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The image of Zofiówka’s garden in the piece by Theodore Themery Guide de Sophiowka surnomme la merveille de l’Ukraine Jardin de la couronne situe pres d’Human, dans les colonika militaires 西奥多·特梅里(Theodore Themery)的《索菲奥卡指南》(The Guide of Sophiowka)中的zofiowka花园图片称,位于人类附近的乌克兰皇冠花园是军事殖民时期的奇迹
Pub Date : 2022-05-31 DOI: 10.31499/2415-8828.1.2022.257963
Mariana Yemelianova
Zofiówka Garden, built by Polish Count Szczesny Potocki, has gained world fame. This is confirmed by literary and journalistic works about this garden, written by writers and researchers from different countries. The article analyzes Theodore Themery’s Guide de Sophiowka surnomme la merveille de l’Ukraine Jardin de la couronne situe pres d’Human, dans les colonika militaires, identifies its features, attemptes to separate the historical facts described in the work from the artistic fiction. The author, interesting facts about the establishment of the Zofiówka garden, not described in other sources, were examined. One of the interesting examples of works about Zofiówka was a kind of poetic guide to the garden, written the director for 22 years of the guesthouse for noble maids in Human Theodore Themery. The article analyzes the detailed and artistically described corners of the garden in Guide … Theodore Themery’s, but it should be noted that when creating his work, Themery often used not only historical facts, but also legends and myths. Therefore, Themery’s works are designated as literary-historical, and all the events described in the work in the article are subject to thorough analysis in order to determine whether they are fiction or historical fact. The article is an original author’s attempt to research Guide ... Theodore Themery and the roles of this work on the formation of Zofiówka’s literary image.Keywords: Guide de Sophiowka, Humań, Ukraine, garden, legend, shape, Zofiówka, Metzel, Potocki.
Zofiówka花园,由波兰伯爵Szczesny Potocki建造,赢得了世界声誉。来自不同国家的作家和研究人员所写的关于这座花园的文学和新闻作品证实了这一点。本文分析了西奥多·塞梅里的《乌克兰的索菲娅》,分析了它的特点,并试图将作品中所描述的历史事实与艺术小说区分开来。作者,关于建立Zofiówka花园的有趣的事实,没有在其他资料中描述,被审查。关于Zofiówka的一个有趣的例子是一种诗意的花园指南,写了22年的贵族女仆招待所的导演在人类西奥多·塞默里。本文分析了《西奥多·塞梅里指南》中花园各个角落的细节和艺术描写,但需要注意的是,塞梅里在创作作品时,不仅使用了历史事实,还经常使用传说和神话。因此,Themery的作品被指定为文学史,文章中所描述的所有事件都要经过彻底的分析,以确定它们是虚构的还是历史事实。这篇文章是原作者对Guide…西奥多·塞梅里及其作品对Zofiówka文学形象形成的作用。关键词:Guide de Sophiowka, humazy,乌克兰,花园,传说,形状,Zofiówka, Metzel, Potocki
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引用次数: 0
Slavic words related to kolkhozes’ life in the transcarpathian Hungarian language 跨喀尔巴阡的匈牙利语中与集体农庄生活有关的斯拉夫词
Pub Date : 2022-05-31 DOI: 10.31499/2415-8828.1.2022.257915
Vilmosh Gazdag
The operation of collective farms (kolkhozes) has played a significant role in the Hungarian settlements of Transcarpathia over the past century, and this has naturally had an impact on the language use of the people working there. The Slavic neologisms that appeared at that time and were also used by the Hungarians became historicisms with the demise of the system, and entered the initial phase of a well-developed archaization process. The urgency of sociolinguistic studies in this field is underlined by the increasing ageing and continuing death of the potential informants, i.e. kolkhoz workers.Within the framework of this paper, I will try to present some of the borrowed words and their specificities, based on the results of my questionnaire and interview surveys in the Berehovo district, and on the results of my interview survey on the functioning of the kolkhoz-system.Keywords: Hungarian dialects of Transcarpathia, kolkhoz-system, East Slavic loan-words, sociolinguistic studies.
