Pub Date : 2021-12-22DOI: 10.1093/acrefore/9780199366439.013.934
Daniel Efraín Navarro Granados
At the beginning of the 20th century, the charro, a traditional figure from the rural world, emerged on the Mexican cultural scene as a relevant stereotype. In the following years, the charro transformed into a national personification of Mexico, especially once it became a key figure of Mexican cinema and mariachi music. Notwithstanding this fact, its trajectory was more convoluted than it seems, and different versions of the character coexisted at least until the 1920s. Whereas the charro was usually represented as an attractive and seductive man, there was also a comic version, portrayed as an overweight or unkempt man with a provincial mentality. The characters played by the comic performer Leopoldo Beristáin and the protagonists of Sunday comic strips, such as Don Catarino and Mamerto Albondiguilla, were some examples of the latter. While the positive interpretation of the charro ended up prevailing as the main iteration of the character, the comic depictions of this stereotype show the rejection and contempt that the urban population felt for a rural world that had invaded the Mexican capital as a result of the revolution—a world perceived as provincial, backward, and laughable, an idea that would dominate foreign and national imageries of Mexico.
{"title":"The Charro as a Humorous Rural Stereotype in Mexico in the 1920s","authors":"Daniel Efraín Navarro Granados","doi":"10.1093/acrefore/9780199366439.013.934","DOIUrl":"https://doi.org/10.1093/acrefore/9780199366439.013.934","url":null,"abstract":"At the beginning of the 20th century, the charro, a traditional figure from the rural world, emerged on the Mexican cultural scene as a relevant stereotype. In the following years, the charro transformed into a national personification of Mexico, especially once it became a key figure of Mexican cinema and mariachi music. Notwithstanding this fact, its trajectory was more convoluted than it seems, and different versions of the character coexisted at least until the 1920s. Whereas the charro was usually represented as an attractive and seductive man, there was also a comic version, portrayed as an overweight or unkempt man with a provincial mentality. The characters played by the comic performer Leopoldo Beristáin and the protagonists of Sunday comic strips, such as Don Catarino and Mamerto Albondiguilla, were some examples of the latter. While the positive interpretation of the charro ended up prevailing as the main iteration of the character, the comic depictions of this stereotype show the rejection and contempt that the urban population felt for a rural world that had invaded the Mexican capital as a result of the revolution—a world perceived as provincial, backward, and laughable, an idea that would dominate foreign and national imageries of Mexico.","PeriodicalId":190332,"journal":{"name":"Oxford Research Encyclopedia of Latin American History","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130821180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-22DOI: 10.1093/acrefore/9780199366439.013.1051
Norah L. A. Gharala
From the late 16th to the early 19th centuries, free individuals, families, and corporate groups whose reputations or self-descriptions defined them as Black in the Spanish Americas were subject to a specific tax. The royal tribute tax established the relationship between loyal vassals and a responsive Crown. Under Habsburg rule, tribute circumscribed the freedom of Black subjects but offered a path to privileges for those who provided services to the Crown. Attempts to levy the tax in the 16th and 17th centuries were wide-ranging but yielded comparatively small amounts of revenue. Tribute, nevertheless, affected many regions of the Spanish Americas, either by its collection or via the strategies Black people took to avoid it or contest its imposition. The responses of Black people and local officials to the tax determined how regularly it was enforced and how much revenue it would generate. Even where it failed, debates over tribute and attempts to collect it can reveal what it meant to be Black for colonial officials and ordinary people. Bourbon reforms led to an increasing emphasis on the fiscal potential of Black tribute, much of which became concentrated in the heart of New Spain. Hundreds of thousands of people not only paid tribute but were registered using new methods. The information produced within the tribute regime approximated the density, distribution, and interconnectedness of Black and Indian populations. In addition to the revenue and data its collection yielded, the imposition of Black tribute remains fundamental to understanding the colonial status, sense of identity, and experiences of Black people in the Spanish Empire.
