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Influence of Disinfectants on Natural Textile Fibres 消毒剂对天然纺织纤维的影响
IF 0.4 4区 管理学 Q2 Arts and Humanities Pub Date : 2021-05-12 DOI: 10.1515/res-2021-0002
K. Drábková, J. Krejčí, M. Škrdlantová, M. Ďurovič, B. Bacílková
Abstract Textiles are frequently used in bookbinding or for attaching pendent seals and thus they are an integral part of archival and library items. Any part of these items can be contaminated by various microorganisms. Consequently, it is often necessary to include disinfection procedures in the initial stages of the conservation process. Primarily, the agents employed in conservation must not harm the treated material. This work was concerned with monitoring the effect of selected disinfectant agents (ethylene oxide, Septonex®, glutaraldehyde, Bacillol® AF, butanol vapours, Acticide® MV, silver nanoparticles, Chiroseptol®) on the properties and long-term stability of natural textile fibres (cotton and silk). The disinfected textiles were subjected to three kinds of artificial ageing (dry heat, moist heat, and light) and their properties were determined by means of the total colour difference, thread tensile strength and the limiting viscosity number.
摘要纺织品经常用于装订书籍或用于附加垂封,因此它们是档案和图书馆项目的一个组成部分。这些物品的任何部分都可能被各种微生物污染。因此,通常有必要在保存过程的初始阶段包括消毒程序。首先,在保护中使用的药剂不能损害被处理过的材料。本研究监测了选定的消毒剂(环氧乙烷、Septonex®、戊二醛、Bacillol®AF、丁醇蒸气、Acticide®MV、纳米银、chiroseptool®)对天然纺织纤维(棉和丝)性能和长期稳定性的影响。对消毒后的纺织品进行干热、湿热、光三种人工老化,并通过总色差、纱线拉伸强度和极限粘度数测定其性能。
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引用次数: 4
Investigation on the Organic Acid Content inside the Storage of a Woodblock Print Collection and Evaluation on the FFU System as a Mitigation Strategy 某木版版画收藏库内有机酸含量调查及FFU系统缓解策略评价
IF 0.4 4区 管理学 Q2 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1515/res-2020-0007
Ana Teresa Guimarães Romero, T. Matsui, Eriko Nagahama
Abstract This paper describes an investigation on the storage environment of an Edo period woodblock print collection in terms of volatile organic acid content, using active air sampling and precision gas detector tubes that can measure organic acid emissions in the low microgram range, and evaluates an organic acid mitigation method based on the fan filter unit (FFU) system. Ion-exchange chromatography method was also employed for estimation of acetic and formic acid ratio. Findings revealed an organic acid-concentrated microclimate inside the storage box, nevertheless, the off-gassing rates of the woodblock prints were low, with the exception of a print positioned in the middle of the stack. The acetic acid/formic acid ratio was similar between the storage room environment and inside the storage box, but comparatively higher levels of formic acid were identified in the mulberry paper folder housing the prints. Finally, the FFU system was able to reduce organic acid concentrations inside the storage box for a 5-month observation period, but it did not eliminate the tendency of the storage materials to create organic acid-concentrated microclimates.
摘要本文利用主动空气采样和精密气体检测管对江户时代木版版画藏品的挥发性有机酸含量进行了调查,并对基于风扇过滤装置(FFU)系统的有机酸减排方法进行了评价。离子交换色谱法测定乙酸与甲酸的比值。结果显示,储物箱内为有机酸浓度较高的小气候,但除了位于堆叠中间的版画外,木版版画的废气排放率较低。乙酸/甲酸的比例在存储室环境和存储箱内相似,但在保存指纹的桑皮纸文件夹中鉴定出相对较高的甲酸水平。最后,在5个月的观察期中,FFU系统能够降低储存箱内的有机酸浓度,但并不能消除储存材料产生有机酸浓小气候的趋势。
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引用次数: 0
Information Resources Preservation: Bottlenecks and their Effect on Library Information Services 信息资源保护:制约图书馆信息服务的瓶颈及其影响
IF 0.4 4区 管理学 Q2 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1515/res-2020-0015
Christian. Mubofu, H. Mambo, A. Samzugi
Abstract This study investigated the factors hindering information resources preservation and the extent to which information services are affected in academic libraries. The population consisted of 170 library staff who were conveniently selected from the seven academic libraries under study. The researchers prepared a well-structured questionnaire for data collection and the responses were subjected into SPSS version 20 and content analysis. Findings revealed that lack of awareness, inappropriate building, and lack of preservation plan and being unsure on how to get started, being unsure on how to protect digital information resources and inadequate funding are the factors hindering effective preservation in academic libraries in Tanzania. The study also revealed that lack of information resources preservation affects library services to a great extent. The study concludes that damage of information resources affected information services. The study recommends that academic libraries management in collaboration with other stakeholders should establish a preservation consortium that will oversee the preservation issues in academic libraries country wide that may reduce the extent to which the barriers of information resources preservation affects the information services in the country. Through this consortium experts in the field of preservation will share skills on how they could tackle the preservation challenges together.
