Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.034
Lihong Zhang
As an independent genre in painting, landscape oil painting has undergone the process of breaking away from Western oil painting and forming a complete landscape color system, which is accompanied by the style evolution of color language. Taking the French Impressionism and Russian Itinerants as research object, the paper attempts to clear the development of landscape oil painting with art history as entry point in combination with style and characteristic of color language in Chinese landscape oil painting, highlighting the importance of outdoors painting for landscape color language, as well as providing relevant teaching with theory of beneficial complement and practical reference.
{"title":"Study on the Stylization of Color Language in Landscape Oil Painting","authors":"Lihong Zhang","doi":"10.2991/assehr.k.200907.034","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.034","url":null,"abstract":"As an independent genre in painting, landscape oil painting has undergone the process of breaking away from Western oil painting and forming a complete landscape color system, which is accompanied by the style evolution of color language. Taking the French Impressionism and Russian Itinerants as research object, the paper attempts to clear the development of landscape oil painting with art history as entry point in combination with style and characteristic of color language in Chinese landscape oil painting, highlighting the importance of outdoors painting for landscape color language, as well as providing relevant teaching with theory of beneficial complement and practical reference.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116495241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.002
N. Konovalova
Nowadays, the development of small towns of Russia is implemented in a large part thanks to the touristic industry. In the most ancient Russia towns they try to protect the existing historical and architectural environment, to organize the quality restoration of the monuments of architecture. But often it is not enough to make a certain town attractive for tourists. There are many necessary factors for the successful development of a town. Brand is one of tools of working out an original concept of development and protecting historical and cultural identity of a certain town; i.e. brand is a specific philosophy of a certain territory which provides the manifestation of its individuality. Many small towns of Russia set a task of working out their own brands. We mean not a logo, but a complete town's brand with the identity of a town and the strategy of development of that town.
{"title":"Conservation of Historical and Cultural Identity of Small Towns in Russia: The Role of Brands","authors":"N. Konovalova","doi":"10.2991/assehr.k.200907.002","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.002","url":null,"abstract":"Nowadays, the development of small towns of Russia is implemented in a large part thanks to the touristic industry. In the most ancient Russia towns they try to protect the existing historical and architectural environment, to organize the quality restoration of the monuments of architecture. But often it is not enough to make a certain town attractive for tourists. There are many necessary factors for the successful development of a town. Brand is one of tools of working out an original concept of development and protecting historical and cultural identity of a certain town; i.e. brand is a specific philosophy of a certain territory which provides the manifestation of its individuality. Many small towns of Russia set a task of working out their own brands. We mean not a logo, but a complete town's brand with the identity of a town and the strategy of development of that town.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123371421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.045
A. Konovalov, Liudmila Mikheeva, M. Dzhichonaya
The article deals with the issues related to the artistic style of two outstanding Russian writers: I. A. Bunin and L. D. Rzhevsky, their deep creative connections. They are shown in the plot formation, plot structure of stories, novels and novels of both artists, which allows us to conclude about their deep typological community. In the literary heritage of L. D. Rzhevsky, there are purely Russian roots, the action of works is always connected with Russia in one way or another. This also indicates the manifestation of Bunin's motives in Rzhevsky's work, the presence of "eternal" questions, the search for spiritual harmony, which is found by faith in God.
{"title":"Bunin’s Motives in Prose by L. D. Rzhevsky","authors":"A. Konovalov, Liudmila Mikheeva, M. Dzhichonaya","doi":"10.2991/assehr.k.200907.045","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.045","url":null,"abstract":"The article deals with the issues related to the artistic style of two outstanding Russian writers: I. A. Bunin and L. D. Rzhevsky, their deep creative connections. They are shown in the plot formation, plot structure of stories, novels and novels of both artists, which allows us to conclude about their deep typological community. In the literary heritage of L. D. Rzhevsky, there are purely Russian roots, the action of works is always connected with Russia in one way or another. This also indicates the manifestation of Bunin's motives in Rzhevsky's work, the presence of \"eternal\" questions, the search for spiritual harmony, which is found by faith in God.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"140 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123479849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.056
R. Stoyanova
This article presents observations on the modern Bulgarian, Russian and Ukrainian film terminology as an art form. Special attention is paid to the phenomena of migration and borrowing of terms as methods of the discipline-specific vocabulary replenishment. The structural design of terminological units related to cinematography e is also considered.