在过去的一个世纪里,集体农场(kolkhozes)的运作在匈牙利人在喀尔巴阡山脉外的定居点中发挥了重要作用,这自然对在那里工作的人的语言使用产生了影响。当时出现并被匈牙利人使用的斯拉夫语新词随着这一制度的消亡而成为历史主义,并进入了一个发展良好的古语化过程的初始阶段。潜在的告密者,即集体农庄工人的日益老龄化和持续死亡,突显了在这一领域进行社会语言学研究的紧迫性。在本文的框架内,我将根据我在别列霍沃地区的问卷调查和访谈调查的结果,以及我对集体农庄制度运作的访谈调查的结果,尝试呈现一些借用的词语及其特殊性。关键词:外喀尔巴阡匈牙利方言,集体农庄制度,东斯拉夫外来词,社会语言学研究
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引用次数: 0
Photos from the family archive as a source for the study of the wedding rite language 来自家庭档案的照片,作为研究婚礼仪式语言的来源
Pub Date : 2022-05-31 DOI: 10.31499/2415-8828.1.2022.257949
T. Tyshchenko, N. Tkachuk
The article clarifies the role of photos from family archives as a source for the study of wedding ceremonies, its nomination and folk beliefs associated with one of the main family ceremonies. It is noted that photos are important sources for multi-aspect linguistic, ethnographic, culturological, historical research, as they are documents of their time, which are perceived by contemporaries as those providing reliable information. It is emphasized that for the detailed description of the stages, nomination of the wedding ceremony and superstitious beliefs associated with it, researchers usually use detailed questionnaires, but best of all phenomena of all language levels of the sub-dialect are recorded in continuous texts that appear in spontaneous stories. Viewing a photo evokes positive emotions in the speaker and helps to present a story-memory, which is characterized by markers of the time layer “before” (then, those, at that time), cliches, phonetic, lexical, grammatical features, syntactic constructions characteristic of the sub0dialect, which is represented by the narrator.The sources of the article were the family archives of 3 residents of the villages of Butsni and Seferivka of Bar district, Vinnytsia region, which are typical Podillia sub-dialects. The article notes that the nomination of stages, participants and attributes of the wedding ceremony can be revealed by event (depicting individual moments of events, actions, facts of life) and portrait (images of one or more people) photographs.Different photos of the wedding ceremony allow us to trace the reduction of the ceremony itself and the dynamics of the lexical elements that serve it.Keywords: nomination of the wedding ceremony, Podillia sub-dialects, story-memory, Podillia dialect, text-centrism of dialectological research, event and portrait photographs.
本文阐明了家庭档案中的照片作为研究婚礼仪式的来源的作用,它的提名和与主要家庭仪式之一相关的民间信仰。值得注意的是,照片是语言学、人种学、文化学、历史等多方面研究的重要来源,因为它们是当时的文献,被同时代人视为提供可靠信息的文献。需要强调的是,对于婚礼阶段的详细描述、婚礼仪式的提名以及与之相关的迷信信仰,研究者通常使用详细的问卷调查,但最好的是将子方言各个语言层次的现象记录在连续的文本中,并以自发故事的形式出现。观看照片能唤起说话者的积极情绪,并有助于呈现一种故事记忆,这种记忆以叙述者所代表的“以前”(then, those, at the time)的时间层标记、陈词滥调、语音、词汇、语法特征、次方言的句法结构特征为特征。这篇文章的来源是文尼察地区Bar区的Butsni和Seferivka村3名居民的家庭档案,这是典型的Podillia次方言。文章指出,婚礼仪式的阶段、参与者和属性的提名可以通过事件(描绘事件的个人时刻、行动、生活事实)和肖像(一个或多个人的图像)照片来揭示。婚礼的不同照片使我们能够追踪仪式本身的减少以及为之服务的词汇元素的动态。关键词:婚礼提名,波迪利亚次方言,故事记忆,波迪利亚方言,方言研究的文本中心主义,事件与肖像照片。
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引用次数: 0
Negative constructions in theory and practice: Ukrainian-Belarusian parallels 理论与实践中的否定结构:乌克兰-白俄罗斯的对比
Pub Date : 2021-12-05 DOI: 10.31499/2415-8828.2.2021.246066
Olha Zanevych, M. Hnatyuk
