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The idea of incarnation revisited by Jung, Gadamer and Henry 荣格,伽达默尔和亨利重新审视了化身的概念
Q4 Arts and Humanities Pub Date : 2020-06-26 DOI: 10.24917/20841043.9.2.7
P. Sznajder
The idea of incarnation is one of the Christian theological concepts that has exerted the strongest influence on philosophical thought in Europe and which was repeatedly referred to in the twentieth century. The paper presents three reinterpretations of this biblical category. Carl Gustav Jung interprets incarnation in the spirit of Gnosticism, as a process of the psycho‐ logical individuation of God and man; Hans ‐Georg Gadamer employs the idea of the inner Word, Verbum interius, to analyse the dogmas of incarnation and the Trinity: seeking in them a solution to the mystery of language; while Michel Henry reaches for the Bible and theol‐ ogy to face anew the issue of human corporeality. These attempts to rethink the theological aspects of the Incarnation of the Son of God reveal the role of this notion in the development of modern psychology, the hermeneutic philosophy of language as well as in anthropology. At the same time, a philosophical reinterpretation of incarnation provides an impulse to re‐ phrase the questions about the relationship between philosophy and theology, as well as faith and reason, good and evil, the relationship between God and man, the mind and the body, as well as speech and thinking. On the other hand, provisional answers to these questions may rekindle theological thought and contribute to the revival of reflection on issues such as the Holy Trinity, the Immaculate and Virgin Conception, or a privation theory of evil. The article provides a starting point for just such a multi ‐faceted analysis.
化身的概念是基督教神学概念之一,对欧洲的哲学思想产生了最强烈的影响,在20世纪被反复提及。本文提出了对这一圣经范畴的三种重新解释。卡尔·古斯塔夫·荣格以诺斯替主义的精神诠释道成肉身,作为上帝和人的心理个体化的过程;伽达默尔(Hans‐Georg Gadamer)运用内在世界(Verbum interius)的概念来分析化身和三位一体的教条:在其中寻求语言之谜的解决方案;而米歇尔·亨利则求助于圣经和神学来重新面对人类肉体的问题。这些重新思考上帝之子道成肉身的神学方面的尝试揭示了这一概念在现代心理学、语言解释学哲学以及人类学发展中的作用。与此同时,对化身的哲学重新解释提供了一种冲动,即重新表达哲学与神学之间的关系,以及信仰与理性,善与恶,上帝与人,心灵与身体,以及言语与思维之间的关系。另一方面,对这些问题的临时答案可能会重新点燃神学思想,并有助于对诸如神圣三位一体,无原罪和童贞受孕或邪恶的贫困理论等问题的反思的复兴。本文为这样一个多方面的分析提供了一个起点。
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引用次数: 0
Concepts of pedagogy as an applied philosophy: Paul Natorp, John Dewey and Sergius Hessen 作为应用哲学的教育学概念:保罗·纳托普、约翰·杜威和塞尔吉乌斯·黑森
Q4 Arts and Humanities Pub Date : 2020-06-26 DOI: 10.24917/20841043.9.2.2
W. Hanuszkiewicz
Paul Natorp, John Dewey and Sergius Hessen are usually considered to represent three different philosophical and pedagogical doctrines developed at the turn of the Twentieth century. These are, respectively: neo‐Kantianism, pragmatism and humanistic pedagogy widely rooted in Wil‐ helm Dilthey’s philosophy. Contrary to this common classification, Hessen himself described his own concept of pedagogy as an applied philosophy as a continuation of Natorp’s thought. However, Hessen also noted that an approach very similar to his one can be found (with some restrictions) in John Dewey’s theory. In this case, the fundamental issue is to determine the relationship between philosophy and pedagogical theory and practise. The main part of this article will identify the specificity of this relationship: the specificity implied by the concept of pedagogy understood as applied philosophy. The concept of pedagogy, understood as an applied philosophy in its theoretical and practical aspects, is the basis for critical reconstruction of social life in general. It is the opinion shared by all three philosophers that this type of reconstruction should be based on the communal dimension of basic social interactions, that is, on the communal dimension of work. The only way for the renewal of a different form of social life leads through regaining through them an essential communal dimension of human work. All three authors agreed that to regain the communal dimension of human work by another form of social interaction would only be possible when certain conditions are present; that is, when work will be permeated by individual creativity. The presence of such conditions shall be ensured by the educational community. Thus, the educational community should be a starting and end point for any critical social reconstruction as well as for the pedagogy understood as an applied philosophy.
