Pub Date : 2022-01-01DOI: 10.5937/tekstind2202028j
Sonja Jocić
Even before the emergence of the fashion sustainability movement, some European and Japanese fashion designers were active in inventing new creative principles. Key examples of such designers are: Martin Margiela, Rei Kawakubo, Yohji Yamamoto and Issey Miyake. They have created a completely new, different and personal style in fashion, as a consequence of exceptional aesthetic creativity. With their ingenious creativity and by pushing the boundaries in fashion design and artistic creation, they managed to create a basis for the development of modern sustainable fashion. Among the creative-experimental solutions available to a fashion designer as a strategy for sustainable fashion design, the creation of clothes without fabric waste ("zero-waste") stands out. The inspiration for such a creative-experimental design solution can be found in methods and techniques of traditional Japanese paper folding skills - origami, as well as in traditional Japanese costume - kimono. The introduction of this concept into fashion provides an opportunity not only to reshape the relation between body and clothing, but also has the potential to create clothing design based on sustainability and a new universality in the twenty-first century. Nevertheless, following the approach of famous designers, it can be seen that for success in sustainable fashion design is necessary to master the fundamentals of traditional and sometimes forgotten craftmanship, which could surely lead to further progress by upgrading one's own ideas.
甚至在时尚可持续发展运动出现之前，一些欧洲和日本的时装设计师就在积极地发明新的创意原则。这类设计师的典型代表有:Martin Margiela, Rei Kawakubo, Yohji Yamamoto和Issey Miyake。他们创造了一种全新的、不同的、个人的时尚风格，这是他们独特的审美创造力的结果。他们凭借自己独到的创意，不断突破服装设计和艺术创作的界限，为现代可持续时尚的发展奠定了基础。作为可持续时装设计的策略，在时装设计师可用的创造性实验解决方案中，创造没有织物浪费的服装(“零浪费”)脱颖而出。这种创造性的实验性设计方案的灵感可以从日本传统的折纸技巧(折纸)和日本传统服装(和服)的方法和技术中找到。将这一概念引入时尚，不仅为重塑身体与服装之间的关系提供了机会，而且有可能在21世纪创造基于可持续性和新普遍性的服装设计。然而，跟随著名设计师的做法，我们可以看到，要想在可持续的服装设计中取得成功，必须掌握传统的、有时被遗忘的工艺的基础，这肯定会通过提升自己的思想而进一步进步。
{"title":"Sustainability in fashion: Past creativity as an inspiration for the future","authors":"Sonja Jocić","doi":"10.5937/tekstind2202028j","DOIUrl":"https://doi.org/10.5937/tekstind2202028j","url":null,"abstract":"Even before the emergence of the fashion sustainability movement, some European and Japanese fashion designers were active in inventing new creative principles. Key examples of such designers are: Martin Margiela, Rei Kawakubo, Yohji Yamamoto and Issey Miyake. They have created a completely new, different and personal style in fashion, as a consequence of exceptional aesthetic creativity. With their ingenious creativity and by pushing the boundaries in fashion design and artistic creation, they managed to create a basis for the development of modern sustainable fashion. Among the creative-experimental solutions available to a fashion designer as a strategy for sustainable fashion design, the creation of clothes without fabric waste (\"zero-waste\") stands out. The inspiration for such a creative-experimental design solution can be found in methods and techniques of traditional Japanese paper folding skills - origami, as well as in traditional Japanese costume - kimono. The introduction of this concept into fashion provides an opportunity not only to reshape the relation between body and clothing, but also has the potential to create clothing design based on sustainability and a new universality in the twenty-first century. Nevertheless, following the approach of famous designers, it can be seen that for success in sustainable fashion design is necessary to master the fundamentals of traditional and sometimes forgotten craftmanship, which could surely lead to further progress by upgrading one's own ideas.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71138045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.5937/tekstind2103037n
J. Nikolić
In the newly created unusual circumstances, what follows is a transformation of three principles of a visual merchandising from real to virtual experience of visual, tactile (emotional) perception of the customer, balanced offer and freedom of choices. Finding and adopting new methods of visual merchandising and models of communication aim to, globally, give fashion brands efficient and fast access to each individual and can enter into a virtual dialogic form with them, providing virtual vision, tactility and emotion so that the potential buyer would be an active participant and make a certain choice.
