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THE MEDIATOR CHARACTER IN THE SYSTEM OF COUNTERDISCURSIVE PRACTICES OF UKRAINIAN ROMANTICISM 乌克兰浪漫主义反话语实践体系中的中介角色
Pub Date : 1900-01-01 DOI: 10.32447/2663-340x-2021-10.9
O. Kyrylchuk
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引用次数: 0
VERBAL WAYS OF EXPRESSING CONSCIOUSNESS MANIPULATION IN THE DISCOURSE OF AMERICAN POLITICIANS (USING THE EXAMPLE OF THE ELECTION DISCOURSE OF THE REPUBLICANS AND THE DEMOCRATS) 美国政治家话语中表达意识操纵的语言方式(以共和党和民主党的选举话语为例)
Pub Date : 1900-01-01 DOI: 10.32447/2663-340x-2021-9.23
O. Nazarenko, O. Nesterenko
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引用次数: 0
ADAPTATION STRATEGIES IN TRANSLATION OF SIMILES (CASE STUDY OF UKRAINIAN TRANSLATIONS OF ENGLISH POETRY) 明喻翻译中的顺应策略(以乌克兰语英诗翻译为例)
Pub Date : 1900-01-01 DOI: 10.32447/2663-340x-2021-9.19
R. Lutsenko
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引用次数: 0
TRANSLATION TRANSFORMATIONS IN RENDERING MEDIA DISCOURSE CONCEPTUAL METAPHORS 媒介语篇概念隐喻的翻译转换
Pub Date : 1900-01-01 DOI: 10.32447/2663-340x-2021-9.18
Y. Kornielaieva
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引用次数: 0
SEMANTIC-FUNCTIONAL MANIFESTATIONS OF ETIQUETTE EXPRESSIONS IN THE WORKS OF MARIYKA PIDHIRYANKA 玛丽卡·皮德里扬卡作品中礼仪用语的语义功能表现
Pub Date : 1900-01-01 DOI: 10.32447/2663-340x-2022-11.21
O. Melnychuk
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引用次数: 0
REASONS FOR AN INADEQUATE CONVEYING OBSCENE LEXICON IN THE GERMAN-UKRAINIAN TRANSLATIONS 德乌翻译中淫秽词汇传达不足的原因
Pub Date : 1900-01-01 DOI: 10.32447/2663-340x-2021-10.14
K. Mizin
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引用次数: 0
STANDARDS OF TEXTUALITY IN THE NOVEL “THE JOY LUCK CLUB” BY AMY TAN 谭恩美小说《喜福会》的文本标准
Pub Date : 1900-01-01 DOI: 10.32447/2663-340x-2022-12.13
M. Karp, I. V. Oliiarnyk
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引用次数: 0
VIRTUAL STATES OF CONSCIOUSNESS IN THE IMAGERY AND NARRATIVE SPACE OF CONTEMPORARY TRANSCULTURAL FICTION 当代跨文化小说意象与叙事空间中的虚拟意识状态
Pub Date : 1900-01-01 DOI: 10.32447/2663-340x-2021-10.18
L. F. Prysiazhniuk
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引用次数: 0
LINGUAL AND CULTURAL VULGARISMS ADAPTATION IN THE MODERN ITALIAN PROSE UKRAINIAN TRANSTATIONS 现代意大利散文乌克兰语翻译中的语言和文化俗语改编
Pub Date : 1900-01-01 DOI: 10.32447/2663-340x-2020-8.3
K. Bumar
The paper aimі to identify ways to reproduce linguistic and cultural adaptation vulgarisms and the potential in modern Italian fiction Ukrainian translations. To achieve this goal, we used the translation analysis methodological tools in the linguistic and cultural aspect, which determine the non-normative vocabulary lexical and semantic features in translation. Jargon, colloquial language, vulgarisms are expressed thoughts methods, emotions, attitude to the narrator social environment in the linguistic and cultural aspect. Thus, the lingual and vulgarisms cultural adaption is a cultural-speech adaptation to the different social classes language peculiarities . Vulgarisms are a human communicative behavior mirror, as well as national culture. This vocabulary is now used not only in oral speech, but also beyond it, in particular, is often used by authors in modern Italian art text to characterise and more clearly delineate form images their social relations and the characters’ attitude to a situation in the work. Translation often depends not only on the original culture, but also on the personal and background translators’ knowledge. Italian and Ukrainian languages have phonetic, lexical, grammatical and stylistic differences, so translation requires the mediator to find a match in order to achieve translation equivalence and make transformations that are complex semantic-cognitive and pragmatic processes. Ukrainian translation analysis of translations by Andrea Cammileri "Почерк митця" (translated by A. Maslyukh), Donato Carrizi "Ловець невинних душ" (translated by O. Khovrasyova), Paolo Giordano "Самотність (translated by A. Maslyukh) proved that translators, reproduce lexical units, resort to various stylistically colored words, phraseological units, idioms, synonyms, etc. Lingual and vulgarisms cultural adaptation has its own features: in order to emphasize the character's attitude to another character or situation, the translator has the task to convey it in the work. The paper proves that in Ukrainian-language Italian prose translations transmission problem of vulgarities are solved in three possible ways: softening, censoring, or absolute preservation.
本文旨在探讨现代意大利小说乌克兰语翻译中语言和文化适应性的再现途径及其潜力。为了实现这一目标,我们运用了语言和文化方面的翻译分析方法工具,确定了翻译中的非规范性词汇、词汇和语义特征。行话、俗语、俗语是叙述者在语言和文化方面所表达的思想、方法、情感、态度等社会环境。因此,语言和俗语的文化适应是一种针对不同社会阶层语言特点的文化言语适应。俗语是人类交际行为的一面镜子,也是民族文化的一面镜子。这个词汇现在不仅用于口语,而且还用于口语之外,特别是,现代意大利艺术文本的作者经常使用它来描述和更清楚地描绘形式图像,他们的社会关系和人物对作品中情况的态度。翻译往往不仅取决于原文化,还取决于译者个人和背景知识。意大利语和乌克兰语在语音、词汇、语法和文体等方面存在差异,因此翻译需要中介找到匹配点,以实现翻译对等,并进行复杂的语义认知和语用转换过程。乌克兰语翻译分析Andrea Cammileri“Почерк митця”(A. Maslyukh译)、Donato Carrizi“Ловець невинних душ”(O. Khovrasyova译)、Paolo Giordano“Самотність”(A. Maslyukh译)的译文,证明译者复制词汇单位,采用各种文体色彩的词、词组单位、习语、同义词等。语言和俗语的文化适应有其自身的特点:为了强调人物对另一个人物或情境的态度,译者有责任在作品中传达这种态度。本文论证了在乌克兰语意大利语散文翻译中,解决粗俗语传播问题的方法有三种:软化、删减或绝对保留。
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引用次数: 0
THE LINGUISTIC NATURE OF EUPHEMISMS 委婉语的语言性质
Pub Date : 1900-01-01 DOI: 10.32447/2663-340x-2019-5-12
Y. Kornielaieva
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引用次数: 1
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Lviv Philological Journal
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