Pub Date : 2023-03-01DOI: 10.32873/unl.dc.zea.1500
Paul A. Johnsgard (1931–2021) was a friend of many, an artist, prolific author, teacher, and humble admirer of all living creatures. It was impossible to find someone at Nebraska Audubon Society or Nebraska Ornithologists’ Union meetings who did not know Paul Johnsgard. His more than 100 published books made him known not just in a community of ornithologists, birdwatchers, and bird lovers in the United States but also abroad. He was a world-renowned ornithologist and naturalist who remained deeply embedded in his local culture and its prairie environment. We invited about 75 people to write a short memory of Paul. We received about 40 responses, which are published in this book, along with Paul Johnsgard’s own writing on his life. Contributors to this volume include George Archibald, Cherrie Beam-Callaway, Jo D Blessing, Charles Brown, Linda Brown, Jackie Canterbury, John Carlini, Ron Cisar, David Duey, Richard Edwards, Michael Forsberg, Karine Gil, Sue Guild, Twyla Hansen, Chris Helzer, John Janovy, Allison Johnson, Michelle Johnson, Joel Jorgensen, Fujiyo Koizumi, Josef Kren, Thomas Labedz, Kam-Ching Leung, Thomas Mangelsen, Martin Massengale, Julie Masters, Marilyn McNabb, W. Don Nelson, Neal Ratzlaff, Arlys Reitan, James Rosowski, Paul Royster, William Scharf, Rachel Simpson, Tiffany Talbot, Rick Wright, and Christy Yuncker Happ.
保罗·a·约翰逊加德(1931-2021)是许多人的朋友、艺术家、多产作家、教师和所有生物的谦逊崇拜者。在内布拉斯加州奥杜邦学会或内布拉斯加州鸟类学家联合会的会议上,几乎找不到不认识保罗·约翰逊加德的人。他出版的100多本书使他不仅在美国的鸟类学家、观鸟者和鸟类爱好者中出名,而且在国外也很有名。他是世界著名的鸟类学家和博物学家,深深融入了当地的文化和草原环境。我们邀请了大约75个人来写一篇关于保罗的简短回忆。我们收到了大约40份回复,这些回复和保罗·约翰斯加德自己写的关于他生活的文章一起发表在这本书里。本书的撰稿人包括乔治·阿齐布尔德、切丽·比姆-卡拉威、乔·D·布莱辛、查尔斯·布朗、琳达·布朗、杰基·坎特伯雷、约翰·卡林尼、罗恩·西萨、大卫·杜伊、理查德·爱德华兹、迈克尔·弗斯伯格、卡琳·吉尔、苏·吉尔、特维拉·汉森、克里斯·赫尔泽、约翰·雅诺维、艾莉森·约翰逊、米歇尔·约翰逊、乔尔·乔根森、小泉富士代、约瑟夫·克伦、托马斯·拉贝兹、梁金清、托马斯·曼格尔森、马丁·马森格、朱莉·马斯特斯、玛丽莲·麦克纳布、w·唐·纳尔逊、尼尔·拉茨拉夫、阿利斯·雷坦、James Rosowski, Paul Royster, William Scharf, Rachel Simpson, Tiffany Talbot, Rick Wright和Christy Yuncker Happ。
{"title":"Remembering Paul Johnsgard","authors":"","doi":"10.32873/unl.dc.zea.1500","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1500","url":null,"abstract":"Paul A. Johnsgard (1931–2021) was a friend of many, an artist, prolific author, teacher, and humble admirer of all living creatures. It was impossible to find someone at Nebraska Audubon Society or Nebraska Ornithologists’ Union meetings who did not know Paul Johnsgard. His more than 100 published books made him known not just in a community of ornithologists, birdwatchers, and bird lovers in the United States but also abroad. He was a world-renowned ornithologist and naturalist who remained deeply embedded in his local culture and its prairie environment.\u0000\u0000We invited about 75 people to write a short memory of Paul. We received about 40 responses, which are published in this book, along with Paul Johnsgard’s own writing on his life. Contributors to this volume include George Archibald, Cherrie Beam-Callaway, Jo D Blessing, Charles Brown, Linda Brown, Jackie Canterbury, John Carlini, Ron Cisar, David Duey, Richard Edwards, Michael Forsberg, Karine Gil, Sue Guild, Twyla Hansen, Chris Helzer, John Janovy, Allison Johnson, Michelle Johnson, Joel Jorgensen, Fujiyo Koizumi, Josef Kren, Thomas Labedz, Kam-Ching Leung, Thomas Mangelsen, Martin Massengale, Julie Masters, Marilyn McNabb, W. Don Nelson, Neal Ratzlaff, Arlys Reitan, James Rosowski, Paul Royster, William Scharf, Rachel Simpson, Tiffany Talbot, Rick Wright, and Christy Yuncker Happ.","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115714380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-09DOI: 10.32873/unl.dc.zea.1345
Manuel D. Barria
The work is a taxonomic revision of 28 species of the genus Chrysina Kirby (Scarabaeidae: Rutelinae: Rutelini) found in Panama (25), Colombia (2), and Ecuador (3). Chrysina tricolor (Ohaus), Chrysina chalcothea (Bates), and Chrysina cupreomarginata (F. Bates) are new records for Panama. A new country record from northern Colombia is confirmed for Chrysina mercedesae Barria. Chrysina gaitalica Curoe and Hawks and Chrysina galbina Hawks are discovered at new localities in Panama; females of both species are discovered and described. Chrysina aurora (Bates) known from other localities in the west of the country, is rediscovered in Veraguas province 147 years after its description based on a female, the