Pub Date : 2020-01-01DOI: 10.4467/20843933st.20.009.11896
Aleksandra Hudymač
Montenegro Imagined. Martin Kukučín’s Travel Journal In
黑山的想象。马丁Kukučín的旅行杂志
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Pub Date : 2020-01-01DOI: 10.4467/20843933st.20.023.12544
Michał Sobczak
Karl August Varnhagen von Ense – an “éminence grise” of German Political Journalism in the 19th Century Karl August Varnhagen von Ense (1785–1858) was a German diplomat, biographer and archivist-collector. He worked as a tutor in the homes of several families of the wealthy Jewish bourgeoisie. This allowed him to get in touch with prominent poets and writers of romanticism, such as Friedrich de la Motte Fouqué, Adelbert von Chamisso, Justinus Kerner and Ludwig Uhland. During the Napoleonic Wars Varnhagen served in Austrian and Russian army. 1814 he married Rahel Levin, a Jewish writer who hosted one of the most prominent German literary salons in the late 18th and early 19th centuries. Their home in Berlin became the meeting-place of high civil servants, philosophers, writers and artists. Although Varnhagen developed a reputation as an critical writer and journalist, he is most famous as a biographer and archivist-collector. The article investigates Varnhagen’s activities as a journalist and demonstrates journalism as an unknown and unexplored but significant and valuable aspekt of his work, which is substantial in volume.
{"title":"Karl August Varnhagen von Ense – „szara eminencja” dziewiętnastowiecznej niemieckiej publicystyki politycznej","authors":"Michał Sobczak","doi":"10.4467/20843933st.20.023.12544","DOIUrl":"https://doi.org/10.4467/20843933st.20.023.12544","url":null,"abstract":"Karl August Varnhagen von Ense – an “éminence grise” of German Political Journalism in the 19th Century Karl August Varnhagen von Ense (1785–1858) was a German diplomat, biographer and archivist-collector. He worked as a tutor in the homes of several families of the wealthy Jewish bourgeoisie. This allowed him to get in touch with prominent poets and writers of romanticism, such as Friedrich de la Motte Fouqué, Adelbert von Chamisso, Justinus Kerner and Ludwig Uhland. During the Napoleonic Wars Varnhagen served in Austrian and Russian army. 1814 he married Rahel Levin, a Jewish writer who hosted one of the most prominent German literary salons in the late 18th and early 19th centuries. Their home in Berlin became the meeting-place of high civil servants, philosophers, writers and artists. Although Varnhagen developed a reputation as an critical writer and journalist, he is most famous as a biographer and archivist-collector. The article investigates Varnhagen’s activities as a journalist and demonstrates journalism as an unknown and unexplored but significant and valuable aspekt of his work, which is substantial in volume.","PeriodicalId":30881,"journal":{"name":"Studia Litteraria et Historica","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81760164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.4467/20843933st.20.011.11898
Rafał Majerek
Autobiographism in Ján Rozner’s The paper focuses on autobiographical aspects of Ján Rozner’s prose, which was published in Slovakia after his death (2006), and soon became a great literary sensation. In three books: Sedem dní do pohrebu ( Seven Days to the Funeral , 2009), Noc po fronte ( The Night after the Front , 2010), Výlet na Devín ( The Trip to the Devín Castle , 2011) Rozner, a leading communist journalist and critic of the 1950s, then one of the active proponents of the Prague Spring’s de-mocratization process, thrown out of work and blacklisted after the Soviet invasion in Czecho-slovakia in 1968, finally in emigration in Germany after 1976 – combines individual problems with social and cultural issues making a specific interpretation of his own life, his intimate affairs and political choices. His writing can be considered as a kind of therapeutic process, especially the novel Seven Days to the Funeral , in which the author deals with death of his wife, Zora Jesenská, distinguished translator, mainly from the Russian literature. In the article the novel is interpreted as a literary attempt to cope with the pain caused by the great loss, but also as a kind of engaged, subjective reflection on history and politics with its devastating impact on people’s lives.
