Pub Date : 2022-01-01DOI: 10.5937/tekstind2204048e
J. Efremov, Marija Kertakova, Kuzmanovska Dimitrijeva
Fashion and clothing are not nearly identical phenomena. But clothing represents the most significant area, through which fashion actually appears. Considering that, the suit represents the external self-shaping of man, so that suit is an expression of that's how that person would like it to look. More specifically, the suit in a way, is an expression of human self-knowledge and his understanding of himself. Therefore, this includes the space in which that fashion is quite pronounced. The clothes themselves are simple, short-lived and fleeting, in fact as fashion itself is. The main characteristic of fashion is that, it can suddenly impose and accept a certain new rule or norm, i.e. to impose and accept something that in the past was only an exception or a certain character thread. This is what fashion does, to be able later in time, to leave that exception or that unique characteristic thread that it had, because over time that uniqueness has become something that is ordinary and everyday, or has become something that everyone can afford. The first major explanation of fashion, relates fashion to a modern society with a system of open layers, where the elite tends to stand out and rise above the rest of the people, thereby launching exclusive ways and behavior patterns. In order to symbolically equate with them, members of the the lower layers accept that style as a rule of their own behavior.
{"title":"Different aspects of fashion","authors":"J. Efremov, Marija Kertakova, Kuzmanovska Dimitrijeva","doi":"10.5937/tekstind2204048e","DOIUrl":"https://doi.org/10.5937/tekstind2204048e","url":null,"abstract":"Fashion and clothing are not nearly identical phenomena. But clothing represents the most significant area, through which fashion actually appears. Considering that, the suit represents the external self-shaping of man, so that suit is an expression of that's how that person would like it to look. More specifically, the suit in a way, is an expression of human self-knowledge and his understanding of himself. Therefore, this includes the space in which that fashion is quite pronounced. The clothes themselves are simple, short-lived and fleeting, in fact as fashion itself is. The main characteristic of fashion is that, it can suddenly impose and accept a certain new rule or norm, i.e. to impose and accept something that in the past was only an exception or a certain character thread. This is what fashion does, to be able later in time, to leave that exception or that unique characteristic thread that it had, because over time that uniqueness has become something that is ordinary and everyday, or has become something that everyone can afford. The first major explanation of fashion, relates fashion to a modern society with a system of open layers, where the elite tends to stand out and rise above the rest of the people, thereby launching exclusive ways and behavior patterns. In order to symbolically equate with them, members of the the lower layers accept that style as a rule of their own behavior.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71138675","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5937/tekstind2201029m
S. Maksimov, Sonja Jordeva, Silvana Zhezhova, Kiro Mojsov, A. Janevski
The generation of textile waste primarily depends on the volume of clothing production. This waste contributes significantly to the environmental problems because the research shows that in North Macedonia the textile waste management comes down to its disposal in landfills. The analysis of the quantities of textile waste is a necessary precondition for any further initiative for its efficient management, but such a detailed analysis does not exist yet. The aim of this paper is to design a new methodology for determining the amount of textile waste generated from the cutting process. The examination of the practical use of methodology was done in 3 different companies. The results showed that using this methodology, it quickly and easily calculates the amount of waste generated from the cutting process.
{"title":"Methodology for determining the quantity of textile waste from the cutting process","authors":"S. Maksimov, Sonja Jordeva, Silvana Zhezhova, Kiro Mojsov, A. Janevski","doi":"10.5937/tekstind2201029m","DOIUrl":"https://doi.org/10.5937/tekstind2201029m","url":null,"abstract":"The generation of textile waste primarily depends on the volume of clothing production. This waste contributes significantly to the environmental problems because the research shows that in North Macedonia the textile waste management comes down to its disposal in landfills. The analysis of the quantities of textile waste is a necessary precondition for any further initiative for its efficient management, but such a detailed analysis does not exist yet. The aim of this paper is to design a new methodology for determining the amount of textile waste generated from the cutting process. The examination of the practical use of methodology was done in 3 different companies. The results showed that using this methodology, it quickly and easily calculates the amount of waste generated from the cutting process.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71137803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5937/tekstind2204063j
Marin Jovanovic
The COVID-19 pandemic has changed the way people live on the planet. The global economy suffered the biggest blow. The fashion industry has been forced to implement significant changes in their value chains. The subject of the research carried out in this work is to look at the specifics of marketing logistics activities that companies operating in the fashion industry were forced to implement in order to adapt to the business conditions that arose as a result of the COVID-19 pandemic. The aim of the work is to point out the most important specifics of marketing logistics in the fashion industry in the conditions of the COVID-19 pandemic, using the example of the Zara company, which effectively and quickly implemented numerous adjustments, which enabled it to reduce the negative impact of the crisis event.
