Pub Date : 2021-12-05DOI: 10.31499/2415-8828.2.2021.246078
Svitlana Kovtiukh
The article is concerned with consideration of specific characteristics of militi- pseudonyms as of made-up personal names of the military, the focus is made on the fact that the problem of normative reproduction of such proprieties in orthography is not set up. It is also emphasized that militi-pseudonyms of Ukrainian heroes of different times, in particular of liberation struggle in 1917–1922, 1938–1950, of today’s Russian-Ukrainian war, are to be written with capital letters and without inverted commas. It is recommended that such information and examples be added to the corresponding paragraph in «Ukrainian Orthography» and determined as a grammar standard. The publication involves a detailed analysis of relevant factors system necessary to define elementary paradigmatic classes of militi- pseudonyms. On the whole, there have been defined 23 out of 33 possible nouns in the modern Ukrainian literary language, which can be changed, 6 being considered as potential. Noun declension of proprieties, functioning as the military’s names, is influenced by part of speech characteristics (lexico-grammatical class of nouns, in particular substantivized verbs, numerals, adjectives, participles, adverbs, interjections, etc), by declension type (those of a noun, adjective or referred to differently declined), by lexical meaning, by belonging to a definite class or subclass of onyms, to the person category, definite gender, declension, declension group, short paradigm (only singular word forms), by different word formants, definite stem finals, identity of all word forms or inflexional rows integrity (with or without variant or analytical forms, priority of some of them) within declension paradigm, accentual, contextual, orthographic, morphological, dialect factors, possible deviation from expected forms and changes in the paradigm caused by extra lingual factors (political, military, social, cultural, religious, etc.).
{"title":"The system of factors to define word change paradigms of militi-pseudonyms in the modern Ukrainian language","authors":"Svitlana Kovtiukh","doi":"10.31499/2415-8828.2.2021.246078","DOIUrl":"https://doi.org/10.31499/2415-8828.2.2021.246078","url":null,"abstract":"The article is concerned with consideration of specific characteristics of militi- pseudonyms as of made-up personal names of the military, the focus is made on the fact that the problem of normative reproduction of such proprieties in orthography is not set up. It is also emphasized that militi-pseudonyms of Ukrainian heroes of different times, in particular of liberation struggle in 1917–1922, 1938–1950, of today’s Russian-Ukrainian war, are to be written with capital letters and without inverted commas. It is recommended that such information and examples be added to the corresponding paragraph in «Ukrainian Orthography» and determined as a grammar standard. \u0000The publication involves a detailed analysis of relevant factors system necessary to define elementary paradigmatic classes of militi- pseudonyms. On the whole, there have been defined 23 out of 33 possible nouns in the modern Ukrainian literary language, which can be changed, 6 being considered as potential. \u0000Noun declension of proprieties, functioning as the military’s names, is influenced by part of speech characteristics (lexico-grammatical class of nouns, in particular substantivized verbs, numerals, adjectives, participles, adverbs, interjections, etc), by declension type (those of a noun, adjective or referred to differently declined), by lexical meaning, by belonging to a definite class or subclass of onyms, to the person category, definite gender, declension, declension group, short paradigm (only singular word forms), by different word formants, definite stem finals, identity of all word forms or inflexional rows integrity (with or without variant or analytical forms, priority of some of them) within declension paradigm, accentual, contextual, orthographic, morphological, dialect factors, possible deviation from expected forms and changes in the paradigm caused by extra lingual factors (political, military, social, cultural, religious, etc.).","PeriodicalId":180896,"journal":{"name":"Philological Review","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125098511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-05DOI: 10.31499/2415-8828.2.2021.246097
Viktoriia Cherevchenko, Oleksandr Cherevchenko
The article is devoted to the clarification of the semantic and text-creating potential of linguistic cultures in the european and ukrainian artistic speech. The research was carried out in several directions: a) on the material of texts of european and ukrainian authors of the beginning of the twentieth century revealed semantic-stylistic features of the linguistic culture of the sun; b) considered the semantic structure of the text through the projection of this image into the context; c) through the description the modernist features of the interpretation of the image in the European literature of the early twentieth century. In the work, a comparative method of analysis was used, which allowed to find out the common and excellent in interpreting the image, revealing its deep meaning. Modern linguistics defines the concept of linguistic ethnocentrism. It becomes the background for the development of an ethnic group as an original phenomenon, acts as a uniting beginning of each individual nation, a marker of the national language, traditions, and culture. The history of its formation is dynamic. The philosophical origins are hidolen in the idea of anthropocentrism. Human being is regarded as an organic part of nature, and its surrounding animals, birds, trees, plants, rivers, rocks – as living beings endowed with a human soul The formation of linguistic ethnocentrism was significantly affected by the geographical and climatic features of the ethnic group's residence (natural landscape, climate, natural phenomena, flora and fauna). The natural origin caused the occurrence of a system of cult concepts associated with phyto-and dendrological symbols. It is expedient to analyze the historical and social conditions of the formation of an ethnic group and its culture (economic activity, occupation, relations with neighbors, social and political forms).The distinctive features of any ethnic group affect its psychological behavior and mental traits. Among the most characteristic features of Ukrainians, it is appropriate to name humanity, individualism, emotionality, sentimentalism, receptivity, hospitality, a kind of sincerity, lyricism. Formation of national-marked language units (epithets, metaphors, comparisons, proper names, compound words, associative language relations, specific vocabulary and phraseology) becomes the background of individualization of any ethnic culture, and Ukrainian especially. Ethnic language pictures of the world, which all members of society are involved in, affect the way people think and behave.
