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Il colonialismo degli italiani. Storia di un'ideologia by Emanuele Ertola, Rome, Carocci, 2022, 191 pp., €19.00 (paperback), ISBN 978-88-290-1505-4 意大利殖民主义。意识形态的历史,Emanuele Ertola, Rome, Carocci, 2022, 191页,19:00,ISBN 978-88-290-1505-4
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-05-31 DOI: 10.1017/mit.2023.24
F. Casales
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引用次数: 0
Un'idea di libertà. Il Partito radicale nella storia d'Italia (1962–1988) by Lucia Bonfreschi, Venice, Marsilio Editori, 2021, 459 pp., €20.00 (paperback), ISBN 978-88-297-1052-2 自由的理念。《意大利历史上的激进党》(1962–1988),露西娅·邦弗雷奇著,威尼斯,Marsilio Editori,2021,459页,20.00欧元(平装本),ISBN 978-88-297-1052-2
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-05-31 DOI: 10.1017/mit.2023.26
Marco Martino
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引用次数: 0
A discussion on Il colore della Repubblica. ‘Figli della guerra’ e razzismo nell'Italia postfascista, by Silvana Patriarca, Turin, Einaudi, 2021. With Valeria Deplano, Guri Schwarz and Silvana Patriarca 讨论共和国的颜色。后法西斯主义意大利的“战争之子”和种族主义,由Silvana Patriarca,都灵,Einaudi, 2021年出版。和瓦莱里娅·德塔诺,古里·施瓦兹和西尔瓦娜·族长在一起
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-05-30 DOI: 10.1017/mit.2023.21
Francesco Cassata
Over the last 30 years, Silvana Patriarca, a professor of Contemporary History at Fordham University, New York, has deeply and consistently investigated the construction of the Italian national narrative: its ‘long term’ genealogy, its characteristics, its tensions. Her first book, Numbers and Nationhood (Patriarca 1996), focused on the co-production of statistical knowledge and the national image of Italy during the Restoration and the Risorgimento, rereading the interplay of science, culture, and politics in the formation of bourgeois ‘public opinion’ in the liberal period. In Italian Vices (Patriarca 2010), she dissected the rhetoric and tropes of the national character, its ostensible fragility, and the different political uses of the recurring discourse on Italian vices and virtues, from the Risorgimento to the Republic.
在过去的30年里,纽约福特汉姆大学当代史教授西尔瓦娜·帕特里亚尔卡深入而一贯地研究了意大利国家叙事的构建:其“长期”谱系、特征和紧张关系。她的第一本书《数字与民族》(Patriarca,1996年)聚焦于意大利复辟和复兴时期统计知识和国家形象的共同生产,重读了自由主义时期科学、文化和政治在资产阶级“舆论”形成中的相互作用。在《意大利的罪恶》(Patriarca,2010)中,她剖析了民族性格的修辞和比喻,其表面上的脆弱性,以及从《起义》到《共和国》,关于意大利罪恶和美德的反复话语的不同政治用途。
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引用次数: 0
Naked men on the run, regression to childhood: cultural figures of the trauma during the First World War 逃亡中的裸体男子,回归童年:一战期间创伤的文化人物
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-05-23 DOI: 10.1017/mit.2023.20
Vinzia Fiorino
Abstract Although there is a wide-ranging historiography dealing with psychoneurosis, various manifestations of psychic suffering widespread among traumatised soldiers during the Great War have received less attention. This essay, based on an analysis of soldiers' clinical files in Italian psychiatric hospitals, draws out these phenomena. The main forms assumed by this kind of trauma are three: soldiers who strip off their uniform and wander around naked; a sort of regression to childhood; and a particular type of hysteria. The essay stresses how existingstereotypes about women were adapted to form a new way of describing masculinity in crisis, and the new political subject: the masses. Too many emotions, too many nerves, define the affected men: they are subjects deprived of personality, and their predicament highlights the transition from soldier-hero to mass-soldier.
尽管有广泛的关于精神神经症的史学研究,但在第一次世界大战期间受创伤的士兵中普遍存在的精神痛苦的各种表现却很少受到关注。本文通过对意大利精神病院士兵临床档案的分析,得出了这些现象。这种创伤的主要表现形式有三种:士兵脱下制服,赤裸地四处游荡;一种对童年的回归;还有一种特殊类型的歇斯底里。这篇文章强调了现有的关于女性的刻板印象是如何被改编成一种描述危机中的男性气质的新方式,以及新的政治主体:大众。太多的情感,太多的神经,定义了受影响的人:他们是被剥夺人格的主体,他们的困境突出了从战士英雄到大众士兵的转变。
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引用次数: 0
The Italian Empire and the Great War by Vanda Wilcox, New York, Oxford University Press, 2021, viii + 269 pp., £35.00 (hardback), ISBN 978-0-19-882294-3 《意大利帝国与一战》,万达·威尔科克斯著,纽约,牛津大学出版社,2021年,8 + 269页,35.00英镑(精装本),ISBN 978-0-19-882294-3
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-05-23 DOI: 10.1017/mit.2023.27
Victoria Witkowski
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引用次数: 0
Alberto Asor Rosa, 1933–2022 阿尔贝托·阿索尔·罗萨,1933-2022年
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-05-23 DOI: 10.1017/mit.2023.22
R. Gordon
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引用次数: 0
The extreme right and the democratic institutions in Italy. The response of the regions to a national and trans-national phenomenon (1973–1975) 意大利的极右翼和民主制度。区域对国家和跨国现象的反应(1973-1975)
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-05-15 DOI: 10.1017/mit.2023.19
Michelangelo Borri, Valerio Marinelli
Abstract This essay aims to analyse the presence of neofascist organisations and far-right terrorism in Italy in the early 1970s from a new perspective. Firstly, it will focus on the activities to combat the subversive structures of the ‘black galaxy’ carried out by regional institutions through the creation of special ‘regional commissions of inquiry on the problems of neofascism’. Between 1974 and 1975, these commissions carried out an extensive inventory of the movements, associations and organisations of the Italian far right. Their aim was to show the spread of the phenomenon and its local roots. Building upon the information gathered by the regional commissions, the essay will analyse the relationships between the various far-right groups in Italy and their European counterparts. The final part of the article will focus on the influence of local specificities in defining the relations between extremist movements beyond national borders.