{"title":"Overcoming the difficulties caused by the COVID-19 pandemic by using adapted marketing logistics in the \"Zara\" company","authors":"Marin Jovanovic","doi":"10.5937/tekstind2204063j","DOIUrl":"https://doi.org/10.5937/tekstind2204063j","url":null,"abstract":"The COVID-19 pandemic has changed the way people live on the planet. The global economy suffered the biggest blow. The fashion industry has been forced to implement significant changes in their value chains. The subject of the research carried out in this work is to look at the specifics of marketing logistics activities that companies operating in the fashion industry were forced to implement in order to adapt to the business conditions that arose as a result of the COVID-19 pandemic. The aim of the work is to point out the most important specifics of marketing logistics in the fashion industry in the conditions of the COVID-19 pandemic, using the example of the Zara company, which effectively and quickly implemented numerous adjustments, which enabled it to reduce the negative impact of the crisis event.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71138866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5937/tekstind2202040f
Dragana Frfulanović, Aleksandra Jevtović, Milena Savić
Sergei Dragilev recognized the vitality of modern art that brought freshness to the culture, so all innovative artists of the time were invited to join his campaign and goal. And he reflected on the fact that ballet breaks the shackles of the traditional concept in the performance of dance, music, costume design, and scenography and imposes an element of challenge by introducing current contemporary tendencies in art and culture. All the famous names of the art of that time brought the latest achievements of modern art into the world of dance: Pablo Picasso, Natalia Goncharova, Henri Matisse, and Giorgio de Chirico. And with them, the design of scenography and costume design took the form of cubism, fauvism, futurism, surrealism, and other avant-garde movements, while refreshing the themes, which overall influenced ballet to become part of popular culture.
{"title":"Modern art and stage costume: The case of Dragilev's Ballets Russes","authors":"Dragana Frfulanović, Aleksandra Jevtović, Milena Savić","doi":"10.5937/tekstind2202040f","DOIUrl":"https://doi.org/10.5937/tekstind2202040f","url":null,"abstract":"Sergei Dragilev recognized the vitality of modern art that brought freshness to the culture, so all innovative artists of the time were invited to join his campaign and goal. And he reflected on the fact that ballet breaks the shackles of the traditional concept in the performance of dance, music, costume design, and scenography and imposes an element of challenge by introducing current contemporary tendencies in art and culture. All the famous names of the art of that time brought the latest achievements of modern art into the world of dance: Pablo Picasso, Natalia Goncharova, Henri Matisse, and Giorgio de Chirico. And with them, the design of scenography and costume design took the form of cubism, fauvism, futurism, surrealism, and other avant-garde movements, while refreshing the themes, which overall influenced ballet to become part of popular culture.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71138190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5937/tekstind2201012j
Sonja Jocić
In this paper the relationship between the current global crisis of environmental protection, the modern vision of sustainability in fashion and the creative process of realization of clothing items in the fashion industry is investigated from the aspect of fashion design. The fashion industry is expected to change the way garments are produced and designed, the way it communicates with consumers, and the way garments are handled at the end of a product's lifespan. In addition to all the usual aspects of creativity, a fashion designer nowadays and especially in the future is expected, to have an additional sort of creativity that should contribute to sustainable development by seeking and developing new creative-experimental design solutions. Different strategies are available to a designer for achieving this goal. In the process of creating a product that has aesthetic and functional values on the market and at the same time the least possible environmental impact on the planet a designer is a key factor of the fashion industry.
