Journal Article Wittgenstein’s Artillery: Philosophy as Poetry Get access Wittgenstein’s Artillery: Philosophy as Poetry James C. Klagge The MIT Press, 2021. 258 + xii pp., $45.00 cloth. John Gibson John Gibson Department of Philosophy, University of Louisville, Louisville, KY, USA john.gibson@louisville.edu Search for other works by this author on: Oxford Academic Google Scholar The Journal of Aesthetics and Art Criticism, kpad049, https://doi.org/10.1093/jaac/kpad049 Published: 11 October 2023
{"title":"Wittgenstein’s Artillery: Philosophy as Poetry","authors":"John Gibson","doi":"10.1093/jaac/kpad049","DOIUrl":"https://doi.org/10.1093/jaac/kpad049","url":null,"abstract":"Journal Article Wittgenstein’s Artillery: Philosophy as Poetry Get access Wittgenstein’s Artillery: Philosophy as Poetry James C. Klagge The MIT Press, 2021. 258 + xii pp., $45.00 cloth. John Gibson John Gibson Department of Philosophy, University of Louisville, Louisville, KY, USA john.gibson@louisville.edu Search for other works by this author on: Oxford Academic Google Scholar The Journal of Aesthetics and Art Criticism, kpad049, https://doi.org/10.1093/jaac/kpad049 Published: 11 October 2023","PeriodicalId":220991,"journal":{"name":"The Journal of Aesthetics and Art Criticism","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136062643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Correction to: A Dual-Process Model of Xunzi’s Philosophy of Music","authors":"","doi":"10.1093/jaac/kpad053","DOIUrl":"https://doi.org/10.1093/jaac/kpad053","url":null,"abstract":"","PeriodicalId":220991,"journal":{"name":"The Journal of Aesthetics and Art Criticism","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136352772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Intuitively speaking, a multiple artwork is one that admits of multiple ‘instances’ which are capable of playing a particular role in the appreciation of the work. The ‘explananda’ in the title of this article are things that have been proposed as requiring explanation by any adequate ontology of multiple artworks so conceived. This assumes that the ontology of art is in the business of explaining certain things, an assumption I defend. At least nine purported explananda have been proposed in the relevant literature. I begin by offering a preliminary sketch of these explananda, identifying how they are grounded in our ordinary artistic practice and discourse, and how they have structured recent debates in the ontology of art. I next argue that the notion of ‘instance’ must be understood in a particular way if instance multiplicity is to capture the standard distinction between singular and multiple art forms. I then assess the relative significance and implications of the nine explananda for an adjudication of the debates in the ontology of art. I identify problems for the historically dominant ‘type’ theory of multiples, and propose an alternative account that speaks to all nine explananda. I conclude by reflecting on where this leaves us and how we should proceed.
{"title":"Nine Explananda in Search of an Explanans","authors":"David Davies","doi":"10.1093/jaac/kpad044","DOIUrl":"https://doi.org/10.1093/jaac/kpad044","url":null,"abstract":"Abstract Intuitively speaking, a multiple artwork is one that admits of multiple ‘instances’ which are capable of playing a particular role in the appreciation of the work. The ‘explananda’ in the title of this article are things that have been proposed as requiring explanation by any adequate ontology of multiple artworks so conceived. This assumes that the ontology of art is in the business of explaining certain things, an assumption I defend. At least nine purported explananda have been proposed in the relevant literature. I begin by offering a preliminary sketch of these explananda, identifying how they are grounded in our ordinary artistic practice and discourse, and how they have structured recent debates in the ontology of art. I next argue that the notion of ‘instance’ must be understood in a particular way if instance multiplicity is to capture the standard distinction between singular and multiple art forms. I then assess the relative significance and implications of the nine explananda for an adjudication of the debates in the ontology of art. I identify problems for the historically dominant ‘type’ theory of multiples, and propose an alternative account that speaks to all nine explananda. I conclude by reflecting on where this leaves us and how we should proceed.","PeriodicalId":220991,"journal":{"name":"The Journal of Aesthetics and Art Criticism","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136279917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Realism about types is the view that types are abstract and repeatable objects. Although type realists seem to agree that types, unlike properties, are objects in their own right, they argue that there is a metaphysically intimate tie between the existence conditions of types and properties. In particular, most type realists believe that types are, in a certain sense, determined by the properties that underlie them. I argue that this is a mistake, especially for those type realists who believe that social and cultural types such as works of music and fiction or words are artifacts. I offer an alternative version of type realism where social and cultural types are dependent objects that should be understood in analogy with concrete artifacts.
