想——热情好客、对陌生人开放——格格不入。《欧里庇得斯的腓尼基少女》反映了同一性和差异性、异族和本土的主题,利用戏剧的资源,清晰地表达了这些冲突欲望的乌托邦式解决方案。
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引用次数: 0
People Before Print: Gens de lettres, the Ottoman Printing Press, and the Search for Turkish Literature 印刷之前的人:《文学流派》、奥斯曼印刷出版社和对土耳其文学的探索
Pub Date : 2017-12-23 DOI: 10.5325/MEDITERRANEANSTU.25.2.0189
J. Haddad
abstract:The advent of print at the Ottoman court in 1727 was greeted in France as the triumph of learning over Islamic ignorance. These initial reactions have shaped modern narratives about the Ottoman printing press, which center on the role of its founder, Müteferrika, a Hungarian convert to Islam. This article contextualizes these accounts by turning the focus to one of Müteferrika's French interlocutors, Peyssonnel. This latter's efforts to define Turkish literature demonstrate that the Republic of Letters subsumed the divisive question of print to that of the broader category of literature, which favored cultural continuities stemming from interpersonal relations.
1727年奥斯曼帝国宫廷印刷术的出现在法国被视为学习战胜伊斯兰无知的胜利。这些最初的反应塑造了关于奥斯曼印刷机的现代叙事,该印刷机以其创始人、皈依伊斯兰教的匈牙利人穆特费里卡的角色为中心。本文将焦点转向穆特费里卡的一位法国对话者Peyssonnel,从而将这些叙述置于背景之中。后者对土耳其文学的定义表明,《文学共和国》将印刷品的分裂问题纳入了更广泛的文学范畴,后者倾向于源于人际关系的文化连续性。
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引用次数: 0
Held to Account: Medieval Scribes at Sea 追究责任:中世纪海上文士
Pub Date : 2017-12-23 DOI: 10.5325/MEDITERRANEANSTU.25.2.0164
E. Tai
abstract:This article draws upon legal sources and archival records from Barcelona, Venice, and Genoa to study the experience of scribes in the medieval Mediterranean. Just as Chaucer or Dante may have feared the scribe's power to alter compositions, so, too, did scribes excite apprehension among medieval agents of commerce. The weighty responsibilities assigned to scribes presented significant temptations for illicit enrichment, as well as risks, aboard the medieval ship. The dangers of a maritime venture were compounded, for the scribe, by risks incurred as keepers of the written record.
本文利用巴塞罗那、威尼斯和热那亚的法律资料和档案记录,研究中世纪地中海地区文士的经历。就像乔叟或但丁可能害怕抄写员改变作品的能力一样,抄写员也会在中世纪的商业代理人中引起忧虑。在这艘中世纪的船上,分配给抄写员的沉重责任给非法致富带来了巨大的诱惑,也带来了风险。对于抄写员来说,海上冒险的危险由于作为书面记录的保持者而产生的风险而变得更加复杂。
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引用次数: 0
Fourteenth-Century Rent Management in Catalonia: A Case Study of the Pia Almoina of Barcelona 14世纪加泰罗尼亚的租金管理——以巴塞罗那的皮亚·阿尔莫纳为例
Pub Date : 2017-12-23 DOI: 10.5325/MEDITERRANEANSTU.25.2.0229
Adam Franklin-Lyons
abstract:This article investigates the changing practice of land management by the Cathedral poorhouse of Barcelona, known as the Pia Almoina. During the fourteenth century, the institution moved away from earlier increases in the use of free tenancy and fixed-rate rents and began to acquire new lands that relied more heavily on sharecropping and wage labor. The shift began before the depopulation brought on by the Black Death and continued through the second half of the fourteenth century. This shift in practice is notable because it contrasts with the dominant English model in which tenancies generally improved and direct farming practices shrank after the Black Death. However, the Almoina's practices do reflect urban practices in Tuscany where a strong mark could make sharecropping contracts such as the mezzadria desirable and profitable, even in an era of falling population.