{"title":"Modernist interpretation of the image of the sun in the European literature of the late 19th and early 20th centuries","authors":"Viktoriia Cherevchenko, Oleksandr Cherevchenko","doi":"10.31499/2415-8828.2.2021.246097","DOIUrl":"https://doi.org/10.31499/2415-8828.2.2021.246097","url":null,"abstract":"The article is devoted to the clarification of the semantic and text-creating potential of linguistic cultures in the european and ukrainian artistic speech. The research was carried out in several directions: a) on the material of texts of european and ukrainian authors of the beginning of the twentieth century revealed semantic-stylistic features of the linguistic culture of the sun; b) considered the semantic structure of the text through the projection of this image into the context; c) through the description the modernist features of the interpretation of the image in the European literature of the early twentieth century. In the work, a comparative method of analysis was used, which allowed to find out the common and excellent in interpreting the image, revealing its deep meaning. Modern linguistics defines the concept of linguistic ethnocentrism. It becomes the background for the development of an ethnic group as an original phenomenon, acts as a uniting beginning of each individual nation, a marker of the national language, traditions, and culture. The history of its formation is dynamic. The philosophical origins are hidolen in the idea of anthropocentrism. Human being is regarded as an organic part of nature, and its surrounding animals, birds, trees, plants, rivers, rocks – as living beings endowed with a human soul The formation of linguistic ethnocentrism was significantly affected by the geographical and climatic features of the ethnic group's residence (natural landscape, climate, natural phenomena, flora and fauna). The natural origin caused the occurrence of a system of cult concepts associated with phyto-and dendrological symbols. It is expedient to analyze the historical and social conditions of the formation of an ethnic group and its culture (economic activity, occupation, relations with neighbors, social and political forms).The distinctive features of any ethnic group affect its psychological behavior and mental traits. Among the most characteristic features of Ukrainians, it is appropriate to name humanity, individualism, emotionality, sentimentalism, receptivity, hospitality, a kind of sincerity, lyricism. Formation of national-marked language units (epithets, metaphors, comparisons, proper names, compound words, associative language relations, specific vocabulary and phraseology) becomes the background of individualization of any ethnic culture, and Ukrainian especially. Ethnic language pictures of the world, which all members of society are involved in, affect the way people think and behave.","PeriodicalId":180896,"journal":{"name":"Philological Review","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130950899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-05DOI: 10.31499/2415-8828.2.2021.246094
Viktoriia Shymanska, Inna Kolomiiets
The article deals with the consideration of brandonyms from the standpoint of defining the status of lexical affiliation and their role in the stylistic organization of different texts. The article analyzes the issues aimed at clarifying such terms as «universal», «etrangism», «barbarism», as well as defines «brandonym», «text», determines the ability of brandonyms to acquire the characteristics of stylistics of certain messages, including advertising texts, and those that promote a particular idea implicitly. The onym space of any text is a reflection of the subjective assessment of the word by the author, therefore, the article emphasizes the peculiarities of introducing brandonyms to the texts of the above functional styles of modern Ukrainian standard language, as well as the specifics of mental and linguistic view of the world of an individual – the author of certain messages – as a representative of ethnolinguistic culture, the native of a separate language and philosophy. The relevance of the article is due to the need to trace functioning of proper names, in particular brandonyms, to try to establish their status in different texts. The aim of the article is to define the status of brandonyms from the standpoint of their affiliation to a certain group of vocabulary and stylistic purpose in the texts of literary and journalistic styles. Research methods are due to the peculiarities of the analysis of proprial vocabulary, which involves the use of descriptive method and a comprehensive approach to considering the functioning of specific lexical units in a particular text and their potential to create a certain stylistic intonation and power in achieving the overall goal of discourse formulation. In our opinion, the article is a necessary study in the research of Ukrainian onomastics, in particular the stylistic functions of proprietary names in various texts. Conclusions. Brandonyms cannot be assigned to one specific group: «barbarism», «entragism», or have only an understanding of it as a linguistic universal as all other propriatives both purely for theoretical reasons and in terms of functioning in a separate text, the studied language units may vary in the aspect of a clear assignment to one named group of vocabulary. From a stylistic point of view, brandonyms are not endowed with superpowerful properties of creating some sublime or lyrical intonation of the text, but have considerable potential to help achieve the goal of literary style – to reproduce the socio-temporal color of the described events and phenomena – and journalistic – providing voluntative function, and to act as a dominant of linguistic ambivalence.
