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An Impact of New Technologies on Cropping Pattern in the Eastern Hills of Nepal 新技术对尼泊尔东部山区种植方式的影响
Pub Date : 2020-12-31 DOI: 10.3126/mef.v10i0.34086
Shyam Wagle
This abstract starts with the purpose of the study of the impact of using new technologies on cropping pattern particularly in the case of the Eastern hills. It also examines the role of governmental organizations and non-governmental organizations to improve agricultural systems of this area. Relevant data have been obtained from both primary and secondary sources. It draws on the data collected from interview, focus group discussion, key informant survey, and field observation. For this, 30 percent sample households were selected from three altitude belts such as upper, middle and lower, ranging from 300 to 2,250 masl along the Koshi-highway. It has a wide range of climates, ranging from sub-tropical to alpine with monsoon precipitation in the summer for three and half months, and therefore it has diversity in flora and fauna and people. Similarly, secondary data have been collected from various books, journals and official records. This paper has showed that the crucial impact of acceptance of innovative methods in agriculture in the study area is a joint effort of local people, government, and non-government agencies too. The government with the development agencies and non-government organizations has contributed to impart knowledge of the agriculture innovative methods to the local farmers. At the same time, the farmers were enthusiastic to learn and adopt those methods. Consequently, one can easily see the remarkable changes in cropping pattern due to the impact of such innovations. The cereal crops based on agricultural system is gradually moving towards high value off-season crops farming.
摘要以研究新技术对东部山区种植方式的影响为出发点。它还审查了政府组织和非政府组织在改善该地区农业系统方面的作用。相关数据已从一手和二手来源获得。它借鉴了从访谈、焦点小组讨论、关键信息调查和实地观察中收集的数据。为此,在高世高速公路沿线300∼2250米的高、中、低3个海拔带中选取了30%的家庭作为调查对象。它有广泛的气候范围,从亚热带到高山,夏季有三个半月的季风降水,因此它有多样性的动植物和人。同样,从各种书籍、期刊和官方记录中收集了二手数据。本文的研究表明,研究区域农业创新方法接受的关键影响是当地人民,政府和非政府机构的共同努力。政府、发展机构和非政府组织为向当地农民传授农业创新方法的知识作出了贡献。与此同时,农民们也热情地学习和采用这些方法。因此,由于这些创新的影响,人们很容易看到种植模式的显著变化。以谷类作物为主的农作体系正逐步向高价值的淡季作物耕作方向发展。
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引用次数: 0
Endurance of Women in Afghan Society in Khaled Hosseini’s A Thousand Splendid Suns (Book review) 从胡赛尼的《一千个灿烂的太阳》看阿富汗社会妇女的忍耐力(书评)
Pub Date : 2020-12-31 DOI: 10.3126/mef.v10i0.34088
Sedunath Dhakal
No abstract available.
没有摘要。
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引用次数: 1
Non-Aligned Movement: Challenges and Way Forward 不结盟运动:挑战和前进之路
Pub Date : 2020-12-31 DOI: 10.3126/mef.v10i0.34053
A. Kharel
 Non-Aligned Movement commonly known as NAM has played a useful role in the common cause of World peace and prosperity. It has succeeded in steadily emerging as a central international forum. The newly independent nations of the world that have come into the one fold of this Movement have determined their own and resist the coercion of the World powers and their attempt to exploit them. During the cold war and in the present context, the Non-Aligned Movement examines its objectives and achievements in both periods. The main goals of NAM during block policy of more extraordinary powers, the structure of bipolar in international relations, the constant support and through its conferences and in the United Nations for World peaceful environment, détente, and disarmament, and prevention of the world into the block division (East and West). Despite these changes, several others new challenge that are arising, and its member states for the achievement of peace and security for humankind.