保罗·纳托普、约翰·杜威和塞尔吉乌斯·黑森通常被认为代表了二十世纪之交发展起来的三种不同的哲学和教学学说。它们分别是:新康德主义、实用主义和人本主义教育学,广泛植根于迪尔泰的哲学。与这种常见的分类相反,黑森本人将自己的教育学概念描述为一种应用哲学,是纳托普思想的延续。然而,黑森也注意到,在约翰·杜威的理论中可以找到一种与他的方法非常相似的方法(有一些限制)。在这种情况下,根本问题是确定哲学与教学理论和实践之间的关系。本文的主要部分将确定这种关系的特殊性:被理解为应用哲学的教育学概念所隐含的特殊性。教育学概念在理论和实践方面被理解为一种应用哲学,是对社会生活进行批判性重建的基础。三位哲学家都认为,这种类型的重建应该基于基本社会互动的公共维度,即工作的公共维度。更新不同形式的社会生活的唯一途径是通过它们重新获得人类工作的基本公共层面。三位作者都同意,只有在存在某些条件的情况下,才能通过另一种形式的社会互动重新获得人类工作的公共层面;也就是说,当工作将渗透个人的创造力。教育界应确保这些条件的存在。因此,教育界应该是任何批判性社会重建以及被理解为应用哲学的教育学的起点和终点。
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引用次数: 2
Materiality of body, materiality of world — remarks on emancipatory education: Illich, Freire and contemporary political philosophy 身体的物质性世界的物质性——论解放教育:伊利希、弗雷尔与当代政治哲学
Q4 Arts and Humanities Pub Date : 2020-06-26 DOI: 10.24917/20841043.9.2.4
Urszula Zbrzeźniak
The paper addresses the issue of the corporeal dimension of the learning process. The problem of the material side of education has emerged within the emancipatory education project, but, as will be argued, this was limited to a critique inspired by Marxist tradition. The perspec‐ tive on the materiality of education offered by Freire’s and Illich’s works can be significantly enriched by contemporary political thought. The latter perceives materiality in its complexity, that is, as economic conditions but also as the inherent needs stemming from our bodily con‐ dition. As will be demonstrated, the contemporary reflection could serve as a critique, one on the limited character of Freire’s and Illich’s emancipatory education, as well as providing ideas which might expand their project.
本文讨论了学习过程的物质维度问题。教育的物质方面的问题已经在解放教育项目中出现,但正如人们所说,这仅限于受马克思主义传统启发的批判。Freire和Illich的作品对教育物质性的思考可以通过当代政治思想得到极大的丰富。后者在其复杂性中感知物质性,即作为经济条件,但也作为源自我们身体状况的内在需求。正如将要证明的那样,当代反思可以作为一种批判,一种对弗雷尔和伊里奇解放教育的有限性的批判,以及提供可能扩大他们项目的想法。
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引用次数: 1
About the usefulness and harmfulness of forgetting the German guilt 论忘记德国人罪行的有用性和危害性
Q4 Arts and Humanities Pub Date : 2020-06-26 DOI: 10.24917/20841043.9.2.6
Paweł Wójs
The distinction between kinds of guilt has not lost its power to illuminate matters, and it remains a great tool to study the consequences of forgetting guilt of any kind. Karl Jaspers made the distinction between kinds of guilt mainly to ease the Germans coping with guilt, as all of them were blamed for the evil that happened under Adolf Hitler. Jaspers believed that in using this distinction the German nation could have come back to its origins, and thus purified, take its part in the possible future unity of the world and of all mankind. But soon after World War II ended, a confluence of political, social, psychological and philosophical factors contributed to a situation in which a large number of culprits were not brought to account: criminals were rarely rightly punished. In addition, many Germans believing in the ideology of National Socialism felt no guilt in terms of morality; they downplayed the political guilt; they negated the very existence of the metaphysical guilt. The process of forgetting
各种罪行之间的区别并没有失去阐明问题的力量,它仍然是研究忘记任何罪行后果的重要工具。卡尔·雅斯贝尔斯(Karl Jaspers)对各种罪行进行了区分,主要是为了减轻德国人的罪责,因为他们都被指责为阿道夫·希特勒(Adolf Hitler)统治下发生的罪恶。雅斯贝尔斯认为,通过使用这种区别,德意志民族本可以回到自己的起源,从而得到净化,参与世界和全人类未来可能的统一。但在第二次世界大战结束后不久,政治、社会、心理和哲学因素的汇合导致了大量罪犯没有被绳之以法的局面:罪犯很少受到正确的惩罚。此外,许多信奉国家社会主义意识形态的德国人在道德方面没有感到内疚;他们淡化了政治上的罪恶感;他们否定了形而上学罪恶感的存在。遗忘的过程
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引用次数: 0
Philosophy as transformative practice: a proposal for a new concept of philosophy that better suits philosophy education 作为变革实践的哲学:一种更适合哲学教育的哲学新概念的提出
Q4 Arts and Humanities Pub Date : 2020-06-26 DOI: 10.24917/20841043.9.2.1
P. Thomas
The source of the following considerations is the observation that academic philosophy at universities does not fit well with philosophy education processes, e.g., those at school. Both sides seem to be separate from each other. I assume that the two areas rely on two very dif‐ ferent concepts of philosophy. To work out a concept of philosophy more appropriate to the educational context, I methodically apply the practical turn to our philosophising in very dif‐ ferent contexts. Moreover, I elaborate that it is precisely the modern scientific paradigm that underlies philosophy as scientific practice and that the former represents a problematic con‐ striction of philosophising in educational contexts. For where the ideal is objective scientific knowledge — from which everything subjective has been removed — there can be no deeper transformation of the subject through philosophy. My thesis is that philosophy is better suited to the educational context as transformative and not as scientific practice. As a consequence, the question arises as to whether the study of philosophy on teacher training courses needs a new impulse in the direction of philosophy as transformative practice.
