ABSTRACT Literary works is one form of art in which language is used as a medium, one of them is poetry. Language in poetry is free and solid regarding the licencia poetica, yet it still contains various aspects of life as the poet’s idea. In order to convey his ideas, the poet uses diction on poetry. The usage of dictions on poetry are able to reveal many things, for example, a city. The description of a city through diction within literary works are often depicted through Indonesian poetry. One of those poetry collections which potray a city through diction usage is Sarinah Poetry Collection by Esha Tegar Putra. This research present the usage of dictions within Sarinah Poetry Collection by Esha Tegar Putra. The problems being discussed are (1) how does the diction interpret a city within the Sarinah Poetry Collection by Esha Tegar Putra (2) how is the relation between the diction and other poetry elements contain in Sarinah Poetry Collection by Esha Tegar and (3) how does the meaning contained within Sarinah Poetry Collection by Esha Tegar Putra related to the diction which intepreted city. The approach used in this research is stylictica with qualitative method. The data were obtained from fifteen poems written in Sarinah Poetry Collection by Esha Tegar Putra. The result of this study showed that within this Sarinah Poetry Collection are carried diction in form of nouns, verbs, dictions with connotative and dennotative meaning, and diction in form of basic words also words that have undergone morphological processes. The usage of the diction based on the word type and the meaning type is aiming more valid interpretation about city, such as name of the places and facilities provided in the city. Based on the form, the usage of the diction within Sarinah Poetry Collection is working as the element to strengthen the atmosphere withi the poems. the diction contained in this poem are related to other poetry elements such as tone, imagery and figure of speech, so that they could bring a whole unity meaning of the poem. The diction being used by the poet is functioning to reinforce the meaning and the atmosphere, so that the depiction about a trip, traffic jam, bustle, poverty, environmental matters and injustice that represent a city is clearly present. Keywords: Diction, Poetry Collection, Sarinah, Stylistic
{"title":"Diksi Diksi dalam Kumpulan Puisi Sarinah Karya Esha Tegar","authors":"Regina Ayu Herthalia, Maharani Intan Andalas","doi":"10.15294/jsi.v8i2.26998","DOIUrl":"https://doi.org/10.15294/jsi.v8i2.26998","url":null,"abstract":"ABSTRACT \u0000Literary works is one form of art in which language is used as a medium, one of them is poetry. Language in poetry is free and solid regarding the licencia poetica, yet it still contains various aspects of life as the poet’s idea. In order to convey his ideas, the poet uses diction on poetry. The usage of dictions on poetry are able to reveal many things, for example, a city. The description of a city through diction within literary works are often depicted through Indonesian poetry. One of those poetry collections which potray a city through diction usage is Sarinah Poetry Collection by Esha Tegar Putra. This research present the usage of dictions within Sarinah Poetry Collection by Esha Tegar Putra. The problems being discussed are (1) how does the diction interpret a city within the Sarinah Poetry Collection by Esha Tegar Putra (2) how is the relation between the diction and other poetry elements contain in Sarinah Poetry Collection by Esha Tegar and (3) how does the meaning contained within Sarinah Poetry Collection by Esha Tegar Putra related to the diction which intepreted city. The approach used in this research is stylictica with qualitative method. The data were obtained from fifteen poems written in Sarinah Poetry Collection by Esha Tegar Putra. The result of this study showed that within this Sarinah Poetry Collection are carried diction in form of nouns, verbs, dictions with connotative and dennotative meaning, and diction in form of basic words also words that have undergone morphological processes. The usage of the diction based on the word type and the meaning type is aiming more valid interpretation about city, such as name of the places and facilities provided in the city. Based on the form, the usage of the diction within Sarinah Poetry Collection is working as the element to strengthen the atmosphere withi the poems. the diction contained in this poem are related to other poetry elements such as tone, imagery and figure of speech, so that they could bring a whole unity meaning of the poem. The diction being used by the poet is functioning to reinforce the meaning and the atmosphere, so that the depiction about a trip, traffic jam, bustle, poverty, environmental matters and injustice that represent a city is clearly present. \u0000Keywords: Diction, Poetry Collection, Sarinah, Stylistic","PeriodicalId":30890,"journal":{"name":"Jurnal Sastra Indonesia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44287877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Bahan ajar sastra yang dipilih oleh guru harus menyajikan berbagai nilai yang bisa diaplikasikan siswa dalam kehidupan nyata. Tujuan penelitian ini adalah mendeskripsikan wujud konflik batin yang mengandung nilai-nilai kehidupan novel Ada Surga di Rumahmu karya Oka Aurora. Pendekatan penelitian yang digunakan yaitu deskriptif kualitatif. Sumber data dalam penelitian ini adalah novel berjudul “Ada Surga di Rumahmu” karya Oka Aurora. Metode yang digunakan dalam penelitian ini adalah analisis isi. Data dianalisis menggunakan teori psikopragmatik. Berdasarkan hasil analisis dan pembahasan disimpulkan bahwa wujud konflik batin dalam novel Ada Surga di Rumahmu karya Oka Aurora antara lain pertentangan antara pilihan yang tidak sesuai dengan keinginan, kebimbangan dalam menghadapi permasalahan, serta harapan tidak sesuai dengan kenyataan. Kesesuaian konflik batin yang mengandung nilai-nilai kehidupan dalam novel Ada Surga di Rumahmu karya Oka Aurora dapat dilihat dari aspek psikologi. Rekomendasi dari hasil penelitian diharapkan penyajian bahan ajar pembelajaran sastra di SMA senantiasa diperbaiki, diperbarui dan dimutakhirkan sesuai kebutuhan dan standar yang telah ditentukan. Literary teaching materials chosen by the teacher must present various values that can be applied by students in real life. The purpose of this research is to describe the form of inner conflict that contains the values of life in the novel Ada Surga di Rumahmu by Oka Aurora. The research approach used is descriptive qualitative. The data source in this researchis a novel titledAda Surga di Rumahmu by Oka Aurora. The method used in this researchis content analysis. Data was analyzed using psychopragmatic theory. Based on the results of the analysis and discussion, it was concluded that the form of inner conflict in the novel titledAda Surga di Rumahmuby Oka Aurora includes contradictions between choices that are not in accordance with desires, doubts in facing problems, and expectations not inaccordance with reality. The values of life contained in the novel titled Ada Surga di Rumahmu by Oka Aurora include moral values, religious values, social values, cultural values and educational values. Compatibility of inner conflict that contain the values of life in the novel Ada Surga di Rumahmu by Oka Aurora can be seen from the aspect of psychology. Recommendations from the results of the study are expected to present literature learning materials in high school always improved, updated and updated.according to the needs and standards that have been determined.
