Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.022
Chenghong Wang
As one of the outstanding composers of the 20th century, Respighi is famous for his three symphonic poems "Fountain of Rome" ("Fontane di Roma"), "Pine of Rome" ("Pini di Roma") and "Festival of Rome" ("Feste Romane"). Through the study and analysis of the "Festival of Rome", this paper finds that Respighi has unique characteristics in the application of the rondo principle in the classical structural principles. He extended the classical structure principle of rondo to the level of rondothinking and applied it to the musical details of his works, such as sections, motivations, tonality, dynamics and tempo. This kind of creative thinking of extending and developing the principle of musical form is of enlightening significance to contemporary music creation.
雷斯皮吉是20世纪杰出的作曲家之一，他创作了三首交响诗《罗马喷泉》(Fontane di Roma)、《罗马之松》(Pini di Roma)和《罗马节日》(Feste Romane)。本文通过对《罗马的节日》的研究和分析，发现雷斯皮吉在古典结构原理中对回旋曲原理的运用具有独特的特点。他将回旋曲的古典结构原则扩展到回旋曲思维的层面，并将其运用到作品的音乐细节中，如小节、动机、调性、动力、节奏等。这种对音乐形式原则的延伸和发展的创造性思维，对当代音乐创作具有启示意义。
{"title":"The Rondo-Thinking in the Symphonic Poem “Festival of Rome”","authors":"Chenghong Wang","doi":"10.2991/assehr.k.200907.022","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.022","url":null,"abstract":"As one of the outstanding composers of the 20th century, Respighi is famous for his three symphonic poems \"Fountain of Rome\" (\"Fontane di Roma\"), \"Pine of Rome\" (\"Pini di Roma\") and \"Festival of Rome\" (\"Feste Romane\"). Through the study and analysis of the \"Festival of Rome\", this paper finds that Respighi has unique characteristics in the application of the rondo principle in the classical structural principles. He extended the classical structure principle of rondo to the level of rondothinking and applied it to the musical details of his works, such as sections, motivations, tonality, dynamics and tempo. This kind of creative thinking of extending and developing the principle of musical form is of enlightening significance to contemporary music creation.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133925081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.017
Shuyue Ding
Amid the traditional Chinese culture, a major component is the music culture, which occupies a very important position. And amid the Chinese music culture, Tibetan music culture forms a main composition. This paper summarizes the classification of Tibetan music, makes an analysis and expounds on the cultural characteristics and cultural connotation of Tibetan music. It also puts forward some suggestions on how to develop Tibetan cultural resources and the creation of modern
{"title":"Study on the Cultural Connotation of Tibetan Music","authors":"Shuyue Ding","doi":"10.2991/assehr.k.200907.017","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.017","url":null,"abstract":"Amid the traditional Chinese culture, a major component is the music culture, which occupies a very important position. And amid the Chinese music culture, Tibetan music culture forms a main composition. This paper summarizes the classification of Tibetan music, makes an analysis and expounds on the cultural characteristics and cultural connotation of Tibetan music. It also puts forward some suggestions on how to develop Tibetan cultural resources and the creation of modern","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123492808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.104
Wei Wei
{"title":"An Analysis of Educational Functions in Folk Songs of Mulao Nationality","authors":"Wei Wei","doi":"10.2991/assehr.k.200907.104","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.104","url":null,"abstract":"","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129746165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.109
Qunying Wang, Yongwei Liu
{"title":"Investigation and Research on the Inheritance Status of Original Ecological Yao Folk Songs in Ruyuan Yao Autonomous County, Guangdong Province","authors":"Qunying Wang, Yongwei Liu","doi":"10.2991/assehr.k.200907.109","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.109","url":null,"abstract":"","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126669556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.041
Xiaonan Zhang, Bingying Wang
Paul Gauguin is often regarded as the representative painter of post-impressionist paintings, but in fact Gauguin was also one of the top ten artists under the influence of symbolism in the ninth century and was also regarded as the leader of symbolism. Impressionist and neo-impressionist painters tried their best to reproduce the natural things objectively, while Gauguin, influenced by the ideological trend of symbolism, wished to transcend the superficial truth and pursue the emotional truth under the surface. The analysis of him mainly focuses on his symbolism, but Paul Gauguin pursues mysterious art all his life and also reflects the mysterious side of the art country. His paintings are filled with an ineffable spirit. Based on the expression of Gauguin's mysticism in his paintings, this paper mainly analyzes the theme of his paintings, its characteristic composition and color analysis, as well as his research on mysticism painting, and finally analyzes the mysticism color of Gauguin's paintings and the profound meaning of the mysterious color behind his paintings.
{"title":"An Analysis of the Mysticism Behind Gauguin’s Paintings","authors":"Xiaonan Zhang, Bingying Wang","doi":"10.2991/assehr.k.200907.041","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.041","url":null,"abstract":"Paul Gauguin is often regarded as the representative painter of post-impressionist paintings, but in fact Gauguin was also one of the top ten artists under the influence of symbolism in the ninth century and was also regarded as the leader of symbolism. Impressionist and neo-impressionist painters tried their best to reproduce the natural things objectively, while Gauguin, influenced by the ideological trend of symbolism, wished to transcend the superficial truth and pursue the emotional truth under the surface. The analysis of him mainly focuses on his symbolism, but Paul Gauguin pursues mysterious art all his life and also reflects the mysterious side of the art country. His paintings are filled with an ineffable spirit. Based on the expression of Gauguin's mysticism in his paintings, this paper mainly analyzes the theme of his paintings, its characteristic composition and color analysis, as well as his research on mysticism painting, and finally analyzes the mysticism color of Gauguin's paintings and the profound meaning of the mysterious color behind his paintings.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115939231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.073
Lan Yao
{"title":"The Status Quo and Outlet of Household Ceramic Art Development in China: Reflection on the Current Situation and Problems of China Through the Development of Korean Household Ceramic Art","authors":"Lan Yao","doi":"10.2991/assehr.k.200907.073","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.073","url":null,"abstract":"","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130325875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.200907.077
Huili Han, D. Yu, Xuefeng Liu, Tian-rong Wen
Qiang embroidery is an important part of Qiang culture, and its embroidery pattern is not only a manifestation of the daily life of Qiang people, but also an expression of the spiritual culture of Qiang people, which is integrated with the life of Qiang people. Taking the Wenchuan region as an example, this paper studies the Qiang embroidery pattern art and discusses the feasibility of applying Qiang embroidery pattern art to cultural and creative products based on field investigations, which will play a certain role in the spread, protection, inheritance and development of Qiang traditional culture, and enhance national self-confidence and promote national culture. In this way, it seeks a more suitable communication method and development direction for the traditional national crafts represented by Qiang embroidery.
{"title":"The Feasibility of Applying Qiang Embroidery Pattern Art in Wenchuan to Cultural and Creative Products","authors":"Huili Han, D. Yu, Xuefeng Liu, Tian-rong Wen","doi":"10.2991/assehr.k.200907.077","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.077","url":null,"abstract":"Qiang embroidery is an important part of Qiang culture, and its embroidery pattern is not only a manifestation of the daily life of Qiang people, but also an expression of the spiritual culture of Qiang people, which is integrated with the life of Qiang people. Taking the Wenchuan region as an example, this paper studies the Qiang embroidery pattern art and discusses the feasibility of applying Qiang embroidery pattern art to cultural and creative products based on field investigations, which will play a certain role in the spread, protection, inheritance and development of Qiang traditional culture, and enhance national self-confidence and promote national culture. In this way, it seeks a more suitable communication method and development direction for the traditional national crafts represented by Qiang embroidery.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"110 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123679267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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