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Al-insya’ Atholabi Fi Surat Al-Hujurat (Dirasah Tahliliyah Balaghiyah) Al-insya‘Atholabi Fi Surat Al-Hujurat(Dirasah Tahliyah Balaghiyah)
Pub Date : 2023-08-04 DOI: 10.32678/alfaz.vol10.iss2.9064
Nadhif Nadhif
Some students face difficulties in understanding the meaning of the Quran in the form of insya thalabi with various meanings that vary based on the context of the verse, sometimes a verse with a pattern of commands but the meaning is not an order but advice, prayer or instructions etc. The purpose of this study was to determine the pattern of insya thalabi and its meaning in Surat al-Hujurat. The type of this research is library research, the data sources in this research consist of primary sources in the form of al-Qur'an al-karim surah al-hujurat and secondary sources in the form of books related to the research theme such as interpretation books, balagah and dictionaries. The research data were analyzed using Balagah descriptive analysis. The results showed that there were 34 insya thalabi in the letter al-hujurat, 16 in the form of amr, 9 in the form of nahi, two in the form of istifham, 6 in the form of nida and 1 in the form of tamanni. As for the meaning of 34 insya thalabi, it is divided into two kinds, namely the essential meaning and the meaning of balaghi. The meaning of balaghi in insya thalabi letter al-hujurat is al-tahdid, al-nuskhi, al-irsyad, al-khusi, al-tasyji', al-khabar, al-tahdid, al-taqrir, al-inkar, al-tamanni li al-wuqu'.
一些学生在理解《古兰经》的含义时遇到困难,因为《古兰经》的含义根据经文的上下文而变化,有时经文有命令的模式,但意思不是命令,而是建议、祈祷或指示等。本研究的目的是确定在苏拉特al-Hujurat的insya thalabi模式及其意义。本研究的类型为图书馆研究,本研究的数据来源包括《古兰经》等一手资料和与研究主题相关的书籍,如解说书、经书、词典等二手资料。研究数据采用Balagah描述性分析。结果表明,“al-hujurat”字母中有34种,“amr”形式16种,“nahi”形式9种,“istifham”形式2种,“nida”形式6种,“tamanni”形式1种。至于三十四菊的意义,分为两种,即本质意义和巴拉吉意义。balaghi在阿拉伯语字母al-hujurat中的意思是al-tahdid、al-nuskhi、al-irsyad、al-khusi、al-tasyji、al-khabar、al-tahdid、al-taqrir、al-inkar、al-tamanni和al-wuqu。
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引用次数: 0
Kesejajaran Realitas Ra’aytu Ramallah karya Mourid Barghouti dan Sejarah Palestina (Tinjauan Strukturalisme Genetik) 巴尔古提的现实史与巴勒斯坦历史
Pub Date : 2023-04-12 DOI: 10.32678/alfaz.vol10.iss1.8161
Dadang Ismatullah
This article tries to approach the conflict of Palestine through the novel Rsa'aytu Ramallah by Maorid Barghouti as seeking its parallel realities with historical facts. In so doing, the genetical components are to be analyzed by employing the Genetical Structaralism theory of Lucien Goldmann. The genetic of the novel can be seen in the parallelism between the literary facts and the socio-historical facts along the story. Thus, the novel not only comprises a mere fiction, but also along history of Palestine-Israel wars during the life of Barghouti. The author's worldview captures several crucial issues, such as the impacts of the war for Palestinians -mostly the immigrants among them-, the unstable politics that does not benefit the Palestinians interest, and gender iniquity which still exists in Palestine.