{"title":"Konflik Batin Tokoh Utama dalam Novel Ada Surga di Rumahku Karya Oka Aurora Sebagai Alternatif Bahan Ajar Pembelajaran Sastra di SMA","authors":"Juwariyah Juwariyah, S. Sumartini","doi":"10.15294/jsi.v8i2.33717","DOIUrl":"https://doi.org/10.15294/jsi.v8i2.33717","url":null,"abstract":"Bahan ajar sastra yang dipilih oleh guru harus menyajikan berbagai nilai yang bisa diaplikasikan siswa dalam kehidupan nyata. Tujuan penelitian ini adalah mendeskripsikan wujud konflik batin yang mengandung nilai-nilai kehidupan novel Ada Surga di Rumahmu karya Oka Aurora. Pendekatan penelitian yang digunakan yaitu deskriptif kualitatif. Sumber data dalam penelitian ini adalah novel berjudul “Ada Surga di Rumahmu” karya Oka Aurora. Metode yang digunakan dalam penelitian ini adalah analisis isi. Data dianalisis menggunakan teori psikopragmatik. Berdasarkan hasil analisis dan pembahasan disimpulkan bahwa wujud konflik batin dalam novel Ada Surga di Rumahmu karya Oka Aurora antara lain pertentangan antara pilihan yang tidak sesuai dengan keinginan, kebimbangan dalam menghadapi permasalahan, serta harapan tidak sesuai dengan kenyataan. Kesesuaian konflik batin yang mengandung nilai-nilai kehidupan dalam novel Ada Surga di Rumahmu karya Oka Aurora dapat dilihat dari aspek psikologi. Rekomendasi dari hasil penelitian diharapkan penyajian bahan ajar pembelajaran sastra di SMA senantiasa diperbaiki, diperbarui dan dimutakhirkan sesuai kebutuhan dan standar yang telah ditentukan. \u0000Literary teaching materials chosen by the teacher must present various values that can be applied by students in real life. The purpose of this research is to describe the form of inner conflict that contains the values of life in the novel Ada Surga di Rumahmu by Oka Aurora. The research approach used is descriptive qualitative. The data source in this researchis a novel titledAda Surga di Rumahmu by Oka Aurora. The method used in this researchis content analysis. Data was analyzed using psychopragmatic theory. Based on the results of the analysis and discussion, it was concluded that the form of inner conflict in the novel titledAda Surga di Rumahmuby Oka Aurora includes contradictions between choices that are not in accordance with desires, doubts in facing problems, and expectations not inaccordance with reality. The values of life contained in the novel titled Ada Surga di Rumahmu by Oka Aurora include moral values, religious values, social values, cultural values and educational values. Compatibility of inner conflict that contain the values of life in the novel Ada Surga di Rumahmu by Oka Aurora can be seen from the aspect of psychology. Recommendations from the results of the study are expected to present literature learning materials in high school always improved, updated and updated.according to the needs and standards that have been determined.","PeriodicalId":30890,"journal":{"name":"Jurnal Sastra Indonesia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49253271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRAK Realitas sosial tidak hanya terjadi di dunia nyata, tetapi juga tergambar dalam karya sastra. Penelitian ini bertujuan untuk mengetahui realitas sosial dalam novel Laut Bercerita karya Leila S. Chudori dan mengetahui pandangan dunia pengarang dalam novel mengenai realitas sosial yang dikaji melalui analisis strukturalisme genetik. Penelitian ini menggunakan metode pendekatan kualitatif dengan metode dialektik dari Lucien Goldmann. Dari hasil penelitian, ditemukan realitas sosial dalam novel melalui hubungan antartokoh dalam novel serta hubungan tokoh dengan objek yang ada di sekitarnya. Selain itu, terdapat fakta yang berkait dengan realitas sosial dalam novel. Pandangan dunia yang ditemukan dalam novel tersebut yaitu, pengarang menentang keotoriteran rezim Orde Baru yang sewenang-wenang, mengecam penghilangan paksa dan mendukung HAM, serta mengkritik pemerintah yang lambat dalam menyelesaikan kasus hilangnya aktivis. Kata kunci: realitas, sosial, strukturalisme genetik, Laut Bercerita ABSTRACT Social reality does not only occur in the real world, but also illustrated in literature. This study aims to determine the social reality in the novel Laut Bercerita by Leila S. Chudori and find out the world view of the author in the novel regarding the social reality studied through analysis of genetic structuralism. This study uses a qualitative approach with the dialectical method of Lucien Goldmann. From the results of the study, found social reality in the novel through interpersonal relationships in the novel and the relationship of characters to the objects around them. In addition, there are facts that relate to social reality in the novel. The world view found in the novel, namely, the author opposed the arbitrary authorization of the New Order regime, condemned enforced disappearances and supported human rights, and criticized the government which was slow in resolving cases of activist disappearances. Keywords: reality, social, genetic structuralism, Laut Bercerita
社会现实的抽象不仅发生在现实世界中，而且描绘在文学作品中。本研究旨在了解海洋小说《莱拉·S·乔多里》中的社会现实，了解小说作者通过基因结构分析对社会现实的世界观。这项研究采用了一种定性方法与吕西安·戈尔曼的辩证法。研究发现，在小说中通过人物之间的关系以及人物与周围物体的关系来发现社会现实。此外，小说中还有与社会现实有关的事实。在这本小说中发现的世界观点是，作家反对专制的新秩序政权独裁，谴责强迫和支持人权，批评政府在解决失踪活动人士案件方面行动迟缓。关键字:现实、社会、基因结构主义、讲述社会现实的海洋现实不仅存在于现实世界中，而且也存在于文学中。这项研究旨在确定海洋小说中的社会现实，作者是Leila S. Chudori，并在小说中查找《社会现实》中自定义的《社会现实》。这项研究表明，有必要采用吕西安·戈德曼的恶魔方法。从研究的结果来看，在小说中找到社会现实，通过小说中的人际关系和围绕他们的对象的性格联系。简而言之，小说中有一个与社会现实有关的事实。世界观点在小说《namely》中发现，揭露了对新秩序登记的仲裁授权、保障损失和支持人权的承诺，并批评那些正在缓慢解决失业问题的政府。现实、社会、遗传结构、海洋故事
