Pub Date : 1900-01-01DOI: 10.21638/spbu13.2022.409
A. Truong, Thien Nguyen
The 16th–19th centuries was the period that witnessed the ups and downs development of the trade of the Portuguese Crown and the Portuguese private traders in India. In fact, the maritime trade of the Portuguese Crown only developed significantly in the 16th century; from the 17th century, because of different reasons, it declined gradually. Finally, it had to depend on the British at the end of the 19th century. In contrast with the Portuguese Crown trade, although the commerce of the Portuguese private merchants had to face a lot of difficulties, it continued to expand its role and influence during the four centuries (16th–19th). This article summarizes the trade of Portuguese royal and Portuguese private commercial activities in India from the 16th to the 19th century. On that basis, the authors of this article analyze and point out the core characteristics which fully and comprehensively reflect the development of commercial activities of the Portuguese royal family and merchants in India during this period. To conduct this research, the authors rely on the research results of scholars around the world directly or indirectly related to this issue and use two main research methods of Historical Science, including the historical method and the logical method. In addition, the authors also use several other research methods such as analysis, synthesis, statistics, and comparison. The completion of this study will make a scholarly contribution by helping researchers to have a more comprehensive and in-depth view of Portugal’s commercial activities in Asia in general and India in particular from the 16th to the 19th century.
{"title":"Trade of the Portuguese Royal and Private Traders in India from the 16th to the 19th Century","authors":"A. Truong, Thien Nguyen","doi":"10.21638/spbu13.2022.409","DOIUrl":"https://doi.org/10.21638/spbu13.2022.409","url":null,"abstract":"The 16th–19th centuries was the period that witnessed the ups and downs development of the trade of the Portuguese Crown and the Portuguese private traders in India. In fact, the maritime trade of the Portuguese Crown only developed significantly in the 16th century; from the 17th century, because of different reasons, it declined gradually. Finally, it had to depend on the British at the end of the 19th century. In contrast with the Portuguese Crown trade, although the commerce of the Portuguese private merchants had to face a lot of difficulties, it continued to expand its role and influence during the four centuries (16th–19th). This article summarizes the trade of Portuguese royal and Portuguese private commercial activities in India from the 16th to the 19th century. On that basis, the authors of this article analyze and point out the core characteristics which fully and comprehensively reflect the development of commercial activities of the Portuguese royal family and merchants in India during this period. To conduct this research, the authors rely on the research results of scholars around the world directly or indirectly related to this issue and use two main research methods of Historical Science, including the historical method and the logical method. In addition, the authors also use several other research methods such as analysis, synthesis, statistics, and comparison. The completion of this study will make a scholarly contribution by helping researchers to have a more comprehensive and in-depth view of Portugal’s commercial activities in Asia in general and India in particular from the 16th to the 19th century.","PeriodicalId":342908,"journal":{"name":"Vestnik of Saint Petersburg University. Asian and African Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129796898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.21638/spbu13.2022.407
San Yun Lee
This paper analyzes literary works that allow one to trace the changes in the perception of shaman cult in various periods of Korean social development and sheds light on the popularity of shaman motive in the 21st century. In Kim Tonni’s “Portrait of a shaman” (1936), the conflict between traditional and Western beliefs is shown through the image of a shaman woman symbolizing the ignorant Korean past and her son who converted to Christianity. Han Seungwon in his novels, uses the motive of the call for blood of those people possessed by ghosts and describes shamans’ life, traditions, and rituals. Shaman rituals are also described in the works of Park Wanseo. In her childhood memories, shaman women are depicted as transcendental beings tied to the other world. Epic novels by Park Kyongni, Cho Chongnae, Choi Myunghee describe the life of ordinary villagers against the backdrop of historical events. The main character is usually a shaman or her daughter in a love relationship. Shaman motive is also present in some novels written in the 21st century, in which main characters believe in spirits and shamans’ prophecies coming true. This implies that the belief in spirits is an inseparable part of Korean cultural identification, even for those who claim to be an atheist. Because shamanism in Korea is perceived as an important part of culture, the interest in shamans and shamanism continues to grow.