本文试图通过巴尔古提的小说《Rsa’aytu Ramallah》来探讨巴勒斯坦冲突,寻求其与历史事实的平行现实。在此过程中,遗传成分将采用吕西安·戈德曼的遗传结构主义理论进行分析。小说的遗传可以从文学事实与社会历史事实的平行性中看出。因此,这部小说不仅是一部小说,还包括巴尔古提一生中巴以战争的历史。作者的世界观抓住了几个关键问题,比如战争对巴勒斯坦人(主要是移民)的影响,不利于巴勒斯坦人利益的不稳定政治,以及巴勒斯坦仍然存在的性别不平等。
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引用次数: 0
al-Ibda’at fi Intaji al-A’mal al-Adabiyyah al-Arabiyyah Khilala ‘Ashri at-Tssaurah as-Shina’iyyah ar-Rabi’ah al-Ibda'at fi Intaji al-A'mal al-Adabiyyah al-Arabiyyah Khilala’Ashri at Tssaurah as-Shina'aiyyah ar-Rabi'ah
Pub Date : 2023-01-28 DOI: 10.32678/alfaz.vol10.iss1.7033
Ali Fikry, Nurul Syahrayni
Abstract: This study discusses and studies creativity in the production of literary works during the Fourth Industrial Revolution. The purpose of this research is to find and explain the forms of creations, their causes and their impact on the production of literary works during the Fourth Industrial Revolution. Creativity as something sure in every time has a different form. Not only with innovation, creativity must also have value. And the reason is for the evolving demands of time. This creativity has a real impact on all fields of human life, including literature as a product of human action. This type of research is included in the qualitative qualitative category. The techniques used to collect data are watching, reading, and taking notes. And the technique used to analyze data is an interactive analysis model that includes data reduction, data presentation, and drawing conclusions. The results of this research show that creativity in literary works is in the form of videos and pictures. The reason for creativity is the low interest in reading and the tendency to easy and not time consuming things. Existing effects from creations are divided into 3 positive effects and 5 negative effects.    
摘要:本研究探讨和研究第四次工业革命时期文学作品创作中的创造性。本研究的目的是发现和解释第四次工业革命期间的创作形式、创作原因及其对文学作品生产的影响。创造力作为一种在任何时候都可以确定的东西,有着不同的形式。不仅有了创新,创造力也必须有价值。原因是时间的需求在不断变化。这种创造力对人类生活的各个领域都产生了真正的影响,包括作为人类行为产物的文学。这类研究属于定性研究范畴。用于收集数据的技术包括观察、阅读和记笔记。用于分析数据的技术是一种交互式分析模型,包括数据约简、数据表示和得出结论。研究结果表明,文学作品的创造性表现为视频和图片两种形式。创造力的原因是对阅读的兴趣很低,而且倾向于简单而不耗时的事情。现有的创作效果分为3个正面效果和5个负面效果。
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引用次数: 0
Mausīqā al-Syi‘ri fī Dīwān al-Rāfi‘ī li Muṣṭafā Ṣādiq al-Rāfi‘ī (Dirāsah Taḥlīliyyah ‘Arūḍiyyah wa Qāfawiyyah) 在莫斯科al-Syi’ri fīDīwān al-Rafi’īli MuṣafāṢādiq al-Rafi‘ī
Pub Date : 2023-01-28 DOI: 10.32678/alfaz.vol10.iss1.7892
Farhan Firdaus
Poetry in pre-Islamic era is sonsidered the foundation of true Arabic poetry with a classical form that use the 16 baḥr. Entering the modern era, Arabic literature is faced with western literature which has new rules in compiling poetry and many Arab poets prefer that new rule. Muṣṭafā Ṣādiq al-Rāfi‘ī was born in modern era, but he still uses the rules of classical poetry in compiling the Dīwān al-Rāfi‘ī. This study aims to find out the baḥr used and the disgrace of the qāfiyah in the Dīwān al-Rāfi‘ī. The method used is descriptive analysis. The results of this study are that the bahr used in the Dīwān al-Rāfi‘ī is thirteen baḥr, namely al-Ṭawīl, al-Mutaqārib, al-Wāfir, al-Basīṭ, al-Rajz, al-Sarī‘, al-Kāmil, al-Madīd, al-Raml, al-Khafīf, al-Munsarih, al-Mujtaṣ, and al-Mutadārik. While the disgrace of qāfiyah are al-Īṭā' and Sinad al-Ridf