{"title":"Sustainability in fashion: The role of a fashion designer in shaping a future that is ecologically acceptable and socially responsible","authors":"Sonja Jocić","doi":"10.5937/tekstind2201012j","DOIUrl":"https://doi.org/10.5937/tekstind2201012j","url":null,"abstract":"In this paper the relationship between the current global crisis of environmental protection, the modern vision of sustainability in fashion and the creative process of realization of clothing items in the fashion industry is investigated from the aspect of fashion design. The fashion industry is expected to change the way garments are produced and designed, the way it communicates with consumers, and the way garments are handled at the end of a product's lifespan. In addition to all the usual aspects of creativity, a fashion designer nowadays and especially in the future is expected, to have an additional sort of creativity that should contribute to sustainable development by seeking and developing new creative-experimental design solutions. Different strategies are available to a designer for achieving this goal. In the process of creating a product that has aesthetic and functional values on the market and at the same time the least possible environmental impact on the planet a designer is a key factor of the fashion industry.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71137144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5937/tekstind2203016d
D. Dimitrijević, Ž. Adamović
Market uncertainty and financial instability in the era of global competition force companies to work faster and increase productivity and business efficiency with continuous cost reduction and qualitative efficiency, which serves as a basis for strengthening the competitiveness and sustainable development of all, including SMEs -small and medium-sized enterprises of the textile and clothing industry. Various innovative contents and adequate technological solutions, as well as reengineering of business/production processes, with massive and adequate implementation of technical-technological innovations based on information and communication technologies -ICT and flexible automation, i.e. on the direct and efficient implementation sector defined information systems, also represent possible elements of functional competitiveness and sustainable development. Otherwise, changes in the environment and ways of doing business of companies require a better understanding and integration of data, as well as their more efficient exploitation in the functioning and development of the company, which imposes the need for permanent generation, adaptation and development of quality and efficient information systems. As a result of such requirements, the responses of industrial production through the implementation of technical-technological innovations are inevitable, whereby quality and efficient ICT infrastructure, coherence of innovative technologies and flexible production, as well as compatibility and complementarity of production and business information systems, are necessary elements and indicators of efficiency and quality. The implementation, efficient exploitation, as well as the development of various business and production information systems, obviously has its benefits, presented through more efficient, better quality and faster operations, but also disadvantages, because it is obviously conditioned by the stochastic laws of the global market, the variable human factor or the lack of high-quality, highly educated professionals staff, requirements for high initial investments, but also the specifics of the textile/clothing industry and SMEs, as well as the incompatibility of the implemented production and business systems.
{"title":"Information systems in small and medium-sized enterprises of the textile and clothing industry","authors":"D. Dimitrijević, Ž. Adamović","doi":"10.5937/tekstind2203016d","DOIUrl":"https://doi.org/10.5937/tekstind2203016d","url":null,"abstract":"Market uncertainty and financial instability in the era of global competition force companies to work faster and increase productivity and business efficiency with continuous cost reduction and qualitative efficiency, which serves as a basis for strengthening the competitiveness and sustainable development of all, including SMEs -small and medium-sized enterprises of the textile and clothing industry. Various innovative contents and adequate technological solutions, as well as reengineering of business/production processes, with massive and adequate implementation of technical-technological innovations based on information and communication technologies -ICT and flexible automation, i.e. on the direct and efficient implementation sector defined information systems, also represent possible elements of functional competitiveness and sustainable development. Otherwise, changes in the environment and ways of doing business of companies require a better understanding and integration