Ján Rozner的自传性本文主要研究Ján Rozner的散文的自传性方面，这些散文在他死后(2006年)在斯洛伐克出版，并很快引起了文学上的轰动。在三本书中:Sedem dní do pohrebu (7 Days to the Funeral, 2009)， Noc po fronte (the Night after the Front, 2010)， Výlet na Devín (the Trip to the Devín Castle, 2011) Rozner是20世纪50年代著名的共产主义记者和评论家，也是布拉格之春民主化进程的积极支持者之一，在1968年苏联入侵捷克斯洛伐克后被赶出工作岗位并列入黑名单。最后在1976年移居德国之后，他将个人问题与社会文化问题结合起来，对他自己的生活、他的亲密关系和政治选择做出了具体的解释。他的写作可以看作是一种治疗的过程，尤其是小说《到葬礼的七天》，作者描写了他的妻子，主要来自俄罗斯文学的著名翻译家佐拉·杰森斯克的死亡。在这篇文章中，这部小说被解释为一种文学尝试，以应对巨大损失所带来的痛苦，但也是一种对历史和政治的参与，主观反思，以及它对人们生活的破坏性影响。
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Pub Date : 2020-01-01DOI: 10.4467/20843933st.20.025.12546
Sebastian Zacharow
Despised but not Despicable – Failure of the Rhetoric of Dissuasion in Demain matin, Montréal m’attend by Michel Tremblay In Demain matin, Montréal m’attend, a comedy by Michel Tremblay written in the era of a Quiet Revolution, contempt takes on an argumentative value. Lola Lee, a singer and artist in La Main –an artistic neighborhood in Montreal. Lola’s younger sister –Louise –is jealous of the popularity gained by her older sibling. Lola Lee, in the attempt to discourage Louise from the idea of following in her footsteps travels with her through the most infamous artistic venues. During this trip Louise meets artists with questionable morals. The aim of the article is firstly to show how this journey, instead of generating contempt, becomes the core of searching for your own artistic identity. Secondly, the article explains how Tremblay’s art, using metaphors in the style of Almodóvar, represent the national dramaturgy of Quebec, in which the hero, which is an allegory of the whole society, undergoes an evolution that allows him to appreciate his own identity instead of despising it.
在米歇尔·特伦布莱创作于“安静的革命”时代的喜剧《Demain martin, montracimal m 'attend》中，蔑视具有辩论的价值。Lola Lee是蒙特利尔艺术社区La Main的歌手和艺术家。萝拉的妹妹露易丝很嫉妒哥哥的名气。萝拉·李试图阻止露易丝追随她的脚步，陪她走遍了最臭名昭著的艺术场所。在这次旅行中，露易丝遇到了道德有问题的艺术家。这篇文章的目的首先是展示这段旅程如何成为寻找自己艺术身份的核心，而不是产生蔑视。其次，文章解释了Tremblay的艺术如何运用Almodóvar风格的隐喻来代表魁北克的民族戏剧，其中主人公作为整个社会的寓言，经历了一种进化，使他能够欣赏自己的身份而不是轻视它。
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Pub Date : 2020-01-01DOI: 10.4467/20843933st.20.019.12541
Dorota Gil
Philosophers, Scandalists and Ethnarchs – the Authors of the Montenegrin Enlightenment Literature This present article is devoted to an issue of assimilation and adaptation of the philosophical tendencies and literary patterns of the European enlightenment in Montenegrin literature which was established in 18th century in difficult internal circumstances and during constant threat to the independence of the country. Key advocates of the rationalistic, democratic and anticlerical demands were mainly descended from the romanized Adriatic communities and obtained their education in Western Europe –transplanting into native ground the ideas of the free mind and conscience, religious tolerance, just politics, reform of the state or general education. In the context of the above-mentioned and similar categories the works of Stefan Zanović, Jovan Baljević, Katerina Radonjićand other authors were considered. The special example of taking advantage of the enlightenment paradigm are texts of the bishops and political rulers from the PetrovićNjegošdynasty –their attitude was formed through the necessity of the defence of the legal-state interest and fidelity to the Christian ethic. As a case of such a meaning of the civilizing mission in the environment of disintegrated Montenegrin tribes Petar I was presented. Especially his messages to the clan communities contain many didactic appeals which are faithful to the enlightenment vision of the man and society.