前伊斯兰时代的诗歌被认为是真正的阿拉伯诗歌的基础,其古典形式使用了16石。进入现代,阿拉伯文学面临着西方文学对诗歌编纂的新规则,许多阿拉伯诗人更喜欢这种新规则。在MuṣṭafāṢādiq al-Rafi’ī出生于现代,但他在编纂《Dīwān al-Rafi‘ī》时仍然使用古典诗歌的规则。本研究旨在找出在Dīwān al-Rafi中使用的baḥr和qāfiyah的耻辱。所用的方法是描述性分析。这项研究的结果是,Dīwān al-Rafi’ī中使用的泰铢是十三巴,即al-Ṭawīl、al-Mutaqār ib、al-wāfir、al-Basīṭ、al-Rajz、al-Sarī’、al-Kāmil、al-MadīD、al-Raml、al-Khafif、al-Munsarih、al-Mujtaṣ和al-Mutadār ik。而qāfiyah的耻辱是al-Īṭā'和Sinad al-Ridf
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引用次数: 0
Kajian Tindak Tutur Dalam Film Bilal: A New Breed of Hero 英雄的新品种
Pub Date : 2022-12-30 DOI: 10.32678/alfaz.vol10.iss2.8976
Vera Nurfitriani
Bilal: a new breed of hero is a 3d computer animation film produced Arabic using English directed by ayman jamal and khurram h. alavi in 2015 and released in 2016. Although the film is English in general, it is also produced in Arabic. The study focuses on illocution and perlocution speech act by using Austin and searle's speech of acts theories in order to find out what a speaker and his type's speech represents in the Arabic version of bilal: a new breed of hero. The method used in this study is a qualitative descriptive method. The results of the study reveal that there are four types of illocution speech acts which are aserctive, directive, commissive and expressive. For perlocutions speech act is found in two types, there are non-verbal perlocution and verbal non-verbal perlocution
《比拉尔:新英雄》是一部使用英语制作的阿拉伯语3d电脑动画电影,由艾曼·贾马尔和khurram h·阿拉维于2015年执导,并于2016年上映。虽然这部电影一般是英文的,但它也是用阿拉伯语制作的。本研究利用奥斯汀和塞尔的行为言语理论,重点研究了言外和言后言语行为,以了解在阿拉伯语版本的比拉尔:一种新的英雄中,说话者及其类型的言语代表了什么。本研究采用定性描述方法。研究结果表明,言外言语行为有四种类型,即收缩性、指示性、同情性和表达性。言语行为有两种类型,一种是非言语言语行为,另一种是言语非言语行为
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引用次数: 0
Implikasi Teologis Kosakata Mu’arrab dalam Al-Qur’an 穆哈拉布的Kosakata神学在《古兰经》中的启示
Pub Date : 2022-12-30 DOI: 10.32678/alfaz.vol10.iss2.8468
Mufrodi Mufrodi, Zaki Ghufron, Nasrullah Nasrullah, Lukmanul Hakim, Nikmatullah Kusni
This study aims to explain the theological dimensions that arise due to the presence of non-Arabic vocabulary (mu'arrab) in the Qur'an. Language is a medium in conveying the intentions, needs and goals of its users, both verbally and non-verbally. Language development can follow the cultural evolution of a civilization. It is not surprising that the vocabulary of one language can be found in another language because linguistic changes occur as a result of interactions between speakers of different languages. This research is a library research, using the documentation method, namely by finding and collecting data related to the discussion in this thesis to then be analyzed using the analytical-descriptive method, namely by looking at arguments regarding non-Arabic vocabulary in Al- Qur'an from various experts, both Islamic scientists and orientalists, then the data obtained is analyzed. The aim of this research is to explore mu'arrab in terms of historical, sociocultural and linguistic aspects, and also to prove that non-Arabic vocabulary is natural as a result of the contact between languages ​​and cultures that has occurred. The results of this study indicate that there has been interaction between Arabic and northern Aramia through trade routes, migration and mixing between Aramia and Arabs in the Hijāz. With the mixing between the two languages, then there is language acculturation. Many Arabic vocabularies related to civilization and industry which are loans from Aramia is a very natural thing because it is impossible for the Arabs who are still shrouded in ignorance to recognize these vocabularies.
