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Dialogue of the forever living (diary entries of Oleksandr Dovzhenko and Yevhen Sverstiuk in the context of the 20th – 21st centuries) 永生者的对话(20 - 21世纪背景下的Oleksandr Dovzhenko和Yevhen Sverstiuk的日记)
Pub Date : 2023-05-31 DOI: 10.31499/2415-8828.1.2023.281381
P. Yamchuk
In the proposed philosophical-Ukrainian studies, and therefore – literary studies as an integral part of Ukrainian studies, the study examines the understanding of the deep beginnings of the tragic history of Ukraine and Ukrainianism. The constant principles of the spiritual-intellectual and all-time-essential Resistance defined by him in the totalitarian realities of the 1930s–50s, which were unprecedentedly cruel to Ukrainians, are outlined. The phenomenon of O. Dovzhenko as a visible confirmation of such Ukrainian spiritual-intellectual and material Resistance is undeniable. Philosophical and Ukrainian studies and reflections of Ye. Sverstiuk, in which the phenomenon of O. Dovzhenko’s resistance to the foreign Ukrainian identity of the reality of Moscow-communist totalitarianism is thoroughly and uncommittedly studied, is a visible testimony of this. In the same way, Dovzhenko’s memories-visions-reflections, which are studied in this studio, are prognostic-perspective for Ukraine and Ukrainianness. Dovzhenko’s diary visions – «dreams» often not only stated the Ukrainian realities of the occupation-imperial context, but also worldview and artistically preceded the works of world-famous creators of dystopias such as George Orwell with the dystopia novel «1984» written in 1949. Dovzhenko’s «Dream», recorded in a diary entry dated August 16, 1945, is not only a direct reference to Shevchenko’s classic poem «Dream», in which the axiological philosophy of «dreams and dreams» was manifested on a large scale long before Z. Freud, but is dystopian in by its nature. The phenomenon of Dovzhenko as a transcendental artist-thinker who overcomes the borders and transience of eras can be traced in the proposed studio in view of his perspective worldview and worldview. Ye. Sverstiuk’s ideas, revealed in his diary entries published in 2018 under the telling title «Eternal Longing for the Real», not only comprehensively update O. Dovzhenko worldview and poetic universals, but also excavate their meaning in the still-unexplored expanse of Ukrainian studies. The dialogue between O. Dovzhenko and Ye. Sverstiuk continues, and the contextually determined remarks in this dialogue are, at first glance, unexpected statements from the memoirs of the Ukrainian state-builder, historian, minister of foreign affairs of the Hetmanate era, D. Doroshenko, and, quite unexpectedly, a letter from a friend of A. Tolstoy, the author of the novel «Peter the First» by A. Radin, dated 1933, in which he testifies that only participation in the productions of the then half-repressed Ukrainian director Les Kurbas in Moscow theaters can save the theatrical life of Russia. This cultural context is also a powerful and still unexplained universe of continued dialogue between the eternally living. But also in this dialogue of the eternally living Poets – artists-thinkers of the 20th century – V. Svidzinskyi and V. Symonenko participate. Their conceptual visions are immanently consonant with t
