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Caudal identitário: representação, imaginário e estereótipo no documentário O Acre Existe 身份流:纪录片《生存》中的再现、想象与刻板印象
Pub Date : 2017-12-31 DOI: 10.4013/VER.2018.32.79.03
Francisco Aquinei Timóteo Queirós, Francielle Maria Modesto Mendes
O trabalho analisa o documentario O Acre existe (2013), dirigido por Bruno Graziano, Milton Leal, Paulo Silva Junior e Raoni Gruber. O objetivo e discutir de que forma o Acre e representado nessa narrativa filmica. Para o estudo, sao levados em consideracao os aspectos tratados a respeito do estado: a religiao Daime, a borracha, os indigenas, o lider sindical Chico Mendes, o folguedo Jabuti Bumba e a chegada dos haitianos ao Estado. Na construcao desse mosaico chamado Acre, o estudo evidencia a manutencao das representacoes, dos imaginarios e de estereotipos sobre o local. Personagens aparecem em meio a floresta, cercados por animais e rios, os espacos floresta/ cidade nao sao diferenciados, as imagens produzidas dao ideia de vazio, monotonia, lentidao e tristeza. Aspectos religiosos e culturais que envolvem o Daime, os indigenas e o Jabuti Bumba sao tratados de forma fragmentada. Mas, como o proposito do video e descobrir o que e o Acre e quem sao seus moradores, pode-se considerar o esforco valido pela tentativa de juntar pecas de um caudal identitario. Para embasar os estudos, foram usados os autores Stuart Hall, Ana Pizarro, Luciana Murari e Durval Muniz Albuquerque Junior, entre outros. Palavras-chave: Amazonia, imaginario, estereotipo, representacao, O Acre existe.
该作品分析了由布鲁诺·格拉齐亚诺、米尔顿·里尔、小保罗·席尔瓦和拉奥尼·格鲁伯执导的纪录片《生存之地》(2013)。目的是讨论阿克里在这部电影叙事中的表现。在这项研究中,考虑到了关于该州的各个方面:戴姆宗教、橡胶、土著人民、工会领袖奇科·门德斯、开朗的贾布蒂·邦巴以及海地人来到该州。在这幅名为Acre的马赛克的构建中,研究表明了对这个地方的表征、想象和刻板印象的保留。人物出现在森林中间,周围是动物和河流,森林/城市的空间没有区分,图像产生了空虚、单调、缓慢和悲伤的想法。涉及代姆人、印度人和贾布提邦巴人的宗教和文化方面被以分散的方式对待。但是,作为视频的目的,为了了解Acre是什么以及它的居民是谁,人们可以通过尝试收集流动身份的片段来考虑有效的努力。为了支持这项研究,作者斯图尔特·霍尔、安娜·皮萨罗、卢西亚娜·穆拉里和小杜瓦尔·穆尼兹·阿尔伯克基等人被使用。关键词:亚马逊,想象,刻板印象,表征,英亩存在。
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引用次数: 0
As representações de bruxaria na série Salem: um estudo comparativo 塞勒姆系列中巫术的表现:比较研究
Pub Date : 2017-12-31 DOI: 10.4013/VER.2018.32.79.04
I. Carvalho, Manoel Pereira da Rocha Neto
Neste artigo, trazemos a serie de TV Salem para analisarmos elementos da bruxaria utilizados como parte da construcao da trama. Para isso, adotamos uma abordagem qualitativa e desenvolvemos uma analise comparativa que leva em consideracao os seguintes aspectos: as bruxas em Salem ; a divindade das bruxas; a transmissao do saber bruxo; os familiares e a marca da bruxa; o saba , os voos noturnos e os objetos magicos. As praticas e representacoes de bruxaria, configuradas nos episodios da serie, revelam muito mais aproximacoes do que distanciamentos no tocante aos aspectos considerados reais por praticantes tanto da bruxaria tradicional quanto da moderna, e tambem se abeiram dos relatos inquisitoriais durante o periodo mais elevado de caca as bruxas, entre 1560 e 1660. Palavras-chave: Salem , bruxaria, ficcao televisiva.
