首页 > 最新文献

Studies in Conservation最新文献

英文 中文
The Balpis Expansion of the Technical Part of the Hermeneia Painting Manual by Dionysius of Fourna 富尔纳的狄奥尼修斯对《赫门尼亚绘画手册》技术部分的巴尔皮斯扩充
4区 化学 Q1 Arts and Humanities Pub Date : 2023-09-22 DOI: 10.1080/00393630.2023.2256626
Georgios P. Mastrotheodoros, Konstantinos G. Beltsios
ABSTRACTPainting manuals with technical and iconographical prescriptions served the needs of Greek icon painters during the post-Byzantine period. The circa 1730 CE Hermeneia of the art of painting was compiled by the hieromonk and icon painter Dionysius and is regarded as the most comprehensive pertinent Greek text. Dionysius’ Hermeneia was widely circulating among icon painters in the form of hand-written copies, many of which survive today. Most of these Hermeneia manuscripts are near-facsimiles of the Dionysius prototype text. Yet, two copies made by Father Ioannis Balpis, a Cretan icon painter, in 1782–83 CE offer an important expansion of the technical part. Here, the authors present the first ever translation of the hitherto unpublished Balpis’ Hermeneia technical additions that offer unique new insights into the materials and techniques of post-Byzantine painting. Moreover, through the critical evaluation of the Balpis additions, it is shown that the Dionysius technical part is by no means an exhaustive account of its contemporary technical knowledge.KEYWORDS: Painting manualpost-ByzantineHermeneia revisionpigmentgilding AcknowledgmentsThe authors express their sincere thanks to Dr. Agamemnon Tselikas, head of the Historical and Paleographical Archive of the National Bank of Greece Cultural Foundation, for granting permission to publish the Samos MS, as well as to Dr. Sofia Chandaka, Dr. Panorea Gaitanou, Ms. Panorea Benatou, and Mr. Sotirios Bekiaris from the Benaki Museum, for granting permission to publish and assisting the study of the Benaki Museum manuscript. Also, special thanks are due to Dr. Varvara Papadopoulou, Deputy Director of the Ioannina Ephorate of Antiquities, for providing access to the Byzantine Museum of Ioannina collection. GM expresses his gratitude to the State Scholarships Foundation (IKY) for providing financial support for this study. Finally, tke authors extend their gratitude to the three anonymous reviewers, who, through their thoughtful and constructive comments, contributed significantly to the improvement of this work.Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 I.e., the period preceding the year 1453 CE, which corresponds to the seizure of Constantinople by Ottoman Turks and marks the beginning of the post-Byzantine period (1453–1830 CE).2 The standard Hermeneia text was translated to English by Paul Hetherington (Dionysius of Fourna Citation1996).3 This specific recipe, along with the recipe §52 that deals with oil painting on fabric, are of particular interest. Given the fact that these very recipes exist in a Dionysius’ source that obviously predates the compilation of the Hermeneia (ca. 1730), they clearly suggest that oil painting and textile substrates were employed by Greek painters prior to the emergence of the On painting manual (Δοξαράς Citation1871). The latter deals almost exclusively with various theoretical and practical aspects of oil painting,