在提出的哲学-乌克兰研究中,因此-文学研究是乌克兰研究的一个组成部分,该研究考察了对乌克兰和乌克兰主义悲剧历史的深刻开端的理解。在20世纪30年代至50年代的极权主义现实中,他所定义的精神-智力和永恒的抵抗运动的永恒原则对乌克兰人来说是前所未有的残酷。O. Dovzhenko作为这种乌克兰精神-智力和物质抵抗的明显证实的现象是不可否认的。叶的哲学与乌克兰研究与反思。在《Sverstiuk》一书中,多夫真科(O. Dovzhenko)对外来乌克兰人对莫斯科共产主义极权主义现实的认同进行了彻底而不明确的研究,这一现象就是这一点的明显证明。同样,在这个工作室里研究的多夫真科的记忆-视觉-反思,是对乌克兰和乌克兰性的预测视角。多夫真科的日记愿景——“梦想”往往不仅陈述了占领-帝国背景下的乌克兰现实,而且还陈述了世界观,在艺术上先于世界著名的反乌托邦创作者的作品,如乔治·奥威尔在1949年写的反乌托邦小说“1984”。多夫真科的《梦》,记录在1945年8月16日的日记条目中,不仅直接参考了舍甫琴科的经典诗歌《梦》,其中“梦与梦”的价值哲学在Z.弗洛伊德之前就大规模地表现出来,而且其本质上是反乌托邦的。从多夫真科的视角世界观和世界观来看,他作为超越时代边界和瞬时性的先验艺术家-思想家的现象可以在提议的工作室中追溯到。你们。Sverstiuk的思想在他2018年出版的日记中被揭示出来,日记的标题是“对真实的永恒渴望”,不仅全面更新了O. Dovzhenko的世界观和诗歌的普遍性,而且在尚未探索的乌克兰研究领域挖掘了它们的意义。多夫真科与叶之间的对话。Sverstiuk继续说,这段对话中上下文决定的言论,乍一看,是乌克兰国家建设者,历史学家,赫曼特时代的外交部长D. Doroshenko的回忆录中出人意料的言论,以及a . Tolstoy的朋友的一封信,a . Radin的小说《彼得一世》的作者,1933年,他在书中证明,只有参与当时处于半压制状态的乌克兰导演莱斯·库尔巴斯(Les Kurbas)在莫斯科剧院的作品,才能拯救俄罗斯的戏剧生活。这种文化背景也是一个强大的,仍然无法解释的宇宙,永恒的生命之间持续对话。但在这场20世纪永恒的诗人-艺术家-思想家的对话中,V.斯维津斯基和V.西蒙年科也参与其中。他们的概念愿景与O. Dovzhenko和Ye的全面的乌克兰中心和乌克兰科学创意半圈内在一致。Sverstiuk。
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引用次数: 0
Сreative potential of metaphor in the cycle of stories by Hryhor Tiutiunnyk «Steppe Tale» Сreative隐喻在Hryhor Tiutiunnyk«草原故事»故事循环中的潜力
Pub Date : 2023-05-31 DOI: 10.31499/2415-8828.1.2023.281364
Olena Turchak
The article presents a comprehensive analysis of metaphors in Hryhor Tiutiunnyk’s short story cycle «Steppe Tale». The classification of metaphors is considered according to the partial language affiliation, the way of formation and existence and the structure. It was established that from the point of view of partial linguistic affiliation, verbal and adverbial metaphors are most often used. Adjective metaphors are used less often, noun metaphors are also not marked by frequency of use. Adverbial metaphors mostly complement verbal metaphors. Such an interaction between two types of metaphors is evidence that metaphor should be considered as a phenomenon of syntactic semantics, which makes it possible to trace the formation of metaphorical meaning within the context due to the successful combination of words. According to the method of formation and existence, fixed, individually authored and conceptual metaphors function. Metaphors form a content integrity, and the combination of their meanings actualizes the figurative and associative plan. From the point of view of structure, simple metaphors prevail, but complex ones are not inferior to them quantitatively. A simple metaphor is based on a simple comparison, i.e., the convergence of images is based on one feature. A complex metaphor describes a concept using a combination of images or primary metaphors. A detailed metaphor deserves special attention, in which the carrier of the metaphorical image is a whole complex of associatively connected words. The text-creative role of the developed metaphor is most noticeable primarily in the linguistic design of the text, in its semantic expansion and in the realization of the pragmatic task of the text. Peculiarities of the use of metaphors and their pictorial and expressive possibilities were also studied. To achieve the goal and solve the tasks, the following methods were used: the method of analyzing scientific and theoretical sources, the method of contextual analysis, and the method of continuous sampling.
本文对蒂乌廷尼克的短篇小说集《草原故事》中的隐喻进行了全面分析。隐喻的分类是根据隐喻的部分语言关系、形成方式和存在方式以及隐喻的结构来考虑的。从部分语言联系的角度来看,言语隐喻和状语隐喻是最常用的。形容词隐喻的使用频率较低,名词隐喻的使用频率也不明显。状语隐喻主要是对言语隐喻的补充。这种两类隐喻之间的相互作用证明了隐喻应该被视为一种句法语义现象,这使得我们有可能在语境中追踪由于词语的成功组合而形成的隐喻意义。根据形成和存在的方法,固定的、个人创作的和概念的隐喻起着作用。隐喻构成了一个内容的整体,其意义的结合实现了隐喻和联想的计划。从结构的角度来看,简单的隐喻占上风,但复杂的隐喻在数量上并不逊色。一个简单的隐喻是基于一个简单的比较,即图像的收敛是基于一个特征。复杂隐喻是用意象或原始隐喻的组合来描述一个概念。具体的隐喻尤其值得注意,隐喻形象的载体是一个由关联词构成的整体综合体。发达隐喻的语篇创造作用主要体现在语篇的语言设计、语义扩展和语篇语用任务的实现等方面。本文还研究了隐喻使用的特殊性及其在图像和表达方面的可能性。为了实现目标和解决任务,使用了以下方法:分析科学和理论来源的方法,上下文分析的方法和连续抽样的方法。
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引用次数: 0
Anikó Beregszászi – Katalin Dudics Lakatos. Twenty-two. History of 22 years of Hungarian native language education in Transcarpathia (Termini, Törökbálint, Hungary, 2023. 172 p.)
