Abstract:Mid-nineteenth-century literary and theatrical depictions of rats de l'Opéra (young girls training and performing with the Paris Opéra) emphasize their physical and material hardships, dubious morals, and shapeshifting abilities. Physiologies, tell-all histories of the Paris Opéra, and vaudeville livrets each underscore these qualities of the rat in their portrayals of her, yet they also emphasize her role as a labourer. Taken together, these representations of the rat connect ensemble dancers with the idea of labour in the social imaginary, crafting an image of the ensemble dancer as physical labourer, juxtaposed with the star dancer, considered to be an artist.Abstract:Les représentations littéraires et théâtrales du milieu du dix-neuvième siècle des rats de l'Opéra (jeunes filles qui s'entraînent et se produisent à l'Opéra de Paris) mettent l'accent sur leurs difficultés physiques et matérielles, leurs moeurs douteuses et leurs capacités de métamorphose. Les physiologies, les chroniques de l'Opéra de Paris et les livrets de vaudeville soulignent ces qualités du rat dans leurs portraits, mais ils mettent également l'accent sur son rôle d'ouvrière. Mises bout à bout, ces représentations du rat rapprochent l'image des quadrilles de l'Opéra et le concept du travail dans l'imaginaire social, créant ainsi une image du quadrille (de l'Opéra) comme ouvrière, juxtaposée à celle du danseur étoile, considéré comme artiste.
摘要:19世纪中期的文学和戏剧对老鼠的描述(与巴黎的opsamra一起训练和表演的年轻女孩)强调了她们身体和物质上的困难，可疑的道德和变形能力。生理学，巴黎opsamra的全部历史，以及杂耍剧团都在他们对老鼠的描绘中强调了老鼠的这些品质，但他们也强调了她作为劳动者的角色。综上所述，这些老鼠的表现将集体舞者与社会想象中的劳动概念联系起来，形成了集体舞者作为体力劳动者的形象，与被认为是艺术家的明星舞者并列。摘要/ Abstract摘要:“Les rerepresentation”指的是“Les rerepresentation”指的是“Les rerepresentation”指的是“Les rerepresentation”指的是“Les rerepresentation”指的是“Les entretraent”指的是“Les entretraent”指的是“Les entretraent”指的是“Les entretraent”指的是“Les accent sur leurs”指的是“”。从生理上讲，从年龄上讲，从年龄上讲，从年龄上讲，从年龄上讲，从年龄上讲，从年龄上讲，从年龄上讲，从年龄上讲，从年龄上讲，从年龄上讲，从年龄上讲，从年龄上讲，从年龄上讲。杜米塞斯较量一场,ces表示老鼠rapprochent l 'image des方格de l 'Opera等概念du阵痛在l 'imaginaire社会、依照ainsi creant一个形象du方格(de l 'Opera)像ouvriere, juxtaposee celle du黄震的演员名,同样这样的艺人。
{"title":"The Rat de l'Opéra and the Social Imaginary of Labour: Dance in July Monarchy Popular Culture","authors":"Olivia Sabee","doi":"10.1093/fs/knac180","DOIUrl":"https://doi.org/10.1093/fs/knac180","url":null,"abstract":"Abstract:Mid-nineteenth-century literary and theatrical depictions of rats de l'Opéra (young girls training and performing with the Paris Opéra) emphasize their physical and material hardships, dubious morals, and shapeshifting abilities. Physiologies, tell-all histories of the Paris Opéra, and vaudeville livrets each underscore these qualities of the rat in their portrayals of her, yet they also emphasize her role as a labourer. Taken together, these representations of the rat connect ensemble dancers with the idea of labour in the social imaginary, crafting an image of the ensemble dancer as physical labourer, juxtaposed with the star dancer, considered to be an artist.Abstract:Les représentations littéraires et théâtrales du milieu du dix-neuvième siècle des rats de l'Opéra (jeunes filles qui s'entraînent et se produisent à l'Opéra de Paris) mettent l'accent sur leurs difficultés physiques et matérielles, leurs moeurs douteuses et leurs capacités de métamorphose. Les physiologies, les chroniques de l'Opéra de Paris et les livrets de vaudeville soulignent ces qualités du rat dans leurs portraits, mais ils mettent également l'accent sur son rôle d'ouvrière. Mises bout à bout, ces représentations du rat rapprochent l'image des quadrilles de l'Opéra et le concept du travail dans l'imaginaire social, créant ainsi une image du quadrille (de l'Opéra) comme ouvrière, juxtaposée à celle du danseur étoile, considéré comme artiste.","PeriodicalId":332929,"journal":{"name":"French Studies: A Quarterly Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128922949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"In the Wake of Medea: Neoclassical Theater and the Arts of Destruction by Juliette Cherbuliez (review)","authors":"Jeffrey N. Peters","doi":"10.1093/fs/knac191","DOIUrl":"https://doi.org/10.1093/fs/knac191","url":null,"abstract":"","PeriodicalId":332929,"journal":{"name":"French Studies: A Quarterly Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122602223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This article discusses Aimé Césaire's ethical commitment to more-than-human