{"title":"Black Tribute in the Spanish Americas","authors":"Norah L. A. Gharala","doi":"10.1093/acrefore/9780199366439.013.1051","DOIUrl":"https://doi.org/10.1093/acrefore/9780199366439.013.1051","url":null,"abstract":"From the late 16th to the early 19th centuries, free individuals, families, and corporate groups whose reputations or self-descriptions defined them as Black in the Spanish Americas were subject to a specific tax. The royal tribute tax established the relationship between loyal vassals and a responsive Crown. Under Habsburg rule, tribute circumscribed the freedom of Black subjects but offered a path to privileges for those who provided services to the Crown. Attempts to levy the tax in the 16th and 17th centuries were wide-ranging but yielded comparatively small amounts of revenue. Tribute, nevertheless, affected many regions of the Spanish Americas, either by its collection or via the strategies Black people took to avoid it or contest its imposition. The responses of Black people and local officials to the tax determined how regularly it was enforced and how much revenue it would generate. Even where it failed, debates over tribute and attempts to collect it can reveal what it meant to be Black for colonial officials and ordinary people. Bourbon reforms led to an increasing emphasis on the fiscal potential of Black tribute, much of which became concentrated in the heart of New Spain. Hundreds of thousands of people not only paid tribute but were registered using new methods. The information produced within the tribute regime approximated the density, distribution, and interconnectedness of Black and Indian populations. In addition to the revenue and data its collection yielded, the imposition of Black tribute remains fundamental to understanding the colonial status, sense of identity, and experiences of Black people in the Spanish Empire.","PeriodicalId":190332,"journal":{"name":"Oxford Research Encyclopedia of Latin American History","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126364646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-22DOI: 10.1093/acrefore/9780199366439.013.941
Jorge Felipe-Gonzalez, G. Cole, Benjamin N. Lawrance
The story of the slave ship La Amistad is one of the most celebrated and narrated 19th-century stories of the transatlantic slave trade. To fully appreciate the significance and impact of the events and circumstances of this fateful episode, it is important to examine its legacy from multiple points of the Atlantic world—vestiges of the triangular trade bequeathed by the Columbian Exchange. For a long time, the Amistad saga has been viewed from a very US-centric perspective because the dispute over the lives of the Africans rose to the US Supreme Court in 1840–1841. New archival and oral research in West Africa, Europe, and the Caribbean is rebalancing the narrative and revising the historical drama. Today, the Amistad story is widely recognized as a quintessentially Atlantic story, a story of mobility that moves back and forth across the Atlantic in multiple directions over many decades. The deployment of the phrase “Amistad saga” provides a vehicle with which to critique the socio-legal battles about transatlantic slave trading in Caribbean, North American, and West African history. The Amistad story is often described as pre-incidental to the US Civil War. The victory of African defendants is often framed as a self-congratulatory vindication of the successful resistance of enslaved Africans. The celebrated figure of “Joseph Cinqué” or Sengbe Pieh, the self-appointed leader of the Africans, and a replica of the ship itself are part of an Amistad memory industry that attempts to narrate the slave trade and its abolition. A new framework for teaching and understanding the history of the Amistad saga and its memory and forgetting through an Atlantic lens must combine historical and contemporary perspectives from the United States, Europe, Cuba, and Sierra Leone.