{"title":"Semantic-stylistic status of brandonyms","authors":"Viktoriia Shymanska, Inna Kolomiiets","doi":"10.31499/2415-8828.2.2021.246094","DOIUrl":"https://doi.org/10.31499/2415-8828.2.2021.246094","url":null,"abstract":"The article deals with the consideration of brandonyms from the standpoint of defining the status of lexical affiliation and their role in the stylistic organization of different texts. The article analyzes the issues aimed at clarifying such terms as «universal», «etrangism», «barbarism», as well as defines «brandonym», «text», determines the ability of brandonyms to acquire the characteristics of stylistics of certain messages, including advertising texts, and those that promote a particular idea implicitly. The onym space of any text is a reflection of the subjective assessment of the word by the author, therefore, the article emphasizes the peculiarities of introducing brandonyms to the texts of the above functional styles of modern Ukrainian standard language, as well as the specifics of mental and linguistic view of the world of an individual – the author of certain messages – as a representative of ethnolinguistic culture, the native of a separate language and philosophy. \u0000The relevance of the article is due to the need to trace functioning of proper names, in particular brandonyms, to try to establish their status in different texts. \u0000The aim of the article is to define the status of brandonyms from the standpoint of their affiliation to a certain group of vocabulary and stylistic purpose in the texts of literary and journalistic styles. \u0000Research methods are due to the peculiarities of the analysis of proprial vocabulary, which involves the use of descriptive method and a comprehensive approach to considering the functioning of specific lexical units in a particular text and their potential to create a certain stylistic intonation and power in achieving the overall goal of discourse formulation. \u0000In our opinion, the article is a necessary study in the research of Ukrainian onomastics, in particular the stylistic functions of proprietary names in various texts. \u0000Conclusions. Brandonyms cannot be assigned to one specific group: «barbarism», «entragism», or have only an understanding of it as a linguistic universal as all other propriatives both purely for theoretical reasons and in terms of functioning in a separate text, the studied language units may vary in the aspect of a clear assignment to one named group of vocabulary. From a stylistic point of view, brandonyms are not endowed with superpowerful properties of creating some sublime or lyrical intonation of the text, but have considerable potential to help achieve the goal of literary style – to reproduce the socio-temporal color of the described events and phenomena – and journalistic – providing voluntative function, and to act as a dominant of linguistic ambivalence.","PeriodicalId":180896,"journal":{"name":"Philological Review","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133378090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-05DOI: 10.31499/2415-8828.2.2021.246096
Larysa Fedorenko
The article is devoted to the drama of Bertolt Brecht and Alfred Döblin. On the material of A. Döblin’s play «The Marriage» analyzes the typological factors of the genre Lehrstück («learning» or «didactic» play), which became widespread as Brecht’s authorial innovation. The purpose of the article: on the basis of comparative analysis of Lehrstück by B. Brecht and the play «The Marriage» by A. Döblin to explore their formal and poetic factors and to conclude about the common and distinctive features of artistic and aesthetic intention of the genre Lehrstück in the works of both playwrights. The source base of the research is represented by literary studies of Günter Hartung, Jan Knopf, Klaus-Dieter Krabiel, Heiner Müller, Rainer Steinweg, Bernhard Klaus Tragelehn, Florian Vaßen, Oleksandr Chirkov. To achieve this goal, the following research methods were used: cultural-historical, comparative-historical, structuralsemantic, descriptive, literary analysis and synthesis. The study presents the main stages of the genre in the work of Brecht and focuses on the initial period of origin of the «learning» or «didactic» play, which is also relevant to the drama of A. Döblin. The play «The Marriage» contains three scenes, a prologue and an interlude. Thematically, all the scenes are united by a common plot core – showing the breakup of marriage and family due to external circumstances. Family and marital relationships fail regardless of social status or financial status. Results and conclusions: The article proves that A. Döblin’s play «The Marriage» has a number of aesthetic and typological features that make it related to Brecht’s «didactic» plays: rejection of theatrical scenery, props, that is, everything that creates a theatrical illusion; the presence of epic elements and music as components of drama; use of text and illustrative projections, songs, recitatives with musical accompaniment; presence of a speaker (commentator) and a choir; the inclusion of the author’s commentary, which states the theme and issues of the drama, as well as explains how the play is constructed, emphasizes the probable educational, educational, instructive influence; the presence of director’s remarks that explain the options for the stage embodiment of the play; the ability to improvise, modify the text of the play and release individual scenes according to the purpose and type of production. A generalized analysis of the existing typological characteristics gives grounds to consider the play «The Marriage» by A. Döblin as a conceptual imitation and / or continuation of the theory and practice of the author’s genre Lehrstück B. Brecht.