only specimen that had been collected in the province. Chrysina wolfi (Ohaus) is placed as a new junior synonym of Chrysina argenteola (Bates). A neotype is designated for Chrysina ohausi (Franz) according to ICZN Article 75.3. The oreicola group is proposed to include Chrysina oreicola (Morón). Photographs of adults, illustrations of diagnostic characters, distribution maps, and taxonomic keys (in English and Spanish) for the identification of the species present in Panama, Colombia and Ecuador are presented. El presente trabajo consiste en una revisión taxonómica de 28 especies del género Chrysina Kirby (Scarabaeidae: Rutelinae: Rutelini), 25 presentes en Panamá, 2 en Colombia y 3 en Ecuador. Chrysina tricolor (Ohaus), Chrysina chalcothea (Bates) y Chrysina cupreomarginata (F. Bates) son nuevos registros para Panamá. Se confirma un nuevo registro del norte de Colombia correspondientes a Chrysina mercedesae Barria. Chrysina gaitalica Curoe y Hawks y Chrysina galbina Hawks se descubren en nuevas localidades de Panamá; se descubren y describen hembras de ambas especies. Chrysina aurora (Bates) conocida en otras localidades del oeste del país, es redescubierta en la provincia de Veraguas después de 147 años desde su descripción a partir de una hembra, único ejemplar que había sido recolectado en la provincia. Chrysina wolfi (Ohaus) se considera una nueva sinonimia menor de Chrysina argenteola (Bates). Se asigna un neotipo a Chrysina ohausi (Franz) por aplicación del artículo 75.3 del CINZ. Se propone el grupo oreicola para incluir a Chrysina oreicola (Morón). Se presentan fotografías de adultos, ilustraciones de caracteres diagnósticos, mapas de distribución y claves taxonómicas (en Inglés y Español) para la identificación de las especies presentes en Panamá, Colombia y Ecuador.
本文对巴拿马(25)、哥伦比亚(2)和厄瓜多尔(3)发现的Chrysina Kirby(金龟科:金龟科:金龟科:金龟科)属28种进行了分类修订。三色Chrysina (Ohaus)、chalcothea (Bates)和cupreomarginata (F. Bates)是巴拿马的新记录。来自哥伦比亚北部的chrysina mercedesae Barria创造了新的国家纪录。在巴拿马的新地区发现了黄金蝶和黄金蝶;这两个物种的雌性都被发现和描述。来自该国西部其他地区的极光蝶(贝茨),147年后在贝拉瓜斯省被重新发现,这是该省唯一收集到的雌性标本。Chrysina wolfi (Ohaus)是Chrysina argenteola (Bates)的新同义词。根据ICZN第75.3条,为Chrysina ohausi (Franz)指定了一个新类型。oreicola组被提议包括Chrysina oreicola (Morón)。本文介绍了存在于泛美、哥伦比亚和厄瓜多尔的物种的成虫照片、诊断特征插图、分布图和分类关键字(英文和西班牙文)。El presente trabajo包括15种(revisión taxonómica) 28种(金龟子科:金龟子科:金龟子科),25种(巴拿马),2种(哥伦比亚),3种(厄瓜多尔)。三色金蝇(奥豪斯),黄黄金蝇(贝茨)和铜绿金蝇(贝茨)son nuevos registros para panama。他向哥伦比亚通讯记者证实了这一消息。金银花(Chrysina gaitalica curoy Hawks);金银花(Chrysina galbina Hawks);这些人都是由这些人组成的。aurora (Bates) conconciida en otrlocalidades del oeste de país, es redescubierta en la province de veraguaguas as descubierta en la province años desdessu des-cripción a partipartide una hembra, único ejemplar que había sido recectado en la province。Chrysina wolfi (Ohaus) se considera una nueva sinonimia menor de Chrysina argenteola (Bates)。我的名字叫“我的名字”,名字叫“我的名字”aplicación del artículo 75.3 del CINZ。本研究的主要内容包括:黄蝶(Morón)。现提供fotografías成人资料、插图资料diagnósticos、图表资料distribución、分类资料taxonómicas (en inglsamas y Español)、资料identificación、哥伦比亚、厄瓜多尔、帕纳姆资料。
{"title":"A Monographic Revision of The Jewel Scarabs Genus Chrysina from Panama, Colombia, and Ecuador (Coleoptera: Scarabaeidae: Rutelinae: Rutelini)","authors":"Manuel D. Barria","doi":"10.32873/unl.dc.zea.1345","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1345","url":null,"abstract":"The work is a taxonomic revision of 28 species of the genus Chrysina Kirby (Scarabaeidae: Rutelinae: Rutelini) found in Panama (25), Colombia (2), and Ecuador (3). Chrysina tricolor (Ohaus), Chrysina chalcothea (Bates), and Chrysina cupreomarginata (F. Bates) are new records for Panama. A new country record from northern Colombia is confirmed for Chrysina mercedesae Barria. Chrysina gaitalica Curoe and Hawks and Chrysina galbina Hawks are discovered at new localities in Panama; females of both species are discovered and described. Chrysina aurora (Bates) known from other localities in the west of the country, is rediscovered in Veraguas province 147 years after its description based on a female, the only specimen that had been collected in the province. Chrysina wolfi (Ohaus) is placed as a new junior synonym of Chrysina argenteola (Bates). A neotype is designated for Chrysina ohausi (Franz) according to ICZN Article 75.3. The oreicola group is proposed to include Chrysina oreicola (Morón). Photographs of adults, illustrations of diagnostic characters, distribution maps, and taxonomic keys (in English and Spanish) for the identification of the species present in Panama, Colombia and Ecuador are presented.