{"title":"Bulgarian, Russian and Ukrainian Terminology in Cinematography: Origin and Conceptual Structure of Terminological Units","authors":"R. Stoyanova","doi":"10.2991/assehr.k.200907.056","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.056","url":null,"abstract":"This article presents observations on the modern Bulgarian, Russian and Ukrainian film terminology as an art form. Special attention is paid to the phenomena of migration and borrowing of terms as methods of the discipline-specific vocabulary replenishment. The structural design of terminological units related to cinematography e is also considered.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128151111","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.067
N. Vinokurova, O. Tabachnikova
This paper attempts to trace cultural continuity between generations in the Russian context by studying a correlation between the cultural background of Russian students, acquired especially through their literary education, and their semiotics of behaviour, in particular their ethical choices within a business environment. To this end, the results of a recent sociological study will be analyzed. One aspect of the study was to uncover the cultural background of the respondents through their literary preferences, resulting from the role of literary education in their life, so that it can be then juxtaposed to their ethical choices in the hypothetical business context. We aim to test our conjecture that, despite the sweeping process of globalization, the national cultural and moral values, which in Russia can be traced back to Metropolitan Hilarion in the 11th century and are firmly imprinted in the Russian literary heritage, continue to live on and, to a large extent, shape the outlook at life of Russian youth. As is well known, Hilarion was one of the first to proclaim that our inner law is prevalent over the external law, established by the state. This philosophical heritage is transmitted, in particular, via classical Russian literature, as the analysis of the results of the sociological survey demonstrates. It thus highlights the importance of literary education in Russia, and stresses the unique features of Russian thought, which ultimately puts mercy above justice.
{"title":"The Role of Literary Education in Semiotics of Professional Behaviour: A Socio-cultural Study of Russian Students","authors":"N. Vinokurova, O. Tabachnikova","doi":"10.2991/assehr.k.200907.067","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.067","url":null,"abstract":"This paper attempts to trace cultural continuity between generations in the Russian context by studying a correlation between the cultural background of Russian students, acquired especially through their literary education, and their semiotics of behaviour, in particular their ethical choices within a business environment. To this end, the results of a recent sociological study will be analyzed. One aspect of the study was to uncover the cultural background of the respondents through their literary preferences, resulting from the role of literary education in their life, so that it can be then juxtaposed to their ethical choices in the hypothetical business context. We aim to test our conjecture that, despite the sweeping process of globalization, the national cultural and moral values, which in Russia can be traced back to Metropolitan Hilarion in the 11th century and are firmly imprinted in the Russian literary heritage, continue to live on and, to a large extent, shape the outlook at life of Russian youth. As is well known, Hilarion was one of the first to proclaim that our inner law is prevalent over the external law, established by the state. This philosophical heritage is transmitted, in particular, via classical Russian literature, as the analysis of the results of the sociological survey demonstrates. It thus highlights the importance of literary education in Russia, and stresses the unique features of Russian thought, which ultimately puts mercy above justice.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131810100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.025
Ksenia Orlova
For the already famous Catalan artist Joan Miro, the 1960s have been marked by success in the East and his most active work in America. Japan and the United States had a tremendous impact on Miro's creativity and a world-view. On the one hand, Miro has always been a man who looked for solitude and peace, harmony of body and spirit, possibility of full concentration on creativity – this can explain his attraction to the Eastern cultures. On the other hand, he wanted to go beyond his creative potential and to destroy his own ideas about art; despite the fact that he had already passed many stages, including the "killing of painting", he continued moving forward – Miro was still looking for contemporary artistic language, new opportunities for self-expression – and America promised the master his next phase, a new cycle of development.
