Pub Date : 1900-01-01DOI: 10.31249/litzhur/2022.55.05
I. Logvinova
The article is devoted to the results of the work of the research team on the preparation for publication of the first two volumes of the complete collection of historical and philological works of M.P. Pogodin in 2019-2020 with the financial support of the Russ Foundation for Basic Research (project No. 19-012-00310 A).
{"title":"ON THE ISSUE OF THE COMPLETE COLLECTION OF HISTORICAL AND PHILOLOGICAL WORKS OF M.P. POGODIN","authors":"I. Logvinova","doi":"10.31249/litzhur/2022.55.05","DOIUrl":"https://doi.org/10.31249/litzhur/2022.55.05","url":null,"abstract":"The article is devoted to the results of the work of the research team on the preparation for publication of the first two volumes of the complete collection of historical and philological works of M.P. Pogodin in 2019-2020 with the financial support of the Russ Foundation for Basic Research (project No. 19-012-00310 A).","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115337100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31249/litzhur/2023.59.06
{"title":"BAKHTIN'S VOICE IN THE LANGUAGE OF SHAKESPEARE AND JOYCE: HOW ACCURATE IS THE TRANSLATION OF DUVAKIN'S INTERVIEWS WITH BAKHTIN","authors":"","doi":"10.31249/litzhur/2023.59.06","DOIUrl":"https://doi.org/10.31249/litzhur/2023.59.06","url":null,"abstract":"","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115497491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31249/litzhur/2023.60.02
{"title":"ZHUKOVSKY AND THE LITHUANIAN SCHOOL OF POETS (FROM COMMENTS ON ADAM MICKIEWICZ’S LECTURES AT THE COLLèGE DE FRANCE)","authors":"","doi":"10.31249/litzhur/2023.60.02","DOIUrl":"https://doi.org/10.31249/litzhur/2023.60.02","url":null,"abstract":"","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115497850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31249/litzhur/2019.46.05
G. Khlebnikov
{"title":"Some of the hidden motives of the Krylov’s fables and the genesis of the fable in Europe from Aesop to his English translations","authors":"G. Khlebnikov","doi":"10.31249/litzhur/2019.46.05","DOIUrl":"https://doi.org/10.31249/litzhur/2019.46.05","url":null,"abstract":"","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121264927","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31249/litzhur/2022.56.03
Sergei Shultz
The main leitmotif of Dostoevsky’s story “Notes from the Underground” is the denial of all available institutions. A stable, constantly recurring symbol of rationalism and necessity (which Dostoevsky’s hero opposes) in “Notes from the Underground” is the formula “twice two makes four”. For Moliere’s Don Juan, the formula “twice two makes four” becomes his credo. Thus, what is recognized by Don Juan is denied by the underground man. At the same time, the two heroes are not only opposed, but also positively compared by Dostoevsky with each other. On the one hand, the attacks of the underground man against rationalism also imply attacks against Moliere’s Don Juan, but on the other hand, the paradoxicalist turns out to be a new version and development of the libertine hero. And as is known Moliere’s Don Juan is in the context of the development of libertinism. Both the underground man and Don Juan resort to sophistry.
{"title":"DOSTOYEVSKY AND MOLIERE (“NOTES FROM THE UNDERGROUND” AND “DON JUAN”)","authors":"Sergei Shultz","doi":"10.31249/litzhur/2022.56.03","DOIUrl":"https://doi.org/10.31249/litzhur/2022.56.03","url":null,"abstract":"The main leitmotif of Dostoevsky’s story “Notes from the Underground” is the denial of all available institutions. A stable, constantly recurring symbol of rationalism and necessity (which Dostoevsky’s hero opposes) in “Notes from the Underground” is the formula “twice two makes four”. For Moliere’s Don Juan, the formula “twice two makes four” becomes his credo. Thus, what is recognized by Don Juan is denied by the underground man. At the same time, the two heroes are not only opposed, but also positively compared by Dostoevsky with each other. On the one hand, the attacks of the underground man against rationalism also imply attacks against Moliere’s Don Juan, but on the other hand, the paradoxicalist turns out to be a new version and development of the libertine hero. And as is known Moliere’s Don Juan is in the context of the development of libertinism. Both the underground man and Don Juan resort to sophistry.","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125333939","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31249/litzhur/2022.57.05
E.N. Filippov
An important task for identifying the regularities of the literary process is to study the issues of continuity. L.N. Andreev implemented philosophical and aesthetic concepts in his plays, creating new forms of drama. At the same time, he relied on the experience of his predecessors. Andreev considered himself a follower of A.P. Chekhov, one of the main reformers of drama at the turn of the 19th - 20th centuries. This article is devoted to the study of the influence of A.P. Chekhov’s dramaturgy on the work of L.N. Andreev. The analysis is carried out on the material of the plays “Three Sisters” and “Tsar Hunger”. The features of dramatic action, as well as the place and role of remarks in the introduction of “external action” are considered. The study correlated the functional and semantic differences in the use of the ring composition and provides an analysis and comparison of the chronotope. The plays have similar elements of figurative structure and elements of a parody of the romantic tradition. Both texts also use a specific technique for constructing dialogues. This work allows us to trace the trends of Andreev’s reinterpretation of Chekhov’s innovations in the theater. The same techniques in the analyzed plays perform different functions and create different effects.