本文考察了巴塞罗那大教堂济贫院(Pia Almoina)土地管理实践的变化。在14世纪,这种制度摆脱了早期使用自由租赁和固定利率租金的增长,开始获得更多依赖于分成种植和雇佣劳动的新土地。这种转变始于黑死病导致的人口减少之前,并一直持续到14世纪下半叶。这种实践上的转变是值得注意的,因为它与英国的主导模式形成了鲜明对比,在这种模式下,在黑死病之后,租赁普遍得到改善,直接农业实践萎缩。然而,Almoina的做法确实反映了托斯卡纳的城市实践,在托斯卡纳,即使在人口下降的时代,强劲的马克也可以使像mezzadria这样的佃农合同变得可取和有利可图。
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引用次数: 1
Introduction: Non-state Actors in Mediterranean Politics 引言:地中海政治中的非国家行动者
Pub Date : 2017-06-08 DOI: 10.5325/MEDITERRANEANSTU.25.1.0001
J. Watkins
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引用次数: 0
New Wars, Old Wars, and Medieval Wars: European Mercenaries as State Actors in Europe and North Africa, ca. 1100–1500 《新战争、旧战争和中世纪战争:欧洲雇佣军在欧洲和北非的国家角色》,约1100-1500年
Pub Date : 2017-06-08 DOI: 10.5325/MEDITERRANEANSTU.25.1.0033
M. Lower
abstract:Medieval European mercenaries are often seen as impediments to state formation because European monarchies found them expensive and difficult to control. By taking a broader comparative approach to their deployment that encompasses North Africa, I show that these soldiers could serve as effective agents of state power. Abandoning the mercenaries is sometimes represented as a positive break with the medieval past that accelerated European progress into the modern political order of states and standing armies. From a comparative point of view, however, this transition looks more like a gradual retreat from a system for organizing violence that continued to function well in other parts of the world.
中世纪欧洲的雇佣军经常被视为国家形成的障碍,因为欧洲君主发现他们昂贵且难以控制。通过对他们在北非的部署采取更广泛的比较方法,我表明这些士兵可以作为国家权力的有效代理人。放弃雇佣军有时被认为是与中世纪的积极决裂,中世纪加速了欧洲向国家和常备军的现代政治秩序的进步。然而,从比较的角度来看,这种转变看起来更像是从组织暴力的系统中逐渐撤退,这种系统在世界其他地区继续运作良好。
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引用次数: 2
Espionage and Theology in the Anglo-Venetian Renaissance 盎格鲁-威尼斯文艺复兴时期的间谍与神学
Pub Date : 2017-06-08 DOI: 10.5325/MEDITERRANEANSTU.25.1.0053
D. Pirillo
While the establishment of permanent embassies during the Renaissance has traditionally been regarded as the first step toward the emergence of modern diplomacy, recent scholarship has questioned this grand narrative and suggested framing the history of premodern diplomacy as a much more nuanced and multifaceted process in which many intermediaries and go-betweens coexisted and competed with resident ambassadors. Taking up this thread, this article brings to light the role played in early modern diplomacy by religious refugees, who became influential through their capacity to facilitate cross-confessional exchanges between states that could not officially communicate. Focusing on sixteenth-century Anglo-Venetian diplomacy, the article demonstrates how, after the suspension of diplomatic contact between Venice and England in 1559, religious refugees replaced resident ambassadors and allowed exchanges and the information flow to continue.
虽然在文艺复兴时期设立常驻大使馆传统上被认为是现代外交出现的第一步,但最近的学者对这种宏大的叙述提出了质疑,并建议将前现代外交史构建为一个更加微妙和多方面的过程,在这个过程中,许多中间人和中间人与常驻大使共存并竞争。沿着这条线索,本文揭示了宗教难民在早期现代外交中所扮演的角色,他们通过促进无法正式沟通的国家之间的跨宗教交流的能力而变得有影响力。这篇文章聚焦于16世纪的盎格鲁-威尼斯外交,展示了1559年威尼斯和英格兰之间的外交联系中断后,宗教难民如何取代常驻大使,并允许交流和信息流动继续下去。
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引用次数: 1
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Korea & world affairs
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