“鸡蛋”,但没有说明它是蛋黄、蛋白还是整个鸡蛋。唯一一个对蛋黄有具体说明的例子是在S66(制作人造琥珀)τοκαρισμο在希腊文中,最终源自意大利语动词tocare =触摸;这个希腊词可能指的是具有最后/最后一笔特征的一连串笔画术语“λιν ον”/ linochra是术语“λιν ον”/“linochron”的复数形式,在菜谱S23、S28和S36中也会遇到。在配方S23/B25中,λιν ν χρα用等量的赭石和铅白混合而成。请注意,术语linochron / linochra来源于“λινό/ λιν ν ν”/ linon这两个词的组合,它代表亚麻纤维的颜色(λινό/ λιν ρι =亚麻)和“ωχρός”/“ochrs”(=赭色)。另一种可能性是,这个词是λιν ο χρο ς(=亚麻色;天然颜色的亚麻布可以是淡黄色的可能是檀香渗出物的固体残留物,即檀香树脂德拉姆是一个重量单位,等于3.203克;400克一冈(1283克)例如,一种淡黄色的褐色。“oxei”(正确拼写:oxy)表示红色、红褐色或紫色,在绘画中,它可能与红赭石或类似的颜料有关。就S26而言(见下文),oxei被解释为“sinapidi”(sinopia的一种形式);关于oxei/oxy的详细讨论见Mastrotheodoros et al. (Citation2021).22S24/B26是关于木氧烷的;后一个术语可能指木制灯笼或具有木材外观/颜色的物品。由于相邻的段落涉及到特殊的颜色,我们把这一段解释为它涉及到木材的外观/颜色参见第23章第24节中关于synapidi和oxei/oxy的注释19,这里可以假设oxei = red ochre;另见附注19.25未确定术语“河”(Potamoi)是出现在圣袍上的细而垂直的装饰带,圣袍是东正教教堂里牧师穿的一种长而平的长袍。π ροδισμός(≈π ροδισμός, pyrodismos):一种透明的红色颜料层,薄涂在脸颊、脖子等处,使皮肤略显红润例如,亚麻纤维的颜色,见S17.29的相关评论,在Samos 61 MS的食谱S35和S36出现在Benaki 141 MS的一个食谱(B37)中。30术语“λινοκοπ骗骗术α”/“linokopia”的复数形式:该词用于描述用于镀金高光的涂胶剂(相当于俄语的“assist”)(Mastrotheodoros等人)。Citation2018)。31两个Balpis文本对应的配方与Διονύσιος Citation1997§27的大致相同(只有轻微的拼写差异)。然而,《巴尔皮斯·赫门尼亚》在食谱的末尾包含简短的附加处方,这些处方在这里被转录这个食谱包含了参考手稿(Διονύσιος Citation1997)中三个食谱的副本,即P§38-39-40。然而,P§39的一小部分被父亲Ioannis的文本省略了,因此它被转录在这里松节油;参见配方S51/B52,其中特别提到了“威尼斯”(即威尼斯松节油)。' Πέγουλα ' / ' Pegoula '是Dionysius (P29)最初使用的术语,指冷杉树脂热处理('沸腾')的残留物。在Balpis的两份手稿中都发现了相关的Dionysius配方的副本(见表1),然而Balpis使用了一个稍微偏离的术语(' μπ α ' / ' begoula ')Balpis在他1783年的Hermeneia副本的总结部分考虑了不可修复图标的管理(见附录B);相关的困境,即“焚化或拟人化”,与处理死者尸体的问题没有什么不同。巴尔皮斯建议将其人葬,并引用了一个故事,这个故事摘自《教父》(patikon)(父亲的故事和教义的集合,即等级制度、圣徒、禁欲者等),涉及超自然的指导。同样的故事也见于一份保存在Megisti Lavra修道院图书馆(希腊阿索斯山)的19世纪手稿中(Παντϵλϵήμων Citation1958)可能是皂草,见Mastrotheodoros et al. (Citation2021).37可能是一种源自莲花/柿子植物(Diospyros属)的物质,详见Mastrotheodoros et al. (Citation2021)最初的巴尔皮斯术语是“<s:1> το”,文学上的意思是“未浇上的”;作者认为,这一名称适用于天然硫的净化过程,包括熔化和浇注(或“铸造”)液态硫Mourtasangki源自波斯语词murdah-sang/ murdár-sang,对应于“lithlarge”/Pb物质(见Mastrotheodoros等人)。Citation2021及参考文献)。有趣的是,巴尔皮斯将这个罕见的术语解释为“μολ βό ωμα”/“molivochoma”(铅-土),这是狄奥尼修斯原文中没有的解释。 ' Ερμηνϵία/ Hermeneia '通常表示'解释';然而,从上下文和对应的习惯动词ϵρμηνϵύω/ ορμηνϵύω的“指示”的意思来看,习惯意义上的“指令”是可能的例如,食谱S11、S18和S66,只在后来的Samos ms中找到,参见表1。本研究由希腊和欧盟(欧洲社会基金- ESF)通过“人力资源开发,教育和终身学习”业务计划在“加强博士后研究人员-第二周期”项目(MIS-5033021)的背景下共同资助,由国家奖学金基金会(ΙΚΥ)实施。
{"title":"The Balpis Expansion of the Technical Part of the <i>Hermeneia</i> Painting Manual by Dionysius of Fourna","authors":"Georgios P. Mastrotheodoros, Konstantinos G. Beltsios","doi":"10.1080/00393630.2023.2256626","DOIUrl":"https://doi.org/10.1080/00393630.2023.2256626","url":null,"abstract":"ABSTRACTPainting manuals with technical and iconographical prescriptions served the needs of Greek icon painters during the post-Byzantine period. The circa 1730 CE Hermeneia of the art of painting was compiled by the hieromonk and icon painter Dionysius and is regarded as the most comprehensive pertinent Greek text. Dionysius’ Hermeneia was widely circulating among icon painters in the form of hand-written copies, many of which survive today. Most of these Hermeneia manuscripts are near-facsimiles of the Dionysius prototype text. Yet, two copies made by Father Ioannis Balpis, a Cretan icon painter, in 1782–83 CE offer an important expansion of the technical part. Here, the authors present the first ever translation of the hitherto unpublished Balpis’ Hermeneia technical additions that offer unique new insights into the materials and techniques of post-Byzantine painting. Moreover, through the critical evaluation of the Balpis additions, it is shown