{"title":"Type Realism Reconsidered","authors":"Nurbay Irmak","doi":"10.1093/jaac/kpad043","DOIUrl":"https://doi.org/10.1093/jaac/kpad043","url":null,"abstract":"Abstract Realism about types is the view that types are abstract and repeatable objects. Although type realists seem to agree that types, unlike properties, are objects in their own right, they argue that there is a metaphysically intimate tie between the existence conditions of types and properties. In particular, most type realists believe that types are, in a certain sense, determined by the properties that underlie them. I argue that this is a mistake, especially for those type realists who believe that social and cultural types such as works of music and fiction or words are artifacts. I offer an alternative version of type realism where social and cultural types are dependent objects that should be understood in analogy with concrete artifacts.","PeriodicalId":220991,"journal":{"name":"The Journal of Aesthetics and Art Criticism","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135477726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction: Symposium on the Role of Aesthetics in Debating Culinary Cultural Heritage","authors":"Andrea L Baldini","doi":"10.1093/jaac/kpad040","DOIUrl":"https://doi.org/10.1093/jaac/kpad040","url":null,"abstract":"","PeriodicalId":220991,"journal":{"name":"The Journal of Aesthetics and Art Criticism","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135981617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract It is often claimed that, in at least some areas of language use, the relation between form and content is such that any attempt at reformulation or paraphrase amounts to a distortion of the significance of the original wording. In this article, I set out to vindicate an undemanding yet nontrivial conception of paraphrase. According to the rhetorical relations account of textual cohesion proposed, the meaning specifications required by a collection of sentences in order to constitute a text pave the way for a kind of reformulation which is in solidarity with the possibility of paraphrase. I substantiate my approach with prosaic and poetic examples from Woolf and Dickinson, respectively.
{"title":"The Possibility of Paraphrase","authors":"Palle Leth","doi":"10.1093/jaac/kpad041","DOIUrl":"https://doi.org/10.1093/jaac/kpad041","url":null,"abstract":"Abstract It is often claimed that, in at least some areas of language use, the relation between form and content is such that any attempt at reformulation or paraphrase amounts to a distortion of the significance of the original wording. In this article, I set out to vindicate an undemanding yet nontrivial conception of paraphrase. According to the rhetorical relations account of textual cohesion proposed, the meaning specifications required by a collection of sentences in order to constitute a text pave the way for a kind of reformulation which is in solidarity with the possibility of paraphrase. I substantiate my approach with prosaic and poetic examples from Woolf and Dickinson, respectively.","PeriodicalId":220991,"journal":{"name":"The Journal of Aesthetics and Art Criticism","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136298972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Debates on Culinary Norms Get access Paloma Atencia-Linares, Paloma Atencia-Linares UNED, Madrid patencia@fsof.uned.es https://orcid.org/0000-0002-3405-9452 Search for other works by this author on: Oxford Academic Google Scholar Miguel Ángel Sebastián Miguel Ángel Sebastián IIF, UNAM, México Search for other works by this author on: Oxford Academic Google Scholar The Journal of Aesthetics and Art Criticism, kpad039, https://doi.org/10.1093/jaac/kpad039 Published: 02 September 2023 Article history Received: 01 June 2023 Accepted: 04 August 2023 Published: 02 September 2023