在这篇文章中,我们带来了电视连续剧塞勒姆来分析作为情节构建的一部分的巫术元素。为此,我们采用了定性的方法,并发展了一个比较分析,考虑到以下几个方面:塞勒姆的女巫;女巫的神性;巫师知识的传播;家庭成员和女巫的印记;萨巴,夜间飞行和魔法物品。练习和representacoes巫术,配置集的系列,显示比aproximacoes超然的方面被认为是真正的信徒的现代巫术的传统,和是否abeiram调查报告期间最高的女巫,从1560年到1660年。关键词:塞勒姆巫术电视小说
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引用次数: 0
Encontros potenciais: a pesquisa em Comunicação e as abordagens feministas e sobre as mulheres, de 2005–2014 潜在遭遇:传播研究与女权主义和妇女方法,2005-2014年
Pub Date : 2017-12-31 DOI: 10.4013/VER.2018.32.79.08
Vera Martins
Este trabalho estuda as pesquisas em Comunicacao no Brasil e as abordagens feministas e sobre as mulheres nesse contexto de producao do conhecimento. Para isso, considera os artigos apresentados nos principais eventos cientificos da Comunicacao no Brasil, as dissertacoes e teses depositadas no Banco de Teses da Coordenacao de Aperfeicoamento de Pessoal de Nivel Superior – CAPES entre os anos de 2005 e 2014. A partir do aporte teorico das Epistemologias Feminista e da Comunicacao, o objetivo geral do texto e mapear quais as preocupacoes centrais da pesquisa em Comunicacao quando seus temas sao articulados com aspectos do feminismo e sobre as mulheres. A perspectiva metodologica que orienta este estudo e a cartografia. A observacao dos 75 trabalhos, cujos resumos foram analisados, revela um potencial de visibilidade das mulheres na Comunicacao. Aspectos como a experiencias dos sujeitos, da politica e das representacoes apontam tambem as possibilidades da producao de conhecimentos para a transformacao social dessas duas areas. Palavras-chaves: comunicacao, feminismo, mulher, pesquisa, cartografia.
这项工作研究了巴西传播和女权主义方法的研究,以及在知识生产的背景下对妇女的研究。为此,它考虑了2005年至2014年间在巴西传播学主要科学活动中发表的文章,以及在提高高级人才协调数据库CAPES中存放的论文和论文。从女权主义认识论和传播学的理论贡献来看,本文的总体目标是,当传播学的主题与女权主义和关于女性的方面相结合时,描绘传播学研究的中心关注点。指导本研究和制图的方法论观点。对这75篇论文的摘要进行了分析,发现了女性在传播中的知名度。主体的经验、政治和表征等方面也为这两个领域的社会转型指明了知识生产的可能性。关键词:传播,女权主义,妇女,研究,制图。
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引用次数: 2
Telenovela e Ritual: do Culto ao Cult 中篇小说与仪式:从邪教到邪教
Pub Date : 2017-12-31 DOI: 10.4013/ver.2018.32.79.05
Clarice Greco
O artigo relaciona o conceito de TV cult com o ritual criado pela telenovela no Brasil e a uma possivel aura adquirida por algumas telenovelas. O termo cult , na televisao, se refere, entre outros aspectos, a producoes com apelo nostalgico e elevado carater de culto de um nicho especifico de audiencia. A telenovela e um produto televisivo com presenca continua no cotidiano do brasileiro e, com isso, funda uma especie de ritual com valores simbolicos e culturais. Com base em linhas teoricas que abordam a televisao como ritual, na nocao de culto de Durkheim e no conceito de Benjamin sobre a aura da obra de arte, o objetivo e associar as obras ditas cult com uma aura que faz do programa objeto de culto. Palavras-chave: telenovela, cult , aura, culto, ritual.
