Pub Date : 2022-05-31DOI: 10.20516/classic.2022.57.87
K. Kwon, W. Choi, Dong-Keon Kim
This study uses lengthwise measurement of literary text using digital tools to classify various versions of the series ”The Story of Ok So-seon.” Although there have been several attempts at analyzing the development process or variation pattern of “The Story of Ok So-seon,” this study applies a new methodology to compare different versions of Yadam rather than denying earlier results or revealing new aspects. Therefore, the focus was on objectively corroborating existing studies and revealing new possibilities. First, the distances between different versions were measured and visualized as a check on earlier discussion through character unit sequence comparison and comparison of semantic types for each paragraph. As examined, the series classification of “The Story of Ok So-seon” was similar to that previous studies, and the cause of the difference was also a part that could be interpreted in the development process of Yadamsa Temple. However, in terms of disclosure, it was found that this study within the same series was relatively insufficient. This may be because there is no significant difference in narrative, although it was observed that objective and quantitative research of the literary summation series, which occupies a large proportion of Yadam’s history, is needed. If multiple Yadam books are examined, inevitable mistakes and inefficiencies are introduced into human processing capacity. However, until now, most studies of Yadam have been conducted following traditional humanities methods. While acknowledging their strengths, attempts to explore new possibilities should also be made. This can lead to visualizing the actual compartments and relationships of the Yadam enjoyment pattern in the future, and the horizon of research on the different versions of Yadam can be expanded using the research methodology of a new era of digital humanities.
{"title":"A lengthwise comparative study of different versions of Yadam: Based on “Ok So-seon”","authors":"K. Kwon, W. Choi, Dong-Keon Kim","doi":"10.20516/classic.2022.57.87","DOIUrl":"https://doi.org/10.20516/classic.2022.57.87","url":null,"abstract":"This study uses lengthwise measurement of literary text using digital tools to classify various versions of the series ”The Story of Ok So-seon.” Although there have been several attempts at analyzing the development process or variation pattern of “The Story of Ok So-seon,” this study applies a new methodology to compare different versions of Yadam rather than denying earlier results or revealing new aspects. Therefore, the focus was on objectively corroborating existing studies and revealing new possibilities. First, the distances between different versions were measured and visualized as a check on earlier discussion through character unit sequence comparison and comparison of semantic types for each paragraph. As examined, the series classification of “The Story of Ok So-seon” was similar to that previous studies, and the cause of the difference was also a part that could be interpreted in the development process of Yadamsa Temple. However, in terms of disclosure, it was found that this study within the same series was relatively insufficient. This may be because there is no significant difference in narrative, although it was observed that objective and quantitative research of the literary summation series, which occupies a large proportion of Yadam’s history, is needed. If multiple Yadam books are examined, inevitable mistakes and inefficiencies are introduced into human processing capacity. However, until now, most studies of Yadam have been conducted following traditional humanities methods. While acknowledging their strengths, attempts to explore new possibilities should also be made. This can lead to visualizing the actual compartments and relationships of the Yadam enjoyment pattern in the future, and the horizon of research on the different versions of Yadam can be expanded using the research methodology of a new era of digital humanities. \u0000","PeriodicalId":196633,"journal":{"name":"The Research of the Korean Classic","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125196228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-31DOI: 10.20516/classic.2022.57.61
Soo-Youn Kim, E. Ha, Su-min Kim, Hyunjoo Kim
This study aims to analyze the message of Taesanggameung-pyeon published by the Joseon royal family in the 19th century through text mining. As it was issued by the state, the text of Taesanggameung-pyeon occupies a special position. In addition, the title and genre regulation of the book constitute a superficial message centered on “Taoism, the transcendental, good and evil, and cause and effect.” Superficial messages may trigger cognitive bias in the reading process. Data mining enables a new interpretation of texts that are prone to cognitive biases in that it treats fine-scale text information, which is easy to miss by human attention, as having the same value as information in units that human cognition readily understands. In this article, frequency analysis of vocabulary, visualization of vocabulary characteristics, and topic-oriented visualization were conducted to determine the actual message delivered to the readers of Taesanggameung-pyeon, which has a strong superficial message. For the linguistic approach and visualization, quantitative analysis techniques such as word cloud, TF-IDF, word2Vec, K-means clustering, and topic modeling were used. Following text mining focused on the vocabulary used in Taesanggameung-pyeon, the ethics emphasized in Taesanggameung- pyeon is not religion-specific, but has general applicability, and the desire that the Gam Eung Story satisfies is a transcendent desire. Rather, it was confirmed that it was a desire to make up for worldly and everyday shortcomings. This affords new insights in that it is distinct from the results of earlier qualitative studies.