以下考虑的来源是观察到大学的学术哲学与哲学教育过程(例如学校的哲学教育过程)不太匹配。双方似乎彼此分离。我认为这两个领域依赖于两个截然不同的哲学概念。为了找到一个更适合教育背景的哲学概念,我有条不紊地将实践转向应用于我们在不同背景下的哲学思考。此外,我详细阐述了正是现代科学范式奠定了哲学作为科学实践的基础,而前者代表了教育背景下哲学的一种有问题的限制。因为在理想是客观的科学知识的地方——一切主观的东西都被去除了——哲学不可能对这个主题进行更深层次的转变。我的论点是,哲学更适合作为变革而非科学实践的教育背景。因此,教师培训课程中的哲学研究是否需要一种新的动力,将哲学作为一种变革性的实践。
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引用次数: 1
Mistyka i życie Relacja religijna w fenomenologii Michela Henry’ego 米歇尔·亨利现象学中的神秘主义与生命宗教关系
Q4 Arts and Humanities Pub Date : 2020-06-26 DOI: 10.24917/20841043.9.2.8
Andrzej Gielarowski
Mysticism and life. Religious relationship in Michel Henry’s phenomenologyThis article discusses the concept of mysticism in the phenomenology of Michel Henry, which involves the relationship of life and the living, as set against two opposing views on the connection of life to the living: Arthur Schopenhauer’s naturalistic philosophy of life and the religious doctrine of Master Eckhart. In the first approach, life is identical with the will to live, a natural force inherent to everything that is alive. In the other one, life is identified with the Christian God (infinite or absolute life), encompassing all individual livings and constituting the foundation for all creation existing out of him. Hermeneutic analyses carried out in the article consider those texts by Michel Henry which comment on the works of Master Eckhart and Schopenhauer and provide for his own interpretations of them. They aim to show that Henry’s thought involves the religious understanding of mysticism as pertaining to the connection of life and the living identified with the relationship of God (absolute life) and humans (finite life). Moreover, the mysticism of life should be distinguished from Schopenhauer’s naturalistic metaphysics of life, while its main inspiration are the Christian teachings of Master Eckhart, therefore the former may be considered as one of the interpretations of the latter. Irrespective of its Christian background, Henry’s thought can be also of interest to non‑Christians, as it presents a way of accessing (absolute) life through the experience of a living body (French: chair) underlying self‑affectivity, largely forgotten in modern times but which can be revived by communing with art, because aesthetic experience is one of the forms of feeling one’s own being. In Henry’s thought, aesthetics, ethics and religion are closely interrelated, providing an effective remedy for the contemporary cultural crisis.