Pub Date : 2023-05-31 DOI: 10.31499/2415-8828.1.2023.281384
Vilmosh Gazdag, Aniko Churman-Pushkash
Book review: Anikó Beregszászi – Katalin Dudics Lakatos. Twenty-two. History of 22 years of Hungarian native language education in Transcarpathia (Termini, Törökbálint, Hungary, 2023. 172 p.)
书评:Anikó Beregszászi - Katalin Dudics Lakatos.二十二。外喀尔巴阡匈牙利语母语教育 22 年的历史》(Termini,Törökbálint,匈牙利,2023 年。172 页)。
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引用次数: 0
Pecularities of the use of folkloric motif about seduction of the girl in the storys of H. Kvitka-Osnovyanenko and in the novels of M. Hvylovyі 在H. Kvitka-Osnovyanenko的故事和M. hvylovyk的小说中,关于女孩诱惑的民俗主题的使用的特殊性
Pub Date : 2023-05-31 DOI: 10.31499/2415-8828.1.2023.281377
T. Lopushan, Inna Shevchuk, N. Zarudniak
Based on the works of Ukrainian sentimentalism representative Hryhoriy Kvitka-Osnovyanenko and modernist writer Mykola Hvylovyі the specifics of a popular in Ukrainian literature area plot on a girl seduction by a stranger man, whose behavior contradicts the traditional habitual rules of a peasant community, is analyzed. The stories by Hryhoriy Kvitka-Osnovyanenko «Unfortunate Oksana» and «Marysіa» and Mykola Hvylovyі «Life» and «Cat in the shoes» were chosen for the analysis due to the fact that in both of them was used as the key story creator the plot about a raped slave girl. This gives the possibility to conclude comparative analysis of literature works aimed at the investigation of peculiarities on the life of plot dynamics in the context of ideological and aesthetic guidelines of both different cultural and historic era. The problem of diachrony of gender approaches to the image creation of marginalized social archetype of a raped girl starting from the typical for traditional society absolutely negative attitude up to the modern ambivalence of its perception is also investigated in the article. Moreover, the attention is concentrated on both moral and ethical as well as aesthetic and stylistic aspects of the author’s treatment of folklore motif by the representatives of different cultural and historical era and stylistic flows in Ukrainian literature. The story of Hryhoriy Kvitka-Osnovyanenko is considered as a bright sample of segmentalism invariant with the clear orientation on religion depiction of patriarch peasant society and its idealization of predisposition to tradition dominance which was further developed in the typical for Ukrainian literature during the next two centuries rustic discourse dominance. In contrast the novel of Mykola Hvylovyі «Cat in the shoes» captures the situation of tradition break in a postrevolutionary society and the modernism collision when ‛marginal becomes central’ which is specially depicted in the image of a neglected in a patriarchal society woman which broke the requirements of  traditional moral laws that are in general tolerant in terms of the attitude towards her in the conditions of Ukrainian reality in the 20th of XX century. The object of investigation is also the nature of empathy of both authors concerning their characters which is widely varied with a range of emotions starting from a mentor disapproval, compassion and sympathy and up to enthusiasm and a certain and reasonable warning concerning the future dominance of gender and socially declassified personalities in the conditions of non-stable moral principles as well as the principles of a new social formation.