本研究旨在解释由于《古兰经》中存在非阿拉伯语词汇(mu'arrab)而产生的神学维度。语言是传达用户意图、需求和目标的媒介,无论是口头的还是非口头的。语言的发展可以跟随一个文明的文化演变。一种语言的词汇可以在另一种语言中找到并不奇怪,因为语言的变化是不同语言使用者之间互动的结果。本研究是一项图书馆研究,使用文献法,即通过查找和收集与本文讨论相关的数据,然后使用分析描述性方法进行分析,即通过查看伊斯兰科学家和东方学家等多位专家关于《古兰经》中非阿拉伯语词汇的论点,然后对所获得的数据进行分析。本研究的目的是从历史、社会文化和语言方面探讨mu'arrab,并证明非阿拉伯语词汇是语言之间接触的自然结果​​以及已经发生的文化。这项研究的结果表明,阿拉伯人和北阿拉米亚人之间通过贸易路线、移民以及在Hijāz的阿拉米亚和阿拉伯人之间的混合进行了互动。随着这两种语言的融合,就会产生语言的文化适应。许多从阿拉米亚借来的与文明和工业有关的阿拉伯语词汇是一件非常自然的事情,因为仍然蒙在鼓里的阿拉伯人不可能识别这些词汇。
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引用次数: 0
Kolokasi Leksikal dan Gramatikal dalam Cerpen Ahdu as-Syaitan karya Taufiq al-Hakim 陶菲克·哈基姆《阿赫杜·萨坦·塞彭》中的词汇与语法搭配
Pub Date : 2022-12-16 DOI: 10.32678/alfaz.vol10.iss2.9065
Bahy Chemy Ayatuddin Assri
This paper wants to reveal the pattern of lexical and grammatical collocations in the short story Ahdu as-Syaitan by Taufiq al-Hakim by using a combination of theory between Benson and Hafidz. A collocation is a phrase consisting of words that are used together and the original meaning can be traced so that it does not create a new meaning. In the field of education, teachers tend to teach vocabulary without collocation. This is due to the teacher's lack of understanding of collocation. In the field of terjamah, often the collocation equivalent does not match the dictionary. If you want to say 'watching tv', you should use يشاهد التلفاز not ينظر التلفاز. The results of the study include: the researcher found six collocations consisting of four grammatical and two lexical collocations. The pattern used in grammatical collocations is KB + preposition in KB phrase, KK + preposition KB phrase, where the phrase is an adverb, KK + preposition of noun phrase, where the phrase is an object. The pattern used in lexical collocations is KK + adverb.
本文试图结合本森和哈菲兹的理论,揭示陶菲克·哈基姆短篇小说《阿都如赛坦》中的词汇和语法搭配模式。搭配是一个短语,由一起使用的单词组成,可以追溯原始含义,这样就不会产生新的含义。在教育领域,教师倾向于教授没有搭配的词汇。这是由于老师对搭配缺乏理解。在terjamah领域,搭配等价物通常与字典不匹配。如果你想说“看电视”,你应该使用يباهدالتبينظراب。研究结果包括:研究人员发现了六种搭配,包括四种语法搭配和两种词汇搭配。语法搭配中使用的模式是KB短语中的KB+介词,KK+介词KB短语,其中短语是副词,KK+名词短语的介词,其中短语为宾语。词汇搭配的模式是KK+副词。
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引用次数: 0
Michael Riffatere's Semiotics on Syiir Abu Tamam in the Book "Al Muwazanah Baina Syiir Abu Tamam Wa Al Buhturi" by Al Amidi
Pub Date : 2022-12-15 DOI: 10.32678/alfaz.vol10.iss1.9063
Angga Mustaka Jaya Putra
The material object in this study is the poem “Abu Tamam in the book Al Muwazanah Baina Syiir Abu Tamam Wa Al Buhturi”. The formal object of this research is Michael Riffatere's semiotic theory. The method in this research is descriptive qualitative. The results in this study through "heuristic reading, reading hermeneutics, matrices and hypograms on Abu Tamam's syiir entitled "Al-Dua li Al-Diyar Bi Al-Saqayaa Wa Al-Khosbu Wa Al-Nabaat", in the first stanza convey message about hope for rain. The second stanza describes the coming of spring after the rains that make the land fertile and then overgrown with shoots that will become fertile plants. The third stanza describes a deer playing with a deer. In the fourth stanza describes the condition of the rain that has passed and has entered another season.