这篇文章专门讨论了伯托尔特·布莱希特和阿尔弗雷德的戏剧Döblin。在A. Döblin的戏剧材料上，《婚姻》分析了lehrst(“学习”或“说教”戏剧)流派的类型因素，这是布莱希特的创作创新。本文的目的是:通过对布莱希特的lehrst与A. Döblin的戏剧《婚姻》的比较分析，探讨两者的形式因素和诗性因素，总结出两位剧作家作品中lehrst类型的艺术和审美意图的共同和独特之处。研究的文献基础以g nter Hartung、Jan Knopf、Klaus- dieter Krabiel、Heiner m ller、Rainer Steinweg、Bernhard Klaus Tragelehn、Florian Vaßen、Oleksandr Chirkov的文学研究为代表。为了实现这一目标，本文采用了文化历史、比较历史、结构语义、描写、文学分析和综合等研究方法。本研究呈现了布莱希特作品中这一类型的主要阶段，并着重于“学习”或“说教”戏剧的最初起源时期，这也与A. Döblin的戏剧有关。话剧《婚姻》包含三个场景，一个开场白和一个插曲。从主题上讲，所有的场景都是由一个共同的情节核心联合起来的——展示了由于外部环境而导致的婚姻和家庭的破裂。无论社会地位或经济状况如何，家庭和婚姻关系都会失败。结果与结论:本文证明a . Döblin的戏剧《婚姻》具有许多美学和类型学特征，使其与布莱希特的“说教”戏剧相关:拒绝戏剧布景，道具，即一切创造戏剧幻觉的东西;作为戏剧组成部分的史诗元素和音乐的存在;使用文字和说明性投影，歌曲，有音乐伴奏的朗诵;演讲者(评论员)和唱诗班的出席;作者的评注，阐述了戏剧的主题和问题，并解释了戏剧是如何构建的，强调了可能的教育、教育、教育影响;导演的评论解释了戏剧在舞台上体现的选择;即兴创作的能力，修改剧本的文本，并根据生产的目的和类型释放个别场景。对现有类型特征的概括分析使我们有理由认为A. Döblin的戏剧《婚姻》是对作者类型lehrst ck B. Brecht的理论和实践的概念模仿和/或延续。
{"title":"Alfred Döblin vs. Bertolt Brecht: reception of the genre Lehrstück in A. Döblin’s drama","authors":"Larysa Fedorenko","doi":"10.31499/2415-8828.2.2021.246096","DOIUrl":"https://doi.org/10.31499/2415-8828.2.2021.246096","url":null,"abstract":"The article is devoted to the drama of Bertolt Brecht and Alfred Döblin. On the material of A. Döblin’s play «The Marriage» analyzes the typological factors of the genre Lehrstück («learning» or «didactic» play), which became widespread as Brecht’s authorial innovation. The purpose of the article: on the basis of comparative analysis of Lehrstück by B. Brecht and the play «The Marriage» by A. Döblin to explore their formal and poetic factors and to conclude about the common and distinctive features of artistic and aesthetic intention of the genre Lehrstück in the works of both playwrights. \u0000The source base of the research is represented by literary studies of Günter Hartung, Jan Knopf, Klaus-Dieter Krabiel, Heiner Müller, Rainer Steinweg, Bernhard Klaus Tragelehn, Florian Vaßen, Oleksandr Chirkov. To achieve this goal, the following research methods were used: cultural-historical, comparative-historical, structuralsemantic, descriptive, literary analysis and synthesis. The study presents the main stages of the genre in the work of Brecht and focuses on the initial period of origin of the «learning» or «didactic» play, which is also relevant to the drama of A. Döblin. The play «The Marriage» contains three scenes, a prologue and an interlude. Thematically, all the scenes are united by a common plot core – showing the breakup of marriage and family due to external circumstances. Family and marital relationships fail regardless of social status or financial status. Results and conclusions: The article proves that A. Döblin’s play «The Marriage» has a number of aesthetic and typological features that make it related to Brecht’s «didactic» plays: rejection of theatrical scenery, props, that is, everything that creates a theatrical illusion; the presence of epic elements and music as components of drama; use of text and illustrative projections, songs, recitatives with musical accompaniment; presence of a speaker (commentator) and a choir; the inclusion of the author’s commentary, which states the theme and issues of the drama, as well as explains how the play is constructed, emphasizes the probable educational, educational, instructive influence; the presence of director’s remarks that explain the options for the stage embodiment of the play; the ability to improvise, modify the text of the play and release individual scenes according to the purpose and type of production. A generalized analysis of the existing typological characteristics gives grounds to consider the play «The Marriage» by A. Döblin as a conceptual imitation and / or continuation of the theory and practice of the author’s genre Lehrstück B. Brecht.","PeriodicalId":180896,"journal":{"name":"Philological Review","volume":"428 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122521125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-05DOI: 10.31499/2415-8828.2.2021.246055