{"title":"Realitas Sosial dalam Novel Laut Bercerita Karya Leila S. Chudori: Analisis Strukturalisme Genetik","authors":"Ema Zuliyani Sembada, Maharani Intan Andalas","doi":"10.15294/jsi.v8i2.27824","DOIUrl":"https://doi.org/10.15294/jsi.v8i2.27824","url":null,"abstract":"ABSTRAK \u0000Realitas sosial tidak hanya terjadi di dunia nyata, tetapi juga tergambar dalam karya sastra. Penelitian ini bertujuan untuk mengetahui realitas sosial dalam novel Laut Bercerita karya Leila S. Chudori dan mengetahui pandangan dunia pengarang dalam novel mengenai realitas sosial yang dikaji melalui analisis strukturalisme genetik. Penelitian ini menggunakan metode pendekatan kualitatif dengan metode dialektik dari Lucien Goldmann. Dari hasil penelitian, ditemukan realitas sosial dalam novel melalui hubungan antartokoh dalam novel serta hubungan tokoh dengan objek yang ada di sekitarnya. Selain itu, terdapat fakta yang berkait dengan realitas sosial dalam novel. Pandangan dunia yang ditemukan dalam novel tersebut yaitu, pengarang menentang keotoriteran rezim Orde Baru yang sewenang-wenang, mengecam penghilangan paksa dan mendukung HAM, serta mengkritik pemerintah yang lambat dalam menyelesaikan kasus hilangnya aktivis. \u0000Kata kunci: realitas, sosial, strukturalisme genetik, Laut Bercerita \u0000ABSTRACT \u0000Social reality does not only occur in the real world, but also illustrated in literature. This study aims to determine the social reality in the novel Laut Bercerita by Leila S. Chudori and find out the world view of the author in the novel regarding the social reality studied through analysis of genetic structuralism. This study uses a qualitative approach with the dialectical method of Lucien Goldmann. From the results of the study, found social reality in the novel through interpersonal relationships in the novel and the relationship of characters to the objects around them. In addition, there are facts that relate to social reality in the novel. The world view found in the novel, namely, the author opposed the arbitrary authorization of the New Order regime, condemned enforced disappearances and supported human rights, and criticized the government which was slow in resolving cases of activist disappearances. \u0000Keywords: reality, social, genetic structuralism, Laut Bercerita","PeriodicalId":30890,"journal":{"name":"Jurnal Sastra Indonesia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45277622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Tujuan penelitian ini adalah, 1) mendeskripsi bentuk pelanggaran tindak pengancaman muka positif, 2) mendeskripsi tindak pengancaman muka negatif pada tuturan teks media sosial berdasarkan teori Brown dan Levinson, 3) mendeskripsi strategi kesantunan dalam tuturan pada teks media sosial. Penelitian ini dilakukan pada tuturan teks media sosial facebook dan twitter tahun 2018. Metode yang digunakan dalam penelitian ini yakni metode deskriptif kualitatif. Teknik pengumpulan data menggunakan teknik catat. Tindak pengancaman muka positif pada teks media sosial facebook terdapat tiga subbidal, yaitu 1) ungkapan ketidaksetujuan, 2) ungkapan emosi, 3) ungkapan yang tidak sopan. Tindak pengancaman muka negatif pada teks media sosial facebook terdapat dua subbidal, yaitu 1) ungkapan peringatan, dan 2) ungkapan perasaan negatif. Tindak pengancaman muka positif pada teks media sosial twitter terdapat lima subbidal, 1) ungkapan ketidaksetujuan, 2) ungkapan emosi, 3) ungkapan yang tidak sopan, 4) ungkapan yang tidak kooperatif, dan 5) ungkapan yang menunjukan sebutan 2 data. Tindak pengancaman muka negatif pada teks media sosial twitter terdapat dua subbidal, yaitu 1) ungkapan peringatan, dan 2) ungkapan perasaan negatif. Strategi ketidaksantunan pada teks media sosial facebook dan twitter terdapat empat subbidal, yaitu 1) strategi tanpa basa-basi, 2) strategi kesantunan postif, 3) strategi kesantunan negatif, dan 4) strategi kesantunan tidak langsung. The purpose of this study is, 1) to describe the form of violation of positive face-threatening action and negative face-to-face on social media text texts based on Brown and Levinson's theory; 2) to describe the politeness strategy in speech on social media texts. This research was conducted on social media text texts facebook and twitter in 2018. The method used is qualitative descriptive method. Technique of collecting data using technique note. There are four subbidal faces in facebook text media, namely 1) expression of disapproval, 2) emotional expression, 3) impolite expression. Adverse action on facebook social media text there are two subbidal, namely 1) warning expression, and 2) expression of negative feelings. There are five subbidials, 1) expression of non- negative on the text of social media twitter there are two subbidal, that is 1) warning expression, and 2) expression of negative feelings. Strategy is generally done to reduce the threat to the self-image of the speaker, respect it and to reduce the threat. The politeness strategy on the social media text facebook and twitter there are four subbidal, that is 1) the strategy of no-nonsense, 2) the positive politeness strategy, 3) the strategy negative politeness, and 4) indirect indirection strategy.