本研究的物质对象是《Al Muwazanah Baina Syiir Abu Tamam Wa Al Buhturi》一书中的一首诗“Abu Tamam”。本研究的形式对象是Michael Riffatere的符号学理论。本研究采用描述定性方法。本研究通过启发式阅读、阅读解释学、矩阵和形图对阿布·塔玛姆的诗作《Al-Dua li Al-Diyar Bi Al-Saqayaa Wa Al-Khosbu Wa Al-Nabaat》的结果,在第一节中传达了对雨的希望。第二节描述了雨水过后春天的到来,使土地肥沃,然后长满了将成为肥沃植物的嫩芽。第三节描述了一只鹿和一只鹿在玩耍。在第四节中描述了雨已经过去并进入另一个季节的情况。
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引用次数: 0
Bahasa Arab Pra-Islam 前伊斯兰阿拉伯语
Pub Date : 2022-06-30 DOI: 10.32678/alfaz.vol10.iss1.8173
Yetti Hasnah
كانت اللغة العربية عاشت منذ زمان طويل وانحدرت من لغة أسبق منها. وتلك اللغة هي التى اختلف فيها اللغويون والمؤرخون هل من هذه أو من تلك. ومن خلال هذا البحث الوجيز تقدم الكاتبة رأيا يؤيد أن اللغة العربية قريبة العلاقة باللغة السامية الأم. وهي منحدرة من إحدى فريقيها القديمة أي العربية الباقية، حيث ماتت وزالت الأخرى إلا ما وجدت فى النقوش المكتوبة. شرح البحث أيضا أحوال اللغة العربية قبل مجيئ الإسلام من مفرداتها وجملها واستخدامها فى مجتمع العرب.  
阿拉伯语生活了很长时间,是早期语言的后裔。语言学家和历史学家对这种或那种语言存在分歧。通过这项简短的研究,作者提出了一种观点,支持阿拉伯语与闪族母语密切相关。她来自她的一个古老团队,即幸存的阿拉伯人,除了书面铭文中发现的内容外,她在那里去世了,另一个消失了。这项研究还解释了伊斯兰教出现之前阿拉伯语在词汇、句子和阿拉伯社会中的使用情况。
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引用次数: 0
Lafẓ “Al-Auliyā'” baina an-Naṣṣ wa al-Wāqi‘: Dirāsah Dalāliyyah
Pub Date : 2022-06-30 DOI: 10.32678/alfaz.vol10.iss1.8170
Hatta Raharja
This article examines the condition of Jakarta's residents in late 2016 and early 2017. Some Muslims in Jakarta were able to mobilize a movement they dubbed "Aksi Bela Islam" after viewing video recordings of the then-leader's words that were distributed via media networks and other means. They may have clashed after viewing the footage, prompting Jakartans, organizations, and associations to convene and ask the Indonesian Ulema Council to address the issue. The respondents requested the opinion of the Indonesian Ulema Council regarding the ruler's statement, “... that you deny verse 51 of Surah Al-Mā'idah ..,” where the controversial word is “auliyā'” The words have multiple meanings due to the fact that they themselves have multiple meanings. These words have multiple meanings, as interpreters may interpret them differently, and there are also contradictions and contradictions between litigants and justices in interpreting these words. From this point on, the researcher will seek linguistic issues associated with this incident and avoid mentioning political issues. The researcher analyzes it by analyzing the elements of semantic meaning with the aid of the opinions of commentators and translators regarding the verse in question, the dictionaries considered, and the words of scholars who support and do not support the interpretation. This article will inform you of the tendency of the Indonesian Ulema Council to issue fatwas on linguistic matters.
本文考察了2016年底和2017年初雅加达居民的状况。雅加达的一些穆斯林在观看了通过媒体网络和其他方式传播的当时领导人讲话的录像后,能够动员他们称之为“Aksi Bela Islam”的运动。他们可能在看了视频后发生了冲突,促使雅加达人、组织和协会召开会议,要求印尼乌里玛委员会解决这个问题。答复者要求印度尼西亚乌里玛理事会就统治者的声明发表意见,“……你否认古兰经第51节…,其中有争议的词是“auliyha”,这些词有多种含义,因为它们本身就有多种含义。这些词具有多重含义,因为口译员可能会对其进行不同的解释,并且在解释这些词时,当事人与法官之间也存在着矛盾和矛盾。从这一点开始,研究者将寻求与此事件相关的语言问题,避免提及政治问题。研究者通过对语义要素的分析,结合评论家和译者对所讨论的诗句的看法,所考虑的词典,以及支持和不支持这种解释的学者的言论。这篇文章将告诉你印尼乌里玛委员会在语言问题上发布教令的倾向。
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引用次数: 0
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Arabic Literatures for Academic Zealots
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