{"title":"The Amistad Saga: A Transatlantic Dialogue","authors":"Jorge Felipe-Gonzalez, G. Cole, Benjamin N. Lawrance","doi":"10.1093/acrefore/9780199366439.013.941","DOIUrl":"https://doi.org/10.1093/acrefore/9780199366439.013.941","url":null,"abstract":"The story of the slave ship La Amistad is one of the most celebrated and narrated 19th-century stories of the transatlantic slave trade. To fully appreciate the significance and impact of the events and circumstances of this fateful episode, it is important to examine its legacy from multiple points of the Atlantic world—vestiges of the triangular trade bequeathed by the Columbian Exchange. For a long time, the Amistad saga has been viewed from a very US-centric perspective because the dispute over the lives of the Africans rose to the US Supreme Court in 1840–1841. New archival and oral research in West Africa, Europe, and the Caribbean is rebalancing the narrative and revising the historical drama. Today, the Amistad story is widely recognized as a quintessentially Atlantic story, a story of mobility that moves back and forth across the Atlantic in multiple directions over many decades. The deployment of the phrase “Amistad saga” provides a vehicle with which to critique the socio-legal battles about transatlantic slave trading in Caribbean, North American, and West African history. The Amistad story is often described as pre-incidental to the US Civil War. The victory of African defendants is often framed as a self-congratulatory vindication of the successful resistance of enslaved Africans. The celebrated figure of “Joseph Cinqué” or Sengbe Pieh, the self-appointed leader of the Africans, and a replica of the ship itself are part of an Amistad memory industry that attempts to narrate the slave trade and its abolition. A new framework for teaching and understanding the history of the Amistad saga and its memory and forgetting through an Atlantic lens must combine historical and contemporary perspectives from the United States, Europe, Cuba, and Sierra Leone.","PeriodicalId":190332,"journal":{"name":"Oxford Research Encyclopedia of Latin American History","volume":"157 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124389299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-22DOI: 10.1093/acrefore/9780199366439.013.816
A. Pinto
Brazil had the largest population of free and freed Black people on the continent, starting in the early 19th century, despite being the last country in the Americas to abolish slavery. The 1872 General Census of the Empire reported that six out of every ten Black or brown people could claim a series of rights associated with citizenship by virtue of not being enslaved. These included some individuals who were literate and active in the cultural and political spaces in which plans for the country’s present and future were drawn up. Especially in the second half of the 19th century, a time of deepening crisis for the slaveholding system, individuals such as José Ferreira de Menezes, Luiz Gama, Machado de Assis, José do Patrocínio, Ignácio de Araújo Lima, Arthur Carlos, and Theophilo Dias de Castro, all of whom were born free and resided in São Paulo and Rio de Janeiro, invested in their individual aspirations but also joined groups that defended the citizenship rights of free, freed, and enslaved Black people. Facing daily experiences of “color prejudice,” they not only participated in debates waged in the abolitionist, Black, literary, and general press, but they also played leading roles in the creation of mechanisms and instruments of resistance, confrontation, and dialogue. Although this aspect has not received much attention in recent historical accounts that recognize their existences, these and other Black intellectuals developed bonds of affection and solidarity over the course of their careers. To reflect on the scope of this shared racial identity in the latter 19th century and the possible impact of these ties on public positions taken by Black intellectuals, the demonstrations of friendship and companionship experienced by these individuals are traced, as well as by some others. An exercise in approaching the traces of different practices surrounding the politicization of race is given, and paths for future research on the social history of ideas and antiracism in Brazil are suggested.