{"title":"Pelanggaran Prinsip Kesantunan Berbahasa pada Teks di Media Sosial","authors":"M.Pd Jayanti, S. Subyantoro","doi":"10.15294/jsi.v8i2.33718","DOIUrl":"https://doi.org/10.15294/jsi.v8i2.33718","url":null,"abstract":"Tujuan penelitian ini adalah, 1) mendeskripsi bentuk pelanggaran tindak pengancaman muka positif, 2) mendeskripsi tindak pengancaman muka negatif pada tuturan teks media sosial berdasarkan teori Brown dan Levinson, 3) mendeskripsi strategi kesantunan dalam tuturan pada teks media sosial. Penelitian ini dilakukan pada tuturan teks media sosial facebook dan twitter tahun 2018. Metode yang digunakan dalam penelitian ini yakni metode deskriptif kualitatif. Teknik pengumpulan data menggunakan teknik catat. Tindak pengancaman muka positif pada teks media sosial facebook terdapat tiga subbidal, yaitu 1) ungkapan ketidaksetujuan, 2) ungkapan emosi, 3) ungkapan yang tidak sopan. Tindak pengancaman muka negatif pada teks media sosial facebook terdapat dua subbidal, yaitu 1) ungkapan peringatan, dan 2) ungkapan perasaan negatif. Tindak pengancaman muka positif pada teks media sosial twitter terdapat lima subbidal, 1) ungkapan ketidaksetujuan, 2) ungkapan emosi, 3) ungkapan yang tidak sopan, 4) ungkapan yang tidak kooperatif, dan 5) ungkapan yang menunjukan sebutan 2 data. Tindak pengancaman muka negatif pada teks media sosial twitter terdapat dua subbidal, yaitu 1) ungkapan peringatan, dan 2) ungkapan perasaan negatif. Strategi ketidaksantunan pada teks media sosial facebook dan twitter terdapat empat subbidal, yaitu 1) strategi tanpa basa-basi, 2) strategi kesantunan postif, 3) strategi kesantunan negatif, dan 4) strategi kesantunan tidak langsung. The purpose of this study is, 1) to describe the form of violation of positive face-threatening action and negative face-to-face on social media text texts based on Brown and Levinson's theory; 2) to describe the politeness strategy in speech on social media texts. This research was conducted on social media text texts facebook and twitter in 2018. The method used is qualitative descriptive method. Technique of collecting data using technique note. There are four subbidal faces in facebook text media, namely 1) expression of disapproval, 2) emotional expression, 3) impolite expression. Adverse action on facebook social media text there are two subbidal, namely 1) warning expression, and 2) expression of negative feelings. There are five subbidials, 1) expression of non- negative on the text of social media twitter there are two subbidal, that is 1) warning expression, and 2) expression of negative feelings. Strategy is generally done to reduce the threat to the self-image of the speaker, respect it and to reduce the threat. The politeness strategy on the social media text facebook and twitter there are four subbidal, that is 1) the strategy of no-nonsense, 2) the positive politeness strategy, 3) the strategy negative politeness, and 4) indirect indirection strategy.","PeriodicalId":30890,"journal":{"name":"Jurnal Sastra Indonesia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49170696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Masyarakat Jawa merupakan masyarakat yang berlapis dengan penandaan golongan melalui suatu cara hidup. Masyarakat Jawa memiliki tatanan sosial yang mengatur anggotanya untuk senantiasa dijadikan pedoman dan tidak diabaikan sehingga melekat dalam pribadi sebagai identitas. Tatanan nilai sosial dapat diungkapkan melalui berbagai hal, salah satunya melalui karya sastra. Penelitian ini bertujuan mengungkap tatanan sosial masyarakat Jawa dalam puisi Bolong karya Joko Pinurbo. Penelitian ini dilakukan menggunakan metode deskriptif kualitatif. Data dalam penelitian ini adalah tatanan nilai sosial yakni Urip ora ngoyo, nrimo ing pandom, Ngajeni wong tua, dan ana catur mungkur yang bersumber dari puisi Bolong . Javanese society is a society that is layered with the designation of groups through a way of life. Javanese society has a social order that regulates its members to always be used as a guideline and not neglected so that it is inherent in the person as identity. The order of social values can be expressed through various things, one of which is through literature. This study aims to reveal the social fabric of Javanese society in Bolong poetry by Joko Pinurbo. This research was conducted using qualitative descriptive methods. The data in this study are social value structures, namely Urip ora ngoyo, nrimo ing pandom, Ngajeni wong tua, and chess games which are derived from Bolong poetry.
爪哇是一个以某种方式生活的阶级标记的社会。爪哇人有一种社会秩序，其成员被安排为指导方针，不被忽视，因此成为一种身份认同。社会价值秩序可以通过许多事情来表达，其中之一是文学作品。这项研究的目的是揭开佐科·皮努博诗歌中的爪哇社会秩序。本研究采用描述性质的方法进行。这项研究的数据显示，社会价值等级等级的Urip ora ngoyo、nrimo ing pandom、Ngajeni wong和ana diamemeku都来自于光天化日之下的诗歌。Javanese society是一个以其设计的生活方式为基础的社会。日本社会有一种社会秩序，它的成员总是把它当作指南来使用，而不是不受约束，所以它在个人层面上是内在的。社会价值的秩序可以通过各种各样的事物来体现，也可以通过文学来体现。这项研究旨在揭示日本社会的社会制造。这项研究采用了适用性解释方法。这个研究中的数据具有社会价值，namely Urip ora ngoyo, nrimo in pandom, Ngajeni wong老人和从poetry中衍生出来的象棋游戏。
{"title":"Tatanan Sosial Masyarakat Jawa dalam Puisi Bolong Karya Joko Pinurbo","authors":"Turahmat Turahmat","doi":"10.15294/jsi.v8i2.33714","DOIUrl":"https://doi.org/10.15294/jsi.v8i2.33714","url":null,"abstract":"Masyarakat Jawa merupakan masyarakat yang berlapis dengan penandaan golongan melalui suatu cara hidup. Masyarakat Jawa memiliki tatanan sosial yang mengatur anggotanya untuk senantiasa dijadikan pedoman dan tidak diabaikan sehingga melekat dalam pribadi sebagai identitas. Tatanan nilai sosial dapat diungkapkan melalui berbagai hal, salah satunya melalui karya sastra. Penelitian ini bertujuan mengungkap tatanan sosial masyarakat Jawa dalam puisi Bolong karya Joko Pinurbo. Penelitian ini dilakukan menggunakan metode deskriptif kualitatif. Data dalam penelitian ini adalah tatanan nilai sosial yakni Urip ora ngoyo, nrimo ing pandom, Ngajeni wong tua, dan ana catur mungkur yang bersumber dari puisi Bolong . \u0000 Javanese society is a society that is layered with the designation of groups through a way of life. Javanese society has a social order that regulates its members to always be used as a guideline and not neglected so that it is inherent in the person as identity. The order of social values can be expressed through various things, one of which is through literature. This study aims to reveal the social fabric of Javanese society in Bolong poetry by Joko Pinurbo. This research was conducted using qualitative descriptive methods. The data in this study are social value structures, namely Urip ora ngoyo, nrimo ing pandom, Ngajeni wong tua, and chess games which are derived from Bolong poetry.","PeriodicalId":30890,"journal":{"name":"Jurnal Sastra Indonesia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41972010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Penelitian ini bertujuan untuk mengidentifikasi perbedaan karakteristik fitur kebahasaan yang terdapat pada wacana teks Tajuk Rencana Harian Suara Merdeka dan Kompas Edisi 1 sampai dengan 30 April 2017. Pendekatan yang digunakan dalam penelitian ini adalah pendekatan teoretis dan pendekatan