\u0000\u0000El presente trabajo consiste en una revisión taxonómica de 28 especies del género Chrysina Kirby (Scarabaeidae: Rutelinae: Rutelini), 25 presentes en Panamá, 2 en Colombia y 3 en Ecuador. Chrysina tricolor (Ohaus), Chrysina chalcothea (Bates) y Chrysina cupreomarginata (F. Bates) son nuevos registros para Panamá. Se confirma un nuevo registro del norte de Colombia correspondientes a Chrysina mercedesae Barria. Chrysina gaitalica Curoe y Hawks y Chrysina galbina Hawks se descubren en nuevas localidades de Panamá; se descubren y describen hembras de ambas especies. Chrysina aurora (Bates) conocida en otras localidades del oeste del país, es redescubierta en la provincia de Veraguas después de 147 años desde su descripción a partir de una hembra, único ejemplar que había sido recolectado en la provincia. Chrysina wolfi (Ohaus) se considera una nueva sinonimia menor de Chrysina argenteola (Bates). Se asigna un neotipo a Chrysina ohausi (Franz) por aplicación del artículo 75.3 del CINZ. Se propone el grupo oreicola para incluir a Chrysina oreicola (Morón). Se presentan fotografías de adultos, ilustraciones de caracteres diagnósticos, mapas de distribución y claves taxonómicas (en Inglés y Español) para la identificación de las especies presentes en Panamá, Colombia y Ecuador.","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125546866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-03DOI: 10.32873/unl.dc.zea.1333
Paul L. Ray, Danny Reneau
Max is a young man who lives with his grandmother. He is unhappy and upset, so he goes for a walk. His dad is in the army and his mom is a busy nurse. He is at a new school where kids make fun of his name. He wants to fly back to his old home and school. He wishes for someone to talk to. He sits down in the woods and his feelings come pouring out. Suddenly he hears from an old tree about deep roots and things always coming back. It’s his own tree for listening and for coming back. Max begins to feel better, his troubles seem smaller, and he plans to bring his family back to listen. Everyone can find their own listening tree. Or plant one.
{"title":"Max and the Listening Tree","authors":"Paul L. Ray, Danny Reneau","doi":"10.32873/unl.dc.zea.1333","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1333","url":null,"abstract":"Max is a young man who lives with his grandmother. He is unhappy and upset, so he goes for a walk. His dad is in the army and his mom is a busy nurse. He is at a new school where kids make fun of his name. He wants to fly back to his old home and school. He wishes for someone to talk to. He sits down in the woods and his feelings come pouring out. Suddenly he hears from an old tree about deep roots and things always coming back. It’s his own tree for listening and for coming back. Max begins to feel better, his troubles seem smaller, and he plans to bring his family back to listen. Everyone can find their own listening tree. Or plant one.","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125697908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-03DOI: 10.32873/unl.dc.zea.1343
Don Marquis
Archy and Mehitabel are two inimitable characters — a philosophical cockroach who types out free verse correspondence by dive-bombing the keys and an insouciant feline dancer out to take life for all it is worth, ever the lady and “toujours gai.” Created by Don Marquis and popularized in the New York Sun and New York Herald-Tribune 1916–1922, their best-loved exploits and musings are captured in this marvellous collection of 48 episodes, and illustrated with 29 cartoon drawings by George Herriman. Archy sees the universe at an entirely different angle, and humanity is measured against its miniature insect reflections. We meet cats and rats, spiders and flies, toads, robins, worms, a merry flea, a dissipated hornet, a froward lady bug, plus ghosts and echoes of dramatists, poets, historical figures, and the nightly denizens of the underworlds and alleys of New York, London, and gay Paris. Humorist Don Marquis (1878–1937) was a novelist, poet, columnist, playwright, and author of more than 25 books. Cartoonist George Herriman (1880–1944) is best known as the creator of Krazy Kat.