In the article the material of monumental texts of the Ukrainian language of the 16th – the first half of the 17th century (business documents, artistic, polemical, chronicle, scientific and confessional literature) and the studied monuments of the Old Belarusian language are studied the diachronic aspect of the use of case forms (generic or accusative) in negative verb constructions; their functioning in modern Ukrainian and Belarusian languages is analyzed. It has been revealed that in the monuments of the Ukrainian language of the specified period the accusative case in denial is inferior to the generic one. The use of certain syntactic models (parallel use of genitive and accusative forms in the pre- and postposition) was determined by the general style and place of writing the monuments. In studies of monuments of the Old Belarusian language in this position the genitive was fixed, and sometimes in negative constructions the accusative and the genitive were allowed at the same time. In the linguistics of the 20th – early 21st century philologists have repeatedly drawn attention to the peculiarities of the use of genitive and accusative cases in negative constructions both on the All-Slavic background and on the material of individual languages. Synchronously, it has been revealed that in the modern Ukrainian language the literary norm in negative constructions is the use of the genitive case instead of the accusative. However, there is no noticeable tendency to replace the accusative and the genitive in verbs with a negative participle not, as there are many cases of using the possessive case in literature and in everyday speech. On the other hand, there is no unanimity in the grammars of the modern Belarusian language on this issue: some scholars believe that both generic and possessive cases are possible in negative constructions, while others believe that only generic is possible. However, from a sample of analyzed works of Belarusian writers of the twentieth century, artistic and journalistic posts, as well as conversational style records, it can be argued that there are only a few cases of use of the accusative case, in particular in proverbs and sayings, and only the genitive is dominant in the negative constructions.
在文章中,16 - 17世纪上半叶乌克兰语的纪念性文本材料(商业文件,艺术,辩论,编年史,科学和忏悔文学)和研究过的旧白俄罗斯语纪念物研究了否定动词结构中格形式(一般或宾格)使用的历时性方面;分析了它们在现代乌克兰语和白俄罗斯语中的作用。据透露,在特定时期的乌克兰语古迹中,否认的宾格情况不如一般情况。某些句法模式的使用(在介词和后置词中平行使用属格和宾格形式)是由纪念碑的一般风格和写作地点决定的。在对古白俄罗斯语纪念碑的研究中,在这个位置上,物主是固定的,有时在否定结构中,宾格和物主同时被允许。在20世纪至21世纪初的语言学中,语言学家们一再注意到在全斯拉夫背景下和个别语言材料中否定结构中所有格和宾格使用的特点。同时,在现代乌克兰语中,否定结构的文学规范是使用物主格而不是宾格。然而,由于在文学和日常生活中有很多使用所有格的情况,动词中的宾格和物主格并没有明显的趋势被否定分词not取代。另一方面,现代白俄罗斯语的语法在这个问题上并没有达成一致:一些学者认为否定结构中既可以有属格,也可以有所有格,而另一些学者则认为只有属格是可能的。然而,从对二十世纪白俄罗斯作家的作品、艺术和新闻职位以及会话风格记录的分析样本来看,可以认为,只有少数情况下使用宾格,特别是在谚语和谚语中,在否定结构中只有属格占主导地位。
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引用次数: 0
Fatefulness and falling into sin in István Szilágyi’s novel KŐ HULL APADÓ KÚTBA («A stone drops in a dwindling well») István Szilágyi的小说《KŐ HULL APADÓ KÚTBA》中的命运和堕落(“一颗石头落在日渐缩小的井里”)
Pub Date : 2021-12-05 DOI: 10.31499/2415-8828.2.2021.246099
L. Csordás
The study analyses István Szilágyi’s widely known novel Kő hull apadó kútba («A Stone Drops in a Dwindling Well») from the viewpont of fatefulness and falling into sin. The novel is an outstanding work in the 20th century hungarian literature, written by István Szilágyi who lives in the present Romania, Transylvania. The main character, Ilka Szendy faces with ethical dilemmas which can be examined from newer trends of cultural studies such as xenology. This study focuses on the following questions: how does the social system and compunction distort the personality? How does Ilka Szendy become a foreigner in the milieu in which she grown up? What kind of poetical pecularities, motifs, time and place usage represents the girl’s fate in the 20th century by the author? In the beginning of the study I explain the process how the literary historians realised the significance of this novel. This is an important issue because the history of hungarian literature and the history of hungarian literature across Hungary’s border developed differently in the 