metodologis. Pendekatan teoretis dalam penelitian ini menggunakan pendekatan analisis wacana, sedangkan pendekatan metodologis yang digunakan berupa pendekatan kualitatif yang bersifat deskriptif. Data dalam penelitian ini berupa penggalan wacana yang terdapat dalam teks Tajuk Rencana Harian Suara Merdeka dan Kompas Edisi 1 sampai dengan 30 April 2017. Metode pengumpulan data yang digunakan adalah metode simak yang dilanjutkan dengan teknik catat. Metode analisis data yang digunakan dalam penelitian ini adalah metode agih yang dilanjutkan dengan teknik baca markah. Metode penyajian hasil analisis data yang digunakan adalah metode penyajian informal. Berdasarkan hasil penelitian, ditemukan 91 data untuk penggunaan pronomina penunjuk, 69 data untuk penggunaan konjungsi kausalitas, 81 data untuk konjungsi pertentangan, dan 5 data untuk konjungsi misalan. This study aims to identify differences in characteristics of linguistic features contained in the text discourse of the Daily Plans of Suara Merdeka and Kompas Edition 1 to April 30, 2017. The approach used in this study is theoretical approach and methodological approach. The theoretical approach in this research uses discourse analysis approach, while the methodological approach used is descriptive qualitative approach. The data in this study is a fragment of discourse contained in the text of the Daily Suara Merdeka and Kompas Edition 1 to April 30, 2017. The data collection method used is the refer method followed by the record technique. Data analysis methods used in this study is a method that continued with the technique of reading markah. Method of presentation of result of data analysis used is method of informal presentation. Based on the results of the study, 91 data were found for the use of pronominal pointers, 69 data for the use of conjunction causality, 81 data for conjunction contradictions, and 5 data for conjunctions.
{"title":"Analisis Fitur Kebahasaan Teks Tajuk Rencana Harian Suara Merdeka dan Kompas Edisi 1 sampai dengan 30 April 2017","authors":"D. Hastuti, B. Hartono, Santi Pratiwi Tri Utami","doi":"10.15294/jsi.v8i2.27202","DOIUrl":"https://doi.org/10.15294/jsi.v8i2.27202","url":null,"abstract":"Penelitian ini bertujuan untuk mengidentifikasi perbedaan karakteristik fitur kebahasaan yang terdapat pada wacana teks Tajuk Rencana Harian Suara Merdeka dan Kompas Edisi 1 sampai dengan 30 April 2017. Pendekatan yang digunakan dalam penelitian ini adalah pendekatan teoretis dan pendekatan metodologis. Pendekatan teoretis dalam penelitian ini menggunakan pendekatan analisis wacana, sedangkan pendekatan metodologis yang digunakan berupa pendekatan kualitatif yang bersifat deskriptif. Data dalam penelitian ini berupa penggalan wacana yang terdapat dalam teks Tajuk Rencana Harian Suara Merdeka dan Kompas Edisi 1 sampai dengan 30 April 2017. Metode pengumpulan data yang digunakan adalah metode simak yang dilanjutkan dengan teknik catat. Metode analisis data yang digunakan dalam penelitian ini adalah metode agih yang dilanjutkan dengan teknik baca markah. Metode penyajian hasil analisis data yang digunakan adalah metode penyajian informal. Berdasarkan hasil penelitian, ditemukan 91 data untuk penggunaan pronomina penunjuk, 69 data untuk penggunaan konjungsi kausalitas, 81 data untuk konjungsi pertentangan, dan 5 data untuk konjungsi misalan. \u0000This study aims to identify differences in characteristics of linguistic features contained in the text discourse of the Daily Plans of Suara Merdeka and Kompas Edition 1 to April 30, 2017. The approach used in this study is theoretical approach and methodological approach. The theoretical approach in this research uses discourse analysis approach, while the methodological approach used is descriptive qualitative approach. The data in this study is a fragment of discourse contained in the text of the Daily Suara Merdeka and Kompas Edition 1 to April 30, 2017. The data collection method used is the refer method followed by the record technique. Data analysis methods used in this study is a method that continued with the technique of reading markah. Method of presentation of result of data analysis used is method of informal presentation. Based on the results of the study, 91 data were found for the use of pronominal pointers, 69 data for the use of conjunction causality, 81 data for conjunction contradictions, and 5 data for conjunctions.","PeriodicalId":30890,"journal":{"name":"Jurnal Sastra Indonesia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43898615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Penelitian ini bertujuan untuk mendeskripsikan refleksi diri tokoh dalam novel Pesentren Impian karya Asma Nadia yang dikaitkan dengan motivasi diri serta pemenuhan hiarki kebutuhan Abraham Maslow. Metode yang dipakai adalah deskriptif kualitatif. Data yang dikumpulkan berupa teks dalam novel Pesantren Impian karya Asma Nadia. Pengumpulan data dilakukan dengan membaca sumber data. Kemudian pengklasifikasian data, data dipisahkan berdasarkan permasalahan dan tujuan penelitian. Data yang sudah diinterpretasikan selanjutnya di eksplanasi dalam bentuk paparan bahasa sebagai suatu hasil sebuah analisis. Hasil dari peneitian ini adalah paparan mengenai pemenuhan hirarki kebutuhan tokoh, motivasi tokoh, dan karakteristik tokoh setelah merefleksi diri. Hierarki kebutuhan yang terpenuhi dalam novel Pesantren Impian karya Asma Nadia meliputi kebutuhan fisiologis, kebutuhan rasa aman, kebutuhan rasa dimiliki dan memiliki, kebutuhan harga diri dan aktualisasi diri. Sedangkan motivasi tokoh untuk merefleksi diri merupakan dorongan/keinginan tokoh untuk mendapatkan sesuatu, dalam hal ini adalah kehidupan yang lebih baik di masa mendatang. Tokoh yang merefleksi diri menunjukkan karakteristik yang berbeda-bedamulai dari perubahan penampilan sampai pada psikologis tokoh. This study aims to describe the self-reflection of the character in the novel Pesentren Impian by Asma Nadia which is associated with self-motivation and the fulfillment of the needs of Abraham Maslow. The method used is descriptive qualitative. Data collected in the form of a text in the novel Pesantren Impian by Asma Nadia. Data collection is done by reading data sources. Then classifying the data, the data are separated based on problems and research objectives. The data that has been interpreted is then explained in the form of language exposure as a result of an analysis. The results of this research are exposure to the fulfillment of the hierarchy of character needs, character motivation, and character characteristics after self-reflection. The hierarchy of needs fulfilled in the novel Pesantren Impian by Asma Nadia includes physiological needs, security needs, sense of belonging and belonging, self-esteem needs and self-actualization. While the motivation of the character to reflect on himself is the drive / desire of the character to get something, in this case is a better life in the future. People who reflect themselves show different characteristics ranging from changes in appearance to psychological character.