O. Gryshchenko, G. Tsapro
Fake news is a widespread element of the nowadays news websites. The research focuses on students’ abilities to detect fake news stories. 72 % of respondents successfully identified fake texts. The experiment proves that students concentrate on reading texts carefully, check their credibility, facts and pictures that accompany news texts. Students believe that among linguistic features that contribute to creating fake news texts there is repetition of lexemes, illogical structure of narration, exaggeration, confusing numbers. It was also pointed out that photos do not illustrate information given in fake texts.
{"title":"Spotting fake in the news: an easy task?","authors":"O. Gryshchenko, G. Tsapro","doi":"10.31499/2415-8828.2.2021.246055","DOIUrl":"https://doi.org/10.31499/2415-8828.2.2021.246055","url":null,"abstract":"Fake news is a widespread element of the nowadays news websites. The research focuses on students’ abilities to detect fake news stories. 72 % of respondents successfully identified fake texts. The experiment proves that students concentrate on reading texts carefully, check their credibility, facts and pictures that accompany news texts. Students believe that among linguistic features that contribute to creating fake news texts there is repetition of lexemes, illogical structure of narration, exaggeration, confusing numbers. It was also pointed out that photos do not illustrate information given in fake texts.","PeriodicalId":180896,"journal":{"name":"Philological Review","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131083367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-05DOI: 10.31499/2415-8828.2.2021.246101
Oleh Andrishko
The article deals with intermittent homonyms and paromies in the Ukrainian and Rumeika. In 2019, the United Nations announced the International Year of Languages of Indigenous Peoples, and 2022–2032 – an International Decade of Languages of Indigenous Peoples. Rumeika is one of the languages of Greeks of Pryazovia – the indigenous people of Ukraine. Under the terms of the Kuchuk-Carnadzhi Peace Treaty of 1774 between the Ottoman and Russian Empire, the Crimean Khanate became independent. This and the decree of Catherine II caused a wave of the relocation of the Greeks in the Pryazovia. Rumeika has close ties with Modern Greek, while the other language of the Greeks of Pryazovia – Urum – is close to the Crimean Tatar language. For a long time, Rumeika did not have written writing, while in the twentieth century, the efforts of A. Biletskyi for the alphabet developed on the basis of Cyrillic. Despite the fact that in the 20th century Rumeika was an important ethno-forming factor, now it is in a threatening state primarily due to the influence of the Russian language. Ukrainian and Rumeika languages are in close contact, therefore, the emergence of a large number of inter-digit homonyms and parones. Also, the research of Rumeika is important in view of the fact that it is in front of the disappearance, as well as in geopolitical terms through new social challenges to the population of Ukraine. The purpose of the article is to find out the peculiarities of the Ukrainian-Rumeika homonyms and paromies, which involves the following tasks: the creation of a dictionary; explaining the values of words; determination of features of inter-life homonyms and paromies in the case of Ukrainian and Rumeika languages.