{"title":"Affection and Solidarity among 19th-Century Black Intellectuals in Rio de Janeiro and São Paulo","authors":"A. Pinto","doi":"10.1093/acrefore/9780199366439.013.816","DOIUrl":"https://doi.org/10.1093/acrefore/9780199366439.013.816","url":null,"abstract":"Brazil had the largest population of free and freed Black people on the continent, starting in the early 19th century, despite being the last country in the Americas to abolish slavery. The 1872 General Census of the Empire reported that six out of every ten Black or brown people could claim a series of rights associated with citizenship by virtue of not being enslaved. These included some individuals who were literate and active in the cultural and political spaces in which plans for the country’s present and future were drawn up. Especially in the second half of the 19th century, a time of deepening crisis for the slaveholding system, individuals such as José Ferreira de Menezes, Luiz Gama, Machado de Assis, José do Patrocínio, Ignácio de Araújo Lima, Arthur Carlos, and Theophilo Dias de Castro, all of whom were born free and resided in São Paulo and Rio de Janeiro, invested in their individual aspirations but also joined groups that defended the citizenship rights of free, freed, and enslaved Black people. Facing daily experiences of “color prejudice,” they not only participated in debates waged in the abolitionist, Black, literary, and general press, but they also played leading roles in the creation of mechanisms and instruments of resistance, confrontation, and dialogue. Although this aspect has not received much attention in recent historical accounts that recognize their existences, these and other Black intellectuals developed bonds of affection and solidarity over the course of their careers. To reflect on the scope of this shared racial identity in the latter 19th century and the possible impact of these ties on public positions taken by Black intellectuals, the demonstrations of friendship and companionship experienced by these individuals are traced, as well as by some others. An exercise in approaching the traces of different practices surrounding the politicization of race is given, and paths for future research on the social history of ideas and antiracism in Brazil are suggested.","PeriodicalId":190332,"journal":{"name":"Oxford Research Encyclopedia of Latin American History","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115100351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-22DOI: 10.1093/acrefore/9780199366439.013.995
Mauricio Onetto Pavez
The year 2020 marks the five hundredth anniversary of the “discovery” of the Strait of Magellan. The unveiling of this passage between 1519 and 1522 allowed the planet to be circumnavigated for the first time in the history of humanity. All maritime routes could now be connected, and the idea of the Earth, in its geographical, cosmographic, and philosophical dimensions, gained its definitive meaning. This discovery can be considered one of the founding events of the modern world and of the process of globalization that still continues today. This new connectivity awoke an immediate interest in Europe that led to the emergence of a political consciousness of possession, domination, and territorial occupation generalized on a global scale, and the American continent was the starting point for this. This consciousness also inspired a desire for knowledge about this new form of inhabiting the world. Various fields of knowledge were redefined thanks to the new spaces and measurements produced by the discovery of the southern part of the Americas, which was recorded in books on cosmography, natural history, cartography, and manuscripts, circulating mainly between the Americas and Europe. All these processes transformed the Strait of Magellan into a geopolitical space coveted by Europeans during the 16th century. As an interoceanic connector, it was used to imagine commercial routes to the Orient and political projects that could sustain these dynamics. It was also conceived as a space to speculate on the potential wealth in the extreme south of the continent. In addition, on the Spanish side, some agents of the Crown considered it a strategic place for imperial projections and the defense of the Americas.
{"title":"The Strait of Magellan—a Gateway to New Worlds","authors":"Mauricio Onetto Pavez","doi":"10.1093/acrefore/9780199366439.013.995","DOIUrl":"https://doi.org/10.1093/acrefore/9780199366439.013.995","url":null,"abstract":"The year 2020 marks the five hundredth anniversary of the “discovery” of the Strait of Magellan. The unveiling of this passage between 1519 and 1522 allowed the planet to be circumnavigated for the first time in the history of humanity. All maritime routes could now be connected, and the idea of the Earth, in its geographical, cosmographic, and philosophical dimensions, gained its definitive meaning. This discovery can be considered one of the founding events of the modern world and of the process of globalization that still continues today.\u0000 This new connectivity awoke an immediate interest in Europe that led to the emergence of a political consciousness of possession, domination, and territorial occupation generalized on a global scale, and the American continent was the starting point for this. This consciousness also inspired a desire for knowledge about this new form of inhabiting the world. Various fields of knowledge were redefined thanks to the new spaces and measurements produced by the discovery of the southern part of the Americas, which was recorded in books on cosmography, natural history, cartography, and manuscripts, circulating mainly between the Americas and Europe.\u0000 All these processes transformed the Strait of Magellan into a geopolitical space coveted by Europeans during the 16th century. As an interoceanic connector, it was used to imagine commercial routes to the Orient and political projects that could sustain these dynamics. It was also conceived as a space to speculate on the potential wealth in the extreme south of the continent. In addition, on the Spanish side, some agents of the Crown considered it a strategic place for imperial projections and the defense of the Americas.","PeriodicalId":190332,"journal":{"name":"Oxford Research Encyclopedia of Latin American History","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129680275","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-22DOI: 10.1093/acrefore/9780199366439.013.1030