{"title":"Filozofowie, skandaliści i etnarchowie – twórcy literatury czarnogórskiego oświecenia","authors":"Dorota Gil","doi":"10.4467/20843933st.20.019.12541","DOIUrl":"https://doi.org/10.4467/20843933st.20.019.12541","url":null,"abstract":"Philosophers, Scandalists and Ethnarchs – the Authors of the Montenegrin Enlightenment Literature This present article is devoted to an issue of assimilation and adaptation of the philosophical tendencies and literary patterns of the European enlightenment in Montenegrin literature which was established in 18th century in difficult internal circumstances and during constant threat to the independence of the country. Key advocates of the rationalistic, democratic and anticlerical demands were mainly descended from the romanized Adriatic communities and obtained their education in Western Europe –transplanting into native ground the ideas of the free mind and conscience, religious tolerance, just politics, reform of the state or general education. In the context of the above-mentioned and similar categories the works of Stefan Zanović, Jovan Baljević, Katerina Radonjićand other authors were considered. The special example of taking advantage of the enlightenment paradigm are texts of the bishops and political rulers from the PetrovićNjegošdynasty –their attitude was formed through the necessity of the defence of the legal-state interest and fidelity to the Christian ethic. As a case of such a meaning of the civilizing mission in the environment of disintegrated Montenegrin tribes Petar I was presented. Especially his messages to the clan communities contain many didactic appeals which are faithful to the enlightenment vision of the man and society.","PeriodicalId":30881,"journal":{"name":"Studia Litteraria et Historica","volume":"61 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77578426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.4467/20843933st.20.002.11746
Alina Ielisieieva
There is no other place in the world where the impact of migration is more vivid than in the streets of New York City, which is often considered to be one of the greatest cultural centers, that has been welcoming immigrants from all over the world. It is precisely them, labourers, business owners, taxi drivers, who by being the essential part of New York City’s diversity are constantly redefining its identity and whose own identities are being transformed and reimagined through the interaction with the city. In Gimme the Money Iva Pekarkova turns to New York City in order to show the immigrant identity as an identity in movement by making a leading character cruising around the city as a cab lady and by referring to the city both as to the exterior setting and the interior landscape of the leading character’s mind. The paper will offer the analysis of the personal transformation of the heroine, who because of the persistent sense of dislocation and constant observation of the city reimagines herself by relating to New York City’s streets and by becoming the part of the community of urban residents finds herself a new home.
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Pub Date : 2020-01-01DOI: 10.4467/20843933st.20.001.11745
Magdalena Bartkowiak-Lerch
The aim of this paper is to propose a lecture of some initial passages of Hypnerotomachia Poliphili , written by Francesco Colonna and published in 1499. First, we try to go through the tradition of descritpio locorum in ancient rhetoric treatises and the literary production, with respect to two frequent topoi : locus amoenus and locus horridus . We also follow their formal modifications in the Middle Ages, as Colonna draws both from the ancient and medieval tradition in its own construction of loci . Our premise is that the place description in the Colonna’s opera, apart from being an important support for the narrative thread, plays an important struc-tural role by ordinating events and helping that way their memorization. Moreover, the setting of imagery elements of the described places offers a clear interpretation key to the allegorical journey of Polifilo.
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Pub Date : 2020-01-01DOI: 10.4467/20843933st.20.024.12545
Łukasz Woiński
Autothematic Reflection in Intertextual Dialogue. Heretic Telegrams by Sándor Kányádi in the Context of Zbigniew Herbert’s Output Sándor Kányadi in his poetic cycle Heretic Telegrams enters into an intertextual dialogue with Zbigniew Herbert’s output. This article attempts to interpret those poems which contain an autothematic reflection on literary creation, artistic expression, ways of narrating or the role of a poet in shaping collective consciousness. Kányádi establishes the opposition of fable and novel, presenting them as literary genres belonging to separate traditions, based on different perceptual patterns. These theses are accompanied by direct allusions to Zbigniew Herbert’s works, what naturally leads to the adoption of comparative literary methods.
