Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.059
Natalya Vinokurova
The article discusses the semantic function of music in the poetics of the films directed by S.M. Eisenstein. Not only did S. Eisenstein implement the musical component of films in practice, but he also conceptualized it in numerous theoretical works. This combination of theory and practice has become the basis for the scientific observations and conclusions of the author in the present article. The article focuses on the following issues within the system of the artistic means of S. Eisenstein’s films: the issues of musical terminology, the technique of the orchestral counterpoint of visual and auditory images, the correspondence of the genres of music and content types in film sequences.
{"title":"Music in the Poetics of the Films Directed by S.M. Eisenstein","authors":"Natalya Vinokurova","doi":"10.2991/assehr.k.200907.059","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.059","url":null,"abstract":"The article discusses the semantic function of music in the poetics of the films directed by S.M. Eisenstein. Not only did S. Eisenstein implement the musical component of films in practice, but he also conceptualized it in numerous theoretical works. This combination of theory and practice has become the basis for the scientific observations and conclusions of the author in the present article. The article focuses on the following issues within the system of the artistic means of S. Eisenstein’s films: the issues of musical terminology, the technique of the orchestral counterpoint of visual and auditory images, the correspondence of the genres of music and content types in film sequences.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128156833","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.089
Bingxu Ni
Perspective plays a very important role in animation production. Its combination with photography lens can not only improve the richness of the picture, but also reflect more technical content and aesthetic feeling. The use of perspective in two-dimensional space can enhance the depth and visual strength of the space, thus making the characters in the animation scene more vivid. Through the analysis of perspective relation, this paper helps scene perspective more and better applied in the animation production.
{"title":"Study on the Role of Scene Perspective in Animation Production","authors":"Bingxu Ni","doi":"10.2991/assehr.k.200907.089","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.089","url":null,"abstract":"Perspective plays a very important role in animation production. Its combination with photography lens can not only improve the richness of the picture, but also reflect more technical content and aesthetic feeling. The use of perspective in two-dimensional space can enhance the depth and visual strength of the space, thus making the characters in the animation scene more vivid. Through the analysis of perspective relation, this paper helps scene perspective more and better applied in the animation production.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"1037 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116268458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.060
Natalia Mostitskaya
The article addresses the reasons and motives for people to engage into active social communication on the Internet in the conditions of a pandemic, by the example of the high-rated Izoizolyacia community on the Facebook social network, in particular. The phenomenon of cultural tradition is analysed through the prism of the binary opposition of "the festive the routine", which allows uncovering the underlying reasons for the establishment of new traditions and rituals. The author suggests considering creative communication in the Izoizolyacia community in the aspect of "the festive". In the process of creating a new virtual reality, due to active communication with a work of art, a new concept of routine is being developed, which is focused on digital virtual reality. The changeable digital space results in the disruption of traditions.
{"title":"Lockdown as a Way to Establish New Cultural Traditions in the Context of the Festive and the Routine: Based on the Izoizolyacia Facebook Community","authors":"Natalia Mostitskaya","doi":"10.2991/assehr.k.200907.060","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.060","url":null,"abstract":"The article addresses the reasons and motives for people to engage into active social communication on the Internet in the conditions of a pandemic, by the example of the high-rated Izoizolyacia community on the Facebook social network, in particular. The phenomenon of cultural tradition is analysed through the prism of the binary opposition of \"the festive the routine\", which allows uncovering the underlying reasons for the establishment of new traditions and rituals. The author suggests considering creative communication in the Izoizolyacia community in the aspect of \"the festive\". In the process of creating a new virtual reality, due to active communication with a work of art, a new concept of routine is being developed, which is focused on digital virtual reality. The changeable digital space results in the disruption of traditions.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122102861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.097
Dunmin Shi
In the era of globalization and digital culture marked by the Internet, big data, cloud computing, virtual reality, artificial intelligence, etc., technological revolution and media innovation have prompted the development of current film theory to turn to the focus on ontology again, and rethink "What are the movies of the digital era?" and "What might the movie become?". At the same time, the digital age has also brought about a shift in the paradigm of film research, recognizing the characteristics and advantages of films in the digital age from the perspective of the evolution of the film itself, combining new paths of film research methods, and exploring new possibilities and values for the development of Chinese film. It is expected that film theory can form a new interactive relationship with film creation in the digital era and play a leading role of theory so as to build benign film ecology.
{"title":"Expansion of the Research Path of Chinese Film Theory in the Digital Age","authors":"Dunmin Shi","doi":"10.2991/assehr.k.200907.097","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.097","url":null,"abstract":"In the era of globalization and digital culture marked by the Internet, big data, cloud computing, virtual reality, artificial intelligence, etc., technological revolution and media innovation have prompted the development of current film theory to turn to the focus on ontology again, and rethink \"What are the movies of the digital era?\" and \"What might the movie become?\". At the same time, the digital age has also brought about a shift in the paradigm of film research, recognizing the characteristics and advantages of films in the digital age from the perspective of the evolution of the film itself, combining new paths of film research methods, and exploring new possibilities and values for the development of Chinese film. It is expected that film theory can form a new interactive relationship with film creation in the digital era and play a leading role of theory so as to build benign film ecology.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129495575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.006
N. Yang
The process of interaction and mutual influence of the cultures of the West and the East, including the sphere of theatrical art, acquired a qualitatively new meaning in the Silver Age in connection with the emergence and formation of the art of directing, especially the part oriented towards theatrical conventions. The most significant in this respect is the figure of Vsevolod Emilievich Meyerhold (1874 1940), whose production experiments in the Studio on Povarskaya (1905) and in the Komissarzhevskaya Theater in Officer street (1906 1907) and their theoretical justification in the article "On the history and technology of the theater" (1907) [1] laid the foundations of the Meyerhold methodology of the Conventional theater. During his creative process, V. Meyerhold turned to stage art of the East, designed to enrich the artistic expressiveness of the Conventional Theater. This article aims to analyze how V. Meyerhold’s methodology is connected with the techniques and approaches of the Beijing opera. The focus of this article is the analysis of the Blok's play “The Stranger”, which serves as an example of the Russian director’s experience to draw upon the Oriental theater.
{"title":"Meyerhold’s Experiments and Beijing Opera: Blok’s Play, 1914","authors":"N. Yang","doi":"10.2991/assehr.k.200907.006","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.006","url":null,"abstract":"The process of interaction and mutual influence of the cultures of the West and the East, including the sphere of theatrical art, acquired a qualitatively new meaning in the Silver Age in connection with the emergence and formation of the art of directing, especially the part oriented towards theatrical conventions. The most significant in this respect is the figure of Vsevolod Emilievich Meyerhold (1874 1940), whose production experiments in the Studio on Povarskaya (1905) and in the Komissarzhevskaya Theater in Officer street (1906 1907) and their theoretical justification in the article \"On the history and technology of the theater\" (1907) [1] laid the foundations of the Meyerhold methodology of the Conventional theater. During his creative process, V. Meyerhold turned to stage art of the East, designed to enrich the artistic expressiveness of the Conventional Theater. This article aims to analyze how V. Meyerhold’s methodology is connected with the techniques and approaches of the Beijing opera. The focus of this article is the analysis of the Blok's play “The Stranger”, which serves as an example of the Russian director’s experience to draw upon the Oriental theater.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114577008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.079
Shiyu Zheng, Xiaojuan Hui
The urban landscape of each city should serve as the carrier of local culture, publicize and better the essence of local culture, and promote the progress and development of local culture. Only the culture rooted in the local soil can highlight the essential attributes of the city in a region and enable the city to develop culturally in a healthy and orderly manner. If the regional culture of a city is not respected or even artificially dispersed, then the connection between modernity and history will be abandoned. Such urban development, even if it seems economically prosperous, brings forth cities without soul. Starting from the elements and images of Yangliuqing New Year paintings, this paper analyzes the extraction, reconstruction and application of pattern elements to realize the integration between traditional culture and modern materials. Such method promotes the inheritance of traditional culture, enhances people's sensory experience of the paintings, and makes landscape design a new way of cultural communication, so as to foster cultural confidence. The relationship between Yangliuqing New Year paintings and Tianjin urban landscape design has also been expounded in this paper, providing insight for urban landscape design in the new era.
{"title":"Research on the Inheritance and Development of Tianjin Traditional Folk Custom Pattern Yangliuqing New Year Paintings in Urban Landscape Design","authors":"Shiyu Zheng, Xiaojuan Hui","doi":"10.2991/assehr.k.200907.079","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.079","url":null,"abstract":"The urban landscape of each city should serve as the carrier of local culture, publicize and better the essence of local culture, and promote the progress and development of local culture. Only the culture rooted in the local soil can highlight the essential attributes of the city in a region and enable the city to develop culturally in a healthy and orderly manner. If the regional culture of a city is not respected or even artificially dispersed, then the connection between modernity and history will be abandoned. Such urban development, even if it seems economically prosperous, brings forth cities without soul. Starting from the elements and images of Yangliuqing New Year paintings, this paper analyzes the extraction, reconstruction and application of pattern elements to realize the integration between traditional culture and modern materials. Such method promotes the inheritance of traditional culture, enhances people's sensory experience of the paintings, and makes landscape design a new way of cultural communication, so as to foster cultural confidence. The relationship between Yangliuqing New Year paintings and Tianjin urban landscape design has also been expounded in this paper, providing insight for urban landscape design in the new era.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"210 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132429000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.038
Ning Li
As a famous American realistic novelist, Mark Twain's masterpiece The Adventures of Huckleberry Finn presents the vivid picture of American society in the 19 century. The novel takes it as a clue to describe the adventures along Mississippi of Huck and Jim. In this study, it has analyzed different characters of various heroes at the beginning, which can help readers understand what kind of heroes would be like in the novel. Moreover, it also contributes to reveal the major theme of the whole story. Besides, it also analyzed the characteristics of the language use, which included methods of realizing humorous effect used by Twain, such as exaggeration and irony. Just as entertainment and reflection, he has expressed his own thoughts and expectations by means of this kind of "absurd" ending.
{"title":"Entertainment and Reflect: Mark Twain’s Humor in The Adventures of Huckleberry Finn","authors":"Ning Li","doi":"10.2991/assehr.k.200907.038","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.038","url":null,"abstract":"As a famous American realistic novelist, Mark Twain's masterpiece The Adventures of Huckleberry Finn presents the vivid picture of American society in the 19 century. The novel takes it as a clue to describe the adventures along Mississippi of Huck and Jim. In this study, it has analyzed different characters of various heroes at the beginning, which can help readers understand what kind of heroes would be like in the novel. Moreover, it also contributes to reveal the major theme of the whole story. Besides, it also analyzed the characteristics of the language use, which included methods of realizing humorous effect used by Twain, such as exaggeration and irony. Just as entertainment and reflection, he has expressed his own thoughts and expectations by means of this kind of \"absurd\" ending.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116171377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.049
Hong-ying Qiu
The "General Survey of Arts" by Liu Xizai is an important work of literary and art criticism in the late Qing Dynasty, which discusses the issues related to prose, poetry, fu (descriptive prose interspersed with verse), ci (a type of classical Chinese poetry, originating in the Tang Dynasty and fully developed in the Song Dynasty) and qu (a type of verse for singing, which emerged in the Southern Song and Jin Dynasties and become popular in the Yuan Dynasty), calligraphy and Confucian classics argumentation in different categories. In the opinion of Liu Xizai, different categories of art have their own standards of creation and evaluation, but "zao kong luan dao" is one of the few ideas that runs through several arts. He used "zao kong luan dao" many times to make high comments on the works of the past dynasties, which differed from the original meaning of the expression and formed a great contrast with the mainstream views of historical theory and poetic theory on the need to avoid kong (emptiness) and luan (disorder). The unique artistic condition of "zao kong luan dao" is jointly shaped by the connotation of "having substance" and the creative techniques of "feng and xing", which reflects the characteristics of Liu Xizai's literary and artistic thoughts that are flexible, unconstrained, stable and inclusive.
{"title":"Expounding on Liu Xizai’s Theory of “Zao Kong Luan Dao”","authors":"Hong-ying Qiu","doi":"10.2991/assehr.k.200907.049","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.049","url":null,"abstract":"The \"General Survey of Arts\" by Liu Xizai is an important work of literary and art criticism in the late Qing Dynasty, which discusses the issues related to prose, poetry, fu (descriptive prose interspersed with verse), ci (a type of classical Chinese poetry, originating in the Tang Dynasty and fully developed in the Song Dynasty) and qu (a type of verse for singing, which emerged in the Southern Song and Jin Dynasties and become popular in the Yuan Dynasty), calligraphy and Confucian classics argumentation in different categories. In the opinion of Liu Xizai, different categories of art have their own standards of creation and evaluation, but \"zao kong luan dao\" is one of the few ideas that runs through several arts. He used \"zao kong luan dao\" many times to make high comments on the works of the past dynasties, which differed from the original meaning of the expression and formed a great contrast with the mainstream views of historical theory and poetic theory on the need to avoid kong (emptiness) and luan (disorder). The unique artistic condition of \"zao kong luan dao\" is jointly shaped by the connotation of \"having substance\" and the creative techniques of \"feng and xing\", which reflects the characteristics of Liu Xizai's literary and artistic thoughts that are flexible, unconstrained, stable and inclusive.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129468998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.012
Victoria N. Alesenkova
{"title":"Types of Transsemantic Constructions in the Russian Director’s Theatre of the 21st Century","authors":"Victoria N. Alesenkova","doi":"10.2991/assehr.k.200907.012","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.012","url":null,"abstract":"","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121155272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.001
T. Kartashova
The Indian civilization created its own unique sound image, which significantly distinguishes it from other regions of the world. In Sanskrit treatises, the material world was considered as a sounding entity, had a sound nature. Sound was perceived as a specific self-sufficient phenomenon, as a matter that was able to harmonize all the elements of the universe. The sacral understanding of the sound leads to creating of a developed system that regulates time and conditions for the musical performance. For an Indian musician, sound is a complex multidimensional entity that embodies the whole meaning
{"title":"Sound Image of Indian Civilization","authors":"T. Kartashova","doi":"10.2991/assehr.k.200907.001","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.001","url":null,"abstract":"The Indian civilization created its own unique sound image, which significantly distinguishes it from other regions of the world. In Sanskrit treatises, the material world was considered as a sounding entity, had a sound nature. Sound was perceived as a specific self-sufficient phenomenon, as a matter that was able to harmonize all the elements of the universe. The sacral understanding of the sound leads to creating of a developed system that regulates time and conditions for the musical performance. For an Indian musician, sound is a complex multidimensional entity that embodies the whole meaning","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115204403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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