{"title":"Visual merchandising and new ways of communication","authors":"J. Nikolić","doi":"10.5937/tekstind2103037n","DOIUrl":"https://doi.org/10.5937/tekstind2103037n","url":null,"abstract":"In the newly created unusual circumstances, what follows is a transformation of three principles of a visual merchandising from real to virtual experience of visual, tactile (emotional) perception of the customer, balanced offer and freedom of choices. Finding and adopting new methods of visual merchandising and models of communication aim to, globally, give fashion brands efficient and fast access to each individual and can enter into a virtual dialogic form with them, providing virtual vision, tactility and emotion so that the potential buyer would be an active participant and make a certain choice.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71136634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.5937/tekstind2104037k
Astuti Khan, G. Kumar
Fragrance finishing of textiles is an area with untapped potential which has been growing at an enormous rate. The use of scents to change moods, evoke emotions and stimulate certain senses has been there for ages. Building up from that, textiles have started being infused with scents and used in domestic and industrial application. The purpose of this research is to cover all aspects of fragrance finishing. The literature review covers extensive topics like the basic concept of aromatherapy, needs of fragrance finishing, application methods and our current market scenario. The latter part of this study deals with a survey that sheds light on the research gap identified as lack of market awareness and acceptance. Chi-square was the statistical tool used for relating factors like gender, age group and income group to buying behaviour of people when it comes to fragrance finished textile products.
{"title":"Surveying consumer acceptance of textile products with fragrance finish: A detailed review","authors":"Astuti Khan, G. Kumar","doi":"10.5937/tekstind2104037k","DOIUrl":"https://doi.org/10.5937/tekstind2104037k","url":null,"abstract":"Fragrance finishing of textiles is an area with untapped potential which has been growing at an enormous rate. The use of scents to change moods, evoke emotions and stimulate certain senses has been there for ages. Building up from that, textiles have started being infused with scents and used in domestic and industrial application. The purpose of this research is to cover all aspects of fragrance finishing. The literature review covers extensive topics like the basic concept of aromatherapy, needs of fragrance finishing, application methods and our current market scenario. The latter part of this study deals with a survey that sheds light on the research gap identified as lack of market awareness and acceptance. Chi-square was the statistical tool used for relating factors like gender, age group and income group to buying behaviour of people when it comes to fragrance finished textile products.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71137319","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.5937/tekstind2104054a
Svitlana Arabuli, Arsenii Arabuli, O. Kyzymchuk
The state and standards of provision of hotels in Ukraine with terry towels are presented in this paper. The range of hotel terry towels is analyzed. The main factors that affected the modern assortment of textile materials for hotel terry towels are considered. The main focus is on the classic range of terry fabrics with double piles for hotel towels. The analysis of physical, mechanical and optical properties of terry fabrics for hotel towels is given. Indicators that characterize the interaction of fabric with drip-liquid moisture have been experimentally determined. The paper presents the results of the investigation of terry fabrics` performance after 1, 5 and 10 washing cycles. The terry fabric with 500 g per sq.m density and with a twisted loop 3.5 mm high provides the best performance and is recommended for use in hotel towel manufacturing.
{"title":"Performance properties of terry fabrics for hotel towels","authors":"Svitlana Arabuli, Arsenii Arabuli, O. Kyzymchuk","doi":"10.5937/tekstind2104054a","DOIUrl":"https://doi.org/10.5937/tekstind2104054a","url":null,"abstract":"The state and standards of provision of hotels in Ukraine with terry towels are presented in this paper. The range of hotel terry towels is analyzed. The main factors that affected the modern assortment of textile materials for hotel terry towels are considered. The main focus is on the classic range of terry fabrics with double piles for hotel towels. The analysis of physical, mechanical and optical properties of terry fabrics for hotel towels is given. Indicators that characterize the interaction of fabric with drip-liquid moisture have been experimentally determined. The paper presents the results of the investigation of terry fabrics` performance after 1, 5 and 10 washing cycles. The terry fabric with 500 g per sq.m density and with a twisted loop 3.5 mm high provides the best performance and is recommended for use in hotel towel manufacturing.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71137405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.5937/tekstind2103047y
Touseef Younas, Noor Tayyaba, Afsheen Ayub, Sajid Ali
Textiles sectors serve up the outfit needs of every day and this industry plays a major role in the economy of the country. All the textile fabrics are either natural or synthetic fibers or a blend of both. Different types of dyes are used for different kinds of fabrics depending on the nature and type of the fabric to be dyed, to impart color, modify the fabric to make them more attractive and astonishing. In short, the introduction of synthetic dyes resulted in the demise of a massive natural dye industry. So, it's necessary to classify the different types of dyes with the increase in the number of types and varying dyeing properties so that this would be a best way to understand the different types of dyes, their applicability, fastness and other properties. In this article, a source for the beginners is provided to understand different kind of the textile fabrics and their importance as well as their drawbacks, dyes and their various types, their interaction with the corresponding fabric, their color strength and color fastness properties.