of data, as well as their more efficient exploitation in the functioning and development of the company, which imposes the need for permanent generation, adaptation and development of quality and efficient information systems. As a result of such requirements, the responses of industrial production through the implementation of technical-technological innovations are inevitable, whereby quality and efficient ICT infrastructure, coherence of innovative technologies and flexible production, as well as compatibility and complementarity of production and business information systems, are necessary elements and indicators of efficiency and quality. The implementation, efficient exploitation, as well as the development of various business and production information systems, obviously has its benefits, presented through more efficient, better quality and faster operations, but also disadvantages, because it is obviously conditioned by the stochastic laws of the global market, the variable human factor or the lack of high-quality, highly educated professionals staff, requirements for high initial investments, but also the specifics of the textile/clothing industry and SMEs, as well as the incompatibility of the implemented production and business systems.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71138162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5937/tekstind2204034t
Emilija Toshikj, Bojan Prangoski
Print mottle is a print defect. This print defect has great attention in print quality assessment. Print mottle is determined by the grey level co-occurrence matrix (GLCM). An important parameter in the GLCM processing is the direction angle of pixels in the digitalized print image. This research aimed to investigate the influence of the direction angle, which is an important input parameter in GLCM processing, on the output parameters, such as entropy, energy, contrast, correlation, and homogeneity. Hence, prints were generated in four different colors (cyan, magenta, yellow and black) on white polyester elastase fabric by sublimation printing. The non-uniformity of the print for each color was processed at different direction angles, such as 0° (horizontal), 90° (vertical), 45° (right-diagonal), and 135° (left-diagonal). Values for GLCM parameters obtained at different direction angles were slightly different regardless of print color. The choice of direction angle influenced the values of GLCM parameters. The average of all four directional angle values obtained for each GLCM parameter was taken. The GLCM processing method can be used for prints of different colors, patterns, and different quality levels to evaluate their print uniformity.
{"title":"Grey level co-occurrence matrix (GLCM) for textile print analysis","authors":"Emilija Toshikj, Bojan Prangoski","doi":"10.5937/tekstind2204034t","DOIUrl":"https://doi.org/10.5937/tekstind2204034t","url":null,"abstract":"Print mottle is a print defect. This print defect has great attention in print quality assessment. Print mottle is determined by the grey level co-occurrence matrix (GLCM). An important parameter in the GLCM processing is the direction angle of pixels in the digitalized print image. This research aimed to investigate the influence of the direction angle, which is an important input parameter in GLCM processing, on the output parameters, such as entropy, energy, contrast, correlation, and homogeneity. Hence, prints were generated in four different colors (cyan, magenta, yellow and black) on white polyester elastase fabric by sublimation printing. The non-uniformity of the print for each color was processed at different direction angles, such as 0° (horizontal), 90° (vertical), 45° (right-diagonal), and 135° (left-diagonal). Values for GLCM parameters obtained at different direction angles were slightly different regardless of print color. The choice of direction angle influenced the values of GLCM parameters. The average of all four directional angle values obtained for each GLCM parameter was taken. The GLCM processing method can be used for prints of different colors, patterns, and different quality levels to evaluate their print uniformity.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71138549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5937/tekstind2203044s
K. Savic, O. Stojanović, Marija Savić-Pojužina, J. Simeunović
Special purpose fibers were found only in the middle of the last century and since then the possibility of their application has been studied. These fibers are used in the production of clothing that requires specific protective functions such as: protection against fi re and heat, ballistic protection, protection against various types of radiation, protection against nuclear, biological and chemical effects, sportswear etc...The new generation of textiles, intelligent textiles, no longer serves only as protection, but it can receive and recognize stimuli from the environment and respond to them.