不结盟运动(不结盟运动)在世界和平与繁荣的共同事业中发挥了有益的作用。它已成功地逐步成为一个核心的国际论坛。世界上加入这一运动的新独立国家已经决定了自己的命运,并抵制世界列强的胁迫和剥削它们的企图。在冷战期间和在目前情况下,不结盟运动审查了它在这两个时期的目标和成就。不结盟运动在集团政策期间的主要目标是更多的特别大国,国际关系中的两极结构,通过其会议和联合国不断支持世界和平环境,改革和裁军,以及防止世界进入集团分裂(东方和西方)。尽管有这些变化,但正在出现的其他几个新挑战及其成员国为实现人类和平与安全所面临的挑战。
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引用次数: 0
Governance of Health Care Services: A Critical Understanding of Federal Experiences from Central Nepal 卫生保健服务的治理:对尼泊尔中部联邦经验的批判性理解
Pub Date : 2020-12-31 DOI: 10.3126/mef.v10i0.34074
K. Dahal
People in different locality interact, perceive, and experience the government and governance through the government’s various service delivery mechanisms mainly, which affect them in their locale. Governance in the health sector can serve as an essential and critical window through which we can glance at the situation of governance in a given society. Multiple voices from the actors involved in delivering health care services and health service users portray the current emerging situation of health governance, especially, during the initial years of implementation of federal system in Nepal. In portraying the current health governance scenario in the study areas, this article shows how people’s experience of forms of governance affects their uptake of health care services. It uses micro-level ethnographic information to look at the broader issue of health governance.
不同地域的人们主要通过政府的各种服务提供机制来互动、感知和体验政府和治理,这些服务提供机制影响着他们所在的地域。卫生部门的治理可以作为一个重要和关键的窗口,通过它我们可以了解某一社会的治理情况。参与提供卫生保健服务的行为者和卫生服务使用者的多种声音描述了当前卫生治理的新情况,特别是在尼泊尔实施联邦制的最初几年。在描述研究领域当前的卫生治理情景时,本文展示了人们对治理形式的体验如何影响他们对卫生保健服务的接受。它使用微观层面的人种学信息来研究更广泛的卫生治理问题。
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引用次数: 0
Cultural Capital and Educational Performance of Brahman/Chhetri Students 婆罗门/切特里学生的文化资本与教育表现
Pub Date : 2020-12-31 DOI: 10.3126/mef.v10i0.34085
Sharad Chandra Simkhada
Why Brahman/Chhetri students are high achievers in secondary education in Nepal is rarely analyzed. For their educational success, people attribute to their cultural capital. A qualitative method was employed to assess whether the assumption is valid or not. In the course of assessment, researcher generated information from secondary and primary sources and analyzed them. The findings show that the Brahman/Chhetris are rich in cultural capital, which is instrumental for their better performance in formal education. However, empirical evidence has led the researcher that the argument is valid partly. Due to globalization combined with other factors such as class, education, and growing cultural exchange, the influence of cultural capital to their educational achievement has been found weak. Therefore, the stereotypical generalization is not necessarily true at present, among the research participants.
为什么婆罗门/切特里学生在尼泊尔的中学教育中成绩优异,很少有人分析。人们把他们在教育上的成功归功于他们的文化资本。采用定性的方法来评估假设是否有效。在评估过程中,研究者从二手和一手资源中获取信息并进行分析。研究结果表明,婆罗门/法师拥有丰富的文化资本,这有助于他们在正规教育中取得更好的表现。然而,经验证据使研究人员认为该论点部分有效。由于全球化与阶级、教育、文化交流等因素的结合,文化资本对他们的教育成就的影响已经被发现是微弱的。因此,目前在研究参与者中,刻板印象概括不一定是正确的。
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引用次数: 0
Performing Gender: Female Masculinity in D. H. Lawrence’s The Rainbow 表演性别:劳伦斯《彩虹》中的女性阳刚之气
Pub Date : 2020-12-31 DOI: 10.3126/mef.v10i0.34055
Gol Man Gurung
This paper analyses Ursula, the female protagonist of D. H. Lawrence’s the novel The Rainbow, who reflects her masculinity. Many feminist critics have perceived this novel as man-centered. In response to this analysis of the novel, the paper tries to look at the novel from the perspective of Judith Halberstam’s theoretical concept of female masculinity, especially Ursula as a masculine woman who acts like a man. Female masculinity is not an identity but a site for identification where different identities can flourish, but masculine women possess confidence, assertiveness, and independence. Lawrence gives justice to women’s role by presenting Ursula as a new woman who seeks her individual identity in the traditional world. Through the reading of the novel as its theoretical tool, the research concludes that females can be as males and males can be like females. She acts like a man and that means she has masculine qualities. The novelist portrays Ursula as a woman with masculinity because she can flourish different identities of her life. She plays the role of an independent woman, a liberated woman, a Lesbian woman, and a new woman, etc. She behaves like a tomboy who refuses to accept the Victorian conventions of society. So, she is a masculine woman rather than a feminine woman. This paper emphasizes how a woman can perform like a man; this suggests masculinity is not the private property of a male; it is a social position that can be practiced in an individual way.