{"title":"Textile fabric's and dyes","authors":"Touseef Younas, Noor Tayyaba, Afsheen Ayub, Sajid Ali","doi":"10.5937/tekstind2103047y","DOIUrl":"https://doi.org/10.5937/tekstind2103047y","url":null,"abstract":"Textiles sectors serve up the outfit needs of every day and this industry plays a major role in the economy of the country. All the textile fabrics are either natural or synthetic fibers or a blend of both. Different types of dyes are used for different kinds of fabrics depending on the nature and type of the fabric to be dyed, to impart color, modify the fabric to make them more attractive and astonishing. In short, the introduction of synthetic dyes resulted in the demise of a massive natural dye industry. So, it's necessary to classify the different types of dyes with the increase in the number of types and varying dyeing properties so that this would be a best way to understand the different types of dyes, their applicability, fastness and other properties. In this article, a source for the beginners is provided to understand different kind of the textile fabrics and their importance as well as their drawbacks, dyes and their various types, their interaction with the corresponding fabric, their color strength and color fastness properties.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71136875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.5937/tekstind2103018r
S. Risteski, Vineta Srebrenkoska
The fashion industry has taken a hard hit due to the COVID-19 crisis. From the material to the spiritual. The Pandemic has transformed consumers' relationship with clothes. In this paper, research was conducted on how the Pandemic affected fashion, whether the changes in fashion that occurred as a result of the Pandemic will remain permanent or not. Research on pandemics that have previously affected the world and how they have affected fashion, compared to the Pandemic with COVID-19 was also done.
{"title":"Fashion in a time of pandemic","authors":"S. Risteski, Vineta Srebrenkoska","doi":"10.5937/tekstind2103018r","DOIUrl":"https://doi.org/10.5937/tekstind2103018r","url":null,"abstract":"The fashion industry has taken a hard hit due to the COVID-19 crisis. From the material to the spiritual. The Pandemic has transformed consumers' relationship with clothes. In this paper, research was conducted on how the Pandemic affected fashion, whether the changes in fashion that occurred as a result of the Pandemic will remain permanent or not. Research on pandemics that have previously affected the world and how they have affected fashion, compared to the Pandemic with COVID-19 was also done.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71136862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.5937/tekstind2102030s
M. Sumithra, G. Murugan
Natural fibres are one of the good alternative sources for replacing synthetic fibres and reinforcing polymer matrices because of their eco-friendly nature. The present study was undertaken to investigate the fibres extract from Elettaria Cardamomum plant. The extracted Elettaria Cardamomum fibre was treated with NaOH for softening. Natural cellulose fibres extracted from Elettaria Cardamomum stems (ECS) have been characterized for their chemical composition and physical properties.The chemical composition of Elettaria Cardamomumstems (ECS) fi bres is, cellulose 60.44%, lignin 25.25%, wax 0.53%, ash 5.45%. Regarding physical properties of the fibres, single fibre strength was evaluated and the result was compared with cotton fibre and linen fibre.
{"title":"Extraction and characterization of natural fibres form Elettaria Cardamomum","authors":"M. Sumithra, G. Murugan","doi":"10.5937/tekstind2102030s","DOIUrl":"https://doi.org/10.5937/tekstind2102030s","url":null,"abstract":"Natural fibres are one of the good alternative sources for replacing synthetic fibres and reinforcing polymer matrices because of their eco-friendly nature. The present study was undertaken to investigate the fibres extract from Elettaria Cardamomum plant. The extracted Elettaria Cardamomum fibre was treated with NaOH for softening. Natural cellulose fibres extracted from Elettaria Cardamomum stems (ECS) have been characterized for their chemical composition and physical properties.The chemical composition of Elettaria Cardamomumstems (ECS) fi bres is, cellulose 60.44%, lignin 25.25%, wax 0.53%, ash 5.45%. Regarding physical properties of the fibres, single fibre strength was evaluated and the result was compared with cotton fibre and linen fibre.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71136229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.5937/tekstind2102034n
Ineta Nemeša
Garment industry has developed different kind of machinery which replaces traditional manual blindstitchig techniques to ensure much higher work productivity. Many companies produce universal and specialized blindstitch machines for men suit manufacturing. To create invisible stitches of class 100 and 300, blind stitch machine uses a curved needle. The machines perform 1:1, 1:2 and 1:3.stitch pattern. The advanced machines secure the end of the seam creating invisible thread knot or forming several spot/tack stitches. The machines use to have automatic thread cutter, presser foot lifter and needle positioner. The machines for different quality materials are available. For specific applications machines are equipped with different auxiliary devices. Blind hemming of trousers and lined and unlined jackets are performed with stitches 103, 105, 313.