以乌克兰感怀主义代表人物赫里霍里·科维卡-奥斯诺夫扬科和现代主义作家米科拉·赫维洛夫耶克的作品为基础,分析了乌克兰文学界流行的一个与农民社区传统习惯规则相矛盾的陌生人诱奸女孩的情节的具体特点。Hryhoriy Kvitka-Osnovyanenko的故事“不幸的奥克萨娜”和“marysrana”以及Mykola hvylovyk的故事“生活”和“鞋子里的猫”被选中进行分析,因为在这两个故事中都被用作关键故事的创造者,情节是关于一个被强奸的奴隶女孩。这就为在不同文化和历史时代的意识形态和审美指导下,对文学作品进行旨在探究情节动态生活的特殊性的比较分析提供了可能。从典型的对传统社会的绝对否定态度到现代对其认知的矛盾心理,探讨了被强奸女孩边缘社会原型形象塑造的性别历时性问题。此外,注意力集中在道德和伦理以及审美和风格方面的作者的处理民间传说母题的代表不同的文化和历史时代和文体流动在乌克兰文学。Hryhoriy Kvitka-Osnovyanenko的故事被认为是片段主义不变的一个鲜明样本,它对宗法农民社会的宗教描绘具有明确的取向,并将传统主导倾向理想化,这在随后两个世纪的典型乌克兰文学中得到进一步发展,即乡村话语主导。相比之下,Mykola hvylovytu的小说“穿鞋的猫”捕捉到了后革命社会中传统的打破和现代主义碰撞的情况,当“边缘成为中心”时,这被特别描绘为一个被忽视的父权社会中的女性,她打破了传统道德法律的要求,这些道德法律在20世纪20年代乌克兰现实的条件下对她的态度通常是宽容的。调查的对象也是两位作者对他们的角色的移情的本质,这些角色的移情是多种多样的,从导师的不赞成,同情和同情到热情,以及在不稳定的道德原则和新社会形态原则的条件下对性别和社会解密人格的未来主导地位的一定和合理的警告。
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引用次数: 0
Functions of linguistic aphorisms (on the materials of Oles Honchar’s notes and publicistics) 语言警句的功能(论奥尔斯·洪查尔笔记材料与宣传材料)
Pub Date : 2023-05-31 DOI: 10.31499/2415-8828.1.2023.281353
K. Hlukhovtseva, I. Hlukhovtseva
The article describes the function of linguistic aphorisms, sentential forms of Oles Honchar, written in the author’s student notes and publicistics; the attention was paid to the aim of utterance, pragmatic intentions of the writer-classic of Ukrainian literature. The authors used a descriptive method to characterize the factual material, functional-semantic and ethno-linguistic analysis was carried out with the method of identifying ethno-cultural information, pragmatic – based on the installation of the author’s communicative strategies, elements of the discursive analysis – for mastering the content. It was proved that Oles Honchar’s aphorisms about language are the key to the understanding of the author’s essence of the language and a word, their function in the life of the Ukrainian community, in the life of an independent state; it is a struggle for the power and viability of the Ukrainian language as a means of communication. The writer’s aphorisms, his maxims perform a representative function, because they demonstrate, first of all, the author’s attitude to the language, an evaluative function, because they provide an assessment of the literary creativity of many Ukrainian writers. In the master of words sayings, the reader’s attention is concentrated on the main specific features of the Ukrainian language, attention is drawn to the most pressing problems of today. Therefore, these utterances perform culminating, accumulative and actualizing functions. Oles Honchar’s aphorisms implement the aesthetic function, which allows you to transfer the subjective attitude to what is being reported. Among aphorisms there are many such ones, which have characterological and nominative functions. Metalanguage (metalinguistic) function of aphorisms is also used, if there are some words in them which serve for explanation of others, when after the author’s comments, dialogic statements are established that express personal, interindividual and interactional character.
本文论述了奥尔斯·洪查尔在学生笔记和宣传中所写的语言格言、句式的作用;对乌克兰文学经典作家的话语目的、语用意图进行了研究。作者使用描述性的方法来描述事实材料,用识别民族文化信息的方法进行功能-语义和民族语言分析,语用-基于作者的交际策略的安装,话语分析的要素-掌握内容。事实证明,奥列斯·洪查尔的语言格言是理解作者对语言和词语本质的关键,是理解它们在乌克兰社区生活和独立国家生活中的作用的关键;这是一场争夺乌克兰语作为一种交流手段的权力和生存能力的斗争。作者的警句,他的格言具有代表性,因为它们首先表明了作者对语言的态度,具有评价功能,因为它们提供了对许多乌克兰作家的文学创造力的评价。在文字大师的说法,读者的注意力集中在乌克兰语言的主要特点,注意力被吸引到今天最紧迫的问题。因此,这些话语具有高潮化、累积化和实现化的功能。Oles Honchar的警句实现了美学功能,它允许你将主观态度转移到被报道的内容上。在警句中有许多这样的警句,它们具有特征和指示功能。警句的元语言(元语言)功能也被利用,如果警句中有一些词语是用来解释其他词语的,那么在作者的评论之后,就会建立起表达个人、个体间和相互作用的对话语句。
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引用次数: 0
Multilingual COVID-19 linguistic landscape in Berehove 贝雷霍夫多语种COVID-19语言景观
Pub Date : 2023-05-31 DOI: 10.31499/2415-8828.1.2023.281351
Kornélia Hires-László, Réka Máté, Enikő Tóth-Orosz
The COVID-19 pandemic has brought severe changes to people’s lives and has influenced all aspects of our being. The most common attribute of these changes is that we had to comply with regulations that we had not experienced before, use words and phrases that might have been previously unknown to us. Tour daily rhythm was radically transformed. The measures taken to stop the epidemic and the social effects of the pandemic have been examined in many forms. In our paper, we focus on a multilingual town in Transcarpathia, namely Berehove. The results of our longitudinal study, the trends that emerge from the data, can be projected not only on the city, but also on its agglomeration and other settlements that are inhabited by Hungarian speakers. In the linguistic landscape of Berehove, a multiethnic town in the westernmost part of Ukraine, a number of new signs have appeared after the outbreak of the COVID-19 pandemic, which are an excellent reflection of the multilingual nature in the region and the municipality. In our study, we present the geosemiotic characteristics of the signs, announcements on epidemiological restrictions and warnings published in public places in Berehove. We also investigate whether the advertisements, inscriptions and symbols were made on the official or private level (top-down / bottom-up). The photographic data was collected in the course of two years (2020–2021) and clearly shows the ever-changing multilingual landscape of the territory, and the alternations of different waves of the pandemic. International literature finds it important to advocate for the appearance of multiple languages as regards to the linguistic landscape of the virus, precisely because linguistic tolerance towards minorities in a hard times like the previous years of constant lockdowns, financial and heath crises, is not only a language policy issue, but also related to health policy. Linguistic landscape, even in these times is not only a reflection of a territory’s ethnolinguistic and ethno-demographical composition but is shaped issues of language policy, cultural legacies, language dynamics and attitudes.