本文将邪教电视的概念与巴西电视小说创造的仪式以及一些电视小说可能获得的光环联系起来。电视中的邪教一词指的是具有怀旧吸引力和特定小众观众高度崇拜特征的作品。肥皂剧和电视产品在巴西人的日常生活中继续存在,并由此建立了一种具有象征和文化价值的仪式。基于将电视视为仪式的理论路线、涂尔干的崇拜概念和本雅明的艺术作品光环概念,将所谓的崇拜作品与使节目成为崇拜对象的光环联系起来。关键词:电视小说,邪教,光环,邪教,仪式。
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引用次数: 0
Em busca de um herói: a construção discursiva de Joaquim Barbosa no julgamento do Mensalão por Veja e Época 寻找英雄:若阿金·巴博萨在维亚·埃波卡对门萨朗的审判中的散漫建构
Pub Date : 2017-08-31 DOI: 10.4013/VER.2017.31.77.03
B. Araújo
This paper analyzes the discursive strategies of the two largest magazines in Brazil, Veja and Epoca , to build the image of Joaquim Barbosa during the trial of Mensalao , one of the major corruption scandals of the recent Brazilian history. We reflect on the notion of the journalistic discourse, focusing special attention on how journalism constructs the image of social actors. The corpus is scrutinized by categories of Critical Discourse Analysis: the meaning of words, use of metaphors, transitivity, interspeech and political and ideological effects of discourse. Resulting from the crossing linguistic techniques and critical social theory, these sociological categories help to understand how the media create specific semantic constellations that, when associated with people with ontological existence, turn them into paper beings, as Roland Barthes would say. The analysis shows that both magazines have resorted to strategies of heroization of Joaquim Barbosa, stressing the overcoming of the “poor boy who changed Brazil” as highlights one of the publications. As at other times in Brazilian history, the media have given to Joaquim Barbosa, although for a specific time, the national hero epithet, a post always put in the process of being occupied in a country historically lacking of heroic references. Keywords: discourse, journalistic discourse, Joaquim Barbosa, Veja, Epoca.
本文分析了巴西最大的两家杂志《Veja》和《Epoca》在巴西近代史上最重大的腐败丑闻之一——门萨劳案审判中塑造巴博萨形象的话语策略。我们反思新闻话语的概念,特别关注新闻如何构建社会行动者的形象。语料库通过批判性话语分析的分类进行审查:词语的意义,隐喻的使用,及物性,言语间以及话语的政治和意识形态影响。正如罗兰·巴特(Roland Barthes)所说,这些社会学范畴是语言学技术和批判社会理论交叉的结果,有助于理解媒体如何创造特定的语义星座,当与具有本体论存在的人联系在一起时,将他们变成纸上的存在。分析表明,两家杂志都采取了英雄化巴博萨的策略,强调克服“改变巴西的穷男孩”是其中一份出版物的亮点。就像巴西历史上的其他时期一样,媒体给了Joaquim Barbosa一个民族英雄的称号,尽管在特定的时间,这个职位总是在一个历史上缺乏英雄形象的国家被占领的过程中。关键词:话语,新闻话语,若阿金·巴博萨,维贾,时代
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引用次数: 0
Interações ecossistêmicas entre Arte e Comunicação no Amazonas 亚马逊地区艺术与交流的生态系统相互作用
Pub Date : 2017-08-31 DOI: 10.4013/VER.2017.31.77.01
Rafael De Figueiredo Lopes, Ítala Clay de Oliveira Freitas
This paper discusses the communicational ecosystemic configuration articulated between body, mind, environment and art. The approach is made by the bias of semiotics in dialogue with other areas of knowledge, emphasizing aspects of the visual arts in the Amazon. The theoretical framework is composed of authors such as Lucia Santaella, Christine Greiner and Boaventura de Sousa Santos. In the analysis, it was possible to perform the mapping of trajectories of ecosystems through memories and metamorphosis of art, establishing new representations with its interrelationships and interdependencies in the communication flow. Keywords: communicative ecosystems, art, semiotics, sociology of emergencies.
