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A sour cherry orchard. An excursion through Chekhovian green spaces 酸樱桃园。游览契诃夫式的绿色空间
Pub Date : 2021-01-01 DOI: 10.14746/strp.2021.46.2.8
F. Negro
The cherry orchard marks the end of Anton Chekhov’s life, consecrating him as the author who defined the threshold of the new epoch. In this article, I construe the garden as the motif linking Chekhov’s sensitivity to the general spirit of his era, revealing his poetics to the global stage as the distinctive mark of a historical and socioeconomic shift. On this path, I will clarify how the subtle difference between sour cherries and sweet cherries becomes a symbol of Chekhov’s dramatic construction, and how his poetics are built on nuances and subtle shifts in meanings, representing the irrevocable fading of a culture. A philological reflection combined with an attentive reading of Chekhov’s letters, Stanislavsky’s memoirs and scenic sketches reveal the author’s interest in the relationship between man and nature as well as the need to read his work from a more spatial-oriented standpoint. Chekhov clearly anticipates the so-called ‘spatial turn’, approaching space not through the description of a specific landscape or dramaturgical setting, but from a phenomenological point of view, leading him to profound reflections on the relationship between physical planning and socio-political development, as later conceptualised by key social thinkers such as Henry Lefebvre and Edward Soja. Chekhov’s dramaturgical construction and symbology are the result of this awareness and endless passion for nature in all its forms.
《樱桃园》标志着契诃夫生命的终结,使他成为定义新时代门槛的作家。在这篇文章中,我将花园视为连接契诃夫对他所处时代普遍精神的敏感性的主题,将他的诗学作为历史和社会经济转变的独特标志向全球舞台展示。在这条道路上,我将阐明酸樱桃和甜樱桃之间的细微差别如何成为契诃夫戏剧结构的象征,以及他的诗学如何建立在意义的细微差别和微妙变化之上,代表着一种文化不可挽回的衰落。通过仔细阅读契诃夫的书信、回忆录和风景小品,斯坦尼斯拉夫斯基从语言学的角度进行了反思,揭示了作者对人与自然关系的兴趣,以及从更以空间为导向的角度来阅读他的作品的必要性。契诃夫清楚地预见到所谓的“空间转向”,不是通过对特定景观或戏剧背景的描述来接近空间,而是从现象学的角度来看待空间,这使他对物理规划与社会政治发展之间的关系进行了深刻的反思,后来被亨利·列斐伏尔和爱德华·索亚等关键社会思想家概念化。契诃夫的戏剧建构和符号学正是这种对自然的认识和对自然的无限热情的结果。
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引用次数: 0
The use of the auxiliary verb in 2nd person singular perfect verbal forms in Old Russian documents of the 14–16th centuries 14 - 16世纪古俄语文献中第二人称单数完成动词形式中助动词的使用
Pub Date : 2020-10-28 DOI: 10.14746/strp.2020.45.2.18
Maciej Waraczewski
The article analyses 2nd person singular perfect forms in a collection of Old Russian documents of the 14–16th centuries. The main focus is placed on their formal aspects and the transition from an analytic to synthetic form. The process itself is well-known, yet it still lacks a detailed description and fully explained reasons for its occurrence. The author, providing statistical data on the use of the auxiliary verb byti and explicitly expressed subject, proves its great regularity. There is a strong dependence between the two items and usually only one of them is applied with perfect constructions. This shows that the function of the auxiliary verb has been completely changed and in the period described it played only the role of a person indicator. Thus, it became redundant when the use of personal pronouns was increased. All the exceptions to this rule are scarce and can be explained with factors of a syntactical or extra-linguistic character. The author’s assumptions are confirmed with statistical data and examples taken from spiritual and contractual charters of grand princes and appanage princes in the XIV–XVI centuries.
本文分析了14-16世纪古俄罗斯文献集中的第二人称单数完成形式。主要关注它们的形式方面以及从分析形式到综合形式的转变。这个过程本身是众所周知的,但它仍然缺乏详细的描述和充分解释其发生的原因。作者通过对助动词byti和明确表达主语的使用情况的统计数据,证明了它的巨大规律性。这两个项目之间有很强的相关性,通常只有其中一个项目适用于完美的结构。这表明助动词的功能已经完全改变,在所描述的时期,它只起到了人称指示器的作用。因此,当人称代词的使用增加时,它就变得多余了。这条规则的所有例外都很少见,可以用句法或语言外的因素来解释。作者的假设得到了统计数据和十四至十六世纪大王子和准王子的精神和契约宪章中的例子的证实。
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引用次数: 0
К вопросу о функциональной организации лексического минимума на основе метода коммуникативных задач 基于交际任务方法的词汇极小功能组织问题
Pub Date : 2019-09-05 DOI: 10.14746/STRP.2019.44.2.34
Jakub Walczak, Dorota Drużyłowska
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引用次数: 1
Nostalgiczne kino Wiery Storożewej i Pawła Łungina (na podstawie filmów Podróż ze zwierzętami domowymi i Taxi Blues) Vera Storożeva和PaweŁungin的怀旧电影(根据电影《宠物之旅》和《出租车蓝调》改编)
Pub Date : 2019-09-05 DOI: 10.14746/STRP.2019.44.2.15
B. Waligórska-Olejniczak
The article presents the interpretation of two Russian films, Travelling with Pets by Vera Storozheva and Taxi Blues by Pavel Lungin, from the point of view of the category of nostalgia. The article shows that the heroes of both artistic texts function in the hybrid reality, the collapse of the old world accompanies their search for the wholeness and new identity. Travelling with Pets emphasizes the spatial dimension of the experience, whereas Taxi Blues transforms it into the vision of the relationship with time, the continuum of past, present and future, which corresponds with the triad: history-memory-nostalgia.