新冠肺炎疫情给人们的生活带来了深刻变化,影响到我们生活的方方面面。这些变化最常见的特点是我们必须遵守以前没有经历过的规则,使用以前可能不知道的单词和短语。旅游的日常节奏被彻底改变了。已经以多种形式审查了为制止这一流行病和这一流行病的社会影响而采取的措施。在我们的论文中,我们关注的是外喀尔巴阡山脉的一个多语言城镇,即Berehove。我们的纵向研究的结果,从数据中得出的趋势,不仅可以预测城市,还可以预测城市的集聚区和其他匈牙利语聚居区。在乌克兰最西部的多民族城镇别列霍夫的语言景观中,在2019冠状病毒病大流行爆发后出现了一些新的迹象,这很好地反映了该地区和该市的多语言性质。在我们的研究中,我们介绍了在贝雷霍夫公共场所发布的标志,流行病学限制公告和警告的地理符号学特征。我们还调查了广告、题词和符号是在官方还是私人层面(自上而下/自下而上)制作的。摄影数据是在两年(2020-2021年)期间收集的,清楚地显示了该领土不断变化的多语言景观,以及该流行病不同浪潮的交替。国际文献认为,倡导出现多种语言是很重要的,因为在过去几年不断封锁、金融和卫生危机等困难时期,对少数群体的语言容忍不仅是一个语言政策问题,而且与卫生政策有关。即使在这个时代,语言景观不仅反映了一个领土的民族语言和民族人口构成,而且还形成了语言政策、文化遗产、语言动态和态度等问题。
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引用次数: 0
Translanguaging in multilingual classrooms: a case study analysis 多语课堂中的翻译:个案研究分析
Pub Date : 2023-05-31 DOI: 10.31499/2415-8828.1.2023.281366
O. Chaika
This research paper investigates the utilization of translanguaging practices in multilingual classrooms and its impact on language learning and academic achievement. Drawing upon a case study analysis conducted in diverse educational settings, the study aims to explore the benefits and challenges associated with the implementation of translanguaging pedagogies. The research design involved classroom observations, interviews with teachers and students, as well as document analysis of instructional materials. The findings of the study underscore the positive effects of translanguaging on various aspects of language development and academic engagement. The use of translanguaging strategies in multilingual classrooms facilitated language learning by promoting meaningful communication, scaffolding comprehension, and fostering a supportive language environment. Students demonstrated increased motivation and participation, as translanguaging allowed them to access and express complex ideas in their native languages, bridging the gap between their home languages and the language of instruction. Moreover, translanguaging practices proved to be instrumental in enhancing content understanding across subject areas. By leveraging students’ linguistic repertoires, teachers were able to facilitate comprehension of complex concepts and provide contextualized explanations, resulting in improved academic performance. Translanguaging also supported the development of critical thinking skills, as students were encouraged to compare and contrast ideas across languages, fostering a deeper understanding of concepts and fostering cognitive flexibility. However, the implementation of translanguaging pedagogies in multilingual classrooms was not without challenges. Language policy constraints and standardized testing requirements posed barriers to the widespread adoption of translanguaging practices. Teachers faced challenges related to their own linguistic competencies, as well as limited access to professional development opportunities focused on translanguaging strategies. Additionally, concerns were raised about the potential stigmatization of students’ native languages and the need for a balanced integration of translanguaging with the development of the target language. The findings of this study contribute to the understanding of translanguaging in multilingual education and have implications for educators and policymakers. Based on the results, it is recommended that educators receive comprehensive training on translanguaging pedagogies, including strategies for integrating translanguaging practices effectively within the curriculum. Language policies should be revisited to provide flexibility and support for translanguaging approaches, acknowledging the value of students’ home languages in the learning process. Further research is needed to explore the long-term effects of translanguaging on language development, academic achievement, and students’ socio-emotion