{"title":"Shaman Motive in Korean Literature","authors":"San Yun Lee","doi":"10.21638/spbu13.2022.407","DOIUrl":"https://doi.org/10.21638/spbu13.2022.407","url":null,"abstract":"This paper analyzes literary works that allow one to trace the changes in the perception of shaman cult in various periods of Korean social development and sheds light on the popularity of shaman motive in the 21st century. In Kim Tonni’s “Portrait of a shaman” (1936), the conflict between traditional and Western beliefs is shown through the image of a shaman woman symbolizing the ignorant Korean past and her son who converted to Christianity. Han Seungwon in his novels, uses the motive of the call for blood of those people possessed by ghosts and describes shamans’ life, traditions, and rituals. Shaman rituals are also described in the works of Park Wanseo. In her childhood memories, shaman women are depicted as transcendental beings tied to the other world. Epic novels by Park Kyongni, Cho Chongnae, Choi Myunghee describe the life of ordinary villagers against the backdrop of historical events. The main character is usually a shaman or her daughter in a love relationship. Shaman motive is also present in some novels written in the 21st century, in which main characters believe in spirits and shamans’ prophecies coming true. This implies that the belief in spirits is an inseparable part of Korean cultural identification, even for those who claim to be an atheist. Because shamanism in Korea is perceived as an important part of culture, the interest in shamans and shamanism continues to grow.","PeriodicalId":342908,"journal":{"name":"Vestnik of Saint Petersburg University. Asian and African Studies","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129916316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.21638/spbu13.2022.103
Nina V. Finko
The paper examines the change of turban space in Seoul at the turn of 20th Century. The period is rich in events that influenced the formation of the modern Korean state: ranging from the “opening of the ports” in 1876, to the proclamation of the Korean Empire in 1897. At the same time, the country began the process of modernizing urban planning legislation. Urbanprojects were carried out under the Hansung City Improvement Project (한성 도시 개조 사 업) adopted by Kojong and his government in 1896 and continued until 1905. However, in modern historiography, the project is rarely considered as an example of modern urban planning in Korea. In this paper the diary entries, collections of stories, and memoirs of foreign diplomats who lived in Korea in the end of the 19th century are analyzed, along with papers from journalists and missionaries who traveled around Korea. The results of the analysis show that qualitative changes in the urban space of Seoul took place from 1896 to 1905, within the framework of modernization reforms of the period. The Hansung City Improvement Project should be considered as an example of modern urban planning in Korea, as it was initiated and implemented by the national government within modern legal framework, and Seoul became modern city of the early XX Century. The findings of the study are important for understanding the nature of the changes that took place in Korea, starting with the “opening of the ports” in 1876.
{"title":"Seoul through the Eyes of Foreigners in the End of 19th - Beginning of 20th Centuries","authors":"Nina V. Finko","doi":"10.21638/spbu13.2022.103","DOIUrl":"https://doi.org/10.21638/spbu13.2022.103","url":null,"abstract":"The paper examines the change of turban space in Seoul at the turn of 20th Century. The period is rich in events that influenced the formation of the modern Korean state: ranging from the “opening of the ports” in 1876, to the proclamation of the Korean Empire in 1897. At the same time, the country began the process of modernizing urban planning legislation. Urbanprojects were carried out under the Hansung City Improvement Project (한성 도시 개조 사 업) adopted by Kojong and his government in 1896 and continued until 1905. However, in modern historiography, the project is rarely considered as an example of modern urban planning in Korea. In this paper the diary entries, collections of stories, and memoirs of foreign diplomats who lived in Korea in the end of the 19th century are analyzed, along with papers from journalists and missionaries who traveled around Korea. The results of the analysis show that qualitative changes in the urban space of Seoul took place from 1896 to 1905, within the framework of modernization reforms of the period. The Hansung City Improvement Project should be considered as an example of modern urban planning in Korea, as it was initiated and implemented by the national government within modern legal framework, and Seoul became modern city of the early XX Century. The findings of the study are important for understanding the nature of the changes that took place in Korea, starting with the “opening of the ports” in 1876.","PeriodicalId":342908,"journal":{"name":"Vestnik of Saint Petersburg University. Asian and African Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130183595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.21638/spbu13.2023.103
Marina A. Isachenkova