that the Dionysius technical part is by no means an exhaustive account of its contemporary technical knowledge.KEYWORDS: Painting manualpost-ByzantineHermeneia revisionpigmentgilding AcknowledgmentsThe authors express their sincere thanks to Dr. Agamemnon Tselikas, head of the Historical and Paleographical Archive of the National Bank of Greece Cultural Foundation, for granting permission to publish the Samos MS, as well as to Dr. Sofia Chandaka, Dr. Panorea Gaitanou, Ms. Panorea Benatou, and Mr. Sotirios Bekiaris from the Benaki Museum, for granting permission to publish and assisting the study of the Benaki Museum manuscript. Also, special thanks are due to Dr. Varvara Papadopoulou, Deputy Director of the Ioannina Ephorate of Antiquities, for providing access to the Byzantine Museum of Ioannina collection. GM expresses his gratitude to the State Scholarships Foundation (IKY) for providing financial support for this study. Finally, tke authors extend their gratitude to the three anonymous reviewers, who, through their thoughtful and constructive comments, contributed significantly to the improvement of this work.Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 I.e., the period preceding the year 1453 CE, which corresponds to the seizure of Constantinople by Ottoman Turks and marks the beginning of the post-Byzantine period (1453–1830 CE).2 The standard Hermeneia text was translated to English by Paul Hetherington (Dionysius of Fourna Citation1996).3 This specific recipe, along with the recipe §52 that deals with oil painting on fabric, are of particular interest. Given the fact that these very recipes exist in a Dionysius’ source that obviously predates the compilation of the Hermeneia (ca. 1730), they clearly suggest that oil painting and textile substrates were employed by Greek painters prior to the emergence of the On painting manual (Δοξαράς Citation1871). The latter deals almost exclusively with various theoretical and practical aspects of oil painting,","PeriodicalId":21990,"journal":{"name":"Studies in Conservation","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136061253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"化学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Colourless Powdered Glass as a Drier for Red Lakes: On the Influence of Composition and Particle Size 无色玻璃粉作为红湖干燥剂:成分和粒度的影响
4区 化学 Q1 Arts and Humanities Pub Date : 2023-09-12 DOI: 10.1080/00393630.2023.2256122
Mathilde Tiennot, Odile Majérus, Daniel Caurant, Gilles Bastian, Myriam Eveno, Elisabeth Ravaud
Colourless glass particles are found in oil painting layers from the fifteenth-seventeenth centuries. Several historical sources mention the use of finely ground glass powder as a solid drier. In order to assess the siccative effect of glass particles added to paint, this research focused on red lake reconstructions and followed their natural drying using Fourier transform infrared (FTIR) analysis. Three glasses with different sodium-potassium and manganese contents were studied. Significant differences in drying rates were observed in each of the samples, indicating a relationship between both the composition – either enriched with or without manganese – and the size of the glass particles added as siccatives. This FTIR approach highlights several complex mechanisms involved in the drying effect of glass powders mixed in paint layers.