本文分析了劳伦斯小说《彩虹》中女主人公厄休拉的阳刚之气。许多女权主义评论家认为这部小说以男性为中心。作为对小说分析的回应,本文试图从朱迪思·哈伯斯坦的女性男性气质的理论概念,特别是厄休拉作为一个男性化的女性来看待小说。女性的男子气概不是一种身份,而是一种身份认同的场所,在那里不同的身份可以蓬勃发展,但男性化的女性拥有自信、果断和独立。劳伦斯将厄休拉描绘成一个在传统世界中寻求个人身份的新女性,为女性的角色赋予了正义。通过对小说的阅读作为理论工具,研究得出了女性可以像男性一样,男性可以像女性一样的结论。她表现得像个男人,这意味着她有男子气概。这位小说家把厄休拉描绘成一个有男子气概的女人,因为她可以在生活中扮演不同的角色。她扮演了独立女性、解放女性、同性恋女性、新女性等角色。她表现得像个假小子,拒绝接受维多利亚时代的社会习俗。所以,她是一个阳刚的女人,而不是一个阴柔的女人。这篇文章强调女性如何表现得像男性;这表明男子气概不是男性的私有财产;这是一种社会地位,可以以个人的方式实践。
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引用次数: 0
Causes and Effects of Trauma in Bhutanese Nepali Diasporic Poetry 不丹尼泊尔散居诗歌中创伤的原因与影响
Pub Date : 2020-12-25 DOI: 10.3126/mef.v10i1.34036
R. Timalsina
This study aims to explore the causes and effects of trauma in Bhutanese Nepali diasporic poetry. It discusses the connection between the individual and collective trauma. Bhutanese Nepali diasporic poetry gives expression to centuries-long marginalization and sufferings of this community. The series of suffering started from the time the people of Nepali origin reached Bhutan for permanent settlement. It continued with their expulsion, life as refugees and finally in the resettled life in the West. Their experiences of suffering caused trauma on both the personal and collective levels. To explore how it is represented in their poetic creations, I have done this study with the use of constructivist trauma theory in the analysis of the six purposively selected poems that deal with causes and effects of trauma. Constructivist trauma theory deals with trauma as a social construct. The experiences of the people are traumatic, and the discourses on trauma make the individual and social trauma acute and understandable. The study has found that the history of sufferings and the consequent experiences are the causes of their trauma. As a result of trauma, their mentality has been badly affected. The speakers in the poems and the community at the level of representation have been fearful, purposeless and disoriented. The victims’ vulnerable existential condition has been reflected in their alternative mode of living on, disability, helplessness and aloneness that has caused significant bearing on the construction of their identity. Their psychology has been filled with troubling past and unstable present mentality resulting into the feeling of being demeaned and diminished. At the same time, these poems have depicted the combination of personal and collective trauma. I believe that this study paves way to further studies on Bhutanese Nepali diasporic literature from the perspective of trauma theory.