{"title":"Analysis of the message of Gam Eung-Story in Taesanggameung-pyeon through text mining","authors":"Soo-Youn Kim, E. Ha, Su-min Kim, Hyunjoo Kim","doi":"10.20516/classic.2022.57.61","DOIUrl":"https://doi.org/10.20516/classic.2022.57.61","url":null,"abstract":"This study aims to analyze the message of Taesanggameung-pyeon published by the Joseon royal family in the 19th century through text mining. As it was issued by the state, the text of Taesanggameung-pyeon occupies a special position. In addition, the title and genre regulation of the book constitute a superficial message centered on “Taoism, the transcendental, good and evil, and cause and effect.” Superficial messages may trigger cognitive bias in the reading process. Data mining enables a new interpretation of texts that are prone to cognitive biases in that it treats fine-scale text information, which is easy to miss by human attention, as having the same value as information in units that human cognition readily understands. In this article, frequency analysis of vocabulary, visualization of vocabulary characteristics, and topic-oriented visualization were conducted to determine the actual message delivered to the readers of Taesanggameung-pyeon, which has a strong superficial message. For the linguistic approach and visualization, quantitative analysis techniques such as word cloud, TF-IDF, word2Vec, K-means clustering, and topic modeling were used. Following text mining focused on the vocabulary used in Taesanggameung-pyeon, the ethics emphasized in Taesanggameung- pyeon is not religion-specific, but has general applicability, and the desire that the Gam Eung Story satisfies is a transcendent desire. Rather, it was confirmed that it was a desire to make up for worldly and everyday shortcomings. This affords new insights in that it is distinct from the results of earlier qualitative studies. \u0000","PeriodicalId":196633,"journal":{"name":"The Research of the Korean Classic","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114569889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-31DOI: 10.20516/classic.2022.57.431
Jun-hee Kim
This study investigates the “inconvenience” and “uncertainty” of the Fox Sister folktale through the concept of “the grotesque.” Beyond the visual grotesque of a specific scene, I tried to examine the grotesque in the mere existence of the fox sister and the grotesque that occurs in the tale itself. First, the parents’ wish for a daughter makes things coexist that cannot coexist, given that it is already a wish that defies the society in the story and the “common sense” of the transmitters. The parents’ wish for a daughter eventually becomes a curse that ruins the family, resulting in a conflict between the wish and the curse, as conveyed in the discourse. In addition, as the fox sister is an unnatural being, a hybrid of two heterogeneous species, she is a grotesque being that amplifies collisions with the human world in a state of incongruity rather than converging them, which leads to disharmony. The fox sister’s livestock predation embodies a grotesque in which familiar targets cause confusion. Distrustful of their grown-up sons, the parents also reveal their confusion between uncanniness and familiarity, and the fox sister’s brutal predation also reveals the clash of appearance and behavior and the grotesque of physical immoderation. The fox sister’s grotesque status reflects the character’s lack of specific aims. These grotesque interests and pleasures are related to “liminality” in that they do not pursue any value or high-level aesthetic consciousness. Furthermore, in the scene where the fox sister chases after her brother and is eliminated, the contradictory utterance of eating an inedible object (a person who is called “brother”) is repeated, and the grotesque of disharmony appears. Even if the fox sister is killed, the unresolved state remains in that the complete family cannot be recovered, which shows the “unresolved” in the grotesque.