本研究旨在探讨跨语言教学在多语课堂中的运用,以及跨语言教学对语言学习和学业成绩的影响。通过在不同教育环境中进行的案例研究分析,本研究旨在探讨与实施译语教学法相关的好处和挑战。研究设计包括课堂观察、师生访谈、教材文献分析等。研究结果强调了译语在语言发展和学术参与的各个方面的积极影响。在多语课堂中使用跨语言策略,通过促进有意义的交流、搭建理解框架和营造支持性的语言环境来促进语言学习。学生表现出了更高的积极性和参与度,因为翻译使他们能够用母语获取和表达复杂的想法,弥合了母语和教学语言之间的差距。此外,翻译实践被证明有助于加强跨学科领域的内容理解。通过利用学生的语言库,教师能够促进对复杂概念的理解,并提供情境化的解释,从而提高学习成绩。跨语言还有助于培养批判性思维能力,因为学生们被鼓励跨语言比较和对比思想,从而加深对概念的理解,培养认知灵活性。然而,在多语言课堂中实施跨语言教学法并非没有挑战。语言政策的限制和标准化测试的要求对广泛采用跨语言做法构成了障碍。教师面临着与自身语言能力相关的挑战,以及获得专注于翻译策略的专业发展机会的机会有限。此外,还提出了对学生母语可能被污名化的担忧,以及需要将译语与目标语的发展平衡地结合起来。本研究的发现有助于理解多语教育中的译语,并对教育工作者和政策制定者具有启示意义。根据研究结果,建议教育工作者接受跨语言教学法的全面培训,包括将跨语言实践有效地整合到课程中的策略。应该重新审视语言政策,为跨语言方法提供灵活性和支持,承认学生母语在学习过程中的价值。跨语言对语言发展、学业成就和学生社会情感健康的长期影响有待进一步研究。总之,本研究强调了在多语言课堂中进行跨语言实践的好处,强调了它们在促进语言学习和学业成就方面的作用。通过利用学生的语言资源和创造包容性的学习环境,翻译语言成为一种有价值的教学方法,可以对多语言教育产生积极影响。
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引用次数: 0
Peculiarities of semantics and grammatical organization of phraseological units with the "zemlia" component 具有“zemlia”成分的短语单位的语义和语法组织特点
Pub Date : 2023-05-31 DOI: 10.31499/2415-8828.1.2023.281362
Yu. F. Pradid
The article examines the peculiarities of semantics and grammatical organization of phraseological units (further ‒ PUs) with the zemlia component. It is noted that both phraseological macro- and microsystems in Ukrainian linguistics began to be intensively studied only in the late 20th – early 21st c. The purpose of the proposed intelligence is to investigate the place of the PU microsystem with the zemlia component in the Ukrainian phraseology, to describe the semantics features, its grammatical organization representing this microsystem. The reference base was thesaurus and phraseological dictionaries of the Ukrainian language, internet sites, as well as the author’s own phraseological catalogue where 55 PUs are subject to analysis, the theoretical and methodological basis of research is the works of Ukrainian linguists, in which individual phraseological micro- and macro-systems are studied. The analysis of the PUs with zemlia component gave grounds to summarize: 1. the microsystem of the PUs with the zemlia component is relatively small, but rather diverse in its semantic features and grammatical organization; 2. for such PUs, as well as for the whole Ukrainian language in general, the phenomena of polysemy, synonymy and antonymy are characteristic phenomena; 3. the zemlia component in such PUs is used in all case forms, with the exception of the vocative case. Most of the PUs of this microsystem is formed with the zemlia component in the accusative singular case without a preposition (rarely): rvaty zemliu (tear up the earth) with prepositions v(u) (in(into)), ob (about), kriz’ (through): vrostaty v zemliu (grow into the ground (root itself)), lykhom ob zemliu (head the ground), yak kriz’ zemliu provalytysya (vanish into thin air), etc. (only 25 PUs); the least examples – in the genitive case of the plural: za trydev’yat’ zemel’ (go a long way (=go far, far away) (only 1 PU); 4. almost all syntactic structures in the microsystem of the PUs with the component ground are presented here as well as for the whole Ukrainian phraseology in general: a) PUs related to the subordinate phrase: toptaty zemliu (trample on the ground), z lytsya zemli (from the face of the earth), etc. b) PUs related to the word combinations: do zemli (to the earth), yak z-pid zemli (as from under the earth), etc.; c) PUs as comparatives: yak iz zemli vyrostatu (how to grow out of the ground), yak u zemliu vkopanyi (how to dig into the ground); d) PUs as a simple sentence (one-part and two-part): khoch zemliu yizh (even if you eat the Earth); azh zemlia stohne (the Earth groans), etc.; 5. PUs can also act in a sentence as a subject, predicate (simple, compound noun, compound verb), subordinate clause; 6. semantic features and grammatical peculiarities of such PUs should be a subject to run a separate investigation in comparative aspect.