existence. The intention is not to read Césaire as an 'eco-poet', or through the lens of contemporary 'eco-poetics', terms which might not have meant much to him in the period from the 1930s to the 1950s, when his poetic project took shape. Even if we may today read Césaire's poetry in the light of contemporary eco-poetic and eco-philosophical thought, this article is more concerned with examining in his work a set of epistemological viewpoints that take shape around poetry and which reveal the essence of an ethical position concerning the human's relationship to the natural world. These ethical questions are central to Césaire's understanding of what Négritude was to be, and, more broadly, to his critique of imperialism and colonialism. The article therefore shows how Césaire's poetics of creativity and ethics in relation to non-human life develops in interaction with history. If the idea of poetry as possession is the glue that connects all of these ideas, it is because it shows the way they are animated by an African 'animist' sensibility that unites the sacred and the secular and intertwines mind and thought with nature.Abstract:Cet article traite de l'engagement éthique d'Aimé Césaire envers l'existence plusqu'humaine. Son intention n'est de lire Césaire ni comme 'éco-poète', ni à travers le prisme de l''écopoésie', termes qui n'auraient peut-être pas eu beaucoup de sens pour lui dans la période des années trente aux années cinquante, au cours de laquelle son projet poétique a pris forme. Même si l'on peut aujourd'hui lire la poésie de Césaire à la lumière de la pensée éco-poétique et éco-philosophique contemporaine, cet article se donne plutôt pour but d'examiner dans son oeuvre un ensemble de points de vue épistémologiques qui prennent forme autour de la poésie et qui révèlent l'essence d'une position éthique concernant la relation des êtres humains avec le monde naturel. Ces questions éthiques sont au coeur de la conception qu'avait Césaire de ce que devait être la Négritude et, plus largement, de sa critique de l'impérialisme et du colonialisme. L'article montre donc comment la poétique de la créativité et l'éthique césairiennes vis-à-vis du domaine extrahumain se développe en interaction avec l'histoire. Si l'idée de la poésie comme possession est le ciment qui relie toutes ces idées, c'est parce qu'elle montre à quel point celles-ci sont motivées par une sensibilité 'animiste' africaine qui joint le sacré et le profane et entrelace l'esprit et la pensée avec la nature.
摘要:本文探讨了艾姆斯·卡萨伊对超越人类存在的伦理承诺。我的目的并不是把cassaaire当作一个“生态诗人”来读，也不是通过当代“生态诗学”的视角来读，这些术语在他的诗歌计划形成的30年代到50年代期间对他来说可能没有多大意义。即使我们今天可以从当代生态诗歌和生态哲学思想的角度来解读csamsaire的诗歌，本文更关注的是在他的作品中考察一套围绕诗歌形成的认识论观点，这些观点揭示了人类与自然世界关系的伦理立场的本质。这些伦理问题是csamsaire理解“感恩”是什么的核心，更广泛地说，是他对帝国主义和殖民主义的批判的核心。因此，本文展示了cassaaire关于非人类生命的创造性和伦理学的诗学是如何在与历史的互动中发展的。如果诗歌作为财产的观念是连接所有这些观念的粘合剂，那是因为它显示了非洲“万物有灵论”的感性所激发的方式，这种感性将神圣与世俗结合在一起，将思想与自然交织在一起。摘要:本文探讨了“接触”与“目标”的关系，即“存在”与“人性”的关系。我的意思是，我的生活中有一个简单的交换交换，一个简单的交换交换，一个简单的交换交换，一个简单的交换交换，一个简单的交换交换，一个简单的交换交换，一个简单的交换交换，一个简单的交换交换，一个简单的交换交换。Même我想说的是，如果你想知道你的生活是怎样的，那么你的生活是怎样的，你的生活是怎样的，你的生活是怎样的，你的生活是怎样的，你的生活是怎样的，你的生活是怎样的，你的生活是怎样的，你的生活是怎样的，你的生活是怎样的。他的问题是， - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -文章montre don ' t comment la poacimatique de la cracativit et L' samthique csamaiennes vis-à-vis du domain extrahuman se dsamupe en interaction avecl 'histoire。如果那个de la集子里像占有est le ciment这些ide relie所有什么,这因为它再举一个嘧啶醇点celles-ci这些动机一个sensibilite‘animiste africaine,联合le减少et le亵渎等entrelace思路等拉思想用拉自然。
{"title":"Thinking with Spirits, or Dwelling and Knowing in the Work of Aimé Césaire","authors":"J. Allen-Paisant","doi":"10.1093/fs/knac198","DOIUrl":"https://doi.org/10.1093/fs/knac198","url":null,"abstract":"Abstract:This article discusses Aimé Césaire's ethical commitment to more-than-human existence. The intention is not to read Césaire as an 'eco-poet', or through the lens of contemporary 'eco-poetics', terms which might not have meant much to him in the period from the 1930s to the 1950s, when his poetic project took shape. Even if we may today read Césaire's poetry in the light of contemporary eco-poetic and eco-philosophical thought, this article is more concerned with examining in his work a set of epistemological viewpoints that take shape around poetry and which reveal the essence of an ethical position concerning the human's relationship to the natural world. These ethical questions are central to Césaire's understanding of what Négritude was