本研究旨在探讨不丹尼泊尔散居诗歌中创伤的原因和影响。它讨论了个人和集体创伤之间的联系。不丹尼泊尔流散诗歌表达了这个社区几个世纪以来的边缘化和苦难。这一系列的苦难是从尼泊尔裔人到达不丹永久定居开始的。他们被驱逐出境,过着难民的生活,最后在西方定居。他们的苦难经历在个人和集体层面上都造成了创伤。为了探索创伤是如何在他们的诗歌创作中表现出来的,我运用建构主义创伤理论分析了六首有目的选择的诗歌,这些诗歌涉及创伤的原因和影响。建构主义创伤理论认为创伤是一种社会建构。人们的经历是创伤性的,关于创伤的话语使个体和社会的创伤变得尖锐和可理解。研究发现,痛苦的历史和随之而来的经历是他们创伤的原因。由于创伤,他们的心理受到了严重的影响。诗歌中的讲话者和在代表层面上的社区一直是恐惧的,无目的的,迷失方向的。受害者脆弱的生存状况反映在他们的另类生活方式、残疾、无助和孤独上,这对他们的身份建构产生了重大影响。他们的心理充满了不安的过去和不稳定的现在心态,产生了被贬低和被贬低的感觉。同时,这些诗也描绘了个人和集体创伤的结合。我相信本研究为从创伤理论的角度进一步研究不丹尼泊尔流散文学铺平了道路。
{"title":"Causes and Effects of Trauma in Bhutanese Nepali Diasporic Poetry","authors":"R. Timalsina","doi":"10.3126/mef.v10i1.34036","DOIUrl":"https://doi.org/10.3126/mef.v10i1.34036","url":null,"abstract":"This study aims to explore the causes and effects of trauma in Bhutanese Nepali diasporic poetry. It discusses the connection between the individual and collective trauma. Bhutanese Nepali diasporic poetry gives expression to centuries-long marginalization and sufferings of this community. The series of suffering started from the time the people of Nepali origin reached Bhutan for permanent settlement. It continued with their expulsion, life as refugees and finally in the resettled life in the West. Their experiences of suffering caused trauma on both the personal and collective levels. To explore how it is represented in their poetic creations, I have done this study with the use of constructivist trauma theory in the analysis of the six purposively selected poems that deal with causes and effects of trauma. Constructivist trauma theory deals with trauma as a social construct. The experiences of the people are traumatic, and the discourses on trauma make the individual and social trauma acute and understandable. The study has found that the history of sufferings and the consequent experiences are the causes of their trauma. As a result of trauma, their mentality has been badly affected. The speakers in the poems and the community at the level of representation have been fearful, purposeless and disoriented. The victims’ vulnerable existential condition has been reflected in their alternative mode of living on, disability, helplessness and aloneness that has caused significant bearing on the construction of their identity. Their psychology has been filled with troubling past and unstable present mentality resulting into the feeling of being demeaned and diminished. At the same time, these poems have depicted the combination of personal and collective trauma. I believe that this study paves way to further studies on Bhutanese Nepali diasporic literature from the perspective of trauma theory.","PeriodicalId":313268,"journal":{"name":"Molung Educational Frontier","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129500715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tantric Nuances Arguing Gender Order in Mithila Paintings 密提拉绘画中的密宗细微差别争论性别秩序
Pub Date : 2020-12-25 DOI: 10.3126/mef.v10i1.34033
Pragya Paneru
This article reviews the Tantric influence in the traditional Mithila paintings and argues how Tantra’s emphasis on femininity can challenge the traditional patriarchal notion toward women in general. In doing so, firstly, the article examines the studies in Tantra and its views toward women in general. Secondly, it analyzes the studies in Mithila paintings and their connection with Tantra and the actual women context in the Maithil community. Lastly, it reviews some of the examples of Mithila paintings to study the presence of tantric symbols, as claimed by the studies in Mithila paintings, followed by a conclusion. The findings suggest that being a highly patriarchal culture, with limited authority to women even in their personal life decisions, Mithila culture yet contains seeds of resistance within itself. On the one hand, Maithil women lack the liberty of sexual expressions, decision makings, and involvement in outdoor activities as the veil in their head symbolically separates them from the rest of the society, except the traditional feminine chores. On the other hand, traditional Mithila paintings mocks the patriarchy through the feminine images and symbols as eminent cosmic power, a source of creation, and destruction. The Tantric images and signs in Mithila paintings shout out the power of femininity, challenging patriarchal beliefs of men as a center and women as a margin. This article stresses that Tantric dualism and its equal emphasis on femininity reflected in Mithila paintings can be used as a powerful religious, cultural, and artistic tool to empower women and subvert the general binary of men and women. Mithila paintings that have become a source of economic empowerment, emotional expressions, and means of awareness of women in the present-day, can also be used to harmonize the male-female tensions and as an effective religious, cultural, and artistic device to tear-off shackles of patriarchy.