Vitor Izecksohn
During the 1860s, widespread warfare beset the Americas and Europe. Fighting resulted from challenges to existing political accommodations, and evolved into civil wars or interstate violence. Concurrently, economic and technological transformations through the 1860s aided long-distance communications, such as the coming of the telegraph and a much faster spread of steam power that helped to disseminate news and share experiences. All over the Atlantic, the triumph of national unification was the most visible result of the bloodbath, expanding state capacities and reinforcing the role of national symbols as common elements of a shared identity. Political and administrative centralization affected the exercise of local power in different ways, mainly in its capacity to recruit members of communities for war; appealing to national values and identities gradually became central in the demands for cooperation and sacrifice. After the end of combat, national authorities established regimes founded either on new constitutions or on amendments added to existing documents, the goal of which was reordering society according to rules capable of regulating and institutionalizing regional conflicts, simultaneously incorporating demands for representation and liberalization. These same groups demonstrated less efficiency when dealing with ethnic and social conflicts, sources of deeper divisions in societies that pretended to be consistent, progressive, and unified.
{"title":"The Wars of the 1860s and the Atlantic (Americas and Europe)","authors":"Vitor Izecksohn","doi":"10.1093/acrefore/9780199366439.013.1030","DOIUrl":"https://doi.org/10.1093/acrefore/9780199366439.013.1030","url":null,"abstract":"During the 1860s, widespread warfare beset the Americas and Europe. Fighting resulted from challenges to existing political accommodations, and evolved into civil wars or interstate violence. Concurrently, economic and technological transformations through the 1860s aided long-distance communications, such as the coming of the telegraph and a much faster spread of steam power that helped to disseminate news and share experiences. All over the Atlantic, the triumph of national unification was the most visible result of the bloodbath, expanding state capacities and reinforcing the role of national symbols as common elements of a shared identity. Political and administrative centralization affected the exercise of local power in different ways, mainly in its capacity to recruit members of communities for war; appealing to national values and identities gradually became central in the demands for cooperation and sacrifice. After the end of combat, national authorities established regimes founded either on new constitutions or on amendments added to existing documents, the goal of which was reordering society according to rules capable of regulating and institutionalizing regional conflicts, simultaneously incorporating demands for representation and liberalization. These same groups demonstrated less efficiency when dealing with ethnic and social conflicts, sources of deeper divisions in societies that pretended to be consistent, progressive, and unified.","PeriodicalId":190332,"journal":{"name":"Oxford Research Encyclopedia of Latin American History","volume":"90 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133651387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-22DOI: 10.1093/acrefore/9780199366439.013.789
E. Verba
Violeta Parra (1917–1967) was a multifaceted and talented musician and artist. A prolific songwriter, she composed more than two hundred songs as well as experimental pieces for guitar, documentary soundtracks, and music for ballet. Her most famous song, “Gracias a la vida,” has been performed by musicians the world over. In the realm of the visual arts, she was a ceramicist, sculptress, painter, and tapestry maker. In 1964, she became the first Latin American artist to have a solo exhibition at the Louvre Palace’s Musée des Arts Décoratifs. Parra was also an award-winning folklorist who collected hundreds of songs and other folklore from every region of Chile. Born in southern Chile, she moved to Santiago at age fifteen, where she spent two decades performing a mixture of popular songs from Latin America that is often referred to as música criolla. At age thirty-five she turned to the authentic, first as a folklorist and then as an artist. She was a leader of the Chilean folk revival of the 1950s and inspired the generation of Chilean musicians who formed the protest song movement known as nueva canción in the 1960s. A communist sympathizer, she traveled to Europe as a member of the Chilean delegation to the Soviet-sponsored World Festival of Youth and Students in 1955 (Warsaw) and 1962 (Helsinki). Each time she toured the Soviet Bloc, then made her way to Paris for an extended sojourn. Parra contributed a significant voice to the national debate over chilenidad (Chilean identity) during a critical juncture in Chile’s economic, social, and cultural development. Her biography sheds light on transnational cultural movements and competing notions of authenticity at the height of the Cold War. It is also the deeply human story of Parra’s tenacious struggle to be seen and heard as an artist on her own terms.