{"title":"Intelligent textiles and sports clothing","authors":"K. Savic, O. Stojanović, Marija Savić-Pojužina, J. Simeunović","doi":"10.5937/tekstind2203044s","DOIUrl":"https://doi.org/10.5937/tekstind2203044s","url":null,"abstract":"Special purpose fibers were found only in the middle of the last century and since then the possibility of their application has been studied. These fibers are used in the production of clothing that requires specific protective functions such as: protection against fi re and heat, ballistic protection, protection against various types of radiation, protection against nuclear, biological and chemical effects, sportswear etc...The new generation of textiles, intelligent textiles, no longer serves only as protection, but it can receive and recognize stimuli from the environment and respond to them.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71138691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5937/tekstind2203052n
Ineta Nemeša
Machines of chainstitches 104 create imitation of hand stitches 209 from one material side. Every hand stitch is formed from two threads, therefore the seams are more accented and very short length pick stitches are larger than created seams from real hand stitches 209. The length of the hand stitches is determined by the distance between a sewing needle and a hook needle of the machine. To create different length hand stitches a gauge set of the machine has to be changed. Because of different appearance of the stitches on top and bottom fabric surfaces the machines are used for top stitching of seams which are seen on a ready garment from one side only. In men suit manufacturing there are: top stitching of a jacket's lining, top stitching on pockets, fronts, etc. of jackets, vests, trousers. There are also available chainstitch 104 machines which create different variations of the hand stitches: double row hand stitches, parallel hand stitches, angular hand stitches. Comparing with the machines of real hand stitches 209, the machines of chainstitches 104 are much lower priced and have much higher productivity .
{"title":"Chain type hand stitch imitation machines for men suit manufacturing","authors":"Ineta Nemeša","doi":"10.5937/tekstind2203052n","DOIUrl":"https://doi.org/10.5937/tekstind2203052n","url":null,"abstract":"Machines of chainstitches 104 create imitation of hand stitches 209 from one material side. Every hand stitch is formed from two threads, therefore the seams are more accented and very short length pick stitches are larger than created seams from real hand stitches 209. The length of the hand stitches is determined by the distance between a sewing needle and a hook needle of the machine. To create different length hand stitches a gauge set of the machine has to be changed. Because of different appearance of the stitches on top and bottom fabric surfaces the machines are used for top stitching of seams which are seen on a ready garment from one side only. In men suit manufacturing there are: top stitching of a jacket's lining, top stitching on pockets, fronts, etc. of jackets, vests, trousers. There are also available chainstitch 104 machines which create different variations of the hand stitches: double row hand stitches, parallel hand stitches, angular hand stitches. Comparing with the machines of real hand stitches 209, the machines of chainstitches 104 are much lower priced and have much higher productivity .","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71138770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5937/tekstind2201037n
Ineta Nemeša
Hand stitches seams along edges of lapels, collars and pocket flaps on a men jacket help to fix canvas interlining under face fabric, keep the edges flat and prevent them from rolling or curling. Traditionally hand stitches seams also indicate high quality of the suit. Real hand stitch machines imitate had stitch 209. Depending on the length of the top and bottom stitch parts the machines can create pick stitches, saddle stitches and other stitch patterns. One group of the machines create stitches by help of a hooked needle, other machines use a double pointed needle. The machines work with limited length threads, most often with 90 cm and 120 cm long ones. The hand stitch seams can to be sewn with special waxed silk threads or regular threads. To increase work productivity and quality the machines use manual or auto thread trimming devices, reverse stitch function, half stitch option, seam beginning and end securing, programmable stitch type, sewing speed, stitch length, thread trimming time.
{"title":"Hand stitch sewing machines for men suit manufacturing","authors":"Ineta Nemeša","doi":"10.5937/tekstind2201037n","DOIUrl":"https://doi.org/10.5937/tekstind2201037n","url":null,"abstract":"Hand stitches seams along edges of lapels, collars and pocket flaps on a men jacket help to fix canvas interlining under face fabric, keep the edges flat and prevent them from rolling or curling. Traditionally hand stitches seams also indicate high quality of the suit. Real hand stitch machines imitate had stitch 209. Depending on the length of the top and bottom stitch parts the machines can create pick stitches, saddle stitches and other stitch patterns. One group of the machines create stitches by help of a hooked needle, other machines use a double pointed needle. The machines work with limited length threads, most often with 90 cm and 120 cm long ones. The hand stitch seams can to be sewn with special waxed silk threads or regular threads. To increase work productivity and quality the machines use manual or auto thread trimming devices, reverse stitch function, half stitch option, seam beginning and end securing, programmable stitch type, sewing speed, stitch length, thread trimming time.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71137991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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