{"title":"archy and mehitabel","authors":"Don Marquis","doi":"10.32873/unl.dc.zea.1343","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1343","url":null,"abstract":"Archy and Mehitabel are two inimitable characters — a philosophical cockroach who types out free verse correspondence by dive-bombing the keys and an insouciant feline dancer out to take life for all it is worth, ever the lady and “toujours gai.”\u0000\u0000Created by Don Marquis and popularized in the New York Sun and New York Herald-Tribune 1916–1922, their best-loved exploits and musings are captured in this marvellous collection of 48 episodes, and illustrated with 29 cartoon drawings by George Herriman. Archy sees the universe at an entirely different angle, and humanity is measured against its miniature insect reflections. We meet cats and rats, spiders and flies, toads, robins, worms, a merry flea, a dissipated hornet, a froward lady bug, plus ghosts and echoes of dramatists, poets, historical figures, and the nightly denizens of the underworlds and alleys of New York, London, and gay Paris.\u0000\u0000Humorist Don Marquis (1878–1937) was a novelist, poet, columnist, playwright, and author of more than 25 books. Cartoonist George Herriman (1880–1944) is best known as the creator of Krazy Kat.","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130606422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.32873/unl.dc.zea.1338
Countee Cullen
Poet, playwright, novelist, graduate of DeWitt Clinton High, New York University, and Harvard University, Countee Cullen (1903–1946) emerged as a leading literary figure of the Harlem Renaissance. Copper Sun, his second book of poetry, explores the emotional consequences of being black, Christian, bisexual, and a poet in Jazz Age America—such as in the following “Confession”: If for a day joy masters me, Think not my wounds are healed; Far deeper than the scars you see, I keep the roots concealed. They shall bear blossoms with the fall; I have their word for this, Who tend my roots with rains of gall, And suns of prejudice. Countee Cullen’s poetry is illustrated with 16 decorative cuts created by Charles Cullen (no relation to the poet) in extravagant Art Deco style. Contents: I. COLOR : FROM THE DARK TOWER • THRENODY FOR A BROWN GIRL • CONFESSION • UNCLE JIM • COLORED BLUES SINGER • COLORS • THE LITANY OF THE DARK PEOPLE II. THE DEEP IN LOVE : PITY THE DEEP IN LOVE • ONE DAY WE PLAYED A GAME • TIMID LOVER • NOCTURNE • WORDS TO MY LOVE • EN PASSANT • VARIATIONS ON A THEME • A SONG OF SOUR GRAPES • IN MEMORIAM • LAMENT • IF LOVE BE STAUNCH • THE SPARK • SONG OF THE REJECTED LOVER • TO ONE WHO WAS CRUEL • SONNET TO A SCORNFUL LADY • THE LOVE TREE III. AT CAMBRIDGE: THE WIND BLOWETH WHERE IT LISTETH • THOUGHTS IN A ZOO • TWO THOUGHTS OF DEATH • THE POET PUTS HIS HEART TO SCHOOL • LOVE'S WAY • PORTRAIT OF A LOVER • AN OLD STORY • TO LOVERS OF EARTH: FAIR WARNING IV. VARIA: IN SPITE OF DEATH • COR CORDIUM • LINES TO MY FATHER • PROTEST • AN EPITAPH • SCANDAL AND GOSSIP • YOUTH SINGS A SONG OF ROSEBUDS • HUNGER • LINES TO OUR ELDERS • THE POET • MORE THAN A FOOL'S SONG • AND WHEN I THINK • ADVICE TO A BEAUTY • ULTIMATUM • LINES WRITTEN IN JERUSALEM • ON THE MEDITERRANEAN SEA • MILLENNIAL • AT THE WAILING WALL IN JERUSALEM • TO ENDYMION • EPILOGUE V. JUVENILIA: OPEN DOOR • DISENCHANTMENT • LEAVES • SONG • THE TOUCH • A POEM ONCE SIGNIFICANT, NOW HAPPILY NOT • UNDER THE MISTLETOE
{"title":"Copper Sun","authors":"Countee Cullen","doi":"10.32873/unl.dc.zea.1338","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1338","url":null,"abstract":"Poet, playwright, novelist, graduate of DeWitt Clinton High, New York University, and Harvard University, Countee Cullen (1903–1946) emerged as a leading literary figure of the Harlem Renaissance. Copper Sun, his second book of poetry, explores the emotional consequences of being black, Christian, bisexual, and a poet in Jazz Age America—such as in the following “Confession”:\u0000\u0000If for a day joy masters me,\u0000\u0000Think not my wounds are healed;\u0000\u0000Far deeper than the scars you see,\u0000\u0000I keep the roots concealed.\u0000\u0000They shall bear blossoms with the fall;\u0000\u0000I have their word for this,\u0000\u0000Who tend my roots with rains of gall,\u0000\u0000And suns of prejudice.\u0000\u0000Countee Cullen’s poetry is illustrated with 16 decorative cuts created by Charles Cullen (no relation to the poet) in extravagant Art Deco style.