20th century – different experiences and poetical pecularities can be found in a novel. There are three different reading and canonizing strategies which outlined from the criticisms and studies: in the case of the first one, the emphasize was on the novel’s social aspects. The second one focused on the poetical aspect and structure. In the 2000s occurred the newest strategy which analyses the novel from the viewpoint of cultural studies. In this study I apply this third strategy. With the help of close reading I try to attempt connecting the own body’s alienation and the multiplication of the main character’s (Ilka Szendy) personality with the traumas that she experienced at her young age. Several experiences preceded the fall into sin (murdering), but the narrator tells them only later in the novel. As a reader we can explore the most effectively the fall into sin and the fulfillment of destiny through the context of Ilka Szendy’s experiences, deeds, thoughts, motifs, metaphors and the secrets that lead us into the family’s past. In the end of the study I connect Ilka Szendy’s destiny with her family’s past. The girl died beceause she rode for the fall. She knew that she could never be relesead from her guilt, she could receive absolution only by death.
该研究从命运和堕落的角度分析了István Szilágyi广为人知的小说《井里的石头》apadó kútba(《井里的石头》)。这部小说是20世纪匈牙利文学中的一部杰出作品,作者是居住在今罗马尼亚特兰西瓦尼亚的István Szilágyi。主人公伊尔卡·森迪(Ilka Szendy)面临着伦理困境,这可以从异种学等文化研究的新趋势中得到检验。本研究主要探讨以下问题:社会制度和内疚是如何扭曲人格的?Ilka Szendy是如何在她成长的环境中成为一个外国人的?作者用什么样的诗性特征、母题、时间和地点用法代表了这个女孩在20世纪的命运?在研究的开头,我解释了文学史家认识到这部小说意义的过程。这是一个重要的问题,因为匈牙利文学史和匈牙利边境以外的匈牙利文学史在20世纪发展不同,在一部小说中可以找到不同的经历和诗歌特征。从批评和研究的角度来看,有三种不同的阅读和封圣策略:第一种策略强调小说的社会方面。第二部分侧重于诗性方面和结构。进入21世纪以来,出现了从文化研究的角度分析小说的最新策略。在这项研究中,我采用了第三种策略。在细读的帮助下,我试图将主人公(伊尔卡·森迪饰)身体的异化和性格的膨胀与她年轻时所经历的创伤联系起来。在堕入罪恶(谋杀)之前,有几次经历,但叙述者只在小说的后面讲述了这些经历。作为读者,我们可以通过伊尔卡·森迪的经历、行为、思想、主题、隐喻和引导我们进入这个家庭过去的秘密,最有效地探索堕落的罪恶和命运的实现。在研究的最后,我把伊尔卡·森迪的命运和她家族的过去联系起来。那女孩因为骑马摔了下去而死。她知道她永远无法从罪孽中解脱出来,只有死亡才能使她得到赦免。
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引用次数: 0
The phenomenon of secondary nomination in the term system of fashion and beauty 时尚与美的名词体系中的二次提名现象
Pub Date : 2021-12-05 DOI: 10.31499/2415-8828.2.2021.246091
A. Taran
The factors of formation and tendencies of secondary nominations` existence are considered in the article on the material of the terms of fashion and beauty in the modern Ukrainian language. It has been found that the secondary nomination is based on the associative nature of human thinking. The words reflect the processes of living contemplation of the human environment, there is a semantic rethinking of known names and their gradual codification. The formation and creation of a new concept or a new perception of the subject is carried out on the basis of existing language material. The phenomenon of secondary nomination is also inherent in the term systems. A feature of modern terminology is the desire of professionals to «build» motivated terms with predictable semantics. Information about a fragment of reality, the real, objective world enters the term system indirectly as a flow of information. Terms of broad semantics are words used in many term systems, which, in contrast to general scientific and general technical terms, change semantics depending on the term system and retain only the general, non-terminological meaning. Therefore, they can not always be included in the terms, at the same time without them it is impossible to build a terminological system as a language entity. The development of fashion requires categorizing words for certain concepts and objects belonging to this field. It is established that the terminosphere of fashion and beauty is actively