{"title":"Autotematyczna refleksja w intertekstualnym dialogu. Heretyckie telegramy Sándora Kányádiego w kontekście twórczości Zbigniewa Herberta","authors":"Łukasz Woiński","doi":"10.4467/20843933st.20.024.12545","DOIUrl":"https://doi.org/10.4467/20843933st.20.024.12545","url":null,"abstract":"Autothematic Reflection in Intertextual Dialogue. Heretic Telegrams by Sándor Kányádi in the Context of Zbigniew Herbert’s Output Sándor Kányadi in his poetic cycle Heretic Telegrams enters into an intertextual dialogue with Zbigniew Herbert’s output. This article attempts to interpret those poems which contain an autothematic reflection on literary creation, artistic expression, ways of narrating or the role of a poet in shaping collective consciousness. Kányádi establishes the opposition of fable and novel, presenting them as literary genres belonging to separate traditions, based on different perceptual patterns. These theses are accompanied by direct allusions to Zbigniew Herbert’s works, what naturally leads to the adoption of comparative literary methods.","PeriodicalId":30881,"journal":{"name":"Studia Litteraria et Historica","volume":"29 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89850525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Rejected Children: On Kamil Kijek’s Dzieci modernizmu: Świadomość, kultura i socjalizacja polityczna młodzieży żydowskiej w II RzeczypospolitejThis article discusses Kamil Kijek’s book Dzieci modernizmu: Świadomość, kultura i socjalizacja polityczna młodzieży żydowskiej w II Rzeczypospolitej [Children of Modernism: The Consciousness, Culture and Political Socialization of Jewish Youth in the Second Polish Republic]. Using young people’s diaries which were sent to three competitions held in the 1930s by the Jewish Scientific Institute (YIVO), Kijek studies the ways young Jewish people described themselves, their visions of Jewish or Polish-Jewish identity, and the influence exerted on their attitudes and ideological choices by schooling, the activities of political youth organizations and the antisemitism of interwar Polish culture. This was the first generation to grow up in newly independent Poland, in a state that simultaneously demanded loyalty from its Jewish denizens and excluded them from its symbolic universe. Kijek calls the worldview predominant among this Jewish generation “radical modernism” – a conviction that the world requires a radical transformation. The political shades of this view – Communism, Zionism, or the Jewish right – were of lesser importance, with membership in a particular organization often depending on the circumstances. Odrzucone dzieci. O książce Kamila Kijka Dzieci modernizmu. Świadomość, kultura i socjalizacja polityczna młodzieży żydowskiej w II RzeczypospolitejArtykuł jest recenzją książki Kamila Kijka Dzieci modernizmu. Świadomość, kultura i socjalizacja polityczna młodzieży żydowskiej w II Rzeczpospolitej. Autor wykorzystuje pamiętniki młodych ludzi nadesłane na trzy konkursy Żydowskiego Instytutu Naukowego w latach trzydziestych XX wieku. Bada, jak przedstawiciele młodzieży żydowskiej opisywali samych siebie, jaka była ich wizja żydowskiej lub polsko-żydowskiej tożsamości oraz jaki wpływ na ich postawy i wybory ideowe miała edukacja szkolna, działalność młodzieżowych organizacji politycznych i antysemityzm międzywojennej kultury polskiej. Badane pokolenie było pierwszym dorastającym w warunkach odzyskanej niepodległości, w odrodzonym państwie polskim, które jednocześnie wymagało od Żydów lojalności i wykluczało ich ze swojego uniwersum symbolicznego. Zdaniem autora, dominującym światopoglądem młodzieży był „radykalny modernizm” – przekonanie, że świat wymaga radykalnej przebudowy. Polityczne odcienie tego poglądu – komunizm, syjonizm, żydowska prawica – miały mieć mniejsze znaczenie, a przynależność do poszczególnych organizacji politycznych była często rezultatem zbiegu okoliczności.