本文考察了具有词性成分的短语单位的语义和语法组织的特点。值得注意的是,乌克兰语言学中的措辞宏观和微观系统仅在20世纪末至21世纪初才开始得到深入研究。拟议情报的目的是调查乌克兰措辞中PU微系统与zemlia成分的位置,以描述语义特征,其语法组织代表该微系统。参考基础是乌克兰语的同义词词典和短语词典,互联网站点,以及作者自己的短语目录,其中55个PUs受到分析,研究的理论和方法基础是乌克兰语言学家的作品,其中研究了个别短语微观和宏观系统。对含有zemlia成分的pu进行分析,得出以下结论:具有zemlia成分的pu的微系统相对较小,但其语义特征和语法组织相当多样化;2. 对于这些pu,以及整个乌克兰语,一词多义、同义词和反义词是其特征现象;3.除祈使格外,这种pu中的zemlia成分可用于所有格形式。该微系统的大部分pu是由zemlia成分在没有介词的主格单数情况下形成的(很少):vvany zemliu(撕裂大地)与介词v(u) (in(into)), ob (about), kriz ' (through); vrostaty v zemliu(长进地面(根本身)),lykhom ob zemliu(头在地面),yak kriz ' zemliu provalytysya(消失在稀薄的空气中)等(只有25个pu);最少的例子-在复数的属格情况下:za trydev ' yat ' zemel '(走很远的路)(只有1个PU);4. 这里介绍了带有地面成分的微系统中几乎所有的句法结构,以及整个乌克兰语的一般短语:a)与从属短语相关的pu: toptaty zemliu(踩在地上),z lytsya zemli(从地球表面)等;b)与单词组合相关的pu: do zemli(到地球),yak z-pid zemli(从地球下面)等;c)类比词:yak iz zemli vyrostatu(如何从地里长出来),yak u zemliu vkopanyi(如何往地里挖);d) pu作为一个简单的句子(一段和两段):khoch zemliu yizh(即使你吃了地球);azh zemlia sthne(地球呻吟)等;5. 动词也可以在句子中充当主语、谓语(简单句、复合名词、复合动词)、从句;6. 语义特征和语法特点应作为一个单独的研究对象,从比较的角度进行研究。
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引用次数: 0
The emotional potential of the lexeme "heart" in the artistic discourse of Bohdan Lepky Bohdan Lepky艺术话语中“心”这个词的情感潜能
Pub Date : 2023-05-31 DOI: 10.31499/2415-8828.1.2023.281358
Zoia Komarova
The article analyzes the expressive potential of the lexeme heart as a representative of human emotions and feelings in the artistic discourse of Bohdan Lepkyі. Based on the material of the writer’s historical prose, it was found that his language creation is characterized by the wide use of the somatism heart to objectify the psycho-emotional state of the characters. In the author’s texts, there are descriptions of the actions and movements of the heart as human reactions to emotional stimuli with the help of predicates of beating, blows, rhythmic and non-rhythmic movements, compression, disintegration, in combination with which the human heart is associated with the hidden feelings and emotions of the characters. The human heart in the works of Bohdan Lepkyі is endowed with the ability to speak or remain silent, contemplate and listen, prophesy and predict, etc. Linguistic markers of such signs of the heart are metaphors that convey various situations of excitement and emotional experience.The writer widely uses emotional phraseology with the heart component, in which the phraseologisation of emotions and feelings is achieved through personification and metaphorical reinterpretation of the heart as the emotional basis of a person. In the author’s descriptions, the verb type of metaphor prevails, since verbs most dynamically convey a person’s psychological state or reaction to emotional stimuli. Along with common language phraseology, the write’s works contain individual and authorial stable verbal expressions that reveal the specifics of depicting the image of the heart.The somatism heart in the language of B. Lepkyі’s works is also defined by metaphorical epithets that explain adjectives and record the writer’s ideas about human moral and ethical values, characterizing the characters as bearers of certain traits and personal qualities.In the works of the writer, the lexeme heart has a symbolic meaning, it is associated with various feelings, blood and other substances, fire and heat, the linguistic expression of which is conveyed by various metaphors and phraseological units.