Violeta Parra(1917-1967)是一位多才多艺的音乐家和艺术家。她是一位多产的词曲作者,创作了200多首歌曲,以及吉他实验作品,纪录片配乐和芭蕾舞音乐。她最著名的歌曲《感谢生活》(Gracias a la vida)已被世界各地的音乐家演奏过。在视觉艺术领域,她是一位陶艺家、雕塑家、画家和挂毯制作者。1964年,她成为第一位在卢浮宫(Louvre Palace)的mussame des Arts dacriatifs举办个展的拉丁美洲艺术家。帕拉也是一位获奖的民俗学家,他从智利的每个地区收集了数百首歌曲和其他民间传说。她出生在智利南部,15岁时搬到圣地亚哥,在那里她花了20年的时间表演拉丁美洲流行歌曲的混合,这些歌曲通常被称为música criolla。35岁时,她开始追求真实,先是成为民俗学家,然后成为艺术家。她是20世纪50年代智利民间复兴运动的领导者,并激励了20世纪60年代形成抗议歌曲运动nueva canción的一代智利音乐家。作为共产主义同情者,她曾作为智利代表团的一员,于1955年(华沙)和1962年(赫尔辛基)前往欧洲参加苏联主办的世界青年和学生节。每次她都去苏联集团旅行,然后去巴黎做长期逗留。在智利经济、社会和文化发展的关键时刻,帕拉对智利身份的全国性辩论做出了重要贡献。她的传记揭示了冷战高峰时期跨国文化运动和相互竞争的真实性概念。这也是一个深刻的人性故事,讲述了帕拉以自己的方式作为艺术家,顽强地挣扎着被人看到和听到。
{"title":"Violeta Parra: Her Life, Work, and Legacy","authors":"E. Verba","doi":"10.1093/acrefore/9780199366439.013.789","DOIUrl":"https://doi.org/10.1093/acrefore/9780199366439.013.789","url":null,"abstract":"Violeta Parra (1917–1967) was a multifaceted and talented musician and artist. A prolific songwriter, she composed more than two hundred songs as well as experimental pieces for guitar, documentary soundtracks, and music for ballet. Her most famous song, “Gracias a la vida,” has been performed by musicians the world over. In the realm of the visual arts, she was a ceramicist, sculptress, painter, and tapestry maker. In 1964, she became the first Latin American artist to have a solo exhibition at the Louvre Palace’s Musée des Arts Décoratifs. Parra was also an award-winning folklorist who collected hundreds of songs and other folklore from every region of Chile.\u0000 Born in southern Chile, she moved to Santiago at age fifteen, where she spent two decades performing a mixture of popular songs from Latin America that is often referred to as música criolla. At age thirty-five she turned to the authentic, first as a folklorist and then as an artist. She was a leader of the Chilean folk revival of the 1950s and inspired the generation of Chilean musicians who formed the protest song movement known as nueva canción in the 1960s. A communist sympathizer, she traveled to Europe as a member of the Chilean delegation to the Soviet-sponsored World Festival of Youth and Students in 1955 (Warsaw) and 1962 (Helsinki). Each time she toured the Soviet Bloc, then made her way to Paris for an extended sojourn.\u0000 Parra contributed a significant voice to the national debate over chilenidad (Chilean identity) during a critical juncture in Chile’s economic, social, and cultural development. Her biography sheds light on transnational cultural movements and competing notions of authenticity at the height of the Cold War. It is also the deeply human story of Parra’s tenacious struggle to be seen and heard as an artist on her own terms.","PeriodicalId":190332,"journal":{"name":"Oxford Research Encyclopedia of Latin American History","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132482929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-22DOI: 10.1093/acrefore/9780199366439.013.990
J. Crow, Allison Ramay
Mapuche intellectuals and political activists in early- to mid-20th-century Chile both worked within and subverted dominant modernizing and “civilizing” educational discourses. Mapuche women played an important role in the movement to democratize schooling in early-20th-century Chile by publishing articles in little-known Mapuche-run newspapers and advocating for Mapuche education broadly as well as specifically for women. There was also an important transnational dimension of Mapuche political organizing around education rights during this period. These two underexplored but important aspects of indigenous activism in Chile open interesting questions about the intersections between race, gender, and nation in the sphere of education.