{"title":"DRAMATURGY BY A.P. CHEKHOV AND L.N. ANDREEV: ISSUES OF CONTINUITY","authors":"E.N. Filippov","doi":"10.31249/litzhur/2022.57.05","DOIUrl":"https://doi.org/10.31249/litzhur/2022.57.05","url":null,"abstract":"An important task for identifying the regularities of the literary process is to study the issues of continuity. L.N. Andreev implemented philosophical and aesthetic concepts in his plays, creating new forms of drama. At the same time, he relied on the experience of his predecessors. Andreev considered himself a follower of A.P. Chekhov, one of the main reformers of drama at the turn of the 19th - 20th centuries. This article is devoted to the study of the influence of A.P. Chekhov’s dramaturgy on the work of L.N. Andreev. The analysis is carried out on the material of the plays “Three Sisters” and “Tsar Hunger”. The features of dramatic action, as well as the place and role of remarks in the introduction of “external action” are considered. The study correlated the functional and semantic differences in the use of the ring composition and provides an analysis and comparison of the chronotope. The plays have similar elements of figurative structure and elements of a parody of the romantic tradition. Both texts also use a specific technique for constructing dialogues. This work allows us to trace the trends of Andreev’s reinterpretation of Chekhov’s innovations in the theater. The same techniques in the analyzed plays perform different functions and create different effects.","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123718289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31249/litzhur/2021.54.07
V. Tyupa
This paper is devoted to clarifying the importance of Bakhtin’s intellectual heritage for narratology, as noted by Paul Ricoeur. In particular, the following are considered: Bakhtin’s interpretations of event and consciousness in relation to the modern understanding of narrativity as the formation and retranslation of event experience, as well as Bakhtin’s position on the dual eventfulness of narrative; Bakhtin’s concept of authorship (“primary” and “secondary” authors) in relation to the modern axiom of dissociation of the figures of author and narrator; later Bakhtin’s “metalinguistics” in relation to modern research into the verbalization of narrative. The significance of Bakhtin’s theory of the deed for understanding the category of narrative ethos is noted. The relevance of Bakhtin’s contribution to historical poetics for the realization of the innovative project of historical narratology is emphasized.
{"title":"BAKHTIN AND NARRATOLOGY","authors":"V. Tyupa","doi":"10.31249/litzhur/2021.54.07","DOIUrl":"https://doi.org/10.31249/litzhur/2021.54.07","url":null,"abstract":"This paper is devoted to clarifying the importance of Bakhtin’s intellectual heritage for narratology, as noted by Paul Ricoeur. In particular, the following are considered: Bakhtin’s interpretations of event and consciousness in relation to the modern understanding of narrativity as the formation and retranslation of event experience, as well as Bakhtin’s position on the dual eventfulness of narrative; Bakhtin’s concept of authorship (“primary” and “secondary” authors) in relation to the modern axiom of dissociation of the figures of author and narrator; later Bakhtin’s “metalinguistics” in relation to modern research into the verbalization of narrative. The significance of Bakhtin’s theory of the deed for understanding the category of narrative ethos is noted. The relevance of Bakhtin’s contribution to historical poetics for the realization of the innovative project of historical narratology is emphasized.","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125497158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31249/litzhur/2022.58.05
{"title":"GOGOL' - SHEAKSPEARE - CERVANTES (ON “MEDIEVAL” AND “RENAISSANCE” SUB-TEXT IN “VII”)","authors":"","doi":"10.31249/litzhur/2022.58.05","DOIUrl":"https://doi.org/10.31249/litzhur/2022.58.05","url":null,"abstract":"","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125816030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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