\u0000\u0000Contents:\u0000\u0000I. COLOR : FROM THE DARK TOWER • THRENODY FOR A BROWN GIRL • CONFESSION • UNCLE JIM • COLORED BLUES SINGER • COLORS • THE LITANY OF THE DARK PEOPLE\u0000\u0000II. THE DEEP IN LOVE : PITY THE DEEP IN LOVE • ONE DAY WE PLAYED A GAME • TIMID LOVER • NOCTURNE • WORDS TO MY LOVE • EN PASSANT • VARIATIONS ON A THEME • A SONG OF SOUR GRAPES • IN MEMORIAM • LAMENT • IF LOVE BE STAUNCH • THE SPARK • SONG OF THE REJECTED LOVER • TO ONE WHO WAS CRUEL • SONNET TO A SCORNFUL LADY • THE LOVE TREE\u0000\u0000III. AT CAMBRIDGE: THE WIND BLOWETH WHERE IT LISTETH • THOUGHTS IN A ZOO • TWO THOUGHTS OF DEATH • THE POET PUTS HIS HEART TO SCHOOL • LOVE'S WAY • PORTRAIT OF A LOVER • AN OLD STORY • TO LOVERS OF EARTH: FAIR WARNING\u0000\u0000IV. VARIA: IN SPITE OF DEATH • COR CORDIUM • LINES TO MY FATHER • PROTEST • AN EPITAPH • SCANDAL AND GOSSIP • YOUTH SINGS A SONG OF ROSEBUDS • HUNGER • LINES TO OUR ELDERS • THE POET • MORE THAN A FOOL'S SONG • AND WHEN I THINK • ADVICE TO A BEAUTY • ULTIMATUM • LINES WRITTEN IN JERUSALEM • ON THE MEDITERRANEAN SEA • MILLENNIAL • AT THE WAILING WALL IN JERUSALEM • TO ENDYMION • EPILOGUE\u0000\u0000V. JUVENILIA: OPEN DOOR • DISENCHANTMENT • LEAVES • SONG • THE TOUCH • A POEM ONCE SIGNIFICANT, NOW HAPPILY NOT • UNDER THE MISTLETOE","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124163277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.32873/unl.dc.zea.1340
Countee Cullen
CONTENTS: FOREWORD PAUL LAURENCE DUNBAR • Ere Sleep Comes Down to Soothe the Weary Eyes • Death Song • Life • After the Quarrel • Ships that Pass in the Night • We Wear the Mask • Sympathy • The Debt JOSEPH S. COTTER, SR • The Tragedy of Pete • The Way-side Well JAMES WELDON JOHNSON • From the German of Uhland • The Glory of the Day Was in Her Face • The Creation • The White Witch • My City WILLIAM EDWARD BURGHARDT Du BOIS • A Litany of Atlanta WILLIAM STANLEY BRAITHWAITE • Scintilla • Rye Bread • October XXIX, 1795 • Del Cascar JAMES EDWARD MCCALL • The New Negro ANGELINA WELD GRIMKE • Hushed by the Hands of Sleep • Greenness • • The Eyes of My Regret • Grass Fingers • Surrender • The Ways o' Men • Tenebris • When the Green Lies Over the Earth • A Mona Lisa • Paradox • Your Hands • I Weep • For the Candle Light • Dusk. • The Puppet Player • A Winter Twilight ANNE SPENCER • Neighbors • I Have a Friend • Substitution • Questing • Life-long, Poor Browning • Dunbar • Innocence • Creed • Lines to a Nasturtium • At the Carnival MARY EFFIE LEE NEWSOME • Morning Light • Pansy • Sassafras Tea • Sky Pictures • The Quilt • The Baker's Boy • Wild Roses • Quoits JOHN FREDERICK MATHEUS • Requiem FENTON JOHNSON • When I Die • Puck Goes to Court • The Marathon Runner • JESSIE FAUSET • Words! Words! • Touche • Noblesse Oblige • La Vie C'est la Vie • The Return • Rencontre • Fragment ALICE DUNBAR NELSON • Snow in October • Sonnet • I Sit and Sew GEORGIA DOUGLAS JOHNSON • Service • Hope • The Suppliant • Little Son • Old Black Men • Lethe • Proving • I Want to Die While You Love Me • Recessional • My Little Dreams • What Need Have I for Memory? • When I Am Dead • The Dreams of the Dreamer • The Heart of a Woman CLAUDE McKAy • America • Exhortation: Summer, 1919 • Flame-heart • The Wild Goat • Russian Cathedral • Desolate • Absence • My House JEAN TOOMER • Reapers • Evening Song • Georgia Dusk • Song of the Son • Cotton Song • Face • November Cotton Flower JOSEPH S. COTTER, JR • Rain Music • Supplication • An April Day • The Deserter • And What Shall You Say? • The Band of Gideon BLANCHE TAYLOR DICKINSON • The Walls of Jericho • Poem • Revelation • That Hill • To an Icicle • Four Walls FRANK HORNE • On Seeing Two Brown Boys in a Catholic Church • To a Persistent Phantom • Letters Found Near a Suicide • Nigger LEWIS ALEXANDER • Negro Woman • Africa • Transformation • The Dark Brother • Tanka I-VIII • Japanese Hokku • Day and Night STERLING A. BROWN • Odyssey of Big Boy • Maumee Ruth • Long Gone • To a Certain Lady, in Her Garden • Salutamus • Challenge • Return CLARISSA SCOTT DELANY • Joy • Solace • Interim • The Mask LANGSTON HUGHES • I, Too • Prayer • Song for a Dark Girl • Homesick Blues • Fantasy in Purple • Dream Variation • The Negro Speaks of Rivers • Poem • Suicide's Note • Mother to Son • A House in Taos GWENDOLYN B. BENNETT • Quatrains • Secret • Advice • To a Dark Girl • Your Songs • Fantasy • Lines Written at the Grave of Alexand
