Modern Italy最新文献

If the ‘colour line’ was prophetically defined as the issue of the twentieth century, in the twenty-first century the concern of many scholars is with the research methodology that the attention on the colour line has generated. Migration, postcolonial, and blackness studies focusing on Italy have all asked fundamental questions on how to reframe history, memory, and culture. Charles Burdett (2018) has posited that migration and mobility are vital for the repositioning of the discipline of Italian Studies and Modern Languages as a whole. Critics have argued that Italian Black literature is redefining Italian literature (Romeo 2017) and its reception (Patriarca 2018). Alessandra Ciucci's recent monograph The Voice of the Rural: Music, Poetry and Masculinity among Migrant Moroccan Men in Umbria (2022) and the volume The Black Mediterranean: Borders, Bodies and Citizenship (2021) edited by the Black Mediterranean Collective contribute to this discussion. Both books offer new approaches to analyse migration and deconstruct Eurocentrism. They both emphasise the migrants’ agency and theorise the researcher's position as a tool for the decolonisation of culture.

In 1958, A.J.P. Taylor's essay The Troublemakers explored the tradition of dissent against power politics in the United Kingdom. Gaetano Salvemini, who had always shown a consistent interest in British political and cultural debates, shared many of the positions put forward by these ‘troublemakers’, such as free trade, the fight against military expenditure, and suspicions regarding standing armies. At the outbreak of the First World War, Salvemini used these arguments to support Italy's involvement in the war against autocratic and militarist central powers. Salvemini's journal L'Unità reported the stances expressed by a ‘troublemaker network’ called the Union of Democratic Control, despite their criticism of the United Kingdom's line of action during the war. In the course of the conflict, Salvemini kept in close contact with a specific group of ‘troublemakers’ around Robert Seton-Watson's journal The New Europe. Salvemini championed The New Europe's fight for subject nationalities in the Habsburg Empire, though he criticised their support of Yugoslavian claims to Istria, Trieste and Venezia Giulia. This essay will focus on the complex relationship between Salvemini and these British ‘troublemakers’ through the former's writings and correspondence.

Gaetano Salvemini (1873–1957) is one of the most influential intellectuals of Italian and European twentieth-century history. As 2023 marks the 150th anniversary of Salvemini's birth, this special issue of Modern Italy aims to attract the attention of an international readership and contribute to filling the gap in scholarly publications in English, offering a tool to approach Salvemini's intellectual production and biography. We have chosen to focus on four aspects of Salvemini's life that we consider particularly suitable for introducing his personal trajectory and the evolution of his thinking, adopting a transnational approach: his interpretation of the Great War and the Adriatic question; his antifascist exile in Great Britain and, from 1934, in the United States; and the publication of his most important studies on Fascist Italy. The choice of these topics aims to shed light on Salvemini's contacts and stimulating exchanges with foreign scholars, his international experiences, and how these transformed his ideas on Liberal and Fascist Italy.