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Defender la vida: Una entrevista con Raquel Gutiérrez Aguilar [Defending Life: Interview with Raquel Gutiérrez Aguilar] 捍卫生命:采访Raquel gutierrez Aguilar[捍卫生命:采访Raquel gutierrez Aguilar]
Pub Date : 2021-10-26 DOI: 10.28968/cftt.v7i2.37654
Raquel Gutiérrez Aguilar, Firuzeh Shokooh Valle, Translated by: Vivette García-Deister
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引用次数: 0
Distributed Blackness: African American Cybercultures, by André Brock Jr. (NYU Press, 2020) 《分布式黑人:非裔美国人的网络文化》,作者:小安德烈·<s:1>·布洛克(纽约大学出版社,2020年)
Pub Date : 2021-10-26 DOI: 10.28968/cftt.v7i2.35995
J. Rauchberg
Review of Distributed Blackness: African-American Cybercultures, by André Brock Jr. (NYU Press, 2020).
《分布式黑人:非裔美国人网络文化》,作者:小安德烈·布鲁克(纽约大学出版社,2020年)。
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引用次数: 0
Six Ways of Looking at Fractal Mechanics 看待分形力学的六种方法
Pub Date : 2021-10-26 DOI: 10.28968/cftt.v7i2.33181
R. Williams
In this creative nonfiction essay, I traverse through permutations of “fractal mechanics” as a means of processing experiences of oppression and imagining revolutionary futures. I introduce fractal mechanics as a method for thinking through how “the institution,” broadly understood, travels and transmutes from physical structure localized in place to a set of internalized rule sets that bind themselves to transinstitutionalized “host bodies”—a NeoLiberation. Through a series of vignettes illustrating violent experiences of “inclusion,” I explore how the institution is reproduced in neoliberal constructions of inclusion, liberation, and justice. I then integrate critiques of liberation within neoliberal frames with crip imaginings of justice-in-relation to explicate how fractal mechanics can be understood not only as a method of oppression but also a method for revolution. I close with a series of imaginaries that encourage us to prefigure, or dream, a fractal politic of intercommunal connection.
在这篇创造性的非虚构文章中,我将“分形力学”的排列作为一种处理压迫经验和想象革命未来的手段。我介绍了分形力学,作为一种思考“制度”的方法,它被广泛地理解,从局部的物理结构传播和转化为一组内化的规则集,这些规则集将自己绑定到跨机构的“主体”——新解放。通过一系列描述“包容”暴力经历的小插曲,我探索了该制度如何在新自由主义的包容、解放和正义建构中再现。然后,我将新自由主义框架内对解放的批评与对正义的蹩脚想象结合起来,以解释分形力学如何不仅可以被理解为压迫的方法,而且可以被理解为革命的方法。我以一系列的想象作为结束,这些想象鼓励我们预见或梦想一种分形的社会联系政治。
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引用次数: 0
Donna Haraway and Banu Subramaniam in Conversation (April 22, 2021—excerpt) Donna Haraway和Banu Subramaniam谈话(2021年4月22日节选)
Pub Date : 2021-10-26 DOI: 10.28968/cftt.v7i2.37646
D. Haraway, Banu Subramaniam
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引用次数: 1
3x3x6 – 9 Sq.m. and 6 Surveillance Cameras 3x3x6 - 9平方米和6个监控摄像头
Pub Date : 2021-10-26 DOI: 10.28968/cftt.v7i2.37644
Shu Lea Cheang, With Paula Gardner and Stephen Surlin
The title of Shu Lea Cheang’s 3x3x6 which represented Taiwan at Venice Biennale 2019 derives from the 21st century high-security prison cell measured in 9 square meter and equipped with 6 surveillance cameras. As an immersive installation, 3x3x6 is comprised of multiple interfaces to reflect on the construction of sexual subjectivity by technologies of confinement and control, from physical incarceration to the omnipresent surveillance systems of contemporary society, from Jeremy Bentham’s panopticon conceptualized in 1791 to China’s Sharp Eyes that boasts 200 million surveillance cameras with facial recognition capacity for its 1.4 billion population. By employing strategic and technical interventions, 3x3x6 investigates 10 criminal cases in which the prisoners across time and space are incarcerated for sexual provocation and gender affirmation. The exhibition constructs collective counter-accounts of sexuality where trans punk fiction, queer, and anti-colonial imaginations hacks the operating system of the history of sexual subjection. This Image and Text piece intersperses images from the exhibition with handout texts written by curator Paul B. Preciado (against a grey background), as well as an interview between special section co-editor Paula Gardner and the artist that brings the extraordinary exhibition into further conversation with feminist technoscience scholarship. The project website is available at https://3x3x6-v2.webflow.io/.
代表台湾参加2019年威尼斯双年展的张淑蕾作品《3x3x6》的标题,源自一座面积9平方米、装有6个监控摄像头的21世纪高安全级别牢房。作为一个沉浸式装置,3x3x6由多个界面组成,通过限制和控制技术来反思性主体性的建构,从物理监禁到当代社会无处不在的监控系统,从杰里米·边沁(Jeremy Bentham)在1791年构想的圆形监狱到中国拥有2亿个监控摄像头的锐利眼睛,拥有14亿人口的面部识别能力。3x3x6通过策略和技术干预,调查了10起跨越时间和空间的罪犯因性挑衅和性别肯定而被监禁的刑事案件。这次展览构建了对性的集体反叙述,其中跨性别朋克小说、酷儿和反殖民的想象破坏了性从属历史的操作系统。这个图像和文本作品穿插了展览中的图像和策展人Paul B. Preciado(灰色背景)撰写的文本,以及特别部分的联合编辑Paula Gardner和艺术家之间的采访,将这次非凡的展览带入了与女权主义技术科学奖学金的进一步对话。该项目的网站是https://3x3x6-v2.webflow.io/。
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引用次数: 0
Absent Data: Engagements with Absence in a Twitter Collection Process 缺席数据:Twitter收集过程中缺席的约定
Pub Date : 2021-10-26 DOI: 10.28968/cftt.v7i2.34563
Katrine Meldgaard Kjær, M. Ojala, Line Henriksen
This paper considers the ways in which silences and absences are a central part of research that relies on automated data collection from social media or the internet. In recent years, automated data collection driven or supported research methods have gained popularity within the social sciences and humanities. With this increase in popularity, it becomes ever more pertinent to consider how to engage with digital data, and how both engagement and data are situated, messy, and contingent. Based on experiences with “missing” data, this paper mobilizes the framework of hauntology to make sense of what relationships may be built with missing data and how silences haunt research practices. Ultimately, we argue that it is possible to reimagine absent data not as a limitation but as an invitation to reflect on and establish new methods for working with automated data collections.