在15 - 17世纪的油画层中发现了无色的玻璃颗粒。一些历史资料提到使用精细磨碎的玻璃粉作为固体干燥剂。为了评估玻璃颗粒添加到涂料中的干燥效果,本研究侧重于红湖重建,并使用傅里叶变换红外(FTIR)分析跟踪其自然干燥。对三种钠钾锰含量不同的玻璃进行了研究。在每个样品中都观察到干燥速率的显著差异,这表明成分(含或不含锰)与作为干燥剂添加的玻璃颗粒的大小之间存在关系。这种FTIR方法突出了在涂料层中混合的玻璃粉干燥效应中涉及的几个复杂机制。
{"title":"Colourless Powdered Glass as a Drier for Red Lakes: On the Influence of Composition and Particle Size","authors":"Mathilde Tiennot, Odile Majérus, Daniel Caurant, Gilles Bastian, Myriam Eveno, Elisabeth Ravaud","doi":"10.1080/00393630.2023.2256122","DOIUrl":"https://doi.org/10.1080/00393630.2023.2256122","url":null,"abstract":"Colourless glass particles are found in oil painting layers from the fifteenth-seventeenth centuries. Several historical sources mention the use of finely ground glass powder as a solid drier. In order to assess the siccative effect of glass particles added to paint, this research focused on red lake reconstructions and followed their natural drying using Fourier transform infrared (FTIR) analysis. Three glasses with different sodium-potassium and manganese contents were studied. Significant differences in drying rates were observed in each of the samples, indicating a relationship between both the composition – either enriched with or without manganese – and the size of the glass particles added as siccatives. This FTIR approach highlights several complex mechanisms involved in the drying effect of glass powders mixed in paint layers.","PeriodicalId":21990,"journal":{"name":"Studies in Conservation","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135885439","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"化学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
How Different Analytical and Stylistics Investigations Can Help in Describing Artefacts Made of Non-coeval Parts: the Imago Pietatis in Breno 不同的分析和文体学研究如何有助于描述由非同时代部件制成的人工制品:布里诺的皮塔提斯像
4区 化学 Q1 Arts and Humanities Pub Date : 2023-09-11 DOI: 10.1080/00393630.2023.2252693
Marco Zuccolo, Valeria Leoni, Gigliola Borgonovo, Stefania Mazzini, Maria Antonietta Tovini, Federico Troletti, Francesca Cocchi, Angela Bassoli, Annamaria Giorgi
{"title":"How Different Analytical and Stylistics Investigations Can Help in Describing Artefacts Made of Non-coeval Parts: the <i>Imago Pietatis</i> in Breno","authors":"Marco Zuccolo, Valeria Leoni, Gigliola Borgonovo, Stefania Mazzini, Maria Antonietta Tovini, Federico Troletti, Francesca Cocchi, Angela Bassoli, Annamaria Giorgi","doi":"10.1080/00393630.2023.2252693","DOIUrl":"https://doi.org/10.1080/00393630.2023.2252693","url":null,"abstract":"","PeriodicalId":21990,"journal":{"name":"Studies in Conservation","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136024576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"化学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Stabilization of Iron Gall Ink Damaged Paper with Nanosized Magnesium Hydroxide and Antioxidants 纳米氢氧化镁和抗氧化剂对铁胆墨损纸的稳定作用
4区 化学 Q1 Arts and Humanities Pub Date : 2023-09-10 DOI: 10.1080/00393630.2023.2250195
Olga Jarmulkiene, Milda Liubiniene, Aldona Beganskiene
{"title":"Stabilization of Iron Gall Ink Damaged Paper with Nanosized Magnesium Hydroxide and Antioxidants","authors":"Olga Jarmulkiene, Milda Liubiniene, Aldona Beganskiene","doi":"10.1080/00393630.2023.2250195","DOIUrl":"https://doi.org/10.1080/00393630.2023.2250195","url":null,"abstract":"","PeriodicalId":21990,"journal":{"name":"Studies in Conservation","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136072352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"化学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pigments and Binders Used in Bark Paintings by Aboriginal Artists from Across the Northern Territory and the Kimberly Region in Western Australia 来自北领地和西澳大利亚金伯利地区的土著艺术家在树皮画中使用的颜料和粘合剂