神秘主义和生命。米歇尔·亨利现象学中的宗教关系本文探讨了米歇尔·亨利现象学中的神秘主义概念,这一概念涉及生命与生命的关系,并与阿瑟·叔本华的自然主义生命哲学和埃克哈特大师的宗教学说这两种关于生命与生命关系的对立观点进行了对比。在第一种观点中,生命等同于生存的意志,是一切有生命的事物所固有的自然力量。在另一种观点中,生命被认为是基督教的上帝(无限的或绝对的生命),包含了所有个人的生命,并构成了从他而存在的所有创造的基础。本文对米歇尔·亨利对埃克哈特大师和叔本华作品的评论文本进行了解释学分析,并提供了他自己的解释。他们的目的是表明亨利的思想包含了对神秘主义的宗教理解,它与生命和生活的联系有关,与上帝(绝对生命)和人类(有限生命)的关系一致。另外,生命的神秘主义应该与叔本华的自然主义生命形而上学区分开来,其主要灵感来自埃克哈特大师的基督教教义,因此前者可以被认为是后者的一种解释。不管其基督教背景如何,亨利的思想也可以引起非基督徒的兴趣,因为它提出了一种通过一个活生生的身体(法语:椅子)潜在的自我情感的体验来访问(绝对)生活的方式,在现代基本上被遗忘,但可以通过与艺术交流而复活,因为审美体验是感受自己存在的一种形式。在亨利的思想中,美学、伦理和宗教三者紧密相连,为当代文化危机提供了有效的补救措施。
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引用次数: 0
The liberation doctrine in Brahmasiddhi of Maṇḍanamiśra Maṇḍanamiśra婆罗门教中的解放主义
Q4 Arts and Humanities Pub Date : 2019-06-30 DOI: 10.24917/20841043.9.1.3
Paweł Sajdek
The issue of liberation is a recurrent theme in all schools of Indian classical thought. In case of advaita-vedānta it is deeply rooted in ontology. The problem of ontological status of the world was the bone of contention for two competing non‑dualist schools of vedānta — vivaraṇa and bhāmatī. Maṇḍana’s Brahmasiddhi can be regarded as an important source of inspiration for the latter. The present paper is an analysis of Maṇḍana’s statements pertaining to the issue of mukti (or mokṣa) in contrast with those of Śankara, the exponent of advaita commonly (though erroneously) considered the creator and the most prominent representative of the school.
在印度古典思想的各个流派中,解放问题是一个反复出现的主题。以advaita-vedānta为例,它深深植根于本体。世界的本体论地位问题是两个相互竞争的非二元论学派vedānta - vivaraṇa和bhāmatī争论的焦点。Maṇḍana的Brahmasiddhi可以被视为后者的重要灵感来源。本文是对Maṇḍana关于mukti(或mokṣa)问题的陈述的分析,与Śankara的陈述形成对比,Śankara通常(尽管错误地)被认为是该学派的创造者和最突出的代表。
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引用次数: 0
Od-Kantować Rawlsa: ewolucyjne uzasadnienie teorii sprawiedliwości w ujęciu Kena Binmore’a
Q4 Arts and Humanities Pub Date : 2019-06-30 DOI: 10.24917/20841043.9.1.4
S. Szymański
De-Kanting Rawls: evolutionary justifcation of the theory of justice by Ken Binmore: The article discusses the criticism of John Rawls’s theory of justice formulated by Ken Binmore. Binmore criticizes Rawls in his work for inadequate justifcation of fairness norms. In his opinion, their proper justifcation requires the rejection of Kant’s “metaphysics” in favor of Hume’s empiricism. To explain how fairness norms actually work, one must frst provide a convincing account of evolutionary processes that could lead to such norms being encoded in our genome. Secondly, it should be explained how this biological mechanism interacts with our cultural heritage and generates a selection of balance points in games that describe our social interactions.
去康德罗尔斯:肯·宾莫尔正义理论的进化论证:本文讨论了肯·宾莫尔对约翰·罗尔斯正义理论的批判。宾莫尔在他的著作中批评罗尔斯对公平规范的论证不足。在他看来,正确的辩护需要抛弃康德的“形而上学”,支持休谟的经验主义。为了解释公平规范实际上是如何起作用的,人们必须首先提供一个令人信服的进化过程,这个过程可能导致这种规范被编码到我们的基因组中。其次,它应该解释这种生物机制如何与我们的文化遗产相互作用,并在描述我们社交互动的游戏中产生一系列平衡点。
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引用次数: 0
Joga dla Polki i Polaka. Rzut oka na recepcję indyjskiej duchowości w Polsce
Q4 Arts and Humanities Pub Date : 2019-06-30 DOI: 10.24917/20841043.9.1.7
M. Jakubczak
Yoga for Poles: a glance at the reception of Indian spirituality in Poland: The article starts with a review of data on the religious afliations and involvement of contemporary Poles, with special focus on religious traditions originating in India. Then, outlined briefy is the Polish reception of the Hindu and Buddhist religio-philosophical ideas, regarding the period between the mid-nineteenth century, through the 1990s and on to the present day. Both the oriental religions and psychophysical exercises associated with yoga have various connotations for Poles, who mostly identif themselves as Christians. Along with the gradually growing popularity of modern postural yoga, one can observe increasing fears and prejudices developing, ones which are usually based on ignorance or confusion. In the following part of the article the term “yoga” is elucidated. The author also discusses the origin and the signifcance of yoga as a phenomenon within the context of Hindu culture. Finally, she considers the question as to whether yoga, as it has been adopted in Polish society, should be rather associated with physical culture and a method of relaxation or with a religious movement and a spiritual path. In conclusion, the author addresses the issue of the alleged incompatibility and discrepancy between the non- -western ideas implied by yoga and the Roman Catholic worldview predominating in Poland.