摘要本研究调查了阻碍高校图书馆信息资源保存的因素以及信息服务受到的影响程度。这一群体由170名图书馆工作人员组成,他们是从正在研究的七所大学图书馆中方便地挑选出来的。研究人员准备了一份结构良好的问卷进行数据收集,并将调查结果放入SPSS版本20中进行内容分析。调查结果显示,缺乏意识、建筑不当、缺乏保护计划、不确定如何开始、不确定是否保护数字信息资源以及资金不足是阻碍坦桑尼亚学术图书馆有效保护的因素。研究还表明,信息资源保护的缺乏在很大程度上影响了图书馆的服务。研究得出结论,信息资源的破坏影响了信息服务。该研究建议,学术图书馆管理层应与其他利益相关者合作,建立一个保存联盟,监督全国学术图书馆的保存问题,以减少信息资源保存障碍对该国信息服务的影响。通过这个联盟,保护领域的专家将分享如何共同应对保护挑战的技能。
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引用次数: 0
Gellan Gum Hydrogel as an Aqueous Treatment Method for Xuan Paper 结冷胶水凝胶在宣纸水处理中的应用
IF 0.4 4区 管理学 Q2 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1515/res-2020-0010
Haomiao Li, L. Severini, Mattia Titubante, D. Gong, L. Micheli, C. Mazzuca, Yuxuan Gong
Abstract Aqueous cleaning of works of art on paper is one of the most important and delicate steps in a conservation process. It allows the removal of inorganic (metals) and organic substances, such as degradation products and other contaminants. These substances are responsible for yellowing, weakening, and loss of mechanical properties of paper. In this article, the cleaning effect of gellan gum was assessed on xuan paper, a traditional Chinese paper different in composition and papermaking technology compared to many Western papers. To assess the effect of gellan gum on xuan paper, its characteristics were studied before and after cleaning utilizing non-invasive and micro-invasive techniques. Results were compared to those obtained when treating Western papers and indicated that gellan gum can be applied effectively for aqueous cleaning of xuan paper.
纸上艺术品的水清洗是保护过程中最重要和最精细的步骤之一。它可以去除无机(金属)和有机物质,如降解产物和其他污染物。这些物质会导致纸张变黄、变弱和失去机械性能。本文对结兰胶在宣纸上的清洁效果进行了评价,宣纸是一种在成分和造纸技术上与西方许多纸张不同的传统纸张。为了评价结兰胶对宣纸的作用,采用无创和微创技术对其清洗前后的特性进行了研究。结果表明,胶兰胶可以有效地用于宣纸的水性清洗。
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引用次数: 9
Frontmatter Frontmatter
IF 0.4 4区 管理学 Q2 Arts and Humanities Pub Date : 2020-12-01 DOI: 10.1515/res-2020-frontmatter4
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引用次数: 0
Tracing the Alteration of Verdigris Pigment through Combined Raman Spectroscopy and X-ray Diffraction, Part II: Natural Ageing 结合拉曼光谱和X射线衍射追踪Verdigris颜料的变化,第二部分:自然老化
IF 0.4 4区 管理学 Q2 Arts and Humanities Pub Date : 2020-11-24 DOI: 10.1515/res-2020-0012
L. Brostoff, Cynthia Connelly Ryan, Isabella Black
Abstract This study explores the natural alteration of verdigris, both in the form of neutral verdigris (Cu(II) (CH3COO)2⋅H2O) and basic verdigris (Cu(II)x(CH3COO)y(OH)z ⋅nH2O), through combined Raman spectroscopy and X-ray diffraction investigation of samples created seven to eleven years prior to analysis. The naturally aged paint films of neutral or basic verdigris in gum arabic on paper and parchment provide insight into the pigment’s well-known instability relevant to historical works in aqueous media on maps, prints, books and manuscript materials. The latter historical application is an area that has received far less attention than alteration of verdigris in oil-based paint films. Findings shed new light on alternate pathways for conversion of neutral verdigris to basic verdigris, including the formation of a previously unknown form of verdigris and amorphous material on alkaline paper substrates. Additionally, we demonstrate for the first time that copper hydroxyl chlorides can form in situ from neutral verdigris, in this case on parchment that has a chlorine-rich surface. These results advance our understanding of neutral verdigris alteration, and complement results from our prior artificial ageing study. Both studies point to neutral verdigris as the historically more important form throughout its heyday. Improved understanding of neutral verdigris instability and its alteration pathways are critical for confident identification of the pigment in historical works, leading to better risk assessment of collections of verdigris-containing heritage, such as maps.
