Pub Date : 2022-12-31DOI: 10.22505/jas.2022.54.3.01
Seoyoung Park
{"title":"The Sestina’s Obsessive Formality and Magical Aesthetics: A Reading of Elizabeth Bishop’s Sestinas","authors":"Seoyoung Park","doi":"10.22505/jas.2022.54.3.01","DOIUrl":"https://doi.org/10.22505/jas.2022.54.3.01","url":null,"abstract":"","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79677827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-31DOI: 10.22505/jas.2022.54.3.03
Younghee Son
{"title":"Linguistic Habitus and Cultural Capital in Richard Rodriguez's The Hunger of Memory","authors":"Younghee Son","doi":"10.22505/jas.2022.54.3.03","DOIUrl":"https://doi.org/10.22505/jas.2022.54.3.03","url":null,"abstract":"","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90639885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-31DOI: 10.22505/jas.2022.54.3.04
Arang Ha
{"title":"Whiteness: The Career of a Concept","authors":"Arang Ha","doi":"10.22505/jas.2022.54.3.04","DOIUrl":"https://doi.org/10.22505/jas.2022.54.3.04","url":null,"abstract":"","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87484603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-08DOI: 10.1017/S0021875822000287
Jack Hodgson
This state-level study emphasizes the influence of local administration on welfare provision, even amidst a huge national New Deal effort. It interrogates John Steinbeck's allegation in “Starvation under the Orange Trees” that migrant children died avoidable deaths in Depression-era California because of discriminatory policies and apathetic officials. Steinbeck's reportage was a political vehicle for his own ends rather than accurate social history. But with hospital care being reserved for local residents and racialized inferior food rations provided to Mexican American children, California's Depression-era welfare system favoured white Californian children over those it categorized as “others,” with potentially deadly consequences.
{"title":"Californians and Others: Children's Health, Nutrition, and Welfare in Depression-Era Migrant Camps","authors":"Jack Hodgson","doi":"10.1017/S0021875822000287","DOIUrl":"https://doi.org/10.1017/S0021875822000287","url":null,"abstract":"This state-level study emphasizes the influence of local administration on welfare provision, even amidst a huge national New Deal effort. It interrogates John Steinbeck's allegation in “Starvation under the Orange Trees” that migrant children died avoidable deaths in Depression-era California because of discriminatory policies and apathetic officials. Steinbeck's reportage was a political vehicle for his own ends rather than accurate social history. But with hospital care being reserved for local residents and racialized inferior food rations provided to Mexican American children, California's Depression-era welfare system favoured white Californian children over those it categorized as “others,” with potentially deadly consequences.","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79022607","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-14DOI: 10.1017/S0021875822000251
Christopher Parkes
Sumner Welles occupies a queer place in American history. Despite his prominence, his reputation among diplomatic historians has been overshadowed by the sex scandal that occasioned his demise. Conversely, he has attracted cursory attention from scholars of the history of sexuality. This article examines that historiographic dialectic. By analyzing literature about Welles, conducting a close reading of sources that catalogued Welles's sexuality, and applying an intersectional lens to the scandal that ended his career, this article seeks to redress historiographic misunderstandings and omissions about Welles. Additionally, this article explores ethical questions historians must contend with when analyzing historical queer figures.
{"title":"The Trouble with Sumner Welles: Sexuality, Race, and the Limits of Mythmaking in Queer History","authors":"Christopher Parkes","doi":"10.1017/S0021875822000251","DOIUrl":"https://doi.org/10.1017/S0021875822000251","url":null,"abstract":"Sumner Welles occupies a queer place in American history. Despite his prominence, his reputation among diplomatic historians has been overshadowed by the sex scandal that occasioned his demise. Conversely, he has attracted cursory attention from scholars of the history of sexuality. This article examines that historiographic dialectic. By analyzing literature about Welles, conducting a close reading of sources that catalogued Welles's sexuality, and applying an intersectional lens to the scandal that ended his career, this article seeks to redress historiographic misunderstandings and omissions about Welles. Additionally, this article explores ethical questions historians must contend with when analyzing historical queer figures.","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82545760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-14DOI: 10.1017/s0021875822000263
{"title":"AMS volume 56 issue 5 Cover and Front matter","authors":"","doi":"10.1017/s0021875822000263","DOIUrl":"https://doi.org/10.1017/s0021875822000263","url":null,"abstract":"","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73263618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-14DOI: 10.1017/s0021875822000275
{"title":"AMS volume 56 issue 5 Cover and Back matter","authors":"","doi":"10.1017/s0021875822000275","DOIUrl":"https://doi.org/10.1017/s0021875822000275","url":null,"abstract":"","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76320908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-14DOI: 10.1017/S0021875822000202
William A. Carroll
This article explores the visual representation of gossip, rumourmongering, storytelling, and other analogues of oral exchange in mid twentieth-century small-town American visual narrative. I herein examine two key visual artists of the interwar period – photographer Ben Shahn and painter Norman Rockwell – and their place within the small-town narrative form, as well as Life magazine and its institutional small-town preoccupations. Considering Shahn's photographic work conducted as part of the Farm Security Administration to Rockwell's culturally dominant scenes of idyllic small-town life, I argue that both emphasize gossip's narratability despite their drastically different provenance. Opposing Shahn's scenes of Depression-era poverty with Rockwell's homogeneous vignettes of rural life, it will be concluded that gossip and oral exchange remained a vital narrative constituent for artists of the small town during the mid-twentieth century, and that its narrative significance cannot be overstated.