波兰人的瑜伽:在波兰接受印度灵性的一瞥:文章首先回顾了当代波兰人的宗教信仰和参与的数据,特别关注起源于印度的宗教传统。然后,简要概述了波兰对印度教和佛教宗教哲学思想的接受情况,这一时期从19世纪中期到20世纪90年代,一直到今天。东方宗教和与瑜伽相关的心理物理练习对波兰人来说都有不同的含义,波兰人大多认为自己是基督徒。随着现代体式瑜伽的逐渐普及,人们可以观察到越来越多的恐惧和偏见正在形成,这些恐惧和偏见通常是基于无知或困惑。在文章的下一部分,术语“瑜伽”是阐明。作者还讨论了瑜伽作为一种现象在印度文化背景下的起源和意义。最后,她考虑了一个问题,即瑜伽在波兰社会中被采用,是否应该与体育文化和放松方法联系在一起,还是与宗教运动和精神道路联系在一起。最后,作者论述了所谓的瑜伽所蕴含的非西方思想与在波兰占主导地位的罗马天主教世界观之间的不相容和差异。
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引用次数: 0
Wybrane dzieła współczesnego polskiego malarstwa abstrakcyjnego w świetle Ingardenowskiej koncepcji jakości metafizycznych
Q4 Arts and Humanities Pub Date : 2019-06-30 DOI: 10.24917/20841043.9.1.5
Agnieszka Tes
Selected works of the contemporary Polish abstract painting in the light of Ingarden’s conception of metaphysical qualities: The main thesis of my article is that Roman Ingarden’s concept of metaphysical qualities can be adapted to analyze and interpret artworks that represent some tendencies in abstract painting. I start by summarizing this concept, taking into consideration the elements of its reconstructions that are present in the source literature, especially those aspects that concern art. Although Ingarden’s idea can be used with many examples, I employ it to analyze chosen artworks by the outstanding Polish abstract artists Tamara Berdowska, Władysław Podrazik, Tadeusz G. Wiktor and Jan Pamuła. I do not intend to refer to these paintings strictly in Ingarden’s terms, but I use these criteria in a way that allows me to enrich the interpretation of these artworks by showing them in a new light. By recognizing the role of contemplation of art, I try to fnd the genesis of the analyzed examples and reveal how metaphysical qualities manifest in them and infuence the viewer. I underline aspects that are distinctive of the presented artists and are related to the exceptional ability of abstract language to correspond to Ingarden’s idea. Subsequently, when developing my point of view I maintain the relationship between aesthetic and metaphysical sense that creates a kind of interdependence. These artists intentionally go beyond purely aesthetic efects to relate to transcendence. By adapting Ingarden’s concept to some contemporary abstractions, I try to link philosophical and critical ways of approaching these artistic phenomena with special regards to their metaphysical connotations that tend to be overlooked in contemporary discourses.
从因加登的形而上品质观看当代波兰抽象绘画作品选集:本文的主要论点是,罗曼·因加登的形而上品质观可以用来分析和解释抽象绘画中代表某种倾向的艺术作品。我首先总结了这个概念,考虑到它的重建元素存在于源文学中,特别是那些与艺术有关的方面。虽然英加登的想法可以用于许多例子,但我用它来分析杰出的波兰抽象艺术家Tamara Berdowska, Władysław Podrazik, Tadeusz G. Wiktor和Jan Pamuła的作品。我并不打算严格地用英加登的术语来指代这些画作,但我使用这些标准的方式,使我能够通过以一种新的视角来展示这些艺术品,从而丰富对它们的解释。通过认识艺术沉思的作用,我试图找到所分析的例子的起源,并揭示形而上学的品质是如何体现在它们身上并影响观众的。我强调的是所呈现的艺术家的独特之处,并与抽象语言的特殊能力有关,以符合英加登的想法。随后,在发展我的观点时,我保持了美学与形而上感觉之间的关系,这种关系创造了一种相互依存的关系。这些艺术家有意超越纯粹的审美效果,与超越联系在一起。通过将英加登的概念应用于当代的一些抽象概念,我试图将哲学和批判的方式与当代话语中往往被忽视的形而上学内涵联系起来,以接近这些艺术现象。
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引用次数: 0
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Argument Biannual Philosophical Journal
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