本文回顾了密宗对传统密提拉绘画的影响,并论证了密宗对女性气质的强调如何挑战传统的父权观念。在这样做的过程中,首先,文章考察了密宗的研究及其对妇女的看法。其次,分析了密提拉绘画的研究及其与密宗和密提拉群体实际女性语境的联系。最后,回顾了米提拉绘画的一些例子,以研究密宗符号的存在,正如米提拉绘画的研究所声称的那样,然后得出结论。研究结果表明,作为一种高度父权制的文化,女性在个人生活决定方面的权力有限,米蒂拉文化本身也蕴含着反抗的种子。一方面,Maithil妇女缺乏性表达、决策和参与户外活动的自由,因为她们头上的面纱象征性地将她们与社会其他部分分开,除了传统的女性家务。另一方面,传统的米提拉绘画通过女性形象和象征来嘲笑父权制,这些女性形象和象征是显赫的宇宙力量,是创造和毁灭的源泉。密提拉画作中的密宗图像和符号大声喊出了女性的力量,挑战了男性为中心、女性为边缘的父权信仰。本文强调密宗二元论及其在密提拉绘画中对女性气质的同等强调,可以作为一种强大的宗教、文化和艺术工具来赋予女性权力,并颠覆男性和女性的二元性。米蒂拉的绘画已经成为当今经济赋权、情感表达和女性意识的来源,也可以用来协调男女之间的紧张关系,并作为一种有效的宗教、文化和艺术手段来撕破父权制的束缚。
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引用次数: 0
Celebrating Teej as a Festival of (Re) union and Enjoyment 庆祝Teej作为(重新)团结和享受的节日
Pub Date : 2020-12-25 DOI: 10.3126/mef.v10i1.34027
K. Dahal
Among many festivals that are celebrated in Nepal, Teej, is regarded as the most significant festival observed by women. If we trace its origin as Parvati’s union with Shiva after her long and hard penance, then we understand that it is the festival celebrated in memory of the victory of a wife's love and devotion towards her husband. If we observe the way it is celebrated today, then we come to understand that it is a festival celebrated as an occasion of (re) union with parents, bothers, and sisters in their maternal home and sense of joy and happiness. In Nepal and in most parts of North India women gather at their maternal home, have delicious meals, sing and dance with full sense of freedom and enjoyment during the occasion. Women can also express their feelings of pain and suffering which they have to bear at their inlaw’s house in the form of singing and dancing through which their burdens lightened. While some people still celebrate Teej as a religious ritual in ancient sense, many other people today celebrate it as an aspect of cultural life in modern sense. Despite different views and opinions about Teej, it has been an integral part of life of women in Hindu society of South Asia and beyond. This article explores how this festival provides a sense of joy and happiness to women to the women who are subjugated by patriarchal domination in Nepalese society and are free to reunite with maternal home and family and enjoy fully, if only during this occasion. It is based on the secondary sources and field study.