{"title":"A Study on the Grotesque Features Represented in the ‘Fox Sister’ Folktale","authors":"Jun-hee Kim","doi":"10.20516/classic.2022.57.431","DOIUrl":"https://doi.org/10.20516/classic.2022.57.431","url":null,"abstract":"This study investigates the “inconvenience” and “uncertainty” of the Fox Sister folktale through the concept of “the grotesque.” Beyond the visual grotesque of a specific scene, I tried to examine the grotesque in the mere existence of the fox sister and the grotesque that occurs in the tale itself. First, the parents’ wish for a daughter makes things coexist that cannot coexist, given that it is already a wish that defies the society in the story and the “common sense” of the transmitters. The parents’ wish for a daughter eventually becomes a curse that ruins the family, resulting in a conflict between the wish and the curse, as conveyed in the discourse. In addition, as the fox sister is an unnatural being, a hybrid of two heterogeneous species, she is a grotesque being that amplifies collisions with the human world in a state of incongruity rather than converging them, which leads to disharmony. The fox sister’s livestock predation embodies a grotesque in which familiar targets cause confusion. Distrustful of their grown-up sons, the parents also reveal their confusion between uncanniness and familiarity, and the fox sister’s brutal predation also reveals the clash of appearance and behavior and the grotesque of physical immoderation. The fox sister’s grotesque status reflects the character’s lack of specific aims. These grotesque interests and pleasures are related to “liminality” in that they do not pursue any value or high-level aesthetic consciousness. Furthermore, in the scene where the fox sister chases after her brother and is eliminated, the contradictory utterance of eating an inedible object (a person who is called “brother”) is repeated, and the grotesque of disharmony appears. Even if the fox sister is killed, the unresolved state remains in that the complete family cannot be recovered, which shows the “unresolved” in the grotesque. \u0000","PeriodicalId":196633,"journal":{"name":"The Research of the Korean Classic","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127214105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-31DOI: 10.20516/classic.2022.57.235
Jin-youp Jang
This study aims to review the brush talks and poetry exchanges included in the 18th century travel journals produced by the T’ongsinsa (通信使, the Chosŏn envoy to Tokugawa Japan) of 1711 and 1719. First, the brush talks from the T’ongsinsa travel journals of each era were examined. The T’ongsinsa of 1711 produced three different records. Cho Tae’ŏk’s Tongsarok includes exchanged poetry—95 verses under 74 titles. Im Sukwan’s Tongsailgi contains an independent account of brush talk titled Kangguanp’iltam, while Kim Hyŏnmun’s Tongsarok only documented significant episodes from the brush talks and poetry exchanges. Regarding the T’ongsinsa of 1719, the letters exchanged while negotiating diplomatic procedures were included in Haesaillok by Hong Ch’ijung. Chung Hukyo‘s Pusanggihaeng, in its diary portion, provided summarized accounts of the brush talks and poetry exchanges that took place in each era, and then provided 74 verses of exchanged poetry and 11 verses of original rhymes written by the Japanese. Sin Yuhan’s Haeyurok contains nearly 70 entries in diary, and Munkyŏnjapnok provides 36 accounts of brush talks and poetry exchange, showing a clear difference from the records produced in the previous era. Three aspects of the inclusion of the brush talk in these travel journals—produced by the T’ongsinsa of 1711 and 1719—are noteworthy. First, the T’ongsinsa travel journals of this period include more accounts of brush talks, as more such talks were held then. Second, people were becoming more open to the idea of leaving records of the brush talks. The term “brush talk” (筆談) appears frequently in the travel journals of this era, implying its increased recognition as a mode of communication that could be distinguished from the spoken word. Such notion led to a greater focus on “what was being said” in the brush talks than the mere fact that they occurred. The third aspect relates to the characteristics of narrative style. There are two stylistic characteristics apparent in 18th century brush talks in T’ongsinsa travel journals: recapitulation and reproduction of conversation. The former was widely used in T’ongsinsa travel journals of this era, while the latter was partly employed in Pusanggihaeng, and openly utilized in Haeyurok. Haeyurok in particular strategically employed the records of the brush talks in relations to the purpose of writing his travel journal—an important characteristic succeeded by the travel journals of later eras, including Wŏn Chunggŏ’s Sŭingsarok. The most crucial trait of the records of brush talks in 18th century T’ongsinsa travel journals is that an active consciousness formed regarding the utility of “brush talks” as a means of communication, and that its end product came to be employed as an object “worth documenting.” These findings may well be given consideration when examining the accounts of brush talks from Chosŏn envoys’ travel journals produced in later periods.