{"title":"Joan Miro. 1960s: In Search of a New Artistic Language, Close Contacts With the Cultures of the USA and Japan","authors":"Ksenia Orlova","doi":"10.2991/assehr.k.200907.025","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.025","url":null,"abstract":"For the already famous Catalan artist Joan Miro, the 1960s have been marked by success in the East and his most active work in America. Japan and the United States had a tremendous impact on Miro's creativity and a world-view. On the one hand, Miro has always been a man who looked for solitude and peace, harmony of body and spirit, possibility of full concentration on creativity – this can explain his attraction to the Eastern cultures. On the other hand, he wanted to go beyond his creative potential and to destroy his own ideas about art; despite the fact that he had already passed many stages, including the \"killing of painting\", he continued moving forward – Miro was still looking for contemporary artistic language, new opportunities for self-expression – and America promised the master his next phase, a new cycle of development.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133285049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.014
E. Slesar
This paper is focused on the analysis of the system of images and structure of the major "Aurora Festival" water performance timed to the fiftieth anniversary of the October Revolution and shown in the Neva waters in November 1967 in Leningrad. The artistic concept of the festival was prepared and introduced by the artists of "Dvizhenie" ("Movement") group under the leadership of V. Petrov and the director S. Yakobson. Image and plot reminiscences to V. Mayakovsky's "Mystery-Bouffe" play may be revealed in S. Yakobson's aesthetics concerned. The performance presented the synthetic allegoric water performance, in which the concepts of theatrical futurism, avant-guard and ideas of new synthetism having influenced on the monumental language of the mass Soviet performances of the 1970s were reflected. By representing the main ideologemes and inconsistencies of the time through the texture of water, light and fire, the performance has determined the artistic and aesthetic guidelines of future festival of school leavers: "The Scarlet Sails". The author refers to the method of historical reconstruction and description of the theatrical performance of Gvozdev's (Leningrad) theatre school. This paper is aimed at reconstructing "Aurora Festival" water performance and analyzing its artistic
{"title":"“Aurora Festival” Water Fairy Play (1967): Structure and System of Images","authors":"E. Slesar","doi":"10.2991/assehr.k.200907.014","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.014","url":null,"abstract":"This paper is focused on the analysis of the system of images and structure of the major \"Aurora Festival\" water performance timed to the fiftieth anniversary of the October Revolution and shown in the Neva waters in November 1967 in Leningrad. The artistic concept of the festival was prepared and introduced by the artists of \"Dvizhenie\" (\"Movement\") group under the leadership of V. Petrov and the director S. Yakobson. Image and plot reminiscences to V. Mayakovsky's \"Mystery-Bouffe\" play may be revealed in S. Yakobson's aesthetics concerned. The performance presented the synthetic allegoric water performance, in which the concepts of theatrical futurism, avant-guard and ideas of new synthetism having influenced on the monumental language of the mass Soviet performances of the 1970s were reflected. By representing the main ideologemes and inconsistencies of the time through the texture of water, light and fire, the performance has determined the artistic and aesthetic guidelines of future festival of school leavers: \"The Scarlet Sails\". The author refers to the method of historical reconstruction and description of the theatrical performance of Gvozdev's (Leningrad) theatre school. This paper is aimed at reconstructing \"Aurora Festival\" water performance and analyzing its artistic","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133660005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.044
Guode Li
While the dramatic theories of Aristotle's "Poetics" have been researched deeply and systematically in the academic circle, the study of his epic theory is obviously insufficient. After reviewing the academic background of Greece at that time and combing and comparing the critical theories of epic in the West, this paper mainly studies Aristotle's view of epic. Aristotle believes that the plot structure, types and elements of epic should be the same as drama, and the plot structure should be dramatized in particular. On this basis, the author holds that Aristotle's view of epic is a dramatic epic view, which has directly influenced the study and evaluation of epic for more than 20 centuries. "Dramatic epic view" is an innovative term proposed in this paper.
{"title":"Study on Aristotle’s Dramatic Epic View and Its Influence","authors":"Guode Li","doi":"10.2991/assehr.k.200907.044","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.044","url":null,"abstract":"While the dramatic theories of Aristotle's \"Poetics\" have been researched deeply and systematically in the academic circle, the study of his epic theory is obviously insufficient. After reviewing the academic background of Greece at that time and combing and comparing the critical theories of epic in the West, this paper mainly studies Aristotle's view of epic. Aristotle believes that the plot structure, types and elements of epic should be the same as drama, and the plot structure should be dramatized in particular. On this basis, the author holds that Aristotle's view of epic is a dramatic epic view, which has directly influenced the study and evaluation of epic for more than 20 centuries. \"Dramatic epic view\" is an innovative term proposed in this paper.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124015595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.112
Ning Yi
{"title":"Study on the Inheritance and Development of Chinese Folk Songs Against the Background of “the Belt and Road Initiative”","authors":"Ning Yi","doi":"10.2991/assehr.k.200907.112","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.112","url":null,"abstract":"","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125898105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.080
Renjie Zhang
Contemporary art trends of thought and the pluralistic development of expression have blurred the boundary of art. Painting art is no exception. In terms of presentation mode and evolution process, there are many relations between painting art and industrial image. From the development process of industrial images and the influence of industrial images on painting art, this paper expounds the relationship between painting art and industrial images, and proposes that the independence of painting art should be maintained at present.
{"title":"Research on the Influence of Industrial Images on Painting","authors":"Renjie Zhang","doi":"10.2991/assehr.k.200907.080","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.080","url":null,"abstract":"Contemporary art trends of thought and the pluralistic development of expression have blurred the boundary of art. Painting art is no exception. In terms of presentation mode and evolution process, there are many relations between painting art and industrial image. From the development process of industrial images and the influence of industrial images on painting art, this paper expounds the relationship between painting art and industrial images, and proposes that the independence of painting art should be maintained at present.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"137 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128303636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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