to be, and, more broadly, to his critique of imperialism and colonialism. The article therefore shows how Césaire's poetics of creativity and ethics in relation to non-human life develops in interaction with history. If the idea of poetry as possession is the glue that connects all of these ideas, it is because it shows the way they are animated by an African 'animist' sensibility that unites the sacred and the secular and intertwines mind and thought with nature.Abstract:Cet article traite de l'engagement éthique d'Aimé Césaire envers l'existence plusqu'humaine. Son intention n'est de lire Césaire ni comme 'éco-poète', ni à travers le prisme de l''écopoésie', termes qui n'auraient peut-être pas eu beaucoup de sens pour lui dans la période des années trente aux années cinquante, au cours de laquelle son projet poétique a pris forme. Même si l'on peut aujourd'hui lire la poésie de Césaire à la lumière de la pensée éco-poétique et éco-philosophique contemporaine, cet article se donne plutôt pour but d'examiner dans son oeuvre un ensemble de points de vue épistémologiques qui prennent forme autour de la poésie et qui révèlent l'essence d'une position éthique concernant la relation des êtres humains avec le monde naturel. Ces questions éthiques sont au coeur de la conception qu'avait Césaire de ce que devait être la Négritude et, plus largement, de sa critique de l'impérialisme et du colonialisme. L'article montre donc comment la poétique de la créativité et l'éthique césairiennes vis-à-vis du domaine extrahumain se développe en interaction avec l'histoire. Si l'idée de la poésie comme possession est le ciment qui relie toutes ces idées, c'est parce qu'elle montre à quel point celles-ci sont motivées par une sensibilité 'animiste' africaine qui joint le sacré et le profane et entrelace l'esprit et la pensée avec la nature.","PeriodicalId":332929,"journal":{"name":"French Studies: A Quarterly Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125234698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Writing the Black Decade: Conflict and Criticism in Francophone Algerian Literature by Joseph Ford (review)","authors":"Jill Jarvis","doi":"10.1093/fs/knac177","DOIUrl":"https://doi.org/10.1093/fs/knac177","url":null,"abstract":"","PeriodicalId":332929,"journal":{"name":"French Studies: A Quarterly Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121417393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tragedy and Nation in the Age of Napoleon by Clare Siviter (review)","authors":"Michelle S. Cheyne","doi":"10.1093/fs/knac146","DOIUrl":"https://doi.org/10.1093/fs/knac146","url":null,"abstract":"","PeriodicalId":332929,"journal":{"name":"French Studies: A Quarterly Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122379970","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Zola and the Art of Television: Adaptation, Recreation, Translation by Kate Griffiths (review)","authors":"Barry Nevin","doi":"10.1093/fs/knac179","DOIUrl":"https://doi.org/10.1093/fs/knac179","url":null,"abstract":"","PeriodicalId":332929,"journal":{"name":"French Studies: A Quarterly Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123120244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Translation and Temporality in Benoît de Sainte-Maure's 'Roman de Troie' by Maud Burnett McInerney (review)","authors":"H. Ravenhall","doi":"10.1093/fs/knac185","DOIUrl":"https://doi.org/10.1093/fs/knac185","url":null,"abstract":"","PeriodicalId":332929,"journal":{"name":"French Studies: A Quarterly Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132100603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Silent Renoir: Philosophy and the Interpretation of Early Film by Colin Davis (review)","authors":"Barry Nevin","doi":"10.1093/fs/knac187","DOIUrl":"https://doi.org/10.1093/fs/knac187","url":null,"abstract":"","PeriodicalId":332929,"journal":{"name":"French Studies: A Quarterly Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127844830","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Post-War Experimental Novel: British and French Fiction, 1945–75 by Andrew Hodgson (review)","authors":"S. Kemp","doi":"10.1093/fs/knac176","DOIUrl":"https://doi.org/10.1093/fs/knac176","url":null,"abstract":"","PeriodicalId":332929,"journal":{"name":"French Studies: A Quarterly Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124758087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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