{"title":"Brush Talks and Poetry Exchange in Travel Journals by the T’ongsinsa of 1711 and 1719","authors":"Jin-youp Jang","doi":"10.20516/classic.2022.57.235","DOIUrl":"https://doi.org/10.20516/classic.2022.57.235","url":null,"abstract":"This study aims to review the brush talks and poetry exchanges included in the 18th century travel journals produced by the T’ongsinsa (通信使, the Chosŏn envoy to Tokugawa Japan) of 1711 and 1719. First, the brush talks from the T’ongsinsa travel journals of each era were examined. The T’ongsinsa of 1711 produced three different records. Cho Tae’ŏk’s Tongsarok includes exchanged poetry—95 verses under 74 titles. Im Sukwan’s Tongsailgi contains an independent account of brush talk titled Kangguanp’iltam, while Kim Hyŏnmun’s Tongsarok only documented significant episodes from the brush talks and poetry exchanges. Regarding the T’ongsinsa of 1719, the letters exchanged while negotiating diplomatic procedures were included in Haesaillok by Hong Ch’ijung. Chung Hukyo‘s Pusanggihaeng, in its diary portion, provided summarized accounts of the brush talks and poetry exchanges that took place in each era, and then provided 74 verses of exchanged poetry and 11 verses of original rhymes written by the Japanese. Sin Yuhan’s Haeyurok contains nearly 70 entries in diary, and Munkyŏnjapnok provides 36 accounts of brush talks and poetry exchange, showing a clear difference from the records produced in the previous era. Three aspects of the inclusion of the brush talk in these travel journals—produced by the T’ongsinsa of 1711 and 1719—are noteworthy. First, the T’ongsinsa travel journals of this period include more accounts of brush talks, as more such talks were held then. Second, people were becoming more open to the idea of leaving records of the brush talks. The term “brush talk” (筆談) appears frequently in the travel journals of this era, implying its increased recognition as a mode of communication that could be distinguished from the spoken word. Such notion led to a greater focus on “what was being said” in the brush talks than the mere fact that they occurred. The third aspect relates to the characteristics of narrative style. There are two stylistic characteristics apparent in 18th century brush talks in T’ongsinsa travel journals: recapitulation and reproduction of conversation. The former was widely used in T’ongsinsa travel journals of this era, while the latter was partly employed in Pusanggihaeng, and openly utilized in Haeyurok. Haeyurok in particular strategically employed the records of the brush talks in relations to the purpose of writing his travel journal—an important characteristic succeeded by the travel journals of later eras, including Wŏn Chunggŏ’s Sŭingsarok. The most crucial trait of the records of brush talks in 18th century T’ongsinsa travel journals is that an active consciousness formed regarding the utility of “brush talks” as a means of communication, and that its end product came to be employed as an object “worth documenting.” These findings may well be given consideration when examining the accounts of brush talks from Chosŏn envoys’ travel journals produced in later periods. \u0000","PeriodicalId":196633,"journal":{"name":"The Research of the Korean Classic","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130773529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-31DOI: 10.20516/classic.2022.57.397
Seung-hwan Hyeon, Sook-ja Byeon
This study examines the nature of the funeral rites of “Gulbongjeongchwalto” presented in the story “Garakgukgi” from the Samgukeusa. “Garakgukgi” is the mythical story of the birth of the ‘Su-ro’. Since myths are transmitted along with rituals, the character and meaning of the myths of aqueducts can be understood concretely only when the ritualistic aspects appearing in the myths of aqueducts are clearly identified. In “Garakgukgi,” the portion pertaining to the birth of “Su-ro” is subdivided into two parts: before and after the birth of Su-ro. The birth of Su-ro signifies the emergence of a new king, while simultaneously signifying the death of the former ruler. In other words, the birth of Su-ro in “Garakgukgi”contains two events: the rite for the birth of a new king and the funeral rites of the former ruler. This is also illustrated through the placement of the tomb of the ancient ruler, “Jiseokmyo,” above that of “Gujibong,” and the rite for the birth of a Su-ro being performed on Gujibong. In this study, folklore materials handed down until today were used to investigate the characteristics of the funeral rites of “Gulbongjeongchwalto.” First, we examined the relationship between the custom of “Jejeol” and “Gulbongjeongchwalto” among the funeral methods handed down in Jeju Island today. Second, we discovered the tradition of singing and dancing to pray for the birth of a new life in the funeral process through the “Dasiraegi”, a funeral method in Jindo where the ancient funeral method called “double funeral” is handed down. “Gulbongjeongchwalto” and “Gujiga” performances consist of praying for the birth of descendants and the transmission of sacredness, raising the possibility that it would be passed down to future generations.