{"title":"Hierarki Kebutuhan Sebagai Dasar Refleksi Diri Tokoh Dalam Novel Pesantren Impian","authors":"W. Noor, U’um Qomariyah","doi":"10.15294/jsi.v8i2.28750","DOIUrl":"https://doi.org/10.15294/jsi.v8i2.28750","url":null,"abstract":"Penelitian ini bertujuan untuk mendeskripsikan refleksi diri tokoh dalam novel Pesentren Impian karya Asma Nadia yang dikaitkan dengan motivasi diri serta pemenuhan hiarki kebutuhan Abraham Maslow. Metode yang dipakai adalah deskriptif kualitatif. Data yang dikumpulkan berupa teks dalam novel Pesantren Impian karya Asma Nadia. Pengumpulan data dilakukan dengan membaca sumber data. Kemudian pengklasifikasian data, data dipisahkan berdasarkan permasalahan dan tujuan penelitian. Data yang sudah diinterpretasikan selanjutnya di eksplanasi dalam bentuk paparan bahasa sebagai suatu hasil sebuah analisis. Hasil dari peneitian ini adalah paparan mengenai pemenuhan hirarki kebutuhan tokoh, motivasi tokoh, dan karakteristik tokoh setelah merefleksi diri. Hierarki kebutuhan yang terpenuhi dalam novel Pesantren Impian karya Asma Nadia meliputi kebutuhan fisiologis, kebutuhan rasa aman, kebutuhan rasa dimiliki dan memiliki, kebutuhan harga diri dan aktualisasi diri. Sedangkan motivasi tokoh untuk merefleksi diri merupakan dorongan/keinginan tokoh untuk mendapatkan sesuatu, dalam hal ini adalah kehidupan yang lebih baik di masa mendatang. Tokoh yang merefleksi diri menunjukkan karakteristik yang berbeda-bedamulai dari perubahan penampilan sampai pada psikologis tokoh. \u0000 \u0000This study aims to describe the self-reflection of the character in the novel Pesentren Impian by Asma Nadia which is associated with self-motivation and the fulfillment of the needs of Abraham Maslow. The method used is descriptive qualitative. Data collected in the form of a text in the novel Pesantren Impian by Asma Nadia. Data collection is done by reading data sources. Then classifying the data, the data are separated based on problems and research objectives. The data that has been interpreted is then explained in the form of language exposure as a result of an analysis. The results of this research are exposure to the fulfillment of the hierarchy of character needs, character motivation, and character characteristics after self-reflection. The hierarchy of needs fulfilled in the novel Pesantren Impian by Asma Nadia includes physiological needs, security needs, sense of belonging and belonging, self-esteem needs and self-actualization. While the motivation of the character to reflect on himself is the drive / desire of the character to get something, in this case is a better life in the future. People who reflect themselves show different characteristics ranging from changes in appearance to psychological character.","PeriodicalId":30890,"journal":{"name":"Jurnal Sastra Indonesia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46926237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Penelitian ini membahas variasi bahasa Jawa di Kabupaten Cilacap pada tataran fonologi dan leksikon. Titik pengamatan dalam penelitian ini berjumlah 4 yang merupakan daerah-daerah yang berbatasan dengan Kabupaten Pangandaran, Jawa Barat, yaitu Desa Kedungreja, Kecamatan Kedungreja dan Desa Tambakreja, Kecamatan Kedungreja serta Desa Purwodadi dan Desa Rawaapu, Kecamatan Patimuan. Pengumpulan data menggunakan metode pupuan lapangan danmetode cakap. Data-data yang telah terkumpul kemudian dianalisis menggunakan metode padan fonetis artikulatoris dan teknik pilah unsur penentu (teknik PUP) dengan teknik lanjutan yaitu teknik HBB dan teknik HBS. Hasil penelitian menunjukkan bahwa ditemukan variasi bahasa Jawa Cilacap (BJC) berupa variasi fonologi dan leksikon. Variasi fonologi meliputi variasi bunyi vokal dan konsonan serta korespondensi bunyi vokal dan konsonan. Variasi leksikon meliputi gejalaonomasiologis dan semasiologis. Data variasi fonologi dan leksikon tersebut selanjutnya disajikan dalam peta bahasa. Faktor-faktor geografis wilayah menjadi akibat munculnya variasi bahasa Jawa di Kabupaten Cilacap, khususnya di wilayah perbatasan Jawa-Sunda. This study discusses the variation of Javanese language in Cilacap Regency at the level of phonology and lexicon. Observation points in this study amounted to 4 which are areas bordering Pangandaran Regency, West Java, namely Kedungreja Village, Kedungreja District and Tambakreja Village, Kedungreja District and Purwodadi Village and Rawaapu Village, Patimuan District. Data collection uses field methods and proficient methods. The data that has been collected is then analyzed using the phonetic articulatory matching method and the technique of determining the determinants (PUP techniques) with advanced techniques, namely HBB techniques and HBS techniques. The results showed that variations in the Cilacap Javanese language (BJC) were found in variations of phonology and lexicon. Phonological variations include variations of vowel and consonant sounds and correspondence of vowel and consonant sounds. The lexicon variation includes onomasiological and semasiological symptoms. The phonological and lexicon variation data are then presented in the language map. The geographical factors of the region were due to the emergence of variations in Javanese language in Cilacap Regency, especially in the Javanese-Sundanese border region.