{"title":"Debates on Culinary Norms","authors":"Paloma Atencia-Linares, Miguel Ángel Sebastián","doi":"10.1093/jaac/kpad039","DOIUrl":"https://doi.org/10.1093/jaac/kpad039","url":null,"abstract":"Journal Article Debates on Culinary Norms Get access Paloma Atencia-Linares, Paloma Atencia-Linares UNED, Madrid patencia@fsof.uned.es https://orcid.org/0000-0002-3405-9452 Search for other works by this author on: Oxford Academic Google Scholar Miguel Ángel Sebastián Miguel Ángel Sebastián IIF, UNAM, México Search for other works by this author on: Oxford Academic Google Scholar The Journal of Aesthetics and Art Criticism, kpad039, https://doi.org/10.1093/jaac/kpad039 Published: 02 September 2023 Article history Received: 01 June 2023 Accepted: 04 August 2023 Published: 02 September 2023","PeriodicalId":220991,"journal":{"name":"The Journal of Aesthetics and Art Criticism","volume":"abs/2309.10355 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134948578","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Andrea Borghini, Matteo Ravasio, Andrea Lorenzo Baldini
Journal Article Stakeholders and Experts in Culinary Cultural Heritage Get access Andrea Borghini, Andrea Borghini Department of Philosophy, University of Milan, Italy https://orcid.org/0000-0002-2239-1482 Search for other works by this author on: Oxford Academic Google Scholar Matteo Ravasio, Matteo Ravasio School of Arts, Peking University, Beijing, China Email: matteo@pku.edu.cn https://orcid.org/0000-0003-1979-1140 Search for other works by this author on: Oxford Academic Google Scholar Andrea Lorenzo Baldini Andrea Lorenzo Baldini School of Arts, Nanjing University, Nanjing, China https://orcid.org/0000-0001-7709-2570 Search for other works by this author on: Oxford Academic Google Scholar The Journal of Aesthetics and Art Criticism, kpad037, https://doi.org/10.1093/jaac/kpad037 Published: 02 September 2023 Article history Received: 01 June 2023 Accepted: 04 August 2023 Published: 02 September 2023
期刊文章利益相关者和烹饪文化遗产专家访问Andrea Borghini, Andrea Borghini意大利米兰大学哲学系https://orcid.org/0000-0002-2239-1482搜索作者的其他作品:牛津学术谷歌学者Matteo Ravasio，北京大学Matteo Ravasio艺术学院，中国北京电子邮件:matteo@pku.edu.cn https://orcid.org/0000-0003-1979-1140牛津学术谷歌学者安德烈·洛伦佐·巴尔迪尼安德烈·洛伦佐·巴尔迪尼南京大学艺术学院，中国南京https://orcid.org/0000-0001-7709-2570作者其他作品搜索:牛津学术谷歌学者美学与艺术批评杂志，kpad037, https://doi.org/10.1093/jaac/kpad037发布日期:2023年9月02日文章历史收稿日期:2023年6月01日接收日期:2023年8月04日发布日期:2023年9月02日
{"title":"Stakeholders and Experts in Culinary Cultural Heritage","authors":"Andrea Borghini, Matteo Ravasio, Andrea Lorenzo Baldini","doi":"10.1093/jaac/kpad037","DOIUrl":"https://doi.org/10.1093/jaac/kpad037","url":null,"abstract":"Journal Article Stakeholders and Experts in Culinary Cultural Heritage Get access Andrea Borghini, Andrea Borghini Department of Philosophy, University of Milan, Italy https://orcid.org/0000-0002-2239-1482 Search for other works by this author on: Oxford Academic Google Scholar Matteo Ravasio, Matteo Ravasio School of Arts, Peking University, Beijing, China Email: matteo@pku.edu.cn https://orcid.org/0000-0003-1979-1140 Search for other works by this author on: Oxford Academic Google Scholar Andrea Lorenzo Baldini Andrea Lorenzo Baldini School of Arts, Nanjing University, Nanjing, China https://orcid.org/0000-0001-7709-2570 Search for other works by this author on: Oxford Academic Google Scholar The Journal of Aesthetics and Art Criticism, kpad037, https://doi.org/10.1093/jaac/kpad037 Published: 02 September 2023 Article history Received: 01 June 2023 Accepted: 04 August 2023 Published: 02 September 2023","PeriodicalId":220991,"journal":{"name":"The Journal of Aesthetics and Art Criticism","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134948741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hybridized, Influenced, or Evolved? A Typology to Aid the Categorization of New and Developing Arts","authors":"Claire Anscomb","doi":"10.1093/jaac/kpad028","DOIUrl":"https://doi.org/10.1093/jaac/kpad028","url":null,"abstract":"","PeriodicalId":220991,"journal":{"name":"The Journal of Aesthetics and Art Criticism","volume":"191 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136354996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Heritage Value of Culinary Items: A Rather Skeptical Tale","authors":"Patrik Engisch","doi":"10.1093/jaac/kpad038","DOIUrl":"https://doi.org/10.1093/jaac/kpad038","url":null,"abstract":"","PeriodicalId":220991,"journal":{"name":"The Journal of Aesthetics and Art Criticism","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135783008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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