{"title":"Gossip on Main Street: Visualizing Oral Exchange in Mid-Twentieth-Century Small-Town Photography and Art","authors":"William A. Carroll","doi":"10.1017/S0021875822000202","DOIUrl":"https://doi.org/10.1017/S0021875822000202","url":null,"abstract":"This article explores the visual representation of gossip, rumourmongering, storytelling, and other analogues of oral exchange in mid twentieth-century small-town American visual narrative. I herein examine two key visual artists of the interwar period – photographer Ben Shahn and painter Norman Rockwell – and their place within the small-town narrative form, as well as Life magazine and its institutional small-town preoccupations. Considering Shahn's photographic work conducted as part of the Farm Security Administration to Rockwell's culturally dominant scenes of idyllic small-town life, I argue that both emphasize gossip's narratability despite their drastically different provenance. Opposing Shahn's scenes of Depression-era poverty with Rockwell's homogeneous vignettes of rural life, it will be concluded that gossip and oral exchange remained a vital narrative constituent for artists of the small town during the mid-twentieth century, and that its narrative significance cannot be overstated.","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84029311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-14DOI: 10.1017/S0021875822000196
Alice Béja
In 1910, a meat boycott spread through the United States. Tens of thousands of people pledged not to eat meat for thirty days to demand lower prices and protest the practices of the Meat Trust. The movement, though its outcomes were limited, was supported by consumer organizations, labor unions, lawmakers, suffragists, and women's clubs. It thus intersected with struggles that were at the heart of the Progressive Era's reform movements. This article will explore how various organizations (labor unions, the Socialist Party, suffragists, the National Consumers League) used, or did not use, this event to further their own goals. It will argue that food protests constitute a site from which to analyze particular transformations of the protest landscape of the time, such as the rise of consumer politics; it will also show that as transversal spaces of mobilization, food protests should be studied through the significance of their object. Food, as a meeting point between the individual body and society, can epitomize the blurring of the lines between private and public that characterized Progressive reform movements.
{"title":"The Political Uses of Food Protests: Analyzing the 1910 Meat Boycott","authors":"Alice Béja","doi":"10.1017/S0021875822000196","DOIUrl":"https://doi.org/10.1017/S0021875822000196","url":null,"abstract":"In 1910, a meat boycott spread through the United States. Tens of thousands of people pledged not to eat meat for thirty days to demand lower prices and protest the practices of the Meat Trust. The movement, though its outcomes were limited, was supported by consumer organizations, labor unions, lawmakers, suffragists, and women's clubs. It thus intersected with struggles that were at the heart of the Progressive Era's reform movements. This article will explore how various organizations (labor unions, the Socialist Party, suffragists, the National Consumers League) used, or did not use, this event to further their own goals. It will argue that food protests constitute a site from which to analyze particular transformations of the protest landscape of the time, such as the rise of consumer politics; it will also show that as transversal spaces of mobilization, food protests should be studied through the significance of their object. Food, as a meeting point between the individual body and society, can epitomize the blurring of the lines between private and public that characterized Progressive reform movements.","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90255529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-03DOI: 10.1017/S0021875822000172
John A. Dunn
Every artist has their last works, but not all are “late works,” as theorized by Edward Said. By revisiting George Oppen’s late poems, I challenge established preconceptions about late-life creativity that have typically emphasized social withdrawal, despair, and finality in his work. Emphasis placed on lateness, I argue, obscures material conditions of textual production, particularly coauthoring literary activities. The Oppens work together to shape a social poetics and model of authoring beyond the normative ideals of self-reliance, especially with Primitive, published when Alzheimer’s disease had all but prevented George from working. The poems and archival evidence of Mary Oppen's editorial work describe the couple's journey through illness and the work's posthumous reinvention as a stylistic artefact.
{"title":"The Oppens: Disability, Disease, and the Authorship of Late Work","authors":"John A. Dunn","doi":"10.1017/S0021875822000172","DOIUrl":"https://doi.org/10.1017/S0021875822000172","url":null,"abstract":"Every artist has their last works, but not all are “late works,” as theorized by Edward Said. By revisiting George Oppen’s late poems, I challenge established preconceptions about late-life creativity that have typically emphasized social withdrawal, despair, and finality in his work. Emphasis placed on lateness, I argue, obscures material conditions of textual production, particularly coauthoring literary activities. The Oppens work together to shape a social poetics and model of authoring beyond the normative ideals of self-reliance, especially with Primitive, published when Alzheimer’s disease had all but prevented George from working. The poems and archival evidence of Mary Oppen's editorial work describe the couple's journey through illness and the work's posthumous reinvention as a stylistic artefact.","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83086553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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