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IF 0.1 3区 艺术学 0 ART Pub Date : 2020-01-01 DOI: 10.3828/sj.2020.29.1.6
Gabriella Beckhurst, J. Bryant, Caterina Fioravanti, Evonne Levy, Marte Stinis, C. Kinsey, T. Kittler, Max Koss, T. M. Evans
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引用次数: 0
Diplomatic devices: Henry Moore and the transatlantic politics of the Time-Life building 外交手段:亨利·摩尔和时代生活大厦的跨大西洋政治
IF 0.1 3区 艺术学 0 ART Pub Date : 2020-01-01 DOI: 10.3828/sj.2020.29.1.2
Alex J. Taylor
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引用次数: 1
‘An unrivalled brass Lectorium’: the Cloisters lectern and the Gothic Revival in England “无与伦比的黄铜讲坛”:修道院讲坛与英国哥特复兴
IF 0.1 3区 艺术学 0 ART Pub Date : 2020-01-01 DOI: 10.3828/sj.2020.29.1.4
D. Brine
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引用次数: 0
The queen’s two bodies: monumental sculpture at the funeral of Anna of Denmark, 1619 女王的两具尸体:1619年丹麦安娜葬礼上的纪念雕塑
IF 0.1 3区 艺术学 0 ART Pub Date : 2020-01-01 DOI: 10.3828/sj.2020.29.1.3
Catriona Murray
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引用次数: 1
From Mesopotamia to the Nebraska State Capitol: Assyrian Revival and new American meanings 从美索不达米亚到内布拉斯加州议会大厦:亚述人的复兴和新的美国意义
IF 0.1 3区 艺术学 0 ART Pub Date : 2020-01-01 DOI: 10.3828/SJ.2020.29.1.5
E. Miller
Bertram Grosvenor Goodhue’s influential ‘prairie skyscraper’ design for the Nebraska State Capitol, inaugurated in 1928, has long defied stylistic categorisation. A now greatly overlooked element of its unclassifiable style was noted in numerous assessments at the time which identified ‘Oriental’ ‘Assyrian’ or ‘Assyrian-Babylonian’ features which, despite (or because of) their associations with a deep antiquity, contributed to the new, distinctly American architecture of the building, and of its sculptural programme by Lee Lawrie. This article considers the Assyrianising tendencies of the Capitol in the context of Art Deco interest in ‘revival’ of ancient styles, and American civic architecture’s engagement with the ancient Middle Eastern past as an origin of civilization. Goodhue’s close collaboration with Lawrie, muralist Hildreth Meière, and ‘symbologist’ Hartley Burr Alexander exemplified the productive and creative application of revived ancient iconography, which was employed in Nebraska in the service of various historical narratives and as a reflection of the designers’ aesthetic appreciation for Assyrian sculptures. Finally this article also investigates how the Capitol’s treatment of the ancient Mesopotamian ‘lawgiver’ Hammurabi influenced ‘Hammurabis’ in subsequent sculptural contexts, including in the State Capitol of Louisiana, American federal government buildings, and the Oriental Institute of the University of Chicago. 1
Bertram Grosvenor Goodhue为内布拉斯加州议会大厦设计的具有影响力的“草原摩天大楼”,于1928年落成,长期以来一直与风格分类相抵触。在当时的许多评估中,人们注意到其无法分类的风格中有一个现在被大大忽视的因素,即“东方”、“亚述”或“亚述-巴比伦”特征,尽管(或因为)它们与古老的古代联系在一起,但这些特征促成了新的、独特的美国建筑风格,以及由Lee Lawrie设计的雕塑项目。本文考虑了在装饰艺术对古代风格的“复兴”感兴趣的背景下,国会大厦的亚述化趋势,以及美国公民建筑与古代中东过去作为文明起源的关系。Goodhue与Lawrie、壁画家Hildreth mei re和“符号学家”Hartley Burr Alexander的密切合作,体现了复兴古代图像学的生产性和创造性应用,这些图像学在内布拉斯加州被用于各种历史叙事,并反映了设计师对亚述雕塑的审美欣赏。最后,本文还研究了国会大厦对古代美索不达米亚“立法者”汉谟拉比的处理如何影响了后来的雕塑环境中的“汉谟拉比”,包括路易斯安那州议会大厦、美国联邦政府大楼和芝加哥大学东方学院
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引用次数: 0
Editorial 编辑
IF 0.1 3区 艺术学 0 ART Pub Date : 2020-01-01 DOI: 10.3828/sj.2020.29.1.1
E. Foster, T. Kittler, E. Marchand, Emma M. Payne
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引用次数: 0
Casting negatives: Medardo Rosso’s Ecce Puer in light of the darkroom 铸造底片:在暗室的光线下,Medardo Rosso的《Ecce Puer》
IF 0.1 3区 艺术学 0 ART Pub Date : 2019-05-28 DOI: 10.3828/SJ.2019.28.1.4
Damian Taylor
Medardo Rosso (1858–1928) devoted his last decades to revising his existing sculptural corpus in unconventional ways. Key to this was his hands-on attention to casting and photography. Developing f...
Medardo Rosso(1858-1928)在他的最后几十年致力于以非传统的方式修改他现有的雕塑语料库。关键是他对选角和摄影的亲自动手。正在开发f。。。
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引用次数: 0
Review of "The History of Venetian Renaissance Sculpture, (c. 1400- 1530)" 《威尼斯文艺复兴时期雕塑史(c. 1400- 1530)》书评
IF 0.1 3区 艺术学 0 ART Pub Date : 2019-05-01 DOI: 10.3828/SJ.2019.28.2.10
Luca Palozzi
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引用次数: 0
Bang! Bang! Observations on assemblage and pretend guns 猛敲猛敲关于装配和装枪的观察
IF 0.1 3区 艺术学 0 ART Pub Date : 2019-05-01 DOI: 10.3828/sj.2019.28.2.5
A. Dezeuze
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引用次数: 0
Contributors 贡献者
IF 0.1 3区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.3828/sj.2019.28.3.12
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引用次数: 0
期刊
Sculpture Journal
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