摘要本文旨在从一个新的视角分析20世纪70年代初意大利新法西斯主义组织和极右翼恐怖主义的存在。首先,它将把重点放在打击“黑星系”颠覆性结构的活动上,这些活动是由区域机构通过设立特别的“新法西斯主义问题区域调查委员会”来开展的。1974年至1975年间,这些委员会对意大利极右翼的运动、协会和组织进行了广泛的盘点。他们的目的是展示这种现象的传播及其当地根源。根据区域委员会收集的信息,本文将分析意大利各种极右翼团体与其欧洲同行之间的关系。文章的最后一部分将重点讨论在界定国界之外的极端主义运动之间的关系时,地方特殊性的影响。
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引用次数: 0
Lettrici italiane tra arte e letteratura. Dall'Ottocento al Modernismo edited by Giovanna Capitelli and Olivia Santovetti, Rome, Campisano Editore, 2021, 212 pp. + 45 illustrations, €40.00 (paperback), ISBN 978-88-857-9559-4 介于艺术和文学之间的意大利读者。Giovanna Capitelli和Olivia Santovetti编辑的《现代主义的东方》,罗马,Campisano Editore,2021,212页+45幅插图,40.00欧元(平装本),ISBN 978-88-857-9559-4
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-05-05 DOI: 10.1017/mit.2023.18
Serena Todesco
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引用次数: 0
The name ’ndrangheta: history versus etymology “ndrangheta”这个名字:历史与词源
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-05-05 DOI: 10.1017/mit.2023.17
J. Dickie
Abstract The article uses archival sources to critique the currently dominant etymological approach to the history of the word ’ndrangheta as used to refer to the Calabrian mafia. Scholars such as Paolo Martino and John Trumper have latched onto the word's ancient Greek origins to argue that the mafia organisation that we today call ’Ndrangheta has origins dating back many centuries. Moreover, according to Martino in particular, the flattering connotations of the word ’ndrangheta (courage, martial prowess, manliness) indicate that the ’Ndrangheta as a social phenomenon was rooted in the same positive values, and that it only later degenerated into criminality. This article proposes that the work of Martino and Trumper represents a largely evidence-free extension of etymology into the field of history. Analysing the latest archival evidence about the word from criminal trials conducted in the 1920s and early 1930s, and setting it in the context of current historiography and criminology on the ’Ndrangheta, the article argues that two conclusions about the history of the word are likely: that the use of ’ndrangheta as a name for the Calabrian mafia began at around the time it first appeared in the documentary sources; that the first to adopt it were mafiosi themselves.
摘要:本文利用档案资料来批判目前占主导地位的词源学方法,以“ndrangheta”这个词的历史,用于指卡拉布里亚黑手党。保罗·马蒂诺(Paolo Martino)和约翰·特朗普(John Trumper)等学者抓住了这个词的古希腊起源,认为我们今天称之为“Ndrangheta”的黑手党组织的起源可以追溯到许多世纪以前。此外,根据马蒂诺的说法,“ndrangheta”(勇气,武功,男子气概)这个词的奉承含义表明,“ndrangheta”作为一种社会现象根植于同样的积极价值观,只是后来才退化为犯罪。本文认为,马蒂诺和特朗普的研究在很大程度上代表了语源学在历史领域的无证据扩展。本文分析了20世纪20年代和30年代初进行的刑事审判中有关这个词的最新档案证据,并将其置于当前史学和犯罪学关于“Ndrangheta”的背景下,认为关于这个词的历史可能有两个结论:“Ndrangheta”作为卡拉布里亚黑手党的名称的使用大约始于它首次出现在文献资料中的时间;第一个采用这种方法的是黑手党自己。
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引用次数: 0
The Years of Lead. Memory, history, journalism, victims 铅的年代。记忆,历史,新闻,受害者
IF 0.5 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-05-03 DOI: 10.1017/mit.2023.16
J. Foot
‘Soprattutto un attore di quella drammatica fase della vita italiana è stato tuttavia privilegiato in modo schiacciante come oggetto di studio: il “soggetto terrorista”, ovvero i terroristi e le organizzazioni terroristiche.’ (‘One kind of actor in that dramatic period of Italian life has been privileged above all others, in an overwhelming way by researchers and others: the terrorists themselves and their organisations.’ (Brizzi 2021, 11).
“最重要的是,在意大利生活的那个戏剧性阶段,一个演员作为研究对象享有压倒性的特权:“恐怖主义主题”,即恐怖分子和恐怖组织。”(“在意大利生活的那个戏剧性时期,有一种演员被研究人员和其他人以压倒性的方式凌驾于所有其他演员之上:恐怖分子自己和他们的组织。”(Brizzi 2021,11)。
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引用次数: 0
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Modern Italy
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