{"title":"Blindstitch machines for men suit manufacturing: Part 1","authors":"Ineta Nemeša","doi":"10.5937/tekstind2102034n","DOIUrl":"https://doi.org/10.5937/tekstind2102034n","url":null,"abstract":"Garment industry has developed different kind of machinery which replaces traditional manual blindstitchig techniques to ensure much higher work productivity. Many companies produce universal and specialized blindstitch machines for men suit manufacturing. To create invisible stitches of class 100 and 300, blind stitch machine uses a curved needle. The machines perform 1:1, 1:2 and 1:3.stitch pattern. The advanced machines secure the end of the seam creating invisible thread knot or forming several spot/tack stitches. The machines use to have automatic thread cutter, presser foot lifter and needle positioner. The machines for different quality materials are available. For specific applications machines are equipped with different auxiliary devices. Blind hemming of trousers and lined and unlined jackets are performed with stitches 103, 105, 313.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71136284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A cut marker shows how pattern pieces should be cut from one or several layers of fabric and it has a direct impact on fabric consumption. In the confection industry besides clothes, items are made for other purposes. In this paper, an analysis of the making a cut marker for aircraft seat cover is made as well as a description of the materials needed. Aircraft seat cover is made from multilayer (laminated) materials and natural leather. Process of making the cut marker of headrest cover, the backrest cover and the legrest cover is especially considered in this paper. The cost of the material for the production of the aircraft seat cover is calculated with the help of the cut marker. The manufactured aircraft seat cover should be of top quality, which is an imperative today due to the serious competition in the market.
{"title":"A cut marker for aircraft seat cover","authors":"Sonja Jordeva, Hristina Anusheva, Sashka Golomeova-Longurova, Silvana Zhezhova, Vangja Dimitrijeva-Kuzmanoska, Kiro Mojsov, Marija Kertakova","doi":"10.5937/tekstind2102040j","DOIUrl":"https://doi.org/10.5937/tekstind2102040j","url":null,"abstract":"A cut marker shows how pattern pieces should be cut from one or several layers of fabric and it has a direct impact on fabric consumption. In the confection industry besides clothes, items are made for other purposes. In this paper, an analysis of the making a cut marker for aircraft seat cover is made as well as a description of the materials needed. Aircraft seat cover is made from multilayer (laminated) materials and natural leather. Process of making the cut marker of headrest cover, the backrest cover and the legrest cover is especially considered in this paper. The cost of the material for the production of the aircraft seat cover is calculated with the help of the cut marker. The manufactured aircraft seat cover should be of top quality, which is an imperative today due to the serious competition in the market.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71136426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.5937/tekstind2104020k
Snežana Knežević, M. Špiler, M. Milašinović, Aleksandra Mitrović, Stefan Milojević, Jovana Travica
Bankruptcy is a risk that any company can face, regardless of its size. The importance of predicting a company's bankruptcy for years before its development is enormous, and it is important for financial sustainability. Financial reporting is an important platform for making financial decisions of investors and creditors. In recent years, the frequency of false financial reporting by firms has increased and there are concerns about investors' confidence in capital market. Academics and industry experts adopt a variety of risk management techniques to detect fraudulent financial reporting. A case study was applied in this paper. Based on publicly available financial data (disclosed financial statements) of a domestic textile company for the period 2017-2020, whose shares are listed on the stock exchange, a survey was conducted based on the application of Altman's Z-Score model and Beneish M-Score model. Financial distress is an important criterion to monitor when assessing the likelihood of fraud reporting. When a company is operating poorly, there is a greater motivation to engage in fraudulent financial reporting. The findings show that the results differ according to the applied method in terms of identifying the possibility of bankruptcy and the possibility of fraud in the financial statements of the observed company. The results of the study can be important to investors, auditors, regulators, bankers, tax and other government bodies.
{"title":"Using Beneish M-Score and Altman Z-Score models to detect financial fraud and company failure","authors":"Snežana Knežević, M. Špiler, M. Milašinović, Aleksandra Mitrović, Stefan Milojević, Jovana Travica","doi":"10.5937/tekstind2104020k","DOIUrl":"https://doi.org/10.5937/tekstind2104020k","url":null,"abstract":"Bankruptcy is a risk that any company can face, regardless of its size. The importance of predicting a company's bankruptcy for years before its development is enormous, and it is important for financial sustainability. Financial reporting is an important platform for making financial decisions of investors and creditors. In recent years, the frequency of false financial reporting by firms has increased and there are concerns about investors' confidence in capital market. Academics and industry experts adopt a variety of risk management techniques to detect fraudulent financial reporting. A case study was applied in this paper. Based on publicly available financial data (disclosed financial statements) of a domestic textile company for the period 2017-2020, whose shares are listed on the stock exchange, a survey was conducted based on the application of Altman's Z-Score model and Beneish M-Score model. Financial distress is an important criterion to monitor when assessing the likelihood of fraud reporting. When a company is operating poorly, there is a greater motivation to engage in fraudulent financial reporting. The findings show that the results differ according to the applied method in terms of identifying the possibility of bankruptcy and the possibility of fraud in the financial statements of the observed company. The results of the study can be important to investors, auditors, regulators, bankers, tax and other government bodies.","PeriodicalId":33802,"journal":{"name":"Tekstilna industrija","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71137126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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