{"title":"Indigenous Politics and Education in Early to Mid-20th Century Chile: Foregrounding Mapuche Women and Transnational Conversations","authors":"J. Crow, Allison Ramay","doi":"10.1093/acrefore/9780199366439.013.990","DOIUrl":"https://doi.org/10.1093/acrefore/9780199366439.013.990","url":null,"abstract":"Mapuche intellectuals and political activists in early- to mid-20th-century Chile both worked within and subverted dominant modernizing and “civilizing” educational discourses. Mapuche women played an important role in the movement to democratize schooling in early-20th-century Chile by publishing articles in little-known Mapuche-run newspapers and advocating for Mapuche education broadly as well as specifically for women. There was also an important transnational dimension of Mapuche political organizing around education rights during this period. These two underexplored but important aspects of indigenous activism in Chile open interesting questions about the intersections between race, gender, and nation in the sphere of education.","PeriodicalId":190332,"journal":{"name":"Oxford Research Encyclopedia of Latin American History","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129123523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-22DOI: 10.1093/acrefore/9780199366439.013.826
Moramay López-Alonso
Anthropometric studies have shown that the evolution of human stature can be helpful to examine human welfare. Adult stature is an indicator of health status and living standards for periods in which there has not been a systematic collection of data of other indicators, such as the price of goods and wages, as is the case in Mexico prior to 1950. Mexican anthropometric history studies have revealed that stature is a good measure to examine the evolution of living standards in the long run and that it has been effective for assessing poverty and inequality. These studies have shown that, for the period 1850–1950, the evolution of living standards was heterogeneous. There were different trajectories depending on the socioeconomic status. People from working-class backgrounds experienced a deterioration and/or stagnation, while people from upper-class backgrounds experienced a sustained increase in average stature. These trends challenged the official history of the post-revolutionary period, which argued that the living standards of the Mexican population deteriorated during the Porfirio Díaz administration (1876–1911) and improved afterwards with the promulgation of social legislation in the post-revolutionary era (post-1910). Additional studies show that, during the post-1950 period, there was a generalized improvement in stature, but it was limited by the challenges of economic downturns and persistent structural inequality.