replenished due to borrowings, semantic innovations, transition of terms from one terminological system to another, by transtermination. Particular attention is paid to the development of ambiguity and homonymy, which is primarily due to the migration of tokens from one functional style to another. In this way there is a formation / increase of special meanings of words. Under the condition of complete changes, the meaning that is the starting point of evolution disappears, and the word is fixed in the secondary function. Partial changes involve stabilization of the derived shade, which does not weaken the viability of the original content; usually there is a period of coexistence of meanings and thus the word becomes ambiguous. In the field of fashion industry, metaphorical transfers of meaning based on the principle of analogy are quite common. The more components of meaning coincide with the term concept, the greater probability of the word to become a verbal expression of this concept (in the case of associative-semantic metaphor). It was found that the variability of the semantic potential of the word is only one of the expressive illustrations to the transformation of worldview constructs of cognition of the world, reflected in the language of society.
本文对现代乌克兰语中时尚与美词的构成因素和存在趋势进行了探讨。人们发现,第二种提名是基于人类思维的联想性质。这些词反映了对人类环境的生活思考过程,有对已知名称的语义反思和逐渐编纂。对主体的新概念或新感知的形成和创造是在已有语言材料的基础上进行的。二次提名现象也是任期制度所固有的。现代术语的一个特点是专业人士希望“构建”具有可预测语义的动机术语。关于现实的片段、真实的、客观的世界的信息作为信息流间接地进入术语系统。广义语义术语是在许多术语系统中使用的词汇,与一般的科学术语和一般的技术术语相比,这些术语的语义会随着术语系统的变化而变化,并且只保留一般的、非术语的含义。因此,它们不可能总是包含在术语中,同时,没有它们就不可能建立一个作为语言实体的术语系统。时尚的发展需要对属于这一领域的某些概念和对象进行分类。通过转译,通过借用、语义创新、术语从一种术语系统向另一种术语系统的转换,积极地补充了时尚和美丽的术语圈。特别注意模糊性和同义性的发展,这主要是由于标记从一种功能风格迁移到另一种功能风格。这样,单词的特殊意义就形成/增加了。在完全变化的条件下,作为进化起点的意义消失了,词被固定在次要功能上。部分变化涉及衍生阴影的稳定,这不会削弱原始内容的活力;通常有一段时间的意思共存,因此这个词变得模棱两可。在时尚产业领域,基于类比原则的隐喻性意义转移是相当普遍的。意义的组成部分与术语概念相一致越多,这个词就越有可能成为这个概念的口头表达(在联想语义隐喻的情况下)。研究发现,词语语义潜力的变化只是社会语言中对世界认知的世界观结构转变的表现例证之一。
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引用次数: 0
Principles of the compilation of East-Podillia dialects 东-波迪利亚方言编撰原则
Pub Date : 2021-12-05 DOI: 10.31499/2415-8828.2.2021.246092
T. Tyshchenko
A key role of dialect dictionaries in the preservation of the national memory of the people and national moral values is emphasized in the paper. It has been stated that dialect vocabulary compiled in the dictionary is of great heuristic value, as it expresses a historical progress of the nation in its work, with customs and beliefs, the whole outlook in general, which is why it is a required source for the reconstruction of the ancient condition of a material and moral culture of native speakers. It has been found out that some specialists in dialectology-lexicography mark the registries of dialect words differently (dictionary, short dictionary, lexicon, vocabulary, materials for dictionary, small dictionary, etc.). Ukrainian dialect dictionaries were analyzed as to their completeness of vocabulary presentations, the coverage of dialect areas and some peculiarities of the representation of regional vocabulary in thematic dictionaries which contained the dialects of East Podillia. The purpose and the task of the compilation of the Dictionary of East-Podillia dialects as well as its format/size were defined. Foreign analogs of such creation, in particular Podillia ones, were noticed. The principles of the compilation of a multi-volume edition of the Dictionary of East-Podillia dialects according to the thematic groups were worked out. The importance of the Dictionary of East-Podillia dialects for Ukrainian language studies has been underlined, as it will become a profound source for further language research.