摘要本研究通过对分析前7至11年产生的样品进行拉曼光谱和x射线衍射相结合的研究,探索了绿绿色的自然变化,包括中性绿绿色(Cu(II)(CH3COO)2·H2O)和碱性绿绿色(铜(II)x(CH3COO)y(OH)z·nH2O)。纸张和羊皮纸上的阿拉伯树胶中性或基本绿绿色的自然老化漆膜,深入了解了颜料在地图、印刷品、书籍和手稿材料的水介质中的历史作品中众所周知的不稳定性。后一个历史应用领域受到的关注远不如油基漆膜中铜绿的改变。这些发现为中性铜绿转化为碱性铜绿的替代途径提供了新的线索,包括在碱性纸基质上形成以前未知的铜绿和无定形材料。此外,我们首次证明,铜羟基氯化物可以从中性绿柱石中原位形成,在这种情况下,是在表面含氯的羊皮纸上形成的。这些结果促进了我们对中性铜绿改变的理解,并补充了我们之前人工衰老研究的结果。这两项研究都指出,在其鼎盛时期,中性绿是历史上更重要的形式。更好地了解中性铜绿的不稳定性及其改变途径,对于在历史作品中自信地识别这种色素至关重要,从而更好地评估地图等含有铜绿的遗产藏品的风险。
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引用次数: 1
Stabilisation Treatments for Paper with Green Copper Pigment Verdigris 绿铜颜料Verdigris对纸张的稳定处理
IF 0.4 4区 管理学 Q2 Arts and Humanities Pub Date : 2020-11-20 DOI: 10.1515/res-2020-0001
J. Malešič, J. Kolar, Mitja Denac, Bor Kolar Bačnik
Abstract The focus of this research is the stabilisation of paper with Verdigris, a green copper pigment. Due to its corrosive effects on paper, many important documents, paintings and maps are in danger. The efficiency of several commercially available deacidification agents on paper samples with Verdigris was tested, including magnesium-based Bookkeeper® dispersion, nano calcium hydroxide containing Nanorestore® and CaLoSiL® dispersions as well as a recently developed dispersion of nano calcium carbonate. The antioxidant tetrabutylammonium bromide was tested either alone or in combination with nano calcium based deacidification agents. The effect of the treatments was evaluated using colour, tensile strength, degree of polymerization and pH measurements. The results indicate that acidic degradation does not play a major role during accelerated degradation of paper containing Verdigris with moderately acidic pH value and that oxidative decay could be the main culprit of the decay. The method described, which involves the use of antioxidant tetrabutylammonium bromide in combination with calcium carbonate based deacidification dispersion, was proved to have a superior effect against degradation of paper with Verdigris in comparison to the treatments which involve deacidification agents only. Nano calcium hydroxide based deacidification agents result in high pH values of the paper samples and therefore cannot be advised for use on paper documents.
