Pub Date : 2023-05-12DOI: 10.22533/at.ed.929342311054
Joao Felipe Barbosa Borges
{"title":"CAN A LITERATURE GREATER?","authors":"Joao Felipe Barbosa Borges","doi":"10.22533/at.ed.929342311054","DOIUrl":"https://doi.org/10.22533/at.ed.929342311054","url":null,"abstract":"","PeriodicalId":136331,"journal":{"name":"Arts, Linguistics, Literature and Language Research Journal","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127065704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-12DOI: 10.22533/at.ed.929342311053
Rufino Alfredo
: The present work focuses on the use of verbs of movement (TO GO, TO COME and TO ARRIVE) in Portuguese. The main objective is to understand the subcategorization properties of verbs of motion performed in Mozambican Portuguese. This paper presents empirical data based on a corpus written and produced by university students in the initial courses at the Pedagogical University, Tete Delegation. The analyzed data show the following linguistic phenomena: (i) the subcategorization of verbs of movement (TO GO, TO COME and TO ARRIVE) obeys, on the one hand, patterns similar to EP; (ii) use of movement verbs (go, come and arrive) with a tendency to subcategorize the prepositional Sentences introduced by the proposition em; (iii) the preposition a seems to be less used in constructions that involve the movement verbs TO GO and TO ARRIVE in Portuguese; (iv) in the data related to the grammatical and/or acceptability judgments task, the accentuated acceptance of the preposition para is more evident in contexts in which movement verbs are involved, in particular the verb TO GO; (v) the absence or possible elimination of the definite article in some nouns, in contexts where the directional locative prepositions of EP (to/to and from) require a noun phrase complement. It is concluded, in the study, that these phenomena are due, on the one hand, to the fact that Mozambican Portuguese presents new subcategorization properties of these verbs by speakers. On the other hand, it is believed that there is a strong connection or even “a coexistence” between Portuguese and the Bantu languages and that, in a way, there seems to be some deviation from the EP rule.
{"title":"ABOUT THE SUBCATEGORIZATION OF VERBS OF MOVEMENT (TO GO, TO COME and TO ARRIVE) IN PORTUGUESE: A PROPOSAL FOR A COMPARATIVE ANALYSIS OF MOZAMBIQUE PORTUGUESE WITH EUROPEAN PORTUGUESE","authors":"Rufino Alfredo","doi":"10.22533/at.ed.929342311053","DOIUrl":"https://doi.org/10.22533/at.ed.929342311053","url":null,"abstract":": The present work focuses on the use of verbs of movement (TO GO, TO COME and TO ARRIVE) in Portuguese. The main objective is to understand the subcategorization properties of verbs of motion performed in Mozambican Portuguese. This paper presents empirical data based on a corpus written and produced by university students in the initial courses at the Pedagogical University, Tete Delegation. The analyzed data show the following linguistic phenomena: (i) the subcategorization of verbs of movement (TO GO, TO COME and TO ARRIVE) obeys, on the one hand, patterns similar to EP; (ii) use of movement verbs (go, come and arrive) with a tendency to subcategorize the prepositional Sentences introduced by the proposition em; (iii) the preposition a seems to be less used in constructions that involve the movement verbs TO GO and TO ARRIVE in Portuguese; (iv) in the data related to the grammatical and/or acceptability judgments task, the accentuated acceptance of the preposition para is more evident in contexts in which movement verbs are involved, in particular the verb TO GO; (v) the absence or possible elimination of the definite article in some nouns, in contexts where the directional locative prepositions of EP (to/to and from) require a noun phrase complement. It is concluded, in the study, that these phenomena are due, on the one hand, to the fact that Mozambican Portuguese presents new subcategorization properties of these verbs by speakers. On the other hand, it is believed that there is a strong connection or even “a coexistence” between Portuguese and the Bantu languages and that, in a way, there seems to be some deviation from the EP rule.","PeriodicalId":136331,"journal":{"name":"Arts, Linguistics, Literature and Language Research Journal","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133294570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-12DOI: 10.22533/at.ed.9293423110510
Wellington Cesário
: The main subject of this text is the imagery that constitutes Ismael Nery from his plastic production. The aim is, therefore, in view of the analysis of some works, to verify the various influences received such as expressionism, cubism, among others and how they functioned in a productive way in his art. In its final phase, the evident approximation to surrealist language stands out, but also the importance of essentialism on its poetics. Finally, it is verified that the imagery that he produced, in his expressionist period, constitutes the basis of his essentialist conceptualization and that the operative procedure and the philosophical thinking form a unit in the set of his poetics.