本文强调方言词典在保存民族记忆和民族道德价值观方面的重要作用。有人说,词典中编纂的方言词汇具有很大的启发价值,因为它在其工作中表达了一个民族的历史进程,包括习俗和信仰,以及整个前景,这就是为什么它是重建母语人士物质和道德文化古代状况的必要来源。我们发现,一些方言词典编纂专家对方言词汇库的标注存在差异(词典、短词典、词典、词汇、词典材料、小词典等)。分析了乌克兰方言词典词汇表达的完整性、方言区域的覆盖范围以及包含东波迪利亚方言的专题词典中区域词汇表达的一些特点。明确了《东坡方言词典》编纂的目的和任务,确定了《东坡方言词典》的格式和篇幅。人们注意到这种创作的外国类似物,特别是波迪利亚的作品。提出了《东-波迪利亚方言词典》多卷本按专题分组编撰的原则。东波迪利亚方言词典对乌克兰语言研究的重要性已被强调,因为它将成为进一步语言研究的深刻来源。
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引用次数: 0
Verbal representation of monster’s image in works for children of modern Ukrainian authors 现代乌克兰作家儿童作品中怪物形象的语言表现
Pub Date : 2021-12-05 DOI: 10.31499/2415-8828.2.2021.246060
N. Diachenko, Olesia Kydysiuk
The article investigates the peculiarities of the linguistic representation of monster image in modern Ukrainian children’s literature. The literary discourse of fear and monster image is presented. From the communicative-pragmatic point of view, the traditional, usual images of monster, in particular Babay and Chupacabra, are compared with their counterparts from the works of such popular Ukrainian writers. New images of the monster, the appearance of which was caused by the COVID-19 pandemic, are characterized. The purpose of the article is to investigate the peculiarities of the linguistic representation of the image of monster in modern Ukrainian children’s literature. The following research methods were used: linguistic observation and description of language phenomena; method of decoding an artistic text, analysis, synthesis, induction, deduction, as well as the method of continuous sampling. It is established that in the works for children of modern Ukrainian authors the image of a fearless, good monster is gaining popularity, which testifies to the tendency to improve traditional negative images. To create «updated» images of monsters, writers use a range of language tools and stylistic devices. The individual author’s onyms for monster and occasional sign tokens are particularly expressive, which appear during the creation of these images. It is observed that the image of monster in children’s works implements a number of pragmatic functions: cognitive (acquisition and assimilation of knowledge about the world (about the world of things; about the world of human relations); developmental (enrichment of the child’s vocabulary, formation of reading skills, development of imagination, critical / creative thinking, cognitive interest, etc.); educational (formation of basic moral principles, learning patterns of behavior, etc.); entertainment (enjoyment of artistic communication). The study of the usual and occasional in the linguistic representation of fear and monster in the works for children of modern Ukrainian writers complemented the knowledge about the connection of the writer’s worldview with the works’ language and with the national linguistic picture of the world.