本文考虑了沉默和缺席是依赖于社交媒体或互联网自动数据收集的研究的核心部分的方式。近年来,自动化数据收集驱动或支持的研究方法在社会科学和人文科学中得到了普及。随着受欢迎程度的提高,考虑如何与数字数据互动,以及互动和数据如何定位,混乱和偶然变得更加重要。基于“丢失”数据的经验,本文运用幽灵学的框架来理解丢失数据可能建立的关系,以及沉默如何困扰研究实践。最后,我们认为有可能重新想象缺失的数据,而不是作为一种限制,而是作为一种反思和建立自动化数据收集工作新方法的邀请。
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引用次数: 1
Waste is Not a Metaphor for Racist Dispossession: The Black Feminist Marxism of Marisa Solomon 浪费不是种族主义剥夺的隐喻:玛丽莎·所罗门的黑人女权主义马克思主义
Pub Date : 2021-10-26 DOI: 10.28968/cftt.v7i2.37655
Marisa Solomon, Zoë Wool
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引用次数: 0
Human/Machine Fusions and the Future of the Cyborg 人机融合和半机械人的未来
Pub Date : 2021-10-26 DOI: 10.28968/cftt.v7i2.35066
Jasmine Erdener
In 2019 the US Department of Defense (DOD) published a report describing cyborg soldiers equipped with powerful implants, to be deployed by 2050. The DOD’s cyborg enables transhuman fantasies of controlling, augmenting, and weaponizing the body and the environment. The Cyborg Foundation, non-profit organization run by two artists, offers a different approach. These artists identify as cyborgs who aim to perceive the world differently, connect with nature, and expand normative human bodies and senses. In these human/machine fusions, and in cyborg theory, hybridity is an essential part of the cyborg’s appeal. Hybridity, however, can also reinforce binary oppositions or provide the veneer of choice under the mantle of self-regulation and governmentality. Calculated illegibility might afford a different vantage point into cyborg politics, negotiating the sites at which the body is identified and known, and the possibility for opacity, sousveillance, or subversive misrecognition. The Cyborg Foundation offers a useful illustration of calculated illegibility, a way of performing cyborg identity and embodiment that runs counter to traditional cyborg narratives. This article engages a close reading of the DOD report and the Cyborg Foundation, and an interview I conducted with one of the organization’s founders, Moon Ribas, to argue that illegibility better aligns with Donna Haraway’s call for a cyborg politics that disrupts and recodes the hegemonic communication systems and militarized control over the body and the planet.
2019年,美国国防部(DOD)发布了一份报告,描述了配备强大植入物的半机械人士兵,将于2050年部署。国防部的半机械人实现了控制、增强和武器化身体和环境的超人类幻想。由两位艺术家运营的非盈利组织赛博格基金会(Cyborg Foundation)提供了一种不同的方法。这些艺术家将自己定位为电子人,他们的目标是以不同的方式感知世界,与自然联系,扩展正常的人类身体和感官。在这些人与机器的融合中,以及在电子人理论中,混合性是电子人吸引力的重要组成部分。然而,混杂性也会强化二元对立,或者在自我监管和治理的外衣下提供选择的外衣。经过计算的难以辨认性可能会为电子人政治提供一个不同的有利位置,协商身体被识别和了解的地点,以及不透明、监视或颠覆性误认的可能性。半机械人基金会提供了一个有用的例子,说明了计算的难以辨认性,这是一种表现半机械人身份和体现的方式,与传统的半机械人叙事背道而驰。本文通过对国防部报告和半机械人基金会的仔细阅读,以及我对该组织创始人之一穆恩·里巴斯(Moon Ribas)的采访,认为不可读性更好地符合唐娜·哈拉威(Donna Haraway)对半机械人政治的呼吁,即破坏和重新编码霸权通信系统,并对身体和地球进行军事化控制。
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引用次数: 0
Transmissions: Critical Tactics for Making and Communicating Research, edited by Kat Jungnickel (MIT Press, 2020) 传输:制作和传播研究的关键策略,Kat Jungnickel编辑(麻省理工学院出版社,2020年)
Pub Date : 2021-10-26 DOI: 10.28968/cftt.v7i2.36526
Rebecca Rouse
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引用次数: 0
Secret Cures of Slaves: People, Plants, and Medicine in the Eighteenth-Century Atlantic World, by Londa Schiebinger (Stanford University Press, 2017) 《奴隶的秘密疗法:18世纪大西洋世界的人、植物和药物》,作者:伦敦达·希宾格(斯坦福大学出版社,2017年)
Pub Date : 2021-10-26 DOI: 10.28968/cftt.v7i2.36163
Élodie Edwards-Grossi
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引用次数: 0
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Catalyst: Feminism, Theory, Technoscience
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