{"title":"Stature, Poverty, and Inequality in 19th- and 20th-Century Mexico","authors":"Moramay López-Alonso","doi":"10.1093/acrefore/9780199366439.013.826","DOIUrl":"https://doi.org/10.1093/acrefore/9780199366439.013.826","url":null,"abstract":"Anthropometric studies have shown that the evolution of human stature can be helpful to examine human welfare. Adult stature is an indicator of health status and living standards for periods in which there has not been a systematic collection of data of other indicators, such as the price of goods and wages, as is the case in Mexico prior to 1950. Mexican anthropometric history studies have revealed that stature is a good measure to examine the evolution of living standards in the long run and that it has been effective for assessing poverty and inequality. These studies have shown that, for the period 1850–1950, the evolution of living standards was heterogeneous. There were different trajectories depending on the socioeconomic status. People from working-class backgrounds experienced a deterioration and/or stagnation, while people from upper-class backgrounds experienced a sustained increase in average stature. These trends challenged the official history of the post-revolutionary period, which argued that the living standards of the Mexican population deteriorated during the Porfirio Díaz administration (1876–1911) and improved afterwards with the promulgation of social legislation in the post-revolutionary era (post-1910). Additional studies show that, during the post-1950 period, there was a generalized improvement in stature, but it was limited by the challenges of economic downturns and persistent structural inequality.","PeriodicalId":190332,"journal":{"name":"Oxford Research Encyclopedia of Latin American History","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132137557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-13DOI: 10.1093/acrefore/9780199366439.013.955
Douglass Sullivan-González
Liberation theology is a critical reflection on the workings of God in the history of humankind that emphasizes the active, divine redemption (liberation) of humans from the sinful bonds of political and economic oppression. The biblical Exodus narrative became the core metaphor for the theological understanding of liberation and freedom. The Latin American bishops, during their second meeting at Medellín, Colombia, in 1968, coined a signature tenet of liberation theology: “the preferential option for the poor.” Liberation theology emerged formally among theologians in South America in response to rising expectations produced by two key external factors: the successful Cuban revolution (1959) and the ecumenical zeitgeist associated with Vatican II (1962–1965). The movement spread quickly while increased literacy among the faithful inspired lay leaders, trained by sparse clergy and women religious, to organize Christian base communities (CEBs), to “read” their own reality in light of the Exodus story, and to campaign for social justice in alliance with secular political actors. The swift repression and assassination of clergy, nuns, and lay activists by security forces hostile to democratization of the political economy in the 1970s and early 1980s fueled international awareness of liberation theology. Heightened internal opposition within the Vatican in the 1980s to some of liberation theology’s fundamental tenets culminated with the ten-month silencing in 1985 of the Brazilian theologian and Franciscan priest Leonardo Boff. Liberation theology has since inspired other marginalized social actors to explore what liberation means for those forced to live on the periphery due to racial, ethnic, and/or gender-based discrimination; homophobia; and a rapidly deteriorating environment threatened by unsustainable development models.
{"title":"Liberation Theology in Latin America","authors":"Douglass Sullivan-González","doi":"10.1093/acrefore/9780199366439.013.955","DOIUrl":"https://doi.org/10.1093/acrefore/9780199366439.013.955","url":null,"abstract":"Liberation theology is a critical reflection on the workings of God in the history of humankind that emphasizes the active, divine redemption (liberation) of humans from the sinful bonds of political and economic oppression. The biblical Exodus narrative became the core metaphor for the theological understanding of liberation and freedom. The Latin American bishops, during their second meeting at Medellín, Colombia, in 1968, coined a signature tenet of liberation theology: “the preferential option for the poor.”\u0000 Liberation theology emerged formally among theologians in South America in response to rising expectations produced by two key external factors: the successful Cuban revolution (1959) and the ecumenical zeitgeist associated with Vatican II (1962–1965). The movement spread quickly while increased literacy among the faithful inspired lay leaders, trained by sparse clergy and women religious, to organize Christian base communities (CEBs), to “read” their own reality in light of the Exodus story, and to campaign for social justice in alliance with secular political actors. The swift repression and assassination of clergy, nuns, and lay activists by security forces hostile to democratization of the political economy in the 1970s and early 1980s fueled international awareness of liberation theology. Heightened internal opposition within the Vatican in the 1980s to some of liberation theology’s fundamental tenets culminated with the ten-month silencing in 1985 of the Brazilian theologian and Franciscan priest Leonardo Boff. Liberation theology has since inspired other marginalized social actors to explore what liberation means for those forced to live on the periphery due to racial, ethnic, and/or gender-based discrimination; homophobia; and a rapidly deteriorating environment threatened by unsustainable development models.","PeriodicalId":190332,"journal":{"name":"Oxford Research Encyclopedia of Latin American History","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122494433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}