本文探讨了乌克兰现代儿童文学中怪兽形象的语言表征特点。提出了恐惧与怪物形象的文学话语。从交际语用学的角度,将传统的、常见的怪物形象,特别是巴巴和卓帕卡布拉,与这些受欢迎的乌克兰作家作品中的怪物形象进行了比较。该怪物的新图像是由COVID-19大流行引起的。本文旨在探讨乌克兰现代儿童文学中怪兽形象的语言表征特点。本文采用了以下研究方法:语言观察和描述语言现象;艺术文本的解码方法,分析、综合、归纳、演绎,以及连续抽样的方法。可以确定的是,在现代乌克兰作家的儿童作品中,一个无畏的、善良的怪物的形象越来越受欢迎,这证明了改善传统负面形象的趋势。为了创造“更新”的怪物形象,作家们使用了一系列的语言工具和风格手段。个别作者对怪物的名字和偶尔的符号符号特别具有表现力,它们出现在这些图像的创作过程中。研究发现,儿童作品中的怪物形象具有多种语用功能:认知(关于世界的知识)的获取和同化(关于事物世界的知识);关于人际关系的世界);发展性(丰富孩子的词汇,形成阅读技能,发展想象力,批判性/创造性思维,认知兴趣等);教育(基本道德原则的形成,学习行为模式等);娱乐(享受艺术交流)。对现代乌克兰作家儿童作品中恐惧和怪物的常见和偶然语言表征的研究,补充了关于作家世界观与作品语言以及与世界民族语言图景之间联系的知识。
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引用次数: 0
Lingual means of the denotation in the Ukrainian language for age development periods of a child in the first year of the life 语言是指在乌克兰语中表示儿童在生命的第一年的年龄发展时期
Pub Date : 2021-12-05 DOI: 10.31499/2415-8828.2.2021.246073
O. Zelinska, Maryna Holoborodko
The names of age periods of the first year of a child’s life were considered in the paper. Traditionally the first year of a child’s life was not clearly divided into shorter stages, and in turn, there were no established names which would correlate with these age periods. In every-day life defining features for a child of the first year of life is the fact of birth itself, which fixes a noun-composite a newly-born, as well as expressive signs associated with feeding a baby and its (his/her) inability to speak, namely, such nouns as a nursling and a baby. A clearly differentiated division of a child’s age period, before reaching the age of one year, is recorded in medicine. Scientific observations of the physiological changes in the development of a child, depending on a lived calendar period, determined the classification of the life into certain stages beginning from the prenatal development; it was expressed in a special terminology, for example, a perinatal period, a zero day. In a medical sphere the division units of a life period before the age of one year are hours, days, months; thus, this temporal vocabulary belongs to the structure of terminological phrases used to denote a certain age stage, the gradation of periods can be done with help of adjectives-qualifiers early, late. In a pedagogical discourse, contrary to a medical sphere, the names of the age periods in a child’s life do not clearly correlate with physiological changes and a calendar duration, and in an every-day life discourse the correlation is seen the least. However a conversational speech is characterized with a larger number of the patterns which form the names of age periods, descriptive nominations, due to a child’s socialization. Thus, a set of nominative units is different for each discourse, but we can come across some scientific terms in mass media, and from there they can be found in a conversational speech. In a pedagogical, medical, every-day life discourse we have the cases when the same nouns are used, for instance, a newly-born, however they differ semantically.