It is generally accepted that developed ideas about the World of Dead appear among the Chinese with the spread of Buddhism. Nevertheless, based on the data of material and spiritual culture, it can be assumed that already in the Paleolithic and, especially, in the Neolithic on the territory of Ancient China, there were a number of more or less developed models of the afterlife. One of its oldest names, recorded by written Chinese monuments, is 黄泉 Huangquan, the literal meaning of which is ‘Yellow Wellspring’. The character 泉 quan means the water flowing in a mountain cave or grotto, coming out at the base of the mountain. Its meaning is consistent with the religious ideas of different peoples: the archetype of the mountain is known as the place of birth and departure of ancestors, a tunnel connecting the worlds of the living and the dead; water as a boundary separating these worlds is also a universal motif of the World Culture. The semantics of the yellow color of the Chinese Hades can also be reconstructed by analyzing the sign 黃 huang. The pictogram depicts a man with a large swollen belly. Additional information from written monuments suggests that the yellow color was originally associated with illness and death, and by coincidence with the color of the earth, where the dead “went”, it began to determine the “border” wellspring. After the death of a person, the soul 魄 po in the form of 鬼 gui goes to the underworld of the ancestors — the place from which it appeared at the time of birth. According to the author, this knowledge is connected with the tradition of the center (Yellow River basin). An analysis of the texts of the pre-Han and Han periods makes it possible to conclude that Huangquan was understood as: 1) a designation of the end of a person’s life; 2) a designation of the lower limit in the vertical World Model; 3) a sacred place where 氣 qi is stored — the birth and death of ten thousand things.
{"title":"Ancient Chinese Ideas about the World of Dead Huangquan (According to Pre-Han and Han Texts)","authors":"Marina A. Isachenkova","doi":"10.21638/spbu13.2023.103","DOIUrl":"https://doi.org/10.21638/spbu13.2023.103","url":null,"abstract":"It is generally accepted that developed ideas about the World of Dead appear among the Chinese with the spread of Buddhism. Nevertheless, based on the data of material and spiritual culture, it can be assumed that already in the Paleolithic and, especially, in the Neolithic on the territory of Ancient China, there were a number of more or less developed models of the afterlife. One of its oldest names, recorded by written Chinese monuments, is 黄泉 Huangquan, the literal meaning of which is ‘Yellow Wellspring’. The character 泉 quan means the water flowing in a mountain cave or grotto, coming out at the base of the mountain. Its meaning is consistent with the religious ideas of different peoples: the archetype of the mountain is known as the place of birth and departure of ancestors, a tunnel connecting the worlds of the living and the dead; water as a boundary separating these worlds is also a universal motif of the World Culture. The semantics of the yellow color of the Chinese Hades can also be reconstructed by analyzing the sign 黃 huang. The pictogram depicts a man with a large swollen belly. Additional information from written monuments suggests that the yellow color was originally associated with illness and death, and by coincidence with the color of the earth, where the dead “went”, it began to determine the “border” wellspring. After the death of a person, the soul 魄 po in the form of 鬼 gui goes to the underworld of the ancestors — the place from which it appeared at the time of birth. According to the author, this knowledge is connected with the tradition of the center (Yellow River basin). An analysis of the texts of the pre-Han and Han periods makes it possible to conclude that Huangquan was understood as: 1) a designation of the end of a person’s life; 2) a designation of the lower limit in the vertical World Model; 3) a sacred place where 氣 qi is stored — the birth and death of ten thousand things.","PeriodicalId":342908,"journal":{"name":"Vestnik of Saint Petersburg University. Asian and African Studies","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129129949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.21638/spbu13.2023.106
M. Suvorov
Among scholars of literature, there is a discussion about whether modern Arab women write fiction differently from their male counterparts. Some argue that women writers have special concerns which result from their specific experiences in Muslim society and determine not only the thematic spectrum of their works, but also a specific, sometimes vague manner of their literary expression. This discussion is based mostly on the works of prominent women writers from Egypt, Lebanon, Palestine, Syria, North Africa, sometimes Saudi Arabia and the Arab Gulf States. Yemen has not received much attention in this discussion, as well as in literary studies in general. This article examines to what extent the suggested female, or “feminist”, manner of writing is manifested in the works of Yemeni novelist and short story writer Nadia al-Kawkabani, who is one of the most prolific women writers in her country. In her three novels, Not More Than Love (2006), Submissive Wives (2009), and My Sanaa (2013), “feminist” topics are touched upon repeatedly, but practically none of them is represented by a detailed story with a sufficient degree of sentiment and psychologism. On the contrary, a great deal of attention in these novels is given to the culture and modern history of Yemen, and the narrative, like in many male writers’ works, is dominated by sociopolitical issues. One may argue that Yemen in Nadia al-Kawkabani’s novels prevails over the “feminist” issue.