{"title":"THE ART OF ISMAEL NERY","authors":"Wellington Cesário","doi":"10.22533/at.ed.9293423110510","DOIUrl":"https://doi.org/10.22533/at.ed.9293423110510","url":null,"abstract":": The main subject of this text is the imagery that constitutes Ismael Nery from his plastic production. The aim is, therefore, in view of the analysis of some works, to verify the various influences received such as expressionism, cubism, among others and how they functioned in a productive way in his art. In its final phase, the evident approximation to surrealist language stands out, but also the importance of essentialism on its poetics. Finally, it is verified that the imagery that he produced, in his expressionist period, constitutes the basis of his essentialist conceptualization and that the operative procedure and the philosophical thinking form a unit in the set of his poetics.","PeriodicalId":136331,"journal":{"name":"Arts, Linguistics, Literature and Language Research Journal","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115326793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-12DOI: 10.22533/at.ed.929342311055
C. Abreu, Felisberto Sabino da Costa
: Human
:人类
{"title":"THEATER TO POPULAR THE SPACE: A study of the relationship between Seahorse and street theater from space","authors":"C. Abreu, Felisberto Sabino da Costa","doi":"10.22533/at.ed.929342311055","DOIUrl":"https://doi.org/10.22533/at.ed.929342311055","url":null,"abstract":": Human","PeriodicalId":136331,"journal":{"name":"Arts, Linguistics, Literature and Language Research Journal","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114802803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-12DOI: 10.22533/at.ed.929342311051
Rodrigo Uliano
: This research is part of the line of studies `` Languages, Art and Education `` , of the Graduate Program in Education at the ``Universidade Regional de Blumenau``, through the Communication and Media Education research group (FURB/CNPq). The research is classified as documentary and descriptive, has a qualitative approach and uses the film analysis technique with adaptation for a didactic sequence. An analysis of the original tale of the `` Branca de Neve`` of the brothers Grimm and the identification of the public for which the didactic sequence is intended. The results achieved were the systematization of a didactic sequence in order to reflect on the use of media, cinema and literature, in the classroom.
{"title":"LITERATURE REVIEW ON CINEMA AND EDUCATION","authors":"Rodrigo Uliano","doi":"10.22533/at.ed.929342311051","DOIUrl":"https://doi.org/10.22533/at.ed.929342311051","url":null,"abstract":": This research is part of the line of studies `` Languages, Art and Education `` , of the Graduate Program in Education at the ``Universidade Regional de Blumenau``, through the Communication and Media Education research group (FURB/CNPq). The research is classified as documentary and descriptive, has a qualitative approach and uses the film analysis technique with adaptation for a didactic sequence. An analysis of the original tale of the `` Branca de Neve`` of the brothers Grimm and the identification of the public for which the didactic sequence is intended. The results achieved were the systematization of a didactic sequence in order to reflect on the use of media, cinema and literature, in the classroom.","PeriodicalId":136331,"journal":{"name":"Arts, Linguistics, Literature and Language Research Journal","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127572425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-07DOI: 10.22533/at.ed.929352303077
Jesús Vinaja Castillo
{"title":"MUSICAL RHETORIC IN THREE OF THE 10 PRELUDES FOR PIANO BY CARLOS CHÁVEZ","authors":"Jesús Vinaja Castillo","doi":"10.22533/at.ed.929352303077","DOIUrl":"https://doi.org/10.22533/at.ed.929352303077","url":null,"abstract":"","PeriodicalId":136331,"journal":{"name":"Arts, Linguistics, Literature and Language Research Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128997172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-30DOI: 10.22533/at.ed.929332330033
Severina Alves de Almeida, Rosineide Magalhães de Sousa, Denyse Mota da Silva, Simara de Sousa Muniz