被拒绝的孩子:论卡米尔·基耶克的著作Dzieci modernizmu: Świadomość， kultura i socjalizacja polityczna młodzieży żydowskiej w II rzeczypospolitj本文讨论卡米尔·基耶克的著作Dzieci modernizmu: Świadomość， kultura i socjalizacja polityczna młodzieży żydowskiej[现代主义的孩子:波兰第二共和国犹太青年的意识、文化和政治社会化]。Kijek利用1930年代犹太科学研究所(YIVO)举办的三场竞赛中年轻人的日记，研究犹太年轻人如何描述自己，他们对犹太人或波兰犹太人身份的看法，以及学校教育、政治青年组织的活动和两次世界大战之间波兰文化的反犹主义对他们的态度和意识形态选择的影响。这是在新独立的波兰成长起来的第一代犹太人，在这个国家里，犹太居民既要忠诚，又要被排除在象征性的世界之外。Kijek把这一代犹太人的主流世界观称为“激进现代主义”——一种认为世界需要彻底变革的信念。这种观点的政治阴影——共产主义、犹太复国主义或犹太右翼——就不那么重要了，一个特定组织的成员资格往往取决于具体情况。Odrzucone dzieci。O książce Kamila Kijka Dzieci modernizmu。Świadomość， kultura i socijalizacja polityczna młodzieży żydowskiej w II rzezypospolitja artykuowjest recenzjoksiążki Kamila Kijka Dzieci modernizmu。Świadomość， cultura i socijalizacja polityczna młodzieży żydowskiej w II Rzeczpospolitej。Autor wykorzystuje pamiętniki młodych ludzi nadesłane na trzy konkursy Żydowskiego institute of nukowego & latach trzyzyestich XX wieku。Bada, jak przedstawiciele młodzieży żydowskiej opisywali samych siebie, jaka była ich wizja żydowskiej lub polsko-żydowskiej tożsamości oraz jaki wpływ, nich postawy i wyory ideowe miała edukacja szkolna, działalność młodzieżowych organizacji politycznych i antysemityzm międzywojennej文化polskiej。Badane pokolenie było pierwszym dorastającym w warunkach odzyskanej niepodległości, w drodzonym państwie polskim, które jednocześnie wymagało od Żydów lojalności i wykluczało ich ze swojego uniwersum symbolicznego。Zdaniem autora, dominującym światopoglądem młodzieży byv“radykalny现代主义”- przekonanie， że świat wymaga radykalnej przebudowy。Polityczne odcienie tego poglądu - komunizm, syjonizm， żydowska prawica - miały mieki mniejsze znaczenie, a przynależność do poszczególnych organizacji politycznych była często rezultatem zbiegu okoliczności。
{"title":"Odrzucone dzieci. O książce Kamila Kijka \"Dzieci modernizmu. Świadomość, kultura i socjalizacja polityczna młodzieży żydowskiej w II Rzeczypospolitej\" [Rejected Children: On Kamil Kijek’s \"Dzieci modernizmu: Świadomość, kultura i socjalizacja polityczna młodzieży żydowskiej w II Rzeczypospolitej\"]","authors":"K. Sobczak","doi":"10.11649/slh.2055","DOIUrl":"https://doi.org/10.11649/slh.2055","url":null,"abstract":"Rejected Children: On Kamil Kijek’s Dzieci modernizmu: Świadomość, kultura i socjalizacja polityczna młodzieży żydowskiej w II RzeczypospolitejThis article discusses Kamil Kijek’s book Dzieci modernizmu: Świadomość, kultura i socjalizacja polityczna młodzieży żydowskiej w II Rzeczypospolitej [Children of Modernism: The Consciousness, Culture and Political Socialization of Jewish Youth in the Second Polish Republic]. Using young people’s diaries which were sent to three competitions held in the 1930s by the Jewish Scientific Institute (YIVO), Kijek studies the ways young Jewish people described themselves, their visions of Jewish or Polish-Jewish identity, and the influence exerted on their attitudes and ideological choices by schooling, the activities of political youth organizations and the antisemitism of interwar Polish culture. This was the first generation to grow up in newly independent Poland, in a state that simultaneously demanded loyalty from its Jewish denizens and excluded them from its symbolic universe. Kijek calls the worldview predominant among this Jewish generation “radical modernism” – a conviction that the world requires a radical transformation. The political shades of this view – Communism, Zionism, or the Jewish right – were of lesser importance, with membership in a particular organization often depending on the circumstances. Odrzucone dzieci. O książce Kamila Kijka Dzieci modernizmu. Świadomość, kultura i socjalizacja polityczna młodzieży żydowskiej w II RzeczypospolitejArtykuł jest recenzją książki Kamila Kijka Dzieci modernizmu. Świadomość, kultura i socjalizacja polityczna młodzieży żydowskiej w II Rzeczpospolitej. Autor wykorzystuje pamiętniki młodych ludzi nadesłane na trzy konkursy Żydowskiego Instytutu Naukowego w latach trzydziestych XX wieku. Bada, jak przedstawiciele młodzieży żydowskiej opisywali samych siebie, jaka była ich wizja żydowskiej lub polsko-żydowskiej tożsamości oraz jaki wpływ na ich postawy i wybory ideowe miała edukacja szkolna, działalność młodzieżowych organizacji politycznych i antysemityzm międzywojennej kultury polskiej. Badane pokolenie było pierwszym dorastającym w warunkach odzyskanej niepodległości, w odrodzonym państwie polskim, które jednocześnie wymagało od Żydów lojalności i wykluczało ich ze swojego uniwersum symbolicznego. Zdaniem autora, dominującym światopoglądem młodzieży był „radykalny modernizm” – przekonanie, że świat wymaga radykalnej przebudowy. Polityczne odcienie tego poglądu – komunizm, syjonizm, żydowska prawica – miały mieć mniejsze znaczenie, a przynależność do poszczególnych organizacji politycznych była często rezultatem zbiegu okoliczności.","PeriodicalId":30881,"journal":{"name":"Studia Litteraria et Historica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44794660","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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