Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.111
Zhentuan Lin
{"title":"Inheritance and Transmutation: Discussion on the Artistic Features of Chinese Lacquer Painting","authors":"Zhentuan Lin","doi":"10.2991/assehr.k.200907.111","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.111","url":null,"abstract":"","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116497911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.016
Shuangrui Fan, Y. Wu
Among the ethnic minorities in China, most Chinese Tujia people live in the Wuling Mountain area adjacent to Hunan, Hubei, Chongqing and Guizhou, and claim to be "Bizka". In the Bachu civilization, Tujia culture emerged at the right moment, forming a unique Tujia civilization and Tujia craftsmanship. Wherein, the Xilankapu folk art as an art form in Tujia culture, reflects the life style and customs, folklore, folk art style and character of Tujia people, and represents the crystallization of the wisdom and manual skills of Tujia women.
{"title":"Xilankapu Art in the Context of Modern Markets","authors":"Shuangrui Fan, Y. Wu","doi":"10.2991/assehr.k.200907.016","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.016","url":null,"abstract":"Among the ethnic minorities in China, most Chinese Tujia people live in the Wuling Mountain area adjacent to Hunan, Hubei, Chongqing and Guizhou, and claim to be \"Bizka\". In the Bachu civilization, Tujia culture emerged at the right moment, forming a unique Tujia civilization and Tujia craftsmanship. Wherein, the Xilankapu folk art as an art form in Tujia culture, reflects the life style and customs, folklore, folk art style and character of Tujia people, and represents the crystallization of the wisdom and manual skills of Tujia women.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"86 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126488579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.003
S. Anikienko
Numerous recent publications of materials from Mikhail Gnesin's journalistic legacy that date back to the 1910s reveal a new page in creative activities by this outstanding musician. At the same time, annoying errors and misprints in archeographic publications (note that it applies to materials published at that time, not to handwritten ones) do not allow for a high-quality comprehensive historical and theoretical analysis of the text of these articles. A significant change in the original author's text often results in a direct meaning distortion. In this view, we have identified a few deformity groups. First of all, these are omissions of individual words, phrases, and even sentences in general. A number of alterations occur due to incorrect endings reproduction. Merging a number of paragraphs into a single one violates the article structure and its logics. There is also a mere "conjecturing" of impaired author's text, even in cases when it can be restored from other sources.
{"title":"Primary Text Distortions in Modern Archeographic Publications in Art History: Evidence From Articles by Mikhail Gnesin","authors":"S. Anikienko","doi":"10.2991/assehr.k.200907.003","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.003","url":null,"abstract":"Numerous recent publications of materials from Mikhail Gnesin's journalistic legacy that date back to the 1910s reveal a new page in creative activities by this outstanding musician. At the same time, annoying errors and misprints in archeographic publications (note that it applies to materials published at that time, not to handwritten ones) do not allow for a high-quality comprehensive historical and theoretical analysis of the text of these articles. A significant change in the original author's text often results in a direct meaning distortion. In this view, we have identified a few deformity groups. First of all, these are omissions of individual words, phrases, and even sentences in general. A number of alterations occur due to incorrect endings reproduction. Merging a number of paragraphs into a single one violates the article structure and its logics. There is also a mere \"conjecturing\" of impaired author's text, even in cases when it can be restored from other sources.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116001317","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.069
S. Anchukov
Conveying the perspective reductions in human height on a flat surface and platforms of different levels on the flat picture plane of a painting can be carried out by determine the height of the artist's eye level. The purpose of the study: to develop a set of theoretical and practical materials that allow art students and practicing artists to determine the perspective height of people depicted on the picture plane, which in turn will help to convey the magnitude of any physical objects in perspective in general. It was concluded that one of the main methods for establishing the perspective height of people and other objects depicted on a picture is the method of determining the height of the artist's eye level. Results: based on the analysis of diagrams-drawings demonstrating options for calculating the perspective height of the artist's eye level, depending on his position in respect to the object depicted in the picture, a method for determining the height of people and the sizes of other objects depicted in the picture plane is substantiated. Scientific novelty: the article is the first to introduce a set of theoretical principles, practical recommendations and a set of visual aids for using the method of determining the height of the artist's eye level to establish the perspective dimensions of people and other physical objects depicted on the picture plane. Practical relevance: in this paper, we consider the particularities of using this method in the teaching of drawing, and offer specific tasks for organizing students'