{"title":"FROM TYPOLOGY TO TEXTUAL GENRE: ETHNOSOCIOLINGUISTICS AND ITS CONTRIBUTIONS FOR WRITING THESES AND DISERTATIONS","authors":"Severina Alves de Almeida, Rosineide Magalhães de Sousa, Denyse Mota da Silva, Simara de Sousa Muniz","doi":"10.22533/at.ed.929332330033","DOIUrl":"https://doi.org/10.22533/at.ed.929332330033","url":null,"abstract":"","PeriodicalId":136331,"journal":{"name":"Arts, Linguistics, Literature and Language Research Journal","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124915246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-30DOI: 10.22533/at.ed.929332330039
Cintya dos Santos Callado
{"title":"PIERRE FRANCASTEL AND GEORGES DIDI-HUBERMAN: A DIALOGUE BETWEEN THEORISTS TO THINK ABOUT PAINTING WORKS FROM THE GENERAL EXHIBITION OF FINE ARTS OF 1890","authors":"Cintya dos Santos Callado","doi":"10.22533/at.ed.929332330039","DOIUrl":"https://doi.org/10.22533/at.ed.929332330039","url":null,"abstract":"","PeriodicalId":136331,"journal":{"name":"Arts, Linguistics, Literature and Language Research Journal","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133462648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-30DOI: 10.22533/at.ed.9293323300310
Ana Lucía Paredes Doig
{"title":"¿Por qué leer?","authors":"Ana Lucía Paredes Doig","doi":"10.22533/at.ed.9293323300310","DOIUrl":"https://doi.org/10.22533/at.ed.9293323300310","url":null,"abstract":"","PeriodicalId":136331,"journal":{"name":"Arts, Linguistics, Literature and Language Research Journal","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117275089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
: In a mediatized era, where much of the information is accessed remotely, how can the experience of a place be understood? Tools such as Google Earth, Instagram or TripAdvisor, allow, besides the image and the physical description, the personal account of who was objectively in the space. Thus, is it possible to (co)construct a true experience of a place from a distance access? In the context of Phenomenology, focused on the understanding of experience, how is this event characterized and what role could it have for Art? It is intended to analyze how all phenomenological knowledge is constituted by learning based on direct contact and by the fictional or symbolic addition of elements, consisting as an event formed by real data and other artificial ones in an interdependent way. It is presented how the artificial data of experience, resulting from intermediation processes, participate objectively in the expansion of current concepts of landscape, proposing the terminology of Intermediated-Land-Art to refer to the artistic practice that thinks the landscape, objectively, from intermediation processes, highlighting particularly the examples that use digital platforms.
{"title":"INTERMEDIATED-LAND-ART: THE INTERMEDIATE LANDSCAPE EXPERIENCE","authors":"Domingos Loureiro, Nuno Ferreira, Catarina Lira Pereira","doi":"10.22533/at.ed.929332330037","DOIUrl":"https://doi.org/10.22533/at.ed.929332330037","url":null,"abstract":": In a mediatized era, where much of the information is accessed remotely, how can the experience of a place be understood? Tools such as Google Earth, Instagram or TripAdvisor, allow, besides the image and the physical description, the personal account of who was objectively in the space. Thus, is it possible to (co)construct a true experience of a place from a distance access? In the context of Phenomenology, focused on the understanding of experience, how is this event characterized and what role could it have for Art? It is intended to analyze how all phenomenological knowledge is constituted by learning based on direct contact and by the fictional or symbolic addition of elements, consisting as an event formed by real data and other artificial ones in an interdependent way. It is presented how the artificial data of experience, resulting from intermediation processes, participate objectively in the expansion of current concepts of landscape, proposing the terminology of Intermediated-Land-Art to refer to the artistic practice that thinks the landscape, objectively, from intermediation processes, highlighting particularly the examples that use digital platforms.","PeriodicalId":136331,"journal":{"name":"Arts, Linguistics, Literature and Language Research Journal","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127029258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：