{"title":"A Study of the Funeral Rites Characteristics of “Gulbongjeongchwalto” in “Garakgukgi”","authors":"Seung-hwan Hyeon, Sook-ja Byeon","doi":"10.20516/classic.2022.57.397","DOIUrl":"https://doi.org/10.20516/classic.2022.57.397","url":null,"abstract":"This study examines the nature of the funeral rites of “Gulbongjeongchwalto” presented in the story “Garakgukgi” from the Samgukeusa. “Garakgukgi” is the mythical story of the birth of the ‘Su-ro’. Since myths are transmitted along with rituals, the character and meaning of the myths of aqueducts can be understood concretely only when the ritualistic aspects appearing in the myths of aqueducts are clearly identified. In “Garakgukgi,” the portion pertaining to the birth of “Su-ro” is subdivided into two parts: before and after the birth of Su-ro. The birth of Su-ro signifies the emergence of a new king, while simultaneously signifying the death of the former ruler. In other words, the birth of Su-ro in “Garakgukgi”contains two events: the rite for the birth of a new king and the funeral rites of the former ruler. This is also illustrated through the placement of the tomb of the ancient ruler, “Jiseokmyo,” above that of “Gujibong,” and the rite for the birth of a Su-ro being performed on Gujibong. In this study, folklore materials handed down until today were used to investigate the characteristics of the funeral rites of “Gulbongjeongchwalto.” First, we examined the relationship between the custom of “Jejeol” and “Gulbongjeongchwalto” among the funeral methods handed down in Jeju Island today. Second, we discovered the tradition of singing and dancing to pray for the birth of a new life in the funeral process through the “Dasiraegi”, a funeral method in Jindo where the ancient funeral method called “double funeral” is handed down. “Gulbongjeongchwalto” and “Gujiga” performances consist of praying for the birth of descendants and the transmission of sacredness, raising the possibility that it would be passed down to future generations. \u0000","PeriodicalId":196633,"journal":{"name":"The Research of the Korean Classic","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122533490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-31DOI: 10.20516/classic.2022.57.167
Ba-ro Kim
To examine the present state of data disclosure by public institutions under the Public Data Act, I first analyzed the humanities data compiled by public institutions and explored problems in requesting open to them. In Korea, humanities data are mostly stored and managed with government support. In 2013, the Public Data Act was enacted, mandating that public institutions provide public open to the public data they hold and manage. However, public data in the humanities sector frequently have yet to be disclosed. Although secondary workpieces of public data are provided as a web service, such as the Annals of the Digital Joseon Dynasty, it is necessary to obtain RAWDATA corresponding to the primary feed for digital humanities research, a new form of study of the humanities in the digital environment. However, most humanities institutions that store humanities data do not disclose public data under the Public Data Act, citing reasons such as personal information protection, data updates, and copyright protection despite public data disclosure requests. Therefore, it is necessary to change public institutions’ attitudes toward the disclosure of machine-only RAWDATA such as CSV, XML, and RDF guaranteed by the Public Data Act for the study of the humanities in the digital era.