4区 化学 Q1 Arts and Humanities Pub Date : 2023-09-10 DOI: 10.1080/00393630.2023.2256130
Georgina Rayner, Narayan Khandekar, Katherine Eremin, Daniel P. Kirby, Andrew Shortland
Bark paintings represent a unique artform that originated in Australia and continues to this day. This paper presents a scientific investigation into both the pigments and binders used by Aboriginal artists from across the Northern Territory (NT) and the Kimberley region in Western Australia (WA) and represents the first major study dedicated to identifying these materials in samples taken from paintings. Laser ablation-inductively coupled plasma-mass spectrometry (LA-ICP-MS), Fourier transform infrared (FTIR) and Raman spectroscopy were used to identify the pigments in the four colors commonly associated with works by Aboriginal artists: red, yellow, black, and white. Iron oxides are used for red and yellow. Typically, kaolin is used for white and carbon or natural manganese ores are used for black, although the use of other pigments such as huntite (white) and battery black were seen in paintings from specific locations. Evidence of trade could not be established during this study; however, analysis shows that artists may use different pigments based on location and availability. A combination of FTIR and pyrolysis-gas chromatography-mass spectrometry (pyrolysis-GC-MS) was utilized to investigate the presence of a binder in the paint. Plant-based materials were identified as the binder in the majority of the paintings. The use of orchid juice was common, both as a preparatory layer on the bark substrate and as a paint binder. The presence of synthetic resins was more widespread than anticipated, attributed to both conservation efforts and more modern painting practices.
树皮画代表了一种独特的艺术形式,起源于澳大利亚,一直延续到今天。本文介绍了一项科学调查,研究了来自北领地(NT)和西澳大利亚(WA)金伯利地区的土著艺术家使用的颜料和粘合剂,并代表了第一个致力于从绘画样本中识别这些材料的主要研究。利用激光烧蚀-电感耦合等离子体质谱(LA-ICP-MS)、傅里叶变换红外光谱(FTIR)和拉曼光谱(Raman spectroscopy)对原住民艺术家作品中常见的红、黄、黑、白四种颜色中的颜料进行了鉴定。氧化铁用于制作红色和黄色。通常,高岭土用于白色,碳或天然锰矿石用于黑色,尽管在特定地点的绘画中可以看到使用其他颜料,如狩猎石(白色)和电池黑。在这项研究中无法确定贸易的证据;然而,分析表明,艺术家可能会根据地点和可用性使用不同的颜料。利用FTIR和热解-气相色谱-质谱联用(热解-气相色谱-质谱联用)对涂料中粘合剂的存在进行了研究。植物基材料被确定为大多数画作的粘合剂。兰花汁的使用是常见的,既作为树皮基材上的预备层,也作为油漆粘合剂。合成树脂的出现比预期的更广泛,这要归功于保护工作和更现代的绘画实践。
{"title":"Pigments and Binders Used in Bark Paintings by Aboriginal Artists from Across the Northern Territory and the Kimberly Region in Western Australia","authors":"Georgina Rayner, Narayan Khandekar, Katherine Eremin, Daniel P. Kirby, Andrew Shortland","doi":"10.1080/00393630.2023.2256130","DOIUrl":"https://doi.org/10.1080/00393630.2023.2256130","url":null,"abstract":"Bark paintings represent a unique artform that originated in Australia and continues to this day. This paper presents a scientific investigation into both the pigments and binders used by Aboriginal artists from across the Northern Territory (NT) and the Kimberley region in Western Australia (WA) and represents the first major study dedicated to identifying these materials in samples taken from paintings. Laser ablation-inductively coupled plasma-mass spectrometry (LA-ICP-MS), Fourier transform infrared (FTIR) and Raman spectroscopy were