目录:序言保罗-劳伦斯-邓巴--在睡梦降临之前抚慰疲惫的双眼--死亡之歌--生命--争吵之后--夜行的船只--我们戴着面具--同情--债务约瑟夫-S.科特,SR - 皮特的悲剧 - 井边的路詹姆斯-威尔登-约翰逊 - 来自乌兰的德语 - 白天的荣耀在她的脸上 - 创造 - 白女巫 - 我的城市威廉-爱德华-布格哈特-杜-布瓦 - 亚特兰大的颂歌威廉-斯坦利-布雷特怀特 - Scintilla - 黑麦面包 - 十月二十九日、1795 - Del CascarJAMES EDWARD MCCALL - The New NegroANGELINA WELD GRIMKE - Hushed by the Hands of Sleep - Greenness - - The Eyes of My Regret - Grass Fingers - Surrender - The Ways o' Men - Tenebris - When the Green Lies Over the Earth - A Mona Lisa - Paradox - Your Hands - I Weep - For the Candle Light - Dusk.- 木偶戏演员》--《一个冬天的黄昏》安妮-斯宾塞--《邻居》--《我有一个朋友》--《替代》--《探索》--《终身》、可怜的勃朗宁 - 邓巴 - 纯真 - 信条 - 给金莲花的诗句 - 在狂欢节上玛丽-埃菲-李-纽索姆 - 晨光 - 三色堇 - 檫茶 - 天空之画 - 被子 - 面包师的男孩 - 野玫瑰 - Quoits约翰-弗雷德里克-马修斯 - 安魂曲芬顿-约翰逊 - 当我死时 - 帕克上庭 - 马拉松运动员 - 杰西-福赛特 - 话!词!- Touche - Noblesse Oblige - La Vie C'est la Vie - The Return - Rencontre - FragmentALICE DUNBAR NELSON - Snow in October - Sonnet - I Sit and SewGEORGIA DOUGLAS JOHNSON - Service - Hope - The Suppliant - Little Son - Old Black Men - Lethe - Proving - I Want to Die While You Love Me - Recessional - My Little Dreams - What Need Have I for Memory?- 当我死后 - 梦想家的梦想 - 女人心 - 美国 - 劝诫:1919年夏 -火焰之心 -野山羊 -俄罗斯大教堂 -荒凉 -缺席 -我的房子JEAN TOOMER -收割者 -黄昏之歌 -乔治亚黄昏 -儿子之歌 -棉花之歌 -脸 -十一月的棉花JOSEPH S. COTTER, JR -雨之乐 -祈求 -四月的一天 -逃兵 -你该说些什么?- The Band of GideonBLANCHE TAYLOR DICKINSON - The Walls of Jericho - Poem - Revelation - That Hill - To an Icicle - Four WallsFRANK HORNE - On Seeing Two Brown Boys in a Catholic Church - To a Persistent Phantom - Letters Found Near a Suicide - NiggerLEWIS ALEXANDER - Negro Woman - Africa - Transformation - The Dark Brother - Tanka I-VIII - Japanese Hokku - Day and NightSTERLING A.BROWN - Odyssey of Big Boy - Maumee Ruth - Long Gone - To a Certain Lady, in Her Garden - Salutamus - Challenge - ReturnCLARISSA SCOTT DELANY - Joy - Solace - Interim - The MaskLANGSTON HUGHES - I, too - Prayer - Song for a Dark Girl - Homesick Blues - Fantasy in Purple - Dream Variation - The Negro Speaks of Rivers - Poem - Suicide's Note - Mother to Son - A House in TaosGWENDOLYN B.BENNETT - Quatrains - Secret - Advice - To a Dark Girl - Your Songs - Fantasy - Lines Written at the Grave of Alexander Dumas - Hatred - Sonnet-l - Sonnet-2Anna BONTEMPS - The Return - A Black Man Talks of Reaping - To a Young Girl Leaving the Hill Country - Nocturne at Bethesda - Length of Moon - Lancelot - Gethsemane - A Tree Design - Blight - The Day-breakers - Close Your Eyes!- God Give to Men - Homing - Golgotha Is a MountainALBERT RICE - The Black Madonna - To a Certain WomanCOUNTEE CULLEN - I Have a Rendezvous with Life - Protest - Yet Do I Marvel - To Lovers of Earth:公平的警告 - 来自黑暗之塔 - 致诗人约翰-济慈、在春天 - 四首墓志铭 - 事件唐纳德-杰弗里-海斯 - 铭文 - 再见了 - 夜 - 忏悔 - 夜曲 - 毕竟 - 约翰-亨德森-布鲁克斯 - 复活 - 垂暮之年的最后四分之一月亮 - 咏歌格拉狄丝-梅-卡塞莉-海福特 - 诞生 - 雨季季节情歌 - 侍女 - 婴儿科比纳LuCY ARIEL WILLIAMS - Northboun'GEORGE LEONARD ALLEN - To Melody - PortraitRICHARD BRUCE - Shadow - CavalierWARING CUNEY - The Death Bed - A Triviality - I Think I See Him There - Dust - No Images - The Radical -
{"title":"Caroling Dusk: An Anthology of Verse by Negro Poets","authors":"Countee Cullen","doi":"10.32873/unl.dc.zea.1340","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1340","url":null,"abstract":"CONTENTS:\u0000\u0000FOREWORD\u0000\u0000PAUL LAURENCE DUNBAR • Ere Sleep Comes Down to Soothe the Weary Eyes • Death Song • Life • After the Quarrel • Ships that Pass in the Night • We Wear the Mask • Sympathy • The Debt\u0000\u0000JOSEPH S. COTTER, SR • The Tragedy of Pete • The Way-side Well\u0000\u0000JAMES WELDON JOHNSON • From the German of Uhland • The Glory of the Day Was in Her Face • The Creation • The White Witch • My City\u0000\u0000WILLIAM EDWARD BURGHARDT Du BOIS • A Litany of Atlanta\u0000\u0000WILLIAM STANLEY BRAITHWAITE • Scintilla • Rye Bread • October XXIX, 1795 • Del Cascar\u0000\u0000JAMES EDWARD MCCALL • The New Negro\u0000\u0000ANGELINA WELD GRIMKE • Hushed by the Hands of Sleep • Greenness • • The Eyes of My Regret • Grass Fingers • Surrender • The Ways o' Men • Tenebris • When the Green Lies Over the Earth • A Mona Lisa • Paradox • Your Hands • I Weep • For the Candle Light • Dusk. • The Puppet Player • A Winter Twilight\u0000\u0000ANNE SPENCER • Neighbors • I Have a Friend • Substitution • Questing • Life-long, Poor Browning • Dunbar • Innocence • Creed • Lines to a Nasturtium • At the Carnival\u0000\u0000MARY EFFIE LEE NEWSOME • Morning Light • Pansy • Sassafras Tea • Sky Pictures • The Quilt • The Baker's Boy • Wild Roses • Quoits\u0000\u0000JOHN FREDERICK MATHEUS • Requiem\u0000\u0000FENTON JOHNSON • When I Die • Puck Goes to Court • The Marathon Runner •\u0000\u0000JESSIE FAUSET • Words! Words! • Touche • Noblesse Oblige • La Vie C'est la Vie • The Return • Rencontre • Fragment\u0000\u0000ALICE DUNBAR NELSON • Snow in October • Sonnet • I Sit and Sew\u0000\u0000GEORGIA DOUGLAS JOHNSON • Service • Hope • The Suppliant • Little Son • Old Black Men • Lethe • Proving • I Want to Die While You Love Me • Recessional • My Little Dreams • What Need Have I for Memory? • When I Am Dead • The Dreams of the Dreamer • The Heart of a Woman\u0000\u0000CLAUDE McKAy • America • Exhortation: Summer, 1919 • Flame-heart • The Wild Goat • Russian Cathedral • Desolate • Absence • My House\u0000\u0000JEAN TOOMER • Reapers • Evening Song • Georgia Dusk • Song of the Son • Cotton Song • Face • November Cotton Flower\u0000\u0000JOSEPH S. COTTER, JR • Rain Music • Supplication • An April Day • The