文章分析了“心”这个词作为人类情感和情感的代表在波赫丹·莱普基耶尔艺术话语中的表达潜力。通过对作家历史散文材料的分析,发现他的语言创作具有广泛运用躯体心来客观化人物心理情感状态的特点。在作者的文本中,借助于跳动、击打、有节奏和无节奏的动作、压缩、解体等谓词,将心脏的动作和运动描述为人类对情感刺激的反应,并结合这些谓词将人的心脏与人物隐藏的情感和情感联系起来。在Bohdan lepkyk的作品中,人类的心被赋予了说话或保持沉默、沉思和倾听、预言和预测等能力。这种心的符号的语言标记是隐喻,传达各种兴奋和情感体验的情况。作者广泛使用了带心成分的情感措词,通过对作为人的情感基础的心的拟人化和隐喻性的重新诠释,实现了情感和感受的短语化。在作者的描述中,动词类型的隐喻占上风,因为动词最能动态地传达一个人的心理状态或对情绪刺激的反应。除了常用的语言用语外,作家的作品还包含了个人和作者的稳定的语言表达,揭示了描绘心灵形象的细节。B. lepkyk作品语言中的躯体主义之心也通过隐喻性的形容词来定义,这些隐喻性的形容词解释了作家对人类道德和伦理价值的看法,将人物塑造成某种特征和个人品质的承载体。在作家的作品中,词素“心”具有象征意义,它与各种感情、血液等物质、火和热有关,其语言表达是通过各种隐喻和用语单位来传达的。
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引用次数: 0
Synonymic monopredicative utterances with the interjectional head lexeme (based on French fiction of the 20th – the 21st centuries) 带有感叹词头位的同义单谓语(基于20 - 21世纪的法国小说)
Pub Date : 2023-05-31 DOI: 10.31499/2415-8828.1.2023.281360
Anastasiia Lepetiukha
In this article interjectional monopredicative utterances (MPU) of modern French fiction are defined as compressed one-basis (with one transformational terminal chain) synonymic transforms of virtual (linguistic) primary proposition actualized in the form of mono- and polysynonymic (with the intra-, interphrastic and intra-interphrastic bi- and polysynonymy) elliptic complex lingua-discursive signs‑preferential options with the interjectional head lexeme. The goal of this research is to identify the structural and semantic types and to reveal the co(n)textual (linguistic and / or situational) functions of the interjectional MPU of French fiction of the 20th – the 21st centuries and to determine the degree of their co(n)textual pertinence. In this article they use the procedure of the inverse reconstruction (discourse → language) of virtual transformational processes with the aim to identify the primary proposition of each synonymic transform; and the «alternative» linguistic experiment consisting in the artificial substitution by the addresser of some utterance of the analyzed discursive fragment with the synonymic utterance that allows to determine the degree of co(n)textual pertinence of all the members of virtual synonymic chains. It is revealed that in the synonymic interjectional MPU with non-derivative (primary) interjections of modern French fiction the author doesn’t exteriorize the structure subject + personal performative predicate with the referentially determined or non-determined actant, explicated in the contact, interphrastic or distant co(n)text (+ circumstance) and the existential structure c’est with the demiactive (active and passive simultaneously) actant referentially non-determined or determined in the intra- or interphrastic co(n)text. The structural and semantic (qualificative, processual, emotional-specificative, volitional-specificative) types of interjectional elliptic structures are distinguished, their co(n)textual functions are revealed and the degree of their co(n)textual pertinence, according to the pragmatic planification of the narration or to the author’s idiostylistic peculiarities, is justified.
短句来源本文将现代法语小说中的感叹词单谓话语(MPU)定义为以单义和多义形式实现的虚拟(语言)主要命题的压缩单基(具有一条转换终端链)同义转换(带有感叹词头词素的单义和多义)、复杂语言话语符号和优先选项。本研究的目的是识别20 - 21世纪法国小说中感叹词的结构类型和语义类型,揭示感叹词的语篇(语言和/或情境)功能,并确定其语篇针对性的程度。本文采用虚拟转换过程的逆重构(话语→语言)过程,目的是识别每个同义词转换的主要命题;“替代”语言学实验由被分析的话语片段的某些话语的称呼人与同义词话语的人为替代组成,允许确定虚拟同义词链的所有成员的co(n)文本相关性的程度。研究发现,在法国现代小说的非派生(原初)感叹词同义感叹词的MPU中,作者并没有将主语+人称行为谓语的结构外化为指称确定或非确定的谓语,并在联系中加以说明。语篇间或远语篇(+情景)和存在主义结构在语篇间或语篇中与非主动(主动和被动同时发生)的谓语指涉性不确定或确定有关。区分了感叹词椭圆结构的结构类型和语义类型(限定类型、过程类型、情感特定类型、意志特定类型),揭示了它们的语篇功能,并根据叙事的语用化或作者的独特文体特点,论证了它们的语篇针对性程度。
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引用次数: 0
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Philological Review
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