{"title":"Variasi Fonologi dan Leksikon Bahasa Jawa di Kabupaten Cilacap (Kajian) Geografi Dialek di Perbatasan Jawa-Sunda","authors":"Annisa Ul Afidah, Hari Bakti Mardikantoro","doi":"10.15294/jsi.v8i2.33713","DOIUrl":"https://doi.org/10.15294/jsi.v8i2.33713","url":null,"abstract":"Penelitian ini membahas variasi bahasa Jawa di Kabupaten Cilacap pada tataran fonologi dan leksikon. Titik pengamatan dalam penelitian ini berjumlah 4 yang merupakan daerah-daerah yang berbatasan dengan Kabupaten Pangandaran, Jawa Barat, yaitu Desa Kedungreja, Kecamatan Kedungreja dan Desa Tambakreja, Kecamatan Kedungreja serta Desa Purwodadi dan Desa Rawaapu, Kecamatan Patimuan. Pengumpulan data menggunakan metode pupuan lapangan danmetode cakap. Data-data yang telah terkumpul kemudian dianalisis menggunakan metode padan fonetis artikulatoris dan teknik pilah unsur penentu (teknik PUP) dengan teknik lanjutan yaitu teknik HBB dan teknik HBS. Hasil penelitian menunjukkan bahwa ditemukan variasi bahasa Jawa Cilacap (BJC) berupa variasi fonologi dan leksikon. Variasi fonologi meliputi variasi bunyi vokal dan konsonan serta korespondensi bunyi vokal dan konsonan. Variasi leksikon meliputi gejalaonomasiologis dan semasiologis. Data variasi fonologi dan leksikon tersebut selanjutnya disajikan dalam peta bahasa. Faktor-faktor geografis wilayah menjadi akibat munculnya variasi bahasa Jawa di Kabupaten Cilacap, khususnya di wilayah perbatasan Jawa-Sunda. \u0000This study discusses the variation of Javanese language in Cilacap Regency at the level of phonology and lexicon. Observation points in this study amounted to 4 which are areas bordering Pangandaran Regency, West Java, namely Kedungreja Village, Kedungreja District and Tambakreja Village, Kedungreja District and Purwodadi Village and Rawaapu Village, Patimuan District. Data collection uses field methods and proficient methods. The data that has been collected is then analyzed using the phonetic articulatory matching method and the technique of determining the determinants (PUP techniques) with advanced techniques, namely HBB techniques and HBS techniques. The results showed that variations in the Cilacap Javanese language (BJC) were found in variations of phonology and lexicon. Phonological variations include variations of vowel and consonant sounds and correspondence of vowel and consonant sounds. The lexicon variation includes onomasiological and semasiological symptoms. The phonological and lexicon variation data are then presented in the language map. The geographical factors of the region were due to the emergence of variations in Javanese language in Cilacap Regency, especially in the Javanese-Sundanese border region.","PeriodicalId":30890,"journal":{"name":"Jurnal Sastra Indonesia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45714174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Tujuan penelitian ini adalah mendeskripsikan fenomea konflik yang dialami tokoh utama dalam novel Re:karya Maman Suherman. Mengetahui bentuk konflik dan upaya penyelesaian konflik yang dialami tokoh utama dalam novel Re:karya Maman Suherman.Pendekatan yang digunakan dalam penelitian ini adalah psikologi sastra Karen Horney yang menitikberatkan sastra sebagai cerminan masyarakat. Hasil dari penelitian ini adalahmengetahui fenomena konflik yang terdapat dalam novel yang kemudian dikorelasikan dengan kehidupan nyata. Korelasi konflik dalam novel dengan kehidupan nyata dapat dilihat dari adanya persamaan konflik yang terdapat dalam novel Re: karya Maman Suherman dengan kehidupan nyata. The purpose of this research is describe life phenomenon of conflict which is experiencedthe main character in the novel titled Re: by Maman Suherman. Understandingform of conflict and conflict resolution efforts experienced by the main characterthe novel Re: by Maman Suherman. Approach used in this research is psychology literature of Karen Horney which is focusing literature as society reflection. The result of this research is was to knowthe phenomenon of conflict disclosures contained in the novel and then corelating with the real life of society. The corelation between conflict in the novel with real life can be seen from the equation of the conflict contained in the novel Re: by Maman Suherman and in the real life is able to be found from similarity of conflictwhich is existed in the novel and existed in the real life.The approach in this study is the psychology of literature Karen Horney, Results froms this study is the disclosure of conflict present in the novel then correlated with in real life. Correlation of conflict in the novel with of real life can be seen from equation of conflict in the novel Re: by Maman Suherman with real life.