Deserter • And What Shall You Say? • The Band of Gideon\u0000\u0000BLANCHE TAYLOR DICKINSON • The Walls of Jericho • Poem • Revelation • That Hill • To an Icicle • Four Walls\u0000\u0000FRANK HORNE • On Seeing Two Brown Boys in a Catholic Church • To a Persistent Phantom • Letters Found Near a Suicide • Nigger\u0000\u0000LEWIS ALEXANDER • Negro Woman • Africa • Transformation • The Dark Brother • Tanka I-VIII • Japanese Hokku • Day and Night\u0000\u0000STERLING A. BROWN • Odyssey of Big Boy • Maumee Ruth • Long Gone • To a Certain Lady, in Her Garden • Salutamus • Challenge • Return\u0000\u0000CLARISSA SCOTT DELANY • Joy • Solace • Interim • The Mask\u0000\u0000LANGSTON HUGHES • I, Too • Prayer • Song for a Dark Girl • Homesick Blues • Fantasy in Purple • Dream Variation • The Negro Speaks of Rivers • Poem • Suicide's Note • Mother to Son • A House in Taos\u0000\u0000GWENDOLYN B. BENNETT • Quatrains • Secret • Advice • To a Dark Girl • Your Songs • Fantasy • Lines Written at the Grave of Alexand","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"246 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133999302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-15DOI: 10.32873/unl.dc.zea.1341
E. Phelps
Today, Elizabeth Stuart Phelps (1844–1911) is best known for a handful of her novels: The Gates Ajar (1868), The Silent Partner (1871), and The Story of Avis (1877). During her life, however, the short story was a hugely popular genre in which she was fully invested and where she made a good deal of her living. Stories were her earliest and latest publications, and they were work that she both enjoyed and employed to greater ends. From 1864 to her death in 1911, she published almost one hundred and fifty short stories in the leading periodicals of the day. This collection makes available some of those stories, an important and engaging part of her oeuvre that previously has been all but ignored. Phelps saw her narratives as vehicles through which she could reform her society, and her artistic and political vision is both original and transformative.
{"title":"Stories","authors":"E. Phelps","doi":"10.32873/unl.dc.zea.1341","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1341","url":null,"abstract":"Today, Elizabeth Stuart Phelps (1844–1911) is best known for a handful of her novels: The Gates Ajar (1868), The Silent Partner (1871), and The Story of Avis (1877). During her life, however, the short story was a hugely popular genre in which she was fully invested and where she made a good deal of her living. Stories were her earliest and latest publications, and they were work that she both enjoyed and employed to greater ends. From 1864 to her death in 1911, she published almost one hundred and fifty short stories in the leading periodicals of the day. This collection makes available some of those stories, an important and engaging part of her oeuvre that previously has been all but ignored. Phelps saw her narratives as vehicles through which she could reform her society, and her artistic and political vision is both original and transformative.","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"113 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132992311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.32873/unl.dc.zea.1339
M. Magnus, D. Lawrence
Maurice Magnus was 39 years old when he enlisted in the French Foreign Legion to join the fight against Germany in World War I. Magnus was an American expatriot living in Rome—a theatrical agent, tutor, newspaper correspondent, writer, editor, and literary entrepreneur. He soon discovered his error—the Legion he found consisted largely of German exiles, prison-avoiding felons, and contemptuous French officers. Magnus spent about six weeks training in North Africa before a transfer to southern France provided the opportunity to desert and flee back to Italy. The Memoirs recounts his brief disenchanted tenure as a Legionnaire. After his military service his various enterprises had little success, and in 1920 a run of bad checks caused him to skip from Italy to Malta. Traced there eventually by the authorities, he faced extradition for charges of fraud and in desperation committed suicide. His acquaintances Norman Douglas and D. H. Lawrence prepared his Memoirs of the Foreign Legion for publication, hoping to clear the debts he left behind, and Lawrence wrote a long unflattering introduction. In the present volume the Memoirs is printed first, so readers have an unprejudiced experience of the text with Lawrence’s essay following for additional context. Magnus’s narrative contains offensive language. Some passages in his manuscript describing homosexual incidents that were excised by the original publisher are restored in this edition.