摘要本研究的重点是用绿铜颜料Verdigris稳定纸张。由于它对纸张的腐蚀作用,许多重要的文件、绘画和地图都处于危险之中。测试了几种市售脱酸剂对Verdigris纸样品的效率,包括镁基Bookkeeper®分散体、含有Nanorestore®和CaLoSiL®的纳米氢氧化钙分散体以及最近开发的纳米碳酸钙分散体。抗氧化剂溴化四丁基铵单独测试或与纳米钙基脱酸剂组合测试。使用颜色、拉伸强度、聚合度和pH测量来评估处理的效果。结果表明,酸性降解在含有中等酸性pH值的Verdigris的纸张的加速降解过程中并不起主要作用,氧化衰变可能是导致衰变的罪魁祸首。所述方法包括使用抗氧化剂四丁基溴化铵与基于碳酸钙的脱酸分散体,与仅使用脱酸剂的处理相比,该方法被证明对Verdigris降解纸张具有优异的效果。基于纳米氢氧化钙的脱酸剂导致纸张样品的pH值高,因此不能建议在纸张文件上使用。
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引用次数: 1
The Colour of Pine Needles and Nightingales. A Traditional Japanese Copper-based Green Pigment 松针和夜莺的颜色。一种传统的日本铜基绿色颜料
IF 0.4 4区 管理学 Q2 Arts and Humanities Pub Date : 2020-11-17 DOI: 10.1515/res-2020-0011
Maria Katharina Plate, Sigrid Eyb-Green, W. Baatz
Abstract The article describes a historic Japanese green pigment which was identified in a painting attributed to the Kano school, dating to the Edo period. According to literature, malachite – which is the common translation of the Japanese term rokushō – has been the most widely used green pigment in Japan over a long period of time. Its colour shade could be modified by the use of different degrees of grinding and by heating the pigment. The green paint layer found in the painting was examined using XRF, SEM-EDS and XRPD, and cross sections. Examinations revealed a heterogeneous paint layer which consists of a mixture of various natural copper-containing minerals, some of which also contain arsenic and other elements. A concluding discussion of pigment nomenclature in Japan raises the question if rokushō may in fact be equated with pure malachite.
摘要本文描述了一种历史悠久的日本绿色颜料,它是在一幅可追溯到江户时代的卡诺派绘画中发现的。根据文献,长期以来,孔雀石(日语术语rokushō的常见翻译)一直是日本使用最广泛的绿色颜料。它的色度可以通过使用不同程度的研磨和加热颜料来改变。使用XRF、SEM-EDS和XRPD以及横截面对油漆中发现的绿色油漆层进行了检查。检查发现,一层不均匀的油漆层由各种天然含铜矿物的混合物组成,其中一些还含有砷和其他元素。对日本颜料命名法的总结性讨论提出了一个问题,即rokushō是否真的可以等同于纯孔雀石。
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引用次数: 0
The Gel, the Colour, and the Complexing Agent: An Investigation of a Rigid Gel Application of Benzotriazole for Verdigris-Damaged Paper 凝胶、颜色和络合剂:苯并三唑在铜绿损坏纸上的刚性凝胶应用研究
IF 0.4 4区 管理学 Q2 Arts and Humanities Pub Date : 2020-11-16 DOI: 10.1515/res-2019-0027
Leah Humenuck
Abstract The aim of this research was an investigation into creating a rigid gel application of benzotriazole (BTA), a complexing agent, as a new potential way of treating verdigris-damaged paper. Various gel recipes were mixed and tested on historical samples. The gel recipes varied in gellan gel concentration, BTA/solvent solution concentration, and BTA concentration. The recipe effectiveness was assessed using Hulthe’s indicator paper and MQuant™ Test Cu indicator strips, two types of indicator papers which detect free copper ions. The results showed that rigid gel application of BTA is effective in complexing the copper ions which may inhibit further damage to the paper caused by free copper ions. Some of the other effects of the gel were the simultaneous removal of paper discolouration by the gel. Further research is needed to refine the gel recipes as well as the treatment process to prevent or reduce potential tidelines and other possible negative side-effects of gel treatment.