在尼泊尔庆祝的许多节日中,Teej节被认为是女性庆祝的最重要的节日。如果我们追溯它的起源是Parvati在经历了漫长而艰苦的苦修之后与湿婆的结合,那么我们就会明白,这是一个庆祝妻子对丈夫的爱和奉献的胜利的节日。如果我们观察今天庆祝它的方式,那么我们就会明白,这是一个与父母、兄弟姐妹在母家团聚的节日,是一种快乐和幸福的感觉。在尼泊尔和北印度的大部分地区,妇女们聚集在她们的母亲家里,吃着美味的饭菜,载歌载舞,在这个节日里充满了自由和享受。妇女也可以通过唱歌和跳舞的形式来表达她们在婆家所承受的痛苦和痛苦,从而减轻她们的负担。虽然有些人仍然庆祝Teej作为古代意义上的宗教仪式,但今天许多人庆祝它作为现代意义上的文化生活的一个方面。尽管对Teej有不同的看法和看法,但它已经成为南亚及其他地区印度教社会女性生活中不可或缺的一部分。这篇文章探讨这个节日如何为尼泊尔社会中受父权统治的女性提供快乐和幸福的感觉,这些女性可以自由地与母系家庭和家人团聚,尽情享受,如果只是在这个场合。它是基于二手资料和实地研究。
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引用次数: 0
Chhaupadi Pratha: Women’s Experiences and Perceptions about Social Suffering Chhaupadi Pratha:女性对社会苦难的经历和感知
Pub Date : 2020-12-25 DOI: 10.3126/mef.v10i1.34031
N. Khadka
Chhaupadi Pratha, a socio-cultural system, is mostly exercised at the Far Western region of Nepal. The system is linked with biological process of women's menstrual period. Women are kept in small sheds away from home during their menstrual period. Besides difficulties staying in a small hut, they have to suffer from many physical and psychological problems. In that period, they are not allowed to take part in religious ceremonies, family kitchen for nutritious food, and family home for security, and warm. This article attempts to analyze women's experience and perception towards Chhaupadi system. In doing so, it investigates how women are suffering from the Chhaupadi system and its consequences. This ethnographic research employed unstructured in-depth conversations and key informant interviews methods to collect information. This research finds that these women are affected physically and mentally by the practices of Chhaupadi. The practice restricts women's safe live and educational opportunity because they are restricted touching anything during their period. The concept of pollution and purity differentiate the life situation of women which is depended on monthly menstrual bleeding. Menstruating women are believed as polluted that’s why they are forced to live small shed and face various difficulties. Non-menstruating women are believed as a pure. Consequently, their social relationship disturbed by shame and restriction. Living in the Chhaupadi shed brings psychological and physical threats. The discrimination during the periods faced by women is considered as violation of fundamental human rights. Women activists are engaged in campaign against the system.
Chhaupadi Pratha是一种社会文化制度,主要在尼泊尔的远西部地区实行。该系统与女性月经的生理过程有关。妇女在经期被关在离家很远的小棚子里。除了住在小屋里的困难之外,他们还要忍受许多身体和心理上的问题。在那个时期,他们不允许参加宗教仪式,不允许在家庭厨房里吃有营养的食物,也不允许在家里安全、温暖。本文试图分析女性对Chhaupadi制度的体验和感知。在此过程中,它调查了妇女如何遭受Chhaupadi制度及其后果。本人种学研究采用非结构化的深度对话和关键线人访谈方法来收集信息。这项研究发现,这些妇女的身心都受到了Chhaupadi习俗的影响。这种做法限制了妇女的安全生活和受教育的机会,因为她们在经期被限制接触任何东西。污浊与纯净的概念区分了依赖月经出血的女性的生活状况。经期妇女被认为是被污染的,这就是为什么她们被迫住在小棚子里,面临各种各样的困难。不经期的女性被认为是纯洁的。因此,他们的社会关系受到羞耻和限制。住在Chhaupadi小屋会带来心理和身体上的威胁。妇女在经期受到的歧视被认为是对基本人权的侵犯。妇女积极分子参与了反对该制度的运动。
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引用次数: 2
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Molung Educational Frontier
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