{"title":"Woman and Yemen in Three Novels by Nadia al-Kawkabani (Yemen)","authors":"M. Suvorov","doi":"10.21638/spbu13.2023.106","DOIUrl":"https://doi.org/10.21638/spbu13.2023.106","url":null,"abstract":"Among scholars of literature, there is a discussion about whether modern Arab women write fiction differently from their male counterparts. Some argue that women writers have special concerns which result from their specific experiences in Muslim society and determine not only the thematic spectrum of their works, but also a specific, sometimes vague manner of their literary expression. This discussion is based mostly on the works of prominent women writers from Egypt, Lebanon, Palestine, Syria, North Africa, sometimes Saudi Arabia and the Arab Gulf States. Yemen has not received much attention in this discussion, as well as in literary studies in general. This article examines to what extent the suggested female, or “feminist”, manner of writing is manifested in the works of Yemeni novelist and short story writer Nadia al-Kawkabani, who is one of the most prolific women writers in her country. In her three novels, Not More Than Love (2006), Submissive Wives (2009), and My Sanaa (2013), “feminist” topics are touched upon repeatedly, but practically none of them is represented by a detailed story with a sufficient degree of sentiment and psychologism. On the contrary, a great deal of attention in these novels is given to the culture and modern history of Yemen, and the narrative, like in many male writers’ works, is dominated by sociopolitical issues. One may argue that Yemen in Nadia al-Kawkabani’s novels prevails over the “feminist” issue.","PeriodicalId":342908,"journal":{"name":"Vestnik of Saint Petersburg University. Asian and African Studies","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130736960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.21638/spbu13.2019.303
Ashutosh Anand
{"title":"Biblical phraseological units in Russian and Hindi: Peculiarities of translation","authors":"Ashutosh Anand","doi":"10.21638/spbu13.2019.303","DOIUrl":"https://doi.org/10.21638/spbu13.2019.303","url":null,"abstract":"","PeriodicalId":342908,"journal":{"name":"Vestnik of Saint Petersburg University. Asian and African Studies","volume":"427 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133631391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.21638/spbu13.2022.213
Aleksandra V. Sharapova
The article touches upon India’s policy towards Africa. Since the Roman era Africa has always caught the attention of developed countries, as the continent was an enormous field for exploring, a complete terra incognita. Later a new wave of interest came as Africa possessed abundant resources and had connections to commercial maritime routes: the Red Sea, the Persian Gulf, the Indian Ocean, the Atlantic Ocean. Today India does its best not only to become a trusted trade and political partner for African states, but also to win their sympathies. For example, Indian leaders never tire of reminding that India — just like Africa — fought against colonialism, thereby opposing itself to the former colonial empires and emphasizing its common historical and cultural background with Africa. The author reviews Indian foreign policy, diaspora influence, and Indian military presence on the continent. Meanwhile some countries, for example the U.S. or Japan, remain wary of Chinese wide-spreading influence, especially in Africa, where a new Chinese military base was recently built. In that regard new alliances are forming, the balance of power is shifting. A comparative analysis of Indian, Chinese, and U.S. policy towards Africa was carried out, considering the prospects of international relations between Africa and its key partners.