本研究旨在描述小说主要人物Re: Maman Suherman所经历的菲米亚冲突。了解主要人物Re: Maman Suherman的小说中所经历的冲突和解决冲突的努力。在这项研究中使用的方法是文学心理学家凯伦·霍尼(Karen Horney)，她强调文学是社会的反映。这项研究的结果是，在小说中发现的冲突现象与现实生活相关联。小说与现实生活的冲突关系可以从小说《Maman Suherman与现实生活中的冲突方程中看出。这项研究的目的是描述实验中使用的主要角色:Maman Suherman。理解由主要角色的小说Re: Maman Suherman实验的《conflict and conflict efforts》。这项研究运用了对凯伦·霍恩的心理学著作的赞同，该研究反映了社会的文学反应。这项研究的结果是，知道小说中包含的冲突disclotion的现象，然后与真实的社会联系起来。境间的冲突之间corelation小说和真正的生活可以看到从《间的冲突equation有趣》和《Re:由Maman Suherman小说和《real life is able to be发现从similarity of conflictwhich是existed》和《小说和《real life existed。这项研究的结论是凯伦•霍尼(Karen Horney)的文学心理学，这项研究的结果是小说中潜在矛盾的本质，后来与现实生活相关。《真实生活》中conflict的相关性可以从《真实生活》中的对等关系中看出来。
{"title":"KONFLIK TOKOH UTAMA DALAM NOVEL RE: KARYA MAMAN SUHERMAN: KAJIAN PSIKOLOGI SASTRA","authors":"Arie Lila Utomo, U’um Qomariyah, S. Sumartini","doi":"10.15294/jsi.v8i1.29948","DOIUrl":"https://doi.org/10.15294/jsi.v8i1.29948","url":null,"abstract":"Tujuan penelitian ini adalah mendeskripsikan fenomea konflik yang dialami tokoh utama dalam novel Re:karya Maman Suherman. Mengetahui bentuk konflik dan upaya penyelesaian konflik yang dialami tokoh utama dalam novel Re:karya Maman Suherman.Pendekatan yang digunakan dalam penelitian ini adalah psikologi sastra Karen Horney yang menitikberatkan sastra sebagai cerminan masyarakat. Hasil dari penelitian ini adalahmengetahui fenomena konflik yang terdapat dalam novel yang kemudian dikorelasikan dengan kehidupan nyata. Korelasi konflik dalam novel dengan kehidupan nyata dapat dilihat dari adanya persamaan konflik yang terdapat dalam novel Re: karya Maman Suherman dengan kehidupan nyata. \u0000 \u0000The purpose of this research is describe life phenomenon of conflict which is experiencedthe main character in the novel titled Re: by Maman Suherman. Understandingform of conflict and conflict resolution efforts experienced by the main characterthe novel Re: by Maman Suherman. Approach used in this research is psychology literature of Karen Horney which is focusing literature as society reflection. The result of this research is was to knowthe phenomenon of conflict disclosures contained in the novel and then corelating with the real life of society. The corelation between conflict in the novel with real life can be seen from the equation of the conflict contained in the novel Re: by Maman Suherman and in the real life is able to be found from similarity of conflictwhich is existed in the novel and existed in the real life.The approach in this study is the psychology of literature Karen Horney, Results froms this study is the disclosure of conflict present in the novel then correlated with in real life. Correlation of conflict in the novel with of real life can be seen from equation of conflict in the novel Re: by Maman Suherman with real life.","PeriodicalId":30890,"journal":{"name":"Jurnal Sastra Indonesia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41441034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Naskah drama Obrog Owok-owok Ebreg Ewek-ewek karya Danarto dipilih untuk dikaji karena di dalam naskah drama ini terdapat berbagai masalah sosial yang kemudian memunculkan kritik. Kritik-kritik yang terdapat dalam naskah drama tersebut perlu dikaji dan disampaikan ke publik. Naskah drama ini juga memiliki keunikan. Dialog yang sama diucapkan dua atau tiga tokoh berurutan bahkan hampir bersamaan, namun tidak dalam satu ruang dan waktu. Naskah drama ini seolah-olah mencoba untuk menyatukan dimensi ruang dan waktu. Naskah drama ini adalah naskah dengan struktur yang tidak dapat dikatakan sederhana, meskipun secara umum termasuk dalam naskah realis. Tujuan penelitian ini adalah mendeskripsikan kritik sosial yang terdapat dalam naskah drama dan mendeskripsikan wujud ekspresi kritik sosial tersebut membangun estetika drama dalam naskah Obrog Owok-owok Ebreg Ewek-ewek karya Danarto. The play script of Obrog Owok-owok Ebreg Ewek-ewek by Danarto is chosen to be studied because in this play script there are various social problems which then generate criticism. The criticisms contained in this play script need to be reviewed and submitted to the public. This play script also has uniqueness in the dialogue. The same dialogue is spoken by two or three characters in sequence even almost simultaneously, but not in the same place and time. It looks as if trying to unify the dimensions of space and time. This play script is a text with a structure that cannot be said to be ordinary, although it is generally classified as realist script. Furthermore, in this drama script there are various social problems which then led to criticism. The purpose of this study is to describe the social criticism contained in the play script and describes form expression of social criticism build the aesthetic of drama in Obrog Owok-owok Ebreg Ewek-ewek by Danarto.
{"title":"KRITIK SOSIAL DALAM NASKAH DRAMA OBROG OWOK-OWOK EBREG EWEK-EWEK KARYA DANARTO: TINJAUAN SOSIOLOGI SASTRA","authors":"Zaenudin Zaenudin, M. Mulyono","doi":"10.15294/jsi.v7i3.29840","DOIUrl":"https://doi.org/10.15294/jsi.v7i3.29840","url":null,"abstract":"Naskah drama Obrog Owok-owok Ebreg Ewek-ewek karya Danarto dipilih untuk dikaji karena di dalam naskah drama ini terdapat berbagai masalah sosial yang kemudian memunculkan kritik. Kritik-kritik yang terdapat dalam naskah drama tersebut perlu dikaji dan disampaikan ke publik. Naskah drama ini juga memiliki keunikan. Dialog yang sama diucapkan dua atau tiga tokoh berurutan bahkan hampir bersamaan, namun tidak dalam satu ruang dan waktu. Naskah drama ini seolah-olah mencoba untuk menyatukan dimensi ruang dan waktu. Naskah drama ini adalah naskah dengan struktur yang tidak dapat dikatakan sederhana, meskipun secara umum termasuk dalam naskah realis. Tujuan penelitian ini adalah mendeskripsikan kritik sosial yang terdapat dalam naskah drama dan mendeskripsikan wujud ekspresi kritik sosial tersebut membangun estetika drama dalam naskah Obrog Owok-owok Ebreg Ewek-ewek karya Danarto. \u0000 \u0000The play script of Obrog Owok-owok Ebreg Ewek-ewek by Danarto is chosen to be studied because in this play script there are various social problems which then generate criticism. The criticisms contained in this play script need to be reviewed and submitted to the public. This play script also has uniqueness in the dialogue. The same dialogue is spoken by two or three characters in sequence even almost simultaneously, but not in the same place and time. It looks as if trying to unify the dimensions of space and time. This play script is a text with a structure that cannot be said to be ordinary, although it is generally classified as realist script. Furthermore, in this drama script there are various social problems which then led to criticism. The purpose of this study is to describe the social criticism contained in the play script and describes form expression of social criticism build the aesthetic of drama in Obrog Owok-owok Ebreg Ewek-ewek by Danarto.","PeriodicalId":30890,"journal":{"name":"Jurnal Sastra Indonesia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42493849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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