{"title":"Conveying the Perspective Reductions in Human Height on a Flat Surface and Platforms of Different Levels on the Flat Picture Plane of a Painting","authors":"S. Anchukov","doi":"10.2991/assehr.k.200907.069","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.069","url":null,"abstract":"Conveying the perspective reductions in human height on a flat surface and platforms of different levels on the flat picture plane of a painting can be carried out by determine the height of the artist's eye level. The purpose of the study: to develop a set of theoretical and practical materials that allow art students and practicing artists to determine the perspective height of people depicted on the picture plane, which in turn will help to convey the magnitude of any physical objects in perspective in general. It was concluded that one of the main methods for establishing the perspective height of people and other objects depicted on a picture is the method of determining the height of the artist's eye level. Results: based on the analysis of diagrams-drawings demonstrating options for calculating the perspective height of the artist's eye level, depending on his position in respect to the object depicted in the picture, a method for determining the height of people and the sizes of other objects depicted in the picture plane is substantiated. Scientific novelty: the article is the first to introduce a set of theoretical principles, practical recommendations and a set of visual aids for using the method of determining the height of the artist's eye level to establish the perspective dimensions of people and other physical objects depicted on the picture plane. Practical relevance: in this paper, we consider the particularities of using this method in the teaching of drawing, and offer specific tasks for organizing students'","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129574379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.036
Yan Wang
Andy Warhol, the artist known as the "king of consumption", has reached his peak in popularity and influence in the second half of the 20th century. Through a series of artistic expressions of anticonnotation, breaking away meaning and removing value, his works have caused deep impact and subversion of modern aesthetic moral principles. This coincides with Nietzsche's philosophical proposition in "The Birth of Tragedy", because he saw through the "illusion" of art. Based on this, this article intends to cut to the case from three perspectives of the discrimination analysis of Dionysian Spirit art, Warhol's avant-garde and pioneer spirit inheritance of modern art, and his deconstruction and irony presentation of postmodern art, so as to deeply analyze the spirit dimension of Dionysian Spirit in Andy Warhol's art.
{"title":"Avant-garde and Deconstruction: An Analysis of Andy Warhol’s Dionysian Spirit Dimension","authors":"Yan Wang","doi":"10.2991/assehr.k.200907.036","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.036","url":null,"abstract":"Andy Warhol, the artist known as the \"king of consumption\", has reached his peak in popularity and influence in the second half of the 20th century. Through a series of artistic expressions of anticonnotation, breaking away meaning and removing value, his works have caused deep impact and subversion of modern aesthetic moral principles. This coincides with Nietzsche's philosophical proposition in \"The Birth of Tragedy\", because he saw through the \"illusion\" of art. Based on this, this article intends to cut to the case from three perspectives of the discrimination analysis of Dionysian Spirit art, Warhol's avant-garde and pioneer spirit inheritance of modern art, and his deconstruction and irony presentation of postmodern art, so as to deeply analyze the spirit dimension of Dionysian Spirit in Andy Warhol's art.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114770440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.015
Shuping Wang
In the Middle Ages of Europe, a new kind of drama, the religious drama, was developed. It evolved from the Redundancy of Words of church worship, and then evolved into mystery, miracle and moral drama. In the late Middle Ages, secular factors continued to permeate the performances of religious dramas, promoting its secularization in five aspects: performance venues, theatrical themes and content, the form of performance, the increase of harlequins, the secularization of church music and the birth of urban drama, ultimately leading to the arrival of the Shakespeare literati era.
{"title":"Transfer from the Church to the Street: Discussion on the Secularization of European Medieval Religious Dramas","authors":"Shuping Wang","doi":"10.2991/assehr.k.200907.015","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.015","url":null,"abstract":"In the Middle Ages of Europe, a new kind of drama, the religious drama, was developed. It evolved from the Redundancy of Words of church worship, and then evolved into mystery, miracle and moral drama. In the late Middle Ages, secular factors continued to permeate the performances of religious dramas, promoting its secularization in five aspects: performance venues, theatrical themes and content, the form of performance, the increase of harlequins, the secularization of church music and the birth of urban drama, ultimately leading to the arrival of the Shakespeare literati era.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127823001","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.063
Yi-jing Wei
The preservation and reformation of historical and cultural blocks has always been a concern of people in China and foreign countries. It not only bears the richest historical memory in the local area, but also reflects people's lifestyles and regional cultural characteristics in different periods. Through summarizing the strategies for preservation and reformation of the Marais District in Paris, France, and thinking about the changes in today's life patterns, this paper puts forward ideas and suggestions for the preservation and reformation of Jianghan Road, a historical and cultural district in Hankou.