本文探讨了身体、心灵、环境和艺术之间的交流生态系统结构。这种方法是通过符号学的偏见与其他知识领域的对话,强调亚马逊地区视觉艺术的各个方面。该理论框架由Lucia Santaella、Christine Greiner和Boaventura de Sousa Santos等作者组成。在分析中,有可能通过艺术的记忆和变形来绘制生态系统的轨迹,在交流流程中建立新的相互关系和相互依赖的表现形式。关键词:传播生态系统,艺术,符号学,突发事件社会学。
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引用次数: 0
Linguagem e narrativa, jornalismo e literatura: a construção das imagens de Amazônia na revista Manchete da década de 1980 语言与叙事、新闻与文学:20世纪80年代Manchete杂志中亚马逊形象的建构
Pub Date : 2017-08-31 DOI: 10.4013/VER.2017.31.77.02
Carlos Borges Júnior
Este artigo contempla parte dos resultados de pesquisa apresentados na dissertacao de Mestrado A sobrevivencia das imagens de Amazonia na literatura e no jornalismo de revista (Silva Junior, 2012) e tem como objetivo (i) identificar que imagens de Amazonia sao construidas pelas revistas Manchete , publicadas na decada de 1980 (edicoes de junho de 1983 e de setembro de 1989); (ii) demonstrar conexoes entre as imagens produzidas pela linguagem jornalistica e narrativas literarias, em especial, os registros encontrados nas obras A margem da historia (Cunha, 1999 [1909]), A selva (Castro, 1972 [1930]), Contos Amazonicos (Sousa, 2005 [1893]), Cinzas do Norte (Hatoum, 2005), e, (iii) apontar como o jornalismo aciona essas imagens para construir narrativas do presente. O resultado dos estudos aponta relacoes entre as imagens de Amazonia produzidas pelo jornalismo de revista e a literatura, que foram publicadas em Manchete na decada de 1980. Este estudo e embasado nas teorias de Benjamin (2011) e Didi-Huberman (2006, 2010, 2011) acerca da sobrevivencia das imagens e nas concepcoes dialogicas de linguagem de Bakhtin (2011). Palavras-chave: imagens de Amazonia, narrativa jornalistica, linguagem, literatura, jornalismo de revista.
本文包括论文《亚马逊图像在文学和杂志新闻学中的生存》(Silva Junior,2012)中的部分研究成果,旨在(i)确定哪些亚马逊图像是由20世纪80年代出版的Manchete杂志(1983年6月和1989年9月版)构建的;(ii)展示新闻语言产生的图像与文学叙事之间的联系,特别是在作品《历史的边缘》(Cunha,1999[1909])、《塞尔瓦》(Castro,1972[1930])、“亚马逊之城”(Sousa,2005[1893])和《北辛萨斯》(Hatoum,2005)中发现的记录,以及(iii)指出新闻业如何触发这些图像来构建当下的叙事。研究结果表明,20世纪80年代在曼切特出版的《新闻与文学》杂志制作的亚马逊图像之间存在关系。本研究基于Benjamin(2011)和Didi Huberman(200620102011)关于图像生存的理论和巴赫金(2011)的语言对话概念。关键词:亚马逊图像,新闻叙事,语言,文学,杂志新闻学。
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引用次数: 0
Marco ético-legal da publicidade infantil no Brasil e na Espanha: estudo comparativo 巴西和西班牙儿童广告伦理法律框架的比较研究
Pub Date : 2017-08-31 DOI: 10.4013/VER.2017.31.77.05
Ana Paula Bragaglia, J. Dias
This article aims to present a comparative study between Brazil and Spain with regard to public policies (regulation) and the self-regulation scenario (codes of ethics and other fronts) aimed at children’s advertising in such countries, and to update the debate around an ethical and legal framework most appropriated to the defense of children’s rights. The methodology used was a literature review of works on sociology of childhood, child psychology, advertising ethics and consumer society, documentary research in codes of ethics and current legislation and bills of both countries, as well as interviews with leaders of the Brazilian (CONAR) and Spanish (AUTOCONTROL) self-regulatory bodies. Among the main results, it was observed, for example, that the Spanish legal field on child advertising is closer to a co-regulatory scenario, since the existing norms provide for a more synchronized operation between state and market in defense of the rights of consumers. Also, it was seen that, with Resolution 163/2014 by CONANDA, Brazil would theoretically have a more robust regulation that the one of Spain on child advertising, despite the fact that its guidelines are not being properly followed. Finally, among other results, there was a stronger performance of the Spanish self-regulation organ in the supervision of ethical violations in advertising targeted to children, as many ads are judged each year before they enter in circulation. Keywords: children’s advertising, public communication policies, ethics in advertising, childhood, advertising self-regulation.
