Japanese Journal of Sociology最新文献

The Kouraku Kiln, a 150-year-old Japanese porcelain factory in the traditional rural pottery town of Arita, has been struggling with the economic decline brought by the burst of the bubble in the mid-1990s, rural migration and changes in lifestyle and tastes. Using ethnographic fieldwork, I look at the independent innovative activities that the Kouraku Kiln factory has put into place to overcome such problems: an artist-in-residence program and a treasure hunt, both coordinated by Brazilian ceramic artist and cultural agitator Sebastião Pimenta. By making use of the local history, identity, and infrastructure to attract visitors from all over the world to the production site, Kouraku Kiln has changed its focus from its products by selling knowledge and experiences. Besides contributing to the revitalization of the local economy, the constant presence of Pimenta and other international artists at the factory has added to the creation of multicultural exchanges in the local community, raising issues about social integration and local citizenship. With this case study, I aim to add to discussions about the revitalization of rural places and the regeneration of Japanese traditional crafts through the acknowledgment of globalization and mobility. By addressing issues related to the impact of transnational flows in rural communities, this article argues for the contributions of migrants in their communities of destination and examines the transforming relationships between art, society, and local development.

This paper addresses a neglected dimension of global cities research: how the idea of economic concentration, its surplus and consequent global influence can be applied to the art world. The research presented here relates to Tokyo as a well-known example of a global city, advancing existing understandings of Tokyo from the neglected perspective of the arts. Based on qualitative and quantitative research by the author, including cultural and spatial mapping, interviews, ethnographic observations and visual documents, the findings confirm that the role of space and materiality is overlooked in global cities research. The results demonstrate the active contribution and intervention of spatial patterns in the formation of artistic activities. A number of Tokyo's spatial features have an inhibiting effect that shifts artistic activities underground, creating asymmetries in the constitution of symbolic meanings in the city and a failure to openly stimulate artistic practices. As a consequence, Tokyo's vivid art world remains invisible not only to outsiders but to Tokyo itself.

This paper aims to focus on a correlation between urban land development and a “proletarianization” of day-laborers by examining Mitsui Fudosan Group [Mitsui Real Estate Group] as an agent of urban developments and construction industry in Japan, with examining daylaborers’ riots and moral economy as a counter-culture against gentrified urban spaces.It is necessary to acknowledge the fact that the national projects – maintained by the closed market and the subcontracting labor system in the construction industry – also induce a radical opposition against the urban development. Although national projects are inevitably accompanied by gentrification, eviction of the homeless, and social exclusion of the underclass, unavoidable transgression or deviation conflicts with urban development, such as periodic and spontaneous riots by day-laborers, demonstrates a vulnerability of the national unity. In fact, the day-laborers changed the street labor market into their own field in order to overturn the hierarchy determined by the subcontracting structure in the construction industry. Their bodily expression in the form of riots had radically transgressed the ideas promoted in the 1964 Tokyo Olympics as “One World,” or the 1970 Osaka Expo as “Progress and Harmony for Mankind.” The Olympic legacy was disrupted boldly and transformed into a radical egalitarian thought in this sense. The underclass is immediately defined and commodified by national projects, however, it does not mean that its body is completely involved in its time and space.

How is our memory of mega-events structured? This article investigates the relationship between cinema and the Olympic Games. To this end, it first unravels the historical origins of the strong link between the two, as both are symbolic products of the 20th century. The Olympics reaffirm the image of the modern nation-state; the cinematic medium visually represents the Games as spectacle. Leni Riefenstahl's film, Olympia (1938), recorded at the 1936 Berlin Olympic Games, supplies the most enduring imagery of this type. In addition to Riefenstahl's thoughts and methods, this study delves into Kon Ichikawa's Tokyo Olympiad (1965), which was influenced by Olympia. Ichikawa's film, which reflects his artistry and showcases his various skills, won critical acclaim and, intriguingly, precipitated the “document or art” controversy that involved the Japanese state and the mass media. Whether document or work of art, this film has supplied the public with imagery for the 1964 Tokyo Olympic Games—various images that most of us recognize—and thereby played a key role in constituting our memory of them. Therefore, our experience of the Games is a mediated experience through the construction of our public memory. Our memory culture is composed of “prosthetic memories” that are technologically assembled through cinema and act as Freudian “screen memories.”

The article discusses some of the issues that sociologists research with respect to the Olympic Games.

This paper examines the importance of better recognizing and representing haafu students in Japanese education policies by using Fraser's tripartite theory of social justice. In today's transnational Japan, there has been a remarkable increase in the number of haafu, a term used in reference to children with Japanese and non-Japanese parents. However, the educational experiences of haafu children have not been adequately investigated by researchers and the government for education policies. Central to these arguments are concerns that haafu children occupy a liminal space, and hence are potentially educationally “at risk.” They are generally viewed as Japanese because of their nationality and are expected to perform like the majority of Japanese students with two Japanese parents due to their familiarity with Japanese culture. Yet, in practice there is a paradox that haafu students might be marginalized as a consequence of being viewed as not Japanese enough. In this context, how should public education respond to an increasingly culturally diverse student body? This paper argues why there is a need for public education, its policy and practices to more effectively recognize, represent and redistribute resources - as Fraser frames the three dimensions of social justice - in support of these students.

This study examined the factors associated with job-pursuit intentions for Japanese companies among young, college-educated Malaysian respondents. Building on the frameworks of Japanese-style management and the organizational image theory, the study examined the perceived images of Japanese companies and their relations to the actual job-pursuit intentions among potential job seekers in Malaysia. Using two types of surveys—one based on students (prospective new graduates), and the other based on mid-career workers—we found that a positive image of Japanese companies’ human resource management was attractive to both types of potential job applicants. Images related to skill training and monetary compensation were more appealing to students, whereas the image of career development was more appealing to mid-career workers. We also found that Japanese companies tend to attract members of the workforce who are talented in job-specific skills and professional knowledge in the Malaysian context.

Although mainstream globalization literature has attempted to provide an empirical proof of the rise of transnational business elites using several indicators, it is still not clear how to pinpoint transnationality and to establish whether globalization has led to the erosion of nation-state boundaries through worldwide mobility and networks, as globalization theorists argue. Using empirical data on career paths and mobility over three decades in Japan – compared with other East Asia economies and India – we examine the shift in career mobility. First, we maintain that a comprehensive understanding of social, political and cultural dimensions need to be considered in a discussion of transnationality. Second, we suggest that the globalizing economy does not necessarily lead to the weakening of the nation-state territory and its institutions in all sociocultural and political dimensions. In particular, transnationality in career mobility in Asian economies is not greatly evident. We propose instead that a new career pattern, which we call brain circulation, highlighting the importance of international experience, has emerged.