{"title":"Memoirs of the Foreign Legion","authors":"M. Magnus, D. Lawrence","doi":"10.32873/unl.dc.zea.1339","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1339","url":null,"abstract":"Maurice Magnus was 39 years old when he enlisted in the French Foreign Legion to join the fight against Germany in World War I. Magnus was an American expatriot living in Rome—a theatrical agent, tutor, newspaper correspondent, writer, editor, and literary entrepreneur. He soon discovered his error—the Legion he found consisted largely of German exiles, prison-avoiding felons, and contemptuous French officers. Magnus spent about six weeks training in North Africa before a transfer to southern France provided the opportunity to desert and flee back to Italy. The Memoirs recounts his brief disenchanted tenure as a Legionnaire. After his military service his various enterprises had little success, and in 1920 a run of bad checks caused him to skip from Italy to Malta. Traced there eventually by the authorities, he faced extradition for charges of fraud and in desperation committed suicide. His acquaintances Norman Douglas and D. H. Lawrence prepared his Memoirs of the Foreign Legion for publication, hoping to clear the debts he left behind, and Lawrence wrote a long unflattering introduction. In the present volume the Memoirs is printed first, so readers have an unprejudiced experience of the text with Lawrence’s essay following for additional context. Magnus’s narrative contains offensive language. Some passages in his manuscript describing homosexual incidents that were excised by the original publisher are restored in this edition.","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122247332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.32873/unl.dc.zea.1336
Countee Cullen
Poet, playwright, novelist, graduate of DeWitt Clinton High, New York University, and Harvard University, Countee Cullen (1903–1946) emerged as a leading literary figure of the Harlem Renaissance. Color (1925), his first published book of poetry, confronts head-on what W.E.B. DuBois called “the problem of the 20th century—the problem of the color line.” The work includes 72 poems, such as the following: Incident (For Eric Walrond) Once riding in old Baltimore, Heart-filled, head-filled with glee, I saw a Baltimorean Keep looking straight at me. Now I was eight and very small, And he was no whit bigger, And so I smiled, but he poked out His tongue, and called me, “Nigger.” I saw the whole of Baltimore From May until December; Of all the things that happened there That’s all that I remember.
{"title":"Color","authors":"Countee Cullen","doi":"10.32873/unl.dc.zea.1336","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1336","url":null,"abstract":"Poet, playwright, novelist, graduate of DeWitt Clinton High, New York University, and Harvard University, Countee Cullen (1903–1946) emerged as a leading literary figure of the Harlem Renaissance. Color (1925), his first published book of poetry, confronts head-on what W.E.B. DuBois called “the problem of the 20th century—the problem of the color line.” The work includes 72 poems, such as the following:\u0000\u0000Incident (For Eric Walrond)\u0000\u0000Once riding in old Baltimore,\u0000Heart-filled, head-filled with glee,\u0000I saw a Baltimorean\u0000Keep looking straight at me.\u0000\u0000Now I was eight and very small,\u0000And he was no whit bigger,\u0000And so I smiled, but he poked out\u0000His tongue, and called me, “Nigger.”\u0000\u0000I saw the whole of Baltimore\u0000From May until December;\u0000Of all the things that happened there\u0000That’s all that I remember.","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126275492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.32873/unl.dc.zea.1337
Fujiu, 藤生 Tei, てい子
Originally published in Tokyo in 1903, Hanakatsura (literally “garland of flowers”) features a biographical sketch of the activist and author Kishida Toshiko (Baroness Nakajima) plus four short stories by Japanese women writers of the Meiji era: Akebonozome: A Cloth Dyed in Rainbow Colors, by Kaho Miyake Ōtsugomori: The Last Day of the Year, by Ichiyo Higuchi Onisenbiki: The Thousand Devils, by Usurai Kitada (Mrs. Kajita) Shinobine, by Otsuka Kusuo Compiled and translated by Tei Fujiu, four memorable and affecting stories depict women experiencing the frustrations of traditional family roles within an emergent commercial society at the turn of the century. The men seem preoccupied with buying and selling votes, fighting foreign wars, ignoring their families, or going out on the town; and they are fully capable of rejecting a bride for her looks or just letting a new wife walk away. Meanwhile, young female characters cope with overall shabbiness, lost samurai dignity, orphanhood, servitude, poverty, indebtedness, jealous sisters, stepmothers, and mothers-in-law, and the combined challenges of being blind, ugly, alone, and empathetic.
{"title":"Hanakatsura: The Works of Famous Literary Women in Japan","authors":"Fujiu, 藤生 Tei, てい子","doi":"10.32873/unl.dc.zea.1337","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1337","url":null,"abstract":"Originally published in Tokyo in 1903, Hanakatsura (literally “garland of flowers”) features a biographical sketch of the activist and author Kishida Toshiko (Baroness Nakajima) plus four short stories by Japanese women writers of the Meiji era:\u0000\u0000Akebonozome: A Cloth Dyed in Rainbow Colors, by Kaho Miyake\u0000\u0000Ōtsugomori: The Last Day of the Year, by Ichiyo Higuchi\u0000\u0000Onisenbiki: The Thousand Devils, by Usurai Kitada (Mrs. Kajita)\u0000\u0000Shinobine, by Otsuka Kusuo\u0000\u0000Compiled and translated by Tei Fujiu, four memorable and affecting stories depict women experiencing the frustrations of traditional family roles within an emergent commercial society at the turn of the century. The men seem preoccupied with buying and selling votes, fighting foreign wars, ignoring their families, or going out on the town; and they are fully capable of rejecting a bride for her looks or just letting a new wife walk away. Meanwhile, young female characters cope with overall shabbiness, lost samurai dignity, orphanhood, servitude, poverty, indebtedness, jealous sisters, stepmothers, and mothers-in-law, and the combined challenges of being blind, ugly, alone, and empathetic.","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131767058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}