摘要本研究的目的是研究将络合剂苯并三唑(BTA)作为一种新的潜在的治疗铜绿损坏纸张的方法,创造一种坚硬的凝胶应用。将各种凝胶配方混合并在历史样品上进行测试。凝胶配方在结冷凝胶浓度、BTA/溶剂溶液浓度和BTA浓度方面各不相同。使用Hulthe的指示纸和MQuant评估配方的有效性™ 测试Cu指示条,这是两种检测游离铜离子的指示纸。结果表明,BTA的刚性凝胶应用能有效地络合铜离子,从而抑制游离铜离子对纸张的进一步损伤。凝胶的其他一些效果是同时去除了凝胶引起的纸张变色。需要进一步的研究来完善凝胶配方和治疗过程,以预防或减少凝胶治疗的潜在潮差和其他可能的负面副作用。
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引用次数: 0
Editorial 社论
IF 0.4 4区 管理学 Q2 Arts and Humanities Pub Date : 2020-11-13 DOI: 10.1515/res-2020-0014
Sigrid Eyb-Green, U. Henniges
To date, there are still many open questions regarding feasible conservation treatments counteracting paper degradation caused by copper-containing pigments, most notably, verdigris. We are therefore delighted to present this issue of Restaurator dedicated to research related to verdigris. To advance our understanding of the processes taking place during ageing of verdigris, we will first present a paper by Lynn Brostoff and Cynthia Connelly Ryan who explored the natural alteration of both neutral and basic forms of the pigment. We will then progress and introduce two approaches to treating verdigris-damaged paper. Leah Humenuck tested a rigid gel application of benzotriazole (BTA), a complexing agent, on historical samples, while Jasna Malešič et al. studied the efficacy of several commercially available deacidification agents as well as the antioxidant tetrabutylammoniumbromide (TBAB). Finally,we conclude this volume with amore art technologically focussed contribution. Maria Plate et al. investigated the green paint layer of a Japanese folding screen from the Edoperiod and discuss on this basis the production, use and designation of historic Japanese green pigments. Within the last 10 years, much effort was dedicated to further research verdigris, and one might think that the time has come to compile findings and move forward to recommendations for specific treatments and conservation methodology in general. Recent studies in art technology allow the conclusion that oftentimes, historic recipes and current sample design might not always match. In her study of the alterations of verdigris published in the first volume of Restaurator 2020, Brostoff and Connelly Ryan give an overview of historical recipes for verdigris and the resulting compounds. The manufacture of verdigris typically involved the corrosion of copper sheets with acetic acid. Additives and different production methods not only produce a variety of blue to green copper compounds, but also two structurally distinct types of verdigris: the neutral copper acetate monohydrate and a series of basic copper acetate hydroxide salts.
到目前为止,仍然有许多关于可行的保护处理,以抵消纸的退化,引起的含铜颜料,最显著的铜绿。因此,我们很高兴推出这一期的餐馆专门研究与铜绿有关的。为了促进我们对铜绿老化过程的理解,我们将首先介绍林恩·布罗斯托夫和辛西娅·康纳利·瑞安的一篇论文,他们探索了中性和基本形式的自然变化。然后,我们将进一步介绍两种处理铜绿损坏纸的方法。Leah Humenuck在历史样品上测试了络合剂苯并三唑(BTA)的硬性凝胶应用,而Jasna Malešič等人研究了几种市售脱酸剂以及抗氧化剂四丁基溴化铵(TBAB)的功效。最后,我们以更多的艺术技术为重点的贡献来总结这一卷。Maria Plate等人研究了一幅日本eedperiod折页的绿色颜料层,并在此基础上讨论了日本历史上绿色颜料的生产、使用和命名。在过去的10年里,人们花了很多精力来进一步研究铜绿,人们可能会认为,现在是时候汇编研究结果,并提出具体处理和保护方法的建议了。最近对艺术技术的研究表明,历史上的食谱和现在的样品设计可能并不总是匹配的。Brostoff和Connelly Ryan在《Restaurator 2020》第一卷中发表了她对铜绿变化的研究,她概述了铜绿的历史配方和由此产生的化合物。铜绿的制造通常涉及到用醋酸腐蚀铜片。添加剂和不同的生产方法不仅可以生产出各种蓝到绿的铜化合物,还可以生产出两种结构上截然不同的铜绿:中性的一水醋酸铜和一系列碱式醋酸铜氢氧化盐。
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引用次数: 0
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Restaurator. International Journal for the Preservation of Library and Archival Material
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