本文从怀旧范畴的角度对俄罗斯电影《与宠物同行》和《出租车蓝调》进行解读。文章表明,两种艺术文本中的英雄都在混合现实中发挥作用,旧世界的崩溃伴随着他们对整体性和新身份的寻求。“与宠物一起旅行”强调了体验的空间维度,而“出租车蓝调”则将其转化为与时间的关系,过去、现在和未来的连续体,这符合三位一体:历史-记忆-怀旧。
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引用次数: 0
Nostalgia a muzyka 怀旧是一种音乐
Pub Date : 2019-09-05 DOI: 10.14746/STRP.2019.44.2.12
Małgorzata Dyrlica
This article is an attempt to answer the question of what nostalgia is in music. The author makes a distinction between the emotions of the author, the performer and the recipient as well as the emotional qualities of the work itself. She also tries to describe the means of artistic expression that foster the impression of nostalgia in music.
这篇文章试图回答怀旧在音乐中是什么的问题。作者区分了作者、表演者和接受者的情感以及作品本身的情感品质。她还试图描述在音乐中培养怀旧印象的艺术表达方式。
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引用次数: 0
(Anty)przysłowia vel innowacje przysłowiowe w przestrzeni e-tekstów. Przyczynek do paremiologii w perspektywie tekstologicznej (反)谚语推动了电子文本领域的谚语创新。从语篇角度看对偏瘫学的贡献
Pub Date : 2019-09-05 DOI: 10.14746/STRP.2019.44.2.16
Tomasz Szutkowski
The article discusses proverb innovations in the aspect of textual criticism. On one hand, their functional specificity allows them to be still considered as fully-featured proverbs, on the other hand, it reveals an array of peculiarities related to modification and/or expansion of lexical composition of the output proverb, which is connected with identification of particular levels of meaning (literal, figurative and situational) by the receiver.
本文从文本批评的角度探讨谚语的创新。一方面,它们的功能特异性使它们仍然被认为是功能齐全的谚语,另一方面,它揭示了一系列与输出谚语的词汇组成的修改和/或扩展有关的特殊性,这与接受者对特定意义水平(字面、比喻和情景)的识别有关。
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引用次数: 3
Из истории наименований свидетелей в русском языке
Pub Date : 2019-09-05 DOI: 10.14746/STRP.2019.44.2.31
E. Chashchina
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引用次数: 0
Wariantywność (orto)graficzna pożyczek angielskich w świetle normatywistyki języka rosyjskiego
Pub Date : 2019-09-05 DOI: 10.14746/STRP.2019.44.2.32
A. Romanik
The article focuses on the problem of orthographic and graphic variants of English loanwords in modern Russian. The empirical material was excerpted from normative dictionaries and Russian glossy magazines. The main purpose of the studies was to define the reasons for different notation of anglicisms, to illustrate the types of orthographic and graphic variants, and also to indicate the most important issues of loanword codification in normative practice. Variation in writing is a dynamic phenomenon in Russian (ortho) graphy that requires lexicographical description as there are no separate rules of notation for loanwords.
本文主要研究现代俄语中英语借词的正字法和图形变体问题。实证材料摘自规范性词典和俄罗斯精美杂志。研究的主要目的是确定英语中不同记法的原因,说明正字法和图形变体的类型,并指出规范实践中外来词编纂的最重要问题。写作变化是俄语(正字法)中的一种动态现象,需要词典描述,因为外来词没有单独的记法规则。
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引用次数: 0
„Несвятые святые” в рассказах o. Ярослава Шипова (к вопросу об особенностях авторского почерка) O.Yaroslav Shipov短篇小说中的“非圣徒”(关于作者笔迹特征的问题)
Pub Date : 2019-09-05 DOI: 10.14746/STRP.2019.44.2.2
Снежана Крылова
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引用次数: 0
Rosyjskie czasowniki ruchu wirowego w świetle metafory pojęciowej 从概念隐喻看俄语涡旋运动动词
Pub Date : 2019-09-05 DOI: 10.14746/STRP.2019.44.2.27
A. Narloch
In recent years linguistic studies have laid great emphasis on the semantic side of linguistic expressions. The aim of this paper is to introduce and describe the term “circular motion” viewed from the perspective of the conceptual metaphor in Russian. It describes the process of creating such metaphors based on the notions of source and target domains.
近年来,语言学研究非常重视语言表达的语义方面。本文旨在从俄语概念隐喻的角度对“圆周运动”一词进行介绍和描述。它描述了基于源域和目标域的概念创建此类隐喻的过程。
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引用次数: 0
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Studia Rossica Posnaniensia
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