{"title":"India: Focus Africa?","authors":"Aleksandra V. Sharapova","doi":"10.21638/spbu13.2022.213","DOIUrl":"https://doi.org/10.21638/spbu13.2022.213","url":null,"abstract":"The article touches upon India’s policy towards Africa. Since the Roman era Africa has always caught the attention of developed countries, as the continent was an enormous field for exploring, a complete terra incognita. Later a new wave of interest came as Africa possessed abundant resources and had connections to commercial maritime routes: the Red Sea, the Persian Gulf, the Indian Ocean, the Atlantic Ocean. Today India does its best not only to become a trusted trade and political partner for African states, but also to win their sympathies. For example, Indian leaders never tire of reminding that India — just like Africa — fought against colonialism, thereby opposing itself to the former colonial empires and emphasizing its common historical and cultural background with Africa. The author reviews Indian foreign policy, diaspora influence, and Indian military presence on the continent. Meanwhile some countries, for example the U.S. or Japan, remain wary of Chinese wide-spreading influence, especially in Africa, where a new Chinese military base was recently built. In that regard new alliances are forming, the balance of power is shifting. A comparative analysis of Indian, Chinese, and U.S. policy towards Africa was carried out, considering the prospects of international relations between Africa and its key partners.","PeriodicalId":342908,"journal":{"name":"Vestnik of Saint Petersburg University. Asian and African Studies","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114097487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.21638/spbu13.2021.204
Magomed A. Gizbulaev
The article provides information on the history of Dagestan in the 10th century on the basis of translation, commentary and comparative analysis of excerpts from the Arabic geographical work Kitab al-a’lak an-nafisa (Book of Precious Gems) by Abu ‘Ali Aḥmad ibn ‘Umar ibn Rusta who lived and wrote in Isfahan at the turn of the IX–X centuries about the history of the peoples of the Caucasus. As for information on Dagestan, Ibn Rusta’s work contains more information than Ibn Khordadbekh’s and Ibn Faqih’s works. In his work, Ibn Rusta adopts the ancient Greek theory of the division of the inhabited parts of the Earth into seven climates, for example, he places the region in question in the sixth and seventh climates. Ibn Rusta’s data on the geography and ethnography of northeastern Europe, as well as the political formations in the Caucasus, are unique and significantly supplement the author’s predecessors. The parts dedicated to Sarir, which gained its regional hegemony in the X century, are of particular importance. The author of the current article compares several reports on Dagestan from Ibn Rusta’s work with Ibn Khordadbekh’s Kitab al-masalik wa-l-mamalik and Ibn Faqih’s Kitab al-Buldan in order to determine whether the origin of the material is the same for these authors. As a result, only one passage was found that overlapped with the work of Ibn Khordadbekh. Also, it is noted that N. A. Karaulov’s translation contains interpretative flaws and some fragments from Ibn Rusta’s work are missing. The scientific significance of this article is determined by the fact that its materials can be used in further source studies in writing the medieval history of the Caucasus.
{"title":"Information about Dagestan in the Arabic Geographical Work Kitab al-a’lak an-nafisa of Ibn Rusta","authors":"Magomed A. Gizbulaev","doi":"10.21638/spbu13.2021.204","DOIUrl":"https://doi.org/10.21638/spbu13.2021.204","url":null,"abstract":"The article provides information on the history of Dagestan in the 10th century on the basis of translation, commentary and comparative analysis of excerpts from the Arabic geographical work Kitab al-a’lak an-nafisa (Book of Precious Gems) by Abu ‘Ali Aḥmad ibn ‘Umar ibn Rusta who lived and wrote in Isfahan at the turn of the IX–X centuries about the history of the peoples of the Caucasus. As for information on Dagestan, Ibn Rusta’s work contains more information than Ibn Khordadbekh’s and Ibn Faqih’s works. In his work, Ibn Rusta adopts the ancient Greek theory of the division of the inhabited parts of the Earth into seven climates, for example, he places the region in question in the sixth and seventh climates. Ibn Rusta’s data on the geography and ethnography of northeastern Europe, as well as the political formations in the Caucasus, are unique and significantly supplement the author’s predecessors. The parts dedicated to Sarir, which gained its regional hegemony in the X century, are of particular importance. The author of the current article compares several reports on Dagestan from Ibn Rusta’s work with Ibn Khordadbekh’s Kitab al-masalik wa-l-mamalik and Ibn Faqih’s Kitab al-Buldan in order to determine whether the origin of the material is the same for these authors. As a result, only one passage was found that overlapped with the work of Ibn Khordadbekh. Also, it is noted that N. A. Karaulov’s translation contains interpretative flaws and some fragments from Ibn Rusta’s work are missing. The scientific significance of this article is determined by the fact that its materials can be used in further source studies in writing the medieval history of the Caucasus.","PeriodicalId":342908,"journal":{"name":"Vestnik of Saint Petersburg University. Asian and African Studies","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115787049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.21638/spbu13.2020.102