{"title":"Public Data Act and humanities data: Applying for open to humanities data held by public institutions","authors":"Ba-ro Kim","doi":"10.20516/classic.2022.57.167","DOIUrl":"https://doi.org/10.20516/classic.2022.57.167","url":null,"abstract":"To examine the present state of data disclosure by public institutions under the Public Data Act, I first analyzed the humanities data compiled by public institutions and explored problems in requesting open to them. In Korea, humanities data are mostly stored and managed with government support. In 2013, the Public Data Act was enacted, mandating that public institutions provide public open to the public data they hold and manage. However, public data in the humanities sector frequently have yet to be disclosed. Although secondary workpieces of public data are provided as a web service, such as the Annals of the Digital Joseon Dynasty, it is necessary to obtain RAWDATA corresponding to the primary feed for digital humanities research, a new form of study of the humanities in the digital environment. However, most humanities institutions that store humanities data do not disclose public data under the Public Data Act, citing reasons such as personal information protection, data updates, and copyright protection despite public data disclosure requests. Therefore, it is necessary to change public institutions’ attitudes toward the disclosure of machine-only RAWDATA such as CSV, XML, and RDF guaranteed by the Public Data Act for the study of the humanities in the digital era. \u0000","PeriodicalId":196633,"journal":{"name":"The Research of the Korean Classic","volume":"449 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122885056","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-31DOI: 10.20516/classic.2022.57.289
Su-mi Cho
asanrok is the exile diary of Park Woo-hyeon (朴遇賢, 1829-1907), a scholar from the late Joseon Dynasty, who was exiled to Heuksando for 12 years, as reported in Geumpa Yujip. This study focuses on the descriptive characteristics of Jasanrok and explores the universality and individuality of Jasanrok as a diary of an exile. One of the descriptive features of Park Woo-hyeon’s Jasanrok is that the frequency and number of records are closely related to the circumstances and contents of exile. For example, as the description of the reason for exile must be recorded in detail, numerous accounts have been included in this regard. Although there are not many narratives on the exile course, the frequency of their occurrence is high because of the need for objective records. On the other hand, as the opening and ending parts play a functionally appropriate role, the text has a structurally stable appearance, emotions are expressed dramatically through appropriate descriptions, and the objectivity and realism of the information can be secured through citations. Such descriptive characteristics of Jasanrok can be re-examined by dividing it into the aspects of universality and individuality. Universality as an exile diary is a narrative characteristic that is inevitably acquired because it records an experience that is both unique and general; additionally, being a diary, individuality is retained. It may be stated that it is a characteristic that appears because it is a strictly literary document that reveals the personality of the author who wrote it. Its universality corresponds to the correlation between the frequency and quantity of records and the circumstances of exile, and the use of the introduction and conclusion, and of description and citation corresponds to individuality.
{"title":"A Study on the Narrative Characteristics of Park Woo-hyeon’s Exile Diary Jasanrok (玆山錄)","authors":"Su-mi Cho","doi":"10.20516/classic.2022.57.289","DOIUrl":"https://doi.org/10.20516/classic.2022.57.289","url":null,"abstract":"asanrok is the exile diary of Park Woo-hyeon (朴遇賢, 1829-1907), a scholar from the late Joseon Dynasty, who was exiled to Heuksando for 12 years, as reported in Geumpa Yujip. This study focuses on the descriptive characteristics of Jasanrok and explores the universality and individuality of Jasanrok as a diary of an exile. One of the descriptive features of Park Woo-hyeon’s Jasanrok is that the frequency and number of records are closely related to the circumstances and contents of exile. For example, as the description of the reason for exile must be recorded in detail, numerous accounts have been included in this regard. Although there are not many narratives on the exile course, the frequency of their occurrence is high because of the need for objective records. On the other hand, as the opening and ending parts play a functionally appropriate role, the text has a structurally stable appearance, emotions are expressed dramatically through appropriate descriptions, and the objectivity and realism of the information can be secured through citations. Such descriptive characteristics of Jasanrok can be re-examined by dividing it into the aspects of universality and individuality. Universality as an exile diary is a narrative characteristic that is inevitably acquired because it records an experience that is both unique and general; additionally, being a diary, individuality is retained. It may be stated that it is a characteristic that appears because it is a strictly literary document that reveals the personality of the author who wrote it. Its universality corresponds to the correlation between the frequency and quantity of records and the circumstances of exile, and the use of the introduction and conclusion, and of description and citation corresponds to individuality. \u0000","PeriodicalId":196633,"journal":{"name":"The Research of the Korean Classic","volume":"24 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122336225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-31DOI: 10.20516/classic.2022.57.343