used to identify the pigments in the four colors commonly associated with works by Aboriginal artists: red, yellow, black, and white. Iron oxides are used for red and yellow. Typically, kaolin is used for white and carbon or natural manganese ores are used for black, although the use of other pigments such as huntite (white) and battery black were seen in paintings from specific locations. Evidence of trade could not be established during this study; however, analysis shows that artists may use different pigments based on location and availability. A combination of FTIR and pyrolysis-gas chromatography-mass spectrometry (pyrolysis-GC-MS) was utilized to investigate the presence of a binder in the paint. Plant-based materials were identified as the binder in the majority of the paintings. The use of orchid juice was common, both as a preparatory layer on the bark substrate and as a paint binder. The presence of synthetic resins was more widespread than anticipated, attributed to both conservation efforts and more modern painting practices.","PeriodicalId":21990,"journal":{"name":"Studies in Conservation","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136072339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"化学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Improved Utilization of Radiographs of Ancient Metal Objects under Heterogeneous Image Blurring 异质图像模糊下古代金属物体射线照片的改进利用
4区 化学 Q1 Arts and Humanities Pub Date : 2023-09-10 DOI: 10.1080/00393630.2023.2253662
Jose A. Madrid García, Effat Yahaghi, Amir Movafeghi, Mahdi Mirzapour
{"title":"Improved Utilization of Radiographs of Ancient Metal Objects under Heterogeneous Image Blurring","authors":"Jose A. Madrid García, Effat Yahaghi, Amir Movafeghi, Mahdi Mirzapour","doi":"10.1080/00393630.2023.2253662","DOIUrl":"https://doi.org/10.1080/00393630.2023.2253662","url":null,"abstract":"","PeriodicalId":21990,"journal":{"name":"Studies in Conservation","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136072844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"化学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Conservators, Creativity, and Control 保育员、创造力和控制
IF 0.8 4区 化学 Q1 Arts and Humanities Pub Date : 2023-08-13 DOI: 10.1080/00393630.2023.2241246
J. Kemp
{"title":"Conservators, Creativity, and Control","authors":"J. Kemp","doi":"10.1080/00393630.2023.2241246","DOIUrl":"https://doi.org/10.1080/00393630.2023.2241246","url":null,"abstract":"","PeriodicalId":21990,"journal":{"name":"Studies in Conservation","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42439208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"化学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Comprehensive Research on the Layered Corrosion of Archaeological Copper Wares: A Case Study from Qinghai, China 考古铜器层状腐蚀的综合研究——以青海铜器为例
IF 0.8 4区 化学 Q1 Arts and Humanities Pub Date : 2023-07-27 DOI: 10.1080/00393630.2023.2236376
Han Huarui, Bai Wenlong, Liu Dawei, Han Jianhua
{"title":"Comprehensive Research on the Layered Corrosion of Archaeological Copper Wares: A Case Study from Qinghai, China","authors":"Han Huarui, Bai Wenlong, Liu Dawei, Han Jianhua","doi":"10.1080/00393630.2023.2236376","DOIUrl":"https://doi.org/10.1080/00393630.2023.2236376","url":null,"abstract":"","PeriodicalId":21990,"journal":{"name":"Studies in Conservation","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47898354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"化学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Evaluation of the Polyethylene Glycol Impregnation and Vacuum Freeze-Drying Method for Waterlogged Archaeological Wood: Conservation of the Yenikapı 1 Shipwreck 聚乙二醇浸渍和真空冷冻干燥法对浸水考古木材的评价:叶尼卡比1号沉船的保护