在论文中考虑了儿童生命第一年的年龄阶段的名称。传统上,孩子的第一年并没有被明确地分为几个较短的阶段,相应地,也没有与这些年龄阶段相关的既定名称。在日常生活中,定义一岁儿童的特征是出生本身的事实,它固定了新生儿的名词复合,以及与喂养婴儿和(他/她)不能说话相关的表达符号,即像哺乳和婴儿这样的名词。在医学上,儿童一岁之前的年龄阶段有明确的划分。对儿童发育过程中生理变化的科学观察,根据生活的日历期,确定了从产前发育开始的生命阶段的分类;它是用一种特殊的术语来表示的,例如,围产期,零日。在医疗领域,一岁以前的生命周期的划分单位为小时、天、月;因此,这种时态词汇属于表示某一年龄阶段的术语短语结构,可以借助形容词限定词早、晚来进行时期的分级。在教学话语中,与医学领域相反,儿童生命中年龄阶段的名称与生理变化和日历持续时间没有明显的关联,而在日常生活话语中,相关性最小。然而,由于儿童的社会化,会话言语的特点是有更多的模式,这些模式形成了年龄阶段的名称,描述性的提名。因此,对于每个话语,一组主格单位是不同的,但我们可以在大众媒介中遇到一些科学术语,从那里我们可以在会话演讲中找到它们。在教学、医学和日常生活的话语中,我们有使用相同名词的情况,例如,新生,但它们在语义上不同。
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引用次数: 0
The reminiscences of «The Name of the Rose» by Umberto Eco in the «Bibliomysteries» by Otto Penzler 翁贝托·艾柯的《玫瑰之名》在奥托·彭茨勒的《神秘文献》中的回忆
Pub Date : 2021-12-05 DOI: 10.31499/2415-8828.2.2021.246095
L. Mitina
The article explores the intertextual discourse of Umberto Eco’s novel «The Name of the Rose» and Otto Penzler’s book series «Bibliomysteries» through the reminiscences as a form of the intertextuality that reflects «images of the literature in the literature». The plot analysis is carried out and seven main characteristic features of the detective component of the novel Eco are singled out. The genre-typological features of each of the selected works of the Penzler’s series are studied and the following types of the reminiscences are revealed: direct, or unchanging; modified, or transformed; and hidden, or implicit. The following number of the reminiscences in the considered works is defined: 1) «The Compendium of Srem» by F. Paul Wilson – 8 direct, 14 transformed, 2 hidden; 2) «An Acceptable Sacrifice» by Jeffery Deaver – 4 direct, 7 transformed, 2 hidden; 3) «Condor in the Stacks» by James Grady – 2 direct, 5 transformed, 3 hidden; 4) «The Gospel of Sheba» by Lyndsay Faye – 5 direct, 8 transformed, 2 hidden; 5) «It’s in the Book» by Mickey Spillane and Max Allan Collins – 3 direct, 6 transformed, 2 hidden. It is established that the specified series as a set of texts reveals in relation to the novel Eco property intertextuality due to the presence in the receiving texts of different types of reminiscences of the original text. Taking into account the genre features of the recipient texts, the interaction of the texts takes place in the detective plane source text, which is a distinctive feature of the considered intertextual discourse.
本文通过回忆作为互文性的一种形式来探讨翁贝托·艾柯的小说《玫瑰之名》和奥托·彭茨勒的丛书《书目之谜》的互文话语,这种互文性反映了“文学中的文学形象”。对小说《艾柯》的侦探部分进行了情节分析,归纳出小说侦探部分的七个主要特征。本文研究了彭茨勒系列作品的体裁类型特征,揭示了以下类型的回忆:直接的或不变的;修改的或改变的;而且是隐藏的,或者是隐含的。在考虑的作品中定义以下数量的回忆:1)F. Paul Wilson的“Srem纲要”- 8个直接,14个转换,2个隐藏;2)《可接受的牺牲》杰弗里·迪弗- 4部直接,7部改编,2部隐藏;3)詹姆斯·格雷迪的《堆栈中的秃鹰》- 2个直接,5个转换,3个隐藏;4)《示巴福音》(lindsay Faye) - 5部直接,8部改编,2部隐藏;5)《在书里》,米奇·斯皮兰和马克斯·艾伦·柯林斯——3部直接,6部改编,2部隐藏。本文认为,作为一组文本的特定系列,由于在接收文本中存在着不同类型的原始文本的回忆,从而揭示了与小说生态属性相关的互文性。考虑到接收语篇的体裁特征,语篇之间的互动发生在源语篇的侦查层面,这是互文语篇的一个显著特征。
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引用次数: 0
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Philological Review
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