{"title":"Ukrainian-Rumeika interlingual homonyms and paronyms","authors":"Oleh Andrishko","doi":"10.31499/2415-8828.2.2021.246101","DOIUrl":"https://doi.org/10.31499/2415-8828.2.2021.246101","url":null,"abstract":"The article deals with intermittent homonyms and paromies in the Ukrainian and Rumeika. \u0000In 2019, the United Nations announced the International Year of Languages of Indigenous Peoples, and 2022–2032 – an International Decade of Languages of Indigenous Peoples. Rumeika is one of the languages of Greeks of Pryazovia – the indigenous people of Ukraine. Under the terms of the Kuchuk-Carnadzhi Peace Treaty of 1774 between the Ottoman and Russian Empire, the Crimean Khanate became independent. This and the decree of Catherine II caused a wave of the relocation of the Greeks in the Pryazovia. Rumeika has close ties with Modern Greek, while the other language of the Greeks of Pryazovia – Urum – is close to the Crimean Tatar language. For a long time, Rumeika did not have written writing, while in the twentieth century, the efforts of A. Biletskyi for the alphabet developed on the basis of Cyrillic. Despite the fact that in the 20th century Rumeika was an important ethno-forming factor, now it is in a threatening state primarily due to the influence of the Russian language. \u0000Ukrainian and Rumeika languages are in close contact, therefore, the emergence of a large number of inter-digit homonyms and parones. Also, the research of Rumeika is important in view of the fact that it is in front of the disappearance, as well as in geopolitical terms through new social challenges to the population of Ukraine. \u0000The purpose of the article is to find out the peculiarities of the Ukrainian-Rumeika homonyms and paromies, which involves the following tasks: the creation of a dictionary; explaining the values of words; determination of features of inter-life homonyms and paromies in the case of Ukrainian and Rumeika languages.","PeriodicalId":180896,"journal":{"name":"Philological Review","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127815862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-05DOI: 10.31499/2415-8828.2.2021.246093
N. Torchynska
The article deals with the specifics of constructions with indirect speech in the epistolary of Lesya Ukrainka in terms of the structure of syntactic units and semantics of introductory verb tokens. In addition, attention is drawn to the syncretism of constructions with indirect speech, due to the peculiarities of the epistolary style. In the process of expressing opinions, Lesia Ukrainka used various forms of transmission of another’s speech, including indirect speech and its peripheral version – free indirect speech, the design and structure of which differs from indirect. Compound sentences with an explanatory part and complex sentences with several subordinate clauses, representing homogeneous subordination or consecutive subordination, are quantitatively predominant in constructions with indirect speech. Sentences-microtexts, built on the schemes «text – the author’s words – indirect speech», «text – the author’s words – indirect speech – text», «author’s words – indirect speech – text» are the next group. Sentences with double indirect speech, where the thoughts of one speaker, which testified by introductory verbs, or two speakers, or sometimes several, are highlighted separately. Indirect speech in letters is introduced using verbs of speech and thinking or their equivalents. Among the neutral verbatives-introductory words that represent live speech, the most productive are the tokens to speak, to think, to write, and among the implicit introductions – to be afraid and to hear. In addition, a number of implicit tokens that introduce indirect speech into the epistolary are highlighted. Thus, the epistolary style, although it has a number of common features with colloquial and artistic speech, but in the field of representation stands out among others with a bright set of linguistic means.
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Pub Date : 2021-12-05DOI: 10.31499/2415-8828.2.2021.246086
Anastasiia Lepetiukha
In this article the mono- and polypredicative utterances with syntactic synonymy of French fiction of the 20th – the beginning of the 21st c. are studied in the continuum language → discourse as transforms of virtual (linguistic) primary (pivotal) structures which are actualized in the form of mono- and polysynonymic compressed, extended and quantitatively equacomponential co(n)textually preferential options. The goal of this research is to distinguish the different semantic-structural types of analyzed constructions of modern French fiction and to inversely (discourse → language) reconstruct the primary structure of actualized synonymic transforms. In the article the transformational method is used to reveal the semantic-structural peculiarities of the pivotal syntagmata and propositions and of the mono- and polysynonymic transforms; and the method of the inverse reconstruction of virtual transformational processes in order to identify all the members of synonymic chains. It was proved that the redundant synonymic constructions are extended with adverbs, pronouns and predicates (active and passive extension), the compression is manifested most often by the contamination and the semantic and syntagmatic ellipsis. The elliptical constructions are defined in the research as structures with the implicit nominal/pronominal component and with the explicit, explicit-implicit or completely implicit predicate or the structures with the implicit complement where the implicit components are deduced associatively or co(n)textually. The different types of synonymic preferential options with the polysynonymisation at the level of syntagma or utterances were detected in modern French fiction. It was concluded that the author actualizes the mono- and polypredicative mono- and polysynonymiс constructions according to some communicative intention and planning of narration.