本文旨在对巴西和西班牙针对儿童广告的公共政策(监管)和自我监管情景(道德准则和其他方面)进行比较研究,并更新关于最适合捍卫儿童权利的道德和法律框架的辩论。所使用的方法是对儿童社会学、儿童心理学、广告伦理和消费者社会的著作进行文献综述,对两国的道德准则和现行立法和法案进行文献研究,以及对巴西(CONAR)和西班牙(AUTOCONTROL)自律机构领导人的采访。例如,在主要结果中,有人观察到,西班牙关于儿童广告的法律领域更接近于共同监管的情景,因为现有规范规定了国家和市场之间更同步的运作,以保护消费者的权利。此外,可以看出,根据国家儿童广告委员会第163/2014号决议,尽管巴西的指导方针没有得到适当遵守,但理论上巴西将有比西班牙更强有力的儿童广告监管。最后,除其他结果外,西班牙自律机构在监督针对儿童的广告中违反道德的行为方面表现更为出色,因为许多广告每年在进入流通之前都会受到评判。关键词:儿童广告,公共传播政策,广告伦理,儿童,广告自律。
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引用次数: 0
O modelo da “mocinha” em ascensão social: proposta de análise semiótica de personagens na teleficção 社会崛起中的“女孩”模式:电视剧中人物符号学分析的建议
Pub Date : 2017-08-31 DOI: 10.4013/VER.2017.31.77.04
Rosana Mauro
The purpose of this article is to approach, briefly, the female character in social mobility in narratives of Brazilian telenovelas, from the example of a specific character, Cristina, of telenovela Imperio (2014/2015), by Globo Network. The aim is to propose the use of the semiotic theorized by Greimas, here applied as a viable method of analysis for telefiction scenes and characters. Through this specific focus, it is believed to be possible to reflect on the female characters in social mobility in the telenovela, consisting of a base that seems to repeat itself. Keywords: telenovela, social mobility, semiotics, female character, narrative.
本文的目的是从环球网络电视剧《Imperio》(2014/2015)中的一个特定角色克里斯蒂娜的例子,简要探讨巴西电视剧叙事中社会流动中的女性角色。目的是建议使用格雷玛斯的符号学理论,作为一种可行的分析电视小说场景和人物的方法。通过这一特定的关注点,人们相信可以反思电视小说中社会流动中的女性角色,这是一个似乎重复的基础。关键词:电视小说,社会流动性,符号学,女性性格,叙事。
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引用次数: 0
Novos negócios em Jornalismo: um cenário de possibilidades 新闻业的新业务:一种可能性的情景
Pub Date : 2017-08-31 DOI: 10.4013/VER.2017.31.77.06
K. Vieira, Ângela Ravazzolo
This article presents the partial results of the research that investigated about the scenario of the new journalism business in Rio Grande do Sul. From interviews with journalists who stopped acting in the traditional media and have become entrepreneurs, the study maps and analyzes the characteristics of companies managed by these professionals. The first results indicate that these enterprises operate on different fronts: providing services to the ones considered traditional media, but also to companies of many business areas, in on-demand production. Keywords: entrepreneurship, journalism, new business.
本文介绍了对巴西南格兰德州新新闻业务情景调查的部分研究结果。通过采访那些不再从事传统媒体工作而成为企业家的记者,该研究绘制并分析了这些专业人士管理的公司的特征。第一个结果表明,这些企业在不同的战线上运作:为传统媒体提供服务,但也为许多商业领域的公司提供按需生产服务。关键词:创业,新闻,新商业。
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引用次数: 1
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