IF 0.8 4区 化学 Q1 Arts and Humanities Pub Date : 2023-07-17 DOI: 10.1080/00393630.2023.2235222
Namık Kılıç, A. Kılıç
{"title":"Evaluation of the Polyethylene Glycol Impregnation and Vacuum Freeze-Drying Method for Waterlogged Archaeological Wood: Conservation of the Yenikapı 1 Shipwreck","authors":"Namık Kılıç, A. Kılıç","doi":"10.1080/00393630.2023.2235222","DOIUrl":"https://doi.org/10.1080/00393630.2023.2235222","url":null,"abstract":"","PeriodicalId":21990,"journal":{"name":"Studies in Conservation","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41357295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"化学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Exploring Benzyl Alcohol Derivatives and Related Compounds in the Cleaning of Oil Paintings 苯甲醇衍生物及其相关化合物在油画清洗中的探索
IF 0.8 4区 化学 Q1 Arts and Humanities Pub Date : 2023-07-10 DOI: 10.1080/00393630.2023.2233374
Chun Liu, Alba Alvarez-Martin, K. Keune
{"title":"Exploring Benzyl Alcohol Derivatives and Related Compounds in the Cleaning of Oil Paintings","authors":"Chun Liu, Alba Alvarez-Martin, K. Keune","doi":"10.1080/00393630.2023.2233374","DOIUrl":"https://doi.org/10.1080/00393630.2023.2233374","url":null,"abstract":"","PeriodicalId":21990,"journal":{"name":"Studies in Conservation","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46312000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"化学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
期刊
Studies in Conservation
全部 Acc. Chem. Res. ACS Applied Bio Materials ACS Appl. Electron. Mater. ACS Appl. Energy Mater. ACS Appl. Mater. Interfaces ACS Appl. Nano Mater. ACS Appl. Polym. Mater. ACS BIOMATER-SCI ENG ACS Catal. ACS Cent. Sci. ACS Chem. Biol. ACS Chemical Health & Safety ACS Chem. Neurosci. ACS Comb. Sci. ACS Earth Space Chem. ACS Energy Lett. ACS Infect. Dis. ACS Macro Lett. ACS Mater. Lett. ACS Med. Chem. Lett. ACS Nano ACS Omega ACS Photonics ACS Sens. ACS Sustainable Chem. Eng. ACS Synth. Biol. Anal. Chem. BIOCHEMISTRY-US Bioconjugate Chem. BIOMACROMOLECULES Chem. Res. Toxicol. Chem. Rev. Chem. Mater. CRYST GROWTH DES ENERG FUEL Environ. Sci. Technol. Environ. Sci. Technol. Lett. Eur. J. Inorg. Chem. IND ENG CHEM RES Inorg. Chem. J. Agric. Food. Chem. J. Chem. Eng. Data J. Chem. Educ. J. Chem. Inf. Model. J. Chem. Theory Comput. J. Med. Chem. J. Nat. Prod. J PROTEOME RES J. Am. Chem. Soc. LANGMUIR MACROMOLECULES Mol. Pharmaceutics Nano Lett. Org. Lett. ORG PROCESS RES DEV ORGANOMETALLICS J. Org. Chem. J. Phys. Chem. J. Phys. Chem. A J. Phys. Chem. B J. Phys. Chem. C J. Phys. Chem. Lett. Analyst Anal. Methods Biomater. Sci. Catal. Sci. Technol. Chem. Commun. Chem. Soc. Rev. CHEM EDUC RES PRACT CRYSTENGCOMM Dalton Trans. Energy Environ. Sci. ENVIRON SCI-NANO ENVIRON SCI-PROC IMP ENVIRON SCI-WAT RES Faraday Discuss. Food Funct. Green Chem. Inorg. Chem. Front. Integr. Biol. J. Anal. At. Spectrom. J. Mater. Chem. A J. Mater. Chem. B J. Mater. Chem. C Lab Chip Mater. Chem. Front. Mater. Horiz. MEDCHEMCOMM Metallomics Mol. Biosyst. Mol. Syst. Des. Eng. Nanoscale Nanoscale Horiz. Nat. Prod. Rep. New J. Chem. Org. Biomol. Chem. Org. Chem. Front. PHOTOCH PHOTOBIO SCI PCCP Polym. Chem.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1