{"title":"Fenomena of compression, extension and quantitative equacomponence in the syntactic synonymy (based on French fiction of the 20th – the beginning of the 21st c.)","authors":"Anastasiia Lepetiukha","doi":"10.31499/2415-8828.2.2021.246086","DOIUrl":"https://doi.org/10.31499/2415-8828.2.2021.246086","url":null,"abstract":"In this article the mono- and polypredicative utterances with syntactic synonymy of French fiction of the 20th – the beginning of the 21st c. are studied in the continuum language → discourse as transforms of virtual (linguistic) primary (pivotal) structures which are actualized in the form of mono- and polysynonymic compressed, extended and quantitatively equacomponential co(n)textually preferential options. The goal of this research is to distinguish the different semantic-structural types of analyzed constructions of modern French fiction and to inversely (discourse → language) reconstruct the primary structure of actualized synonymic transforms. \u0000In the article the transformational method is used to reveal the semantic-structural peculiarities of the pivotal syntagmata and propositions and of the mono- and polysynonymic transforms; and the method of the inverse reconstruction of virtual transformational processes in order to identify all the members of synonymic chains. \u0000It was proved that the redundant synonymic constructions are extended with adverbs, pronouns and predicates (active and passive extension), the compression is manifested most often by the contamination and the semantic and syntagmatic ellipsis. The elliptical constructions are defined in the research as structures with the implicit nominal/pronominal component and with the explicit, explicit-implicit or completely implicit predicate or the structures with the implicit complement where the implicit components are deduced associatively or co(n)textually. The different types of synonymic preferential options with the polysynonymisation at the level of syntagma or utterances were detected in modern French fiction. \u0000It was concluded that the author actualizes the mono- and polypredicative mono- and polysynonymiс constructions according to some communicative intention and planning of narration.","PeriodicalId":180896,"journal":{"name":"Philological Review","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124166873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-05DOI: 10.31499/2415-8828.2.2021.246102
Liubov Ostash, Roman Ostash
The purpose of the article is to suggest new approaches to the lexicographical processing of the modern speech lexis of residents from the particular village. Dialect of the village Stryhantsi of Tysmenytsya district, Ivano‑Frankivsk region was chosen as an object of the research, it is currently included into the dialect of the South-West Naddnistrianshchyna. The village is situated 30 km from the regional center – the city of Ivano-Frankivsk (driving through Roshniv, Klubivtsi, Tysmenytsia). It is supposed that the village was founded in 1624. The village is marked on the map of the French engineer- map-maker Le Vasseur de Beauplan dated 1650. The source base of the research is long-term records of dialect speech of villagers made by the authors of the article. The article contains the first part of the material starting from ‘З’ (Z) letter. The glossary article provides all the relations that express the combination of different grammatical forms of nouns with the preposition З/Z known to the authors and the maximum quantity of the examples with the quotes from the colloquial dialect speech, especially with meanings which can differ from the meaning of the same lexeme in the standard language. Meanings are separated by the Arabic numerals. Words in the quotes from the colloquial dialect speech provides accent marks and other sound features of the lexeme. Common phrases are also presented in addition to idioms. Each common phrase and idiom provides meaning in the colloquial dialect speech. The article illustrates the lexical and phraseological richness of speech of the inhabitants of the village of Strygantsi, interesting grammatical forms with the specified preposition. The collected authentic factual material becomes a valuable source for the analysis the Ukrainian dialect language. Some of the lexemes present a significant interest for the researchers of the historical grammar of Ukrainian language.
{"title":"Lexis of Stryhantsi village as objekt of lexicographical processing. З/Z. 1.1 (З/Z))","authors":"Liubov Ostash, Roman Ostash","doi":"10.31499/2415-8828.2.2021.246102","DOIUrl":"https://doi.org/10.31499/2415-8828.2.2021.246102","url":null,"abstract":"The purpose of the article is to suggest new approaches to the lexicographical processing of the modern speech lexis of residents from the particular village. Dialect of the village Stryhantsi of Tysmenytsya district, Ivano‑Frankivsk region was chosen as an object of the research, it is currently included into the dialect of the South-West Naddnistrianshchyna. The village is situated 30 km from the regional center – the city of Ivano-Frankivsk (driving through Roshniv, Klubivtsi, Tysmenytsia). It is supposed that the village was founded in 1624. The village is marked on the map of the French engineer- map-maker Le Vasseur de Beauplan dated 1650. The source base of the research is long-term records of dialect speech of villagers made by the authors of the article. The article contains the first part of the material starting from ‘З’ (Z) letter. The glossary article provides all the relations that express the combination of different grammatical forms of nouns with the preposition З/Z known to the authors and the maximum quantity of the examples with the quotes from the colloquial dialect speech, especially with meanings which can differ from the meaning of the same lexeme in the standard language. Meanings are separated by the Arabic numerals. Words in the quotes from the colloquial dialect speech provides accent marks and other sound features of the lexeme. Common phrases are also presented in addition to idioms. Each common phrase and idiom provides meaning in the colloquial dialect speech. The article illustrates the lexical and phraseological richness of speech of the inhabitants of the village of Strygantsi, interesting grammatical forms with the specified preposition. The collected authentic factual material becomes a valuable source for the analysis the Ukrainian dialect language. Some of the lexemes present a significant interest for the researchers of the historical grammar of Ukrainian language.","PeriodicalId":180896,"journal":{"name":"Philological Review","volume":"496 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133992391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-05DOI: 10.31499/2415-8828.2.2021.246087