Sun-hee Jeung
This study focuses on figuration of the son-in-law in the series of Korean full-length novels Sohyeonseong-rok of the late 17th century, dividing the relationship between the in-laws and son-in-law in the family composition into four categories, and explored their respective meanings. In particular, this study examines cases where the son-in-law is alienated from or welcomed in relationships with the father-in-law, mother-in-law, and other sons-in-law, or where the son-in-law ignores his in-laws or the other sons-in-law. The son-in-law, like the daughter-in-law, as a new family member is often secretly alienated or ignored, and is often portrayed as an ugly or promiscuous person. By doing so, the family members attempt to reveal the superiority of their family and highlight their daughter’s qualities and personality. However, if the relationship between the son-in-law and his in-laws is good, the marital relationship is good, but if not, it was the daughter, or the wife, who experienced suffering, being caught between her family and spouse. The victim of the conflict between husband and in-laws was often a woman. In particular, So Woon-seong is an overconfident male character who acted violently against his wives. Meanwhile, there are cases where members of the son-in-law’s family are presented as evil or inferior people, or the son-in-law himself is presented as a negative character, such as in the case of Kim Hyun. In short, the narratives related to the "son-in-law" in Korean-style novels, including Sohyeonseong-rok, reflect the status of sons-in-law in the family or family composition, and the influence mainly impacted their wives, and the related conflicts and resolution strengthened the fun and vitality of the work.
{"title":"The study on figuration of the son-in-law in the series Sohyeonseong-rok","authors":"Sun-hee Jeung","doi":"10.20516/classic.2022.57.343","DOIUrl":"https://doi.org/10.20516/classic.2022.57.343","url":null,"abstract":"This study focuses on figuration of the son-in-law in the series of Korean full-length novels Sohyeonseong-rok of the late 17th century, dividing the relationship between the in-laws and son-in-law in the family composition into four categories, and explored their respective meanings. In particular, this study examines cases where the son-in-law is alienated from or welcomed in relationships with the father-in-law, mother-in-law, and other sons-in-law, or where the son-in-law ignores his in-laws or the other sons-in-law. The son-in-law, like the daughter-in-law, as a new family member is often secretly alienated or ignored, and is often portrayed as an ugly or promiscuous person. By doing so, the family members attempt to reveal the superiority of their family and highlight their daughter’s qualities and personality. However, if the relationship between the son-in-law and his in-laws is good, the marital relationship is good, but if not, it was the daughter, or the wife, who experienced suffering, being caught between her family and spouse. The victim of the conflict between husband and in-laws was often a woman. In particular, So Woon-seong is an overconfident male character who acted violently against his wives. Meanwhile, there are cases where members of the son-in-law’s family are presented as evil or inferior people, or the son-in-law himself is presented as a negative character, such as in the case of Kim Hyun. In short, the narratives related to the \"son-in-law\" in Korean-style novels, including Sohyeonseong-rok, reflect the status of sons-in-law in the family or family composition, and the influence mainly impacted their wives, and the related conflicts and resolution strengthened the fun and vitality of the work. \u0000","PeriodicalId":196633,"journal":{"name":"The Research of the Korean Classic","volume":"171 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128145469","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-28DOI: 10.20516/classic.2022.56.319
Jeong-wol Ryu
{"title":"Externalization and Internalization in Samdugumibon","authors":"Jeong-wol Ryu","doi":"10.20516/classic.2022.56.319","DOIUrl":"https://doi.org/10.20516/classic.2022.56.319","url":null,"abstract":"","PeriodicalId":196633,"journal":{"name":"The Research of the Korean Classic","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116331328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-28DOI: 10.20516/classic.2022.56.75
Chi-kyun Lim
{"title":"The Creation of Okseonmong and the Use of Literature (2)","authors":"Chi-kyun Lim","doi":"10.20516/classic.2022.56.75","DOIUrl":"https://doi.org/10.20516/classic.2022.56.75","url":null,"abstract":"","PeriodicalId":196633,"journal":{"name":"The Research of the Korean Classic","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131704786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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