O. Redkin, O. Bernikova
The paper considers the key trends and prospects of Arabic and Islamic Studies in the context of information globalization of society. The dynamics of qualitative changes in the humanities in general and Arabic Studies in particular is traced with the reference to its historical context. The study analyses the compliance of the applied research methods with the challenges of the modern time on the example of a number of scholar areas such as dialectology, description of arabographic manuscripts and application of digital technologies in education. It also suggests solutions aimed at optimizing and increase the efficiency of research processes through the use of digital technologies. The development of interdisciplinary studies is discussed in the historical perspective; besides that, it provides specific examples of current researches of this kind as well as trends of the development in the humanities are identified. Special attention is paid to the changes of educational paradigm, meaning both the evolution of digital competence of students and the application of digital resources, including e-learning. The SPbU experience is presented as an example of successful interdisciplinary projects, and, namely, the results of joint projects implemented by Arabists and mathematicians. When specifying the development prospects for the Arabic studies the authors highlight the importance of the optimal balance of the traditional classical approach and innovative solutions for scholar and educational tasks. The authors also underline the significance of an interdisciplinary approaches and digital methods, which open new opportunities to conduct scholar researches and make it possible to face the challenges that are brought along by socio-political changes in society on the stage of its transition to the information-driven development.
{"title":"Prospects of the Development of Arabic and Islamic Studies in the Digital Age","authors":"O. Redkin, O. Bernikova","doi":"10.21638/spbu13.2020.102","DOIUrl":"https://doi.org/10.21638/spbu13.2020.102","url":null,"abstract":"The paper considers the key trends and prospects of Arabic and Islamic Studies in the context of information globalization of society. The dynamics of qualitative changes in the humanities in general and Arabic Studies in particular is traced with the reference to its historical context. The study analyses the compliance of the applied research methods with the challenges of the modern time on the example of a number of scholar areas such as dialectology, description of arabographic manuscripts and application of digital technologies in education. It also suggests solutions aimed at optimizing and increase the efficiency of research processes through the use of digital technologies. The development of interdisciplinary studies is discussed in the historical perspective; besides that, it provides specific examples of current researches of this kind as well as trends of the development in the humanities are identified. Special attention is paid to the changes of educational paradigm, meaning both the evolution of digital competence of students and the application of digital resources, including e-learning. The SPbU experience is presented as an example of successful interdisciplinary projects, and, namely, the results of joint projects implemented by Arabists and mathematicians. When specifying the development prospects for the Arabic studies the authors highlight the importance of the optimal balance of the traditional classical approach and innovative solutions for scholar and educational tasks. The authors also underline the significance of an interdisciplinary approaches and digital methods, which open new opportunities to conduct scholar researches and make it possible to face the challenges that are brought along by socio-political changes in society on the stage of its transition to the information-driven development.","PeriodicalId":342908,"journal":{"name":"Vestnik of Saint Petersburg University. Asian and African Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116101224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.21638/spbu13.2023.107
N. M. Shuyskaya, E. V. Jakovenko
To study the stated topic, we considered it appropriate to draw on the textual material of two works of modern Arabic-language literature in the genre of the novel, written by masters of the word, well-known not only to the reading audience of the Arab countries, but also foreign ones. These are “Frankenstein in Baghdad” (2013) by Iraqi writer ’Ahmad Sa‘adawi and “Incredible novel. Damascus Mosaic” (1997) by the Syrian-Lebanese writer Gada as-Samman. The text of “Frankenstein…” will be studied most fully, the other novel — in part. Exploring the question of how artistic space is depicted in modern Arabic-language prose, the authors of the