N. Maiboroda
The article touches upon various lexical-semantic peculiarities of Andrii Kokotiukha’s detective novels, specifically the nomination of people – characters of the novel. Such research are presented mostly from the point of view of literary studies. Scientists studied peculiar features of composition, genre, and plot of detective novels. The question of language and style of detective novels would uncommonly become a subject of research as they are regarded to as so-called mass literature, that is one that is focused on literature preferences of a wide circle of readers, in other words – it is a popular, entertaining, trivial literature. Linguistic research of detective works were mostly done on the material of literary texts of English and French languages, Ukrainian detectives were not a subject of such analysis. Questions of influence of genre peculiarities on the choice of linguistic units was also left beyond attention of researchers, which predetermines the relevance of the research. The source basis of the research consists of detective novels by Andrii Kokotiukha – one of the most notable Ukrainian detective authors. That is a series of retronovels, where the action takes place at the beginning of XX century in Lviv, and three novels about the modern period as well. The aim of the work is to explore lexical units that denote a person in Andrii Kokotiukha’s detective novels in terms of their expressive functions depending on the aim and genre features. Vocabulary of denomination of people is widespread in Kokotiukha’s works. Specifics of detective novels involves agile, dynamic nature of vocabulary and their text. Semantics of people’s names is diverse: its affiliation to the biological genus of humans; gender; age; family status; profession and occupation; status from the point of view of law; class and social structure of Ukrainian society; social status; financial situation; nationality or confession; affiliation to political parties; names of dead people, external signs; temporary sign. The author frequently uses descriptive compounds, metaphors, jargon, and colloquial language. A distinctive method of nominating a person which, according to genre requirements, creates mystery and enigma of presentation, is descriptive compounds with pronouns. Quantitative ratio of lexical groups mentioned depends on the peculiarities of the plot of specific novel. Nomination of people in A. Kokotiukha’s detective novels are components of dynamic and static descriptions, help convey the cultural-historical background, create the appropriate emotional tint. That is one of the elements which ensures that the text corresponds to the canons of detective genre.
{"title":"Lexical-semantic peculiarities of Andrii Kokotiukha’s detective novels","authors":"N. Maiboroda","doi":"10.31499/2415-8828.2.2021.246087","DOIUrl":"https://doi.org/10.31499/2415-8828.2.2021.246087","url":null,"abstract":"The article touches upon various lexical-semantic peculiarities of Andrii Kokotiukha’s detective novels, specifically the nomination of people – characters of the novel. Such research are presented mostly from the point of view of literary studies. Scientists studied peculiar features of composition, genre, and plot of detective novels. The question of language and style of detective novels would uncommonly become a subject of research as they are regarded to as so-called mass literature, that is one that is focused on literature preferences of a wide circle of readers, in other words – it is a popular, entertaining, trivial literature. \u0000Linguistic research of detective works were mostly done on the material of literary texts of English and French languages, Ukrainian detectives were not a subject of such analysis. Questions of influence of genre peculiarities on the choice of linguistic units was also left beyond attention of researchers, which predetermines the relevance of the research. The source basis of the research consists of detective novels by Andrii Kokotiukha – one of the most notable Ukrainian detective authors. That is a series of retronovels, where the action takes place at the beginning of XX century in Lviv, and three novels about the modern period as well. \u0000The aim of the work is to explore lexical units that denote a person in Andrii Kokotiukha’s detective novels in terms of their expressive functions depending on the aim and genre features. Vocabulary of denomination of people is widespread in Kokotiukha’s works. Specifics of detective novels involves agile, dynamic nature of vocabulary and their text. \u0000Semantics of people’s names is diverse: its affiliation to the biological genus of humans; gender; age; family status; profession and occupation; status from the point of view of law; class and social structure of Ukrainian society; social status; financial situation; nationality or confession; affiliation to political parties; names of dead people, external signs; temporary sign. The author frequently uses descriptive compounds, metaphors, jargon, and colloquial language. A distinctive method of nominating a person which, according to genre requirements, creates mystery and enigma of presentation, is descriptive compounds with pronouns. Quantitative ratio of lexical groups mentioned depends on the peculiarities of the plot of specific novel. \u0000Nomination of people in A. Kokotiukha’s detective novels are components of dynamic and static descriptions, help convey the cultural-historical background, create the appropriate emotional tint. That is one of the elements which ensures that the text corresponds to the canons of detective genre.","PeriodicalId":180896,"journal":{"name":"Philological Review","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129136849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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