{"title":"Research and Reflection on the Protection of Historical and Cultural Blocks in China and Europe: Taking Jianghan Road in Hankou and Marais District in Paris as Examples","authors":"Yi-jing Wei","doi":"10.2991/assehr.k.200907.063","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.063","url":null,"abstract":"The preservation and reformation of historical and cultural blocks has always been a concern of people in China and foreign countries. It not only bears the richest historical memory in the local area, but also reflects people's lifestyles and regional cultural characteristics in different periods. Through summarizing the strategies for preservation and reformation of the Marais District in Paris, France, and thinking about the changes in today's life patterns, this paper puts forward ideas and suggestions for the preservation and reformation of Jianghan Road, a historical and cultural district in Hankou.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"79 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126246575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.107
Qianqian Su
{"title":"Research on the Contemporary Education of Chinese Classical Aesthetic Curriculum in Universities and Colleges: Taking the Course of “Chinese Classical Art and Aesthetics” as an Example","authors":"Qianqian Su","doi":"10.2991/assehr.k.200907.107","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.107","url":null,"abstract":"","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134210140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.004
Oksana Evgenevna Sheludyakova
The article is devoted to the consideration of the processes of biblical story implementation ("Play of Daniel") in the Old Russian culture and domestic works of the new time. The process of secularization was analyzed: from the church ceremony the Play moved first to the theater stage, and then to the fairgrounds, and in the early twentieth century was resumed in the concert hall. His liturgical side disappeared prayers, liturgical hymns, the accent shifts to a dramatic and then comic performance, already in the play by Polotsky P. Only in the composition of the Kastalsky he once again took part in the performance as a church reader. The conclusion was made about a sharp reduction in its musical component from "dewy poems" of considerable length, to brief "games" in the play by Simeon Polotsky and in skomorokh fun. Only at the beginning of the twentieth century, thanks to the "historical restoration" of Kastalsky A.D. a new, mostly musical version of the Play appeared.
{"title":"The Play of Daniel in the National Musical Culture","authors":"Oksana Evgenevna Sheludyakova","doi":"10.2991/assehr.k.200907.004","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.004","url":null,"abstract":"The article is devoted to the consideration of the processes of biblical story implementation (\"Play of Daniel\") in the Old Russian culture and domestic works of the new time. The process of secularization was analyzed: from the church ceremony the Play moved first to the theater stage, and then to the fairgrounds, and in the early twentieth century was resumed in the concert hall. His liturgical side disappeared prayers, liturgical hymns, the accent shifts to a dramatic and then comic performance, already in the play by Polotsky P. Only in the composition of the Kastalsky he once again took part in the performance as a church reader. The conclusion was made about a sharp reduction in its musical component from \"dewy poems\" of considerable length, to brief \"games\" in the play by Simeon Polotsky and in skomorokh fun. Only at the beginning of the twentieth century, thanks to the \"historical restoration\" of Kastalsky A.D. a new, mostly musical version of the Play appeared.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132271087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.027
E. Salnikova
The very first images of civilization and city in Georges Méliès fiction films are described in the article. His vision of "islands" of a civilization in the middle of a stony landscape and active aircraft traffic were adopted by science-fiction cinema later. In his travel films, the director creates the image of civilization not so much with the help of the spatial environment, but with references to the world of science, entertainment and spectacular urban culture. Méliès became the author of the first images of city roofs, the Middle Age city screen myth, and the confrontation of traditional city and modern technical civilization.
{"title":"Civilization and City Images in the Films of Georges Méliès","authors":"E. Salnikova","doi":"10.2991/assehr.k.200907.027","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.027","url":null,"abstract":"The very first images of civilization and city in Georges Méliès fiction films are described in the article. His vision of \"islands\" of a civilization in the middle of a stony landscape and active aircraft traffic were adopted by science-fiction cinema later. In his travel films, the director creates the image of civilization not so much with the help of the spatial environment, but with references to the world of science, entertainment and spectacular urban culture. Méliès became the author of the first images of city roofs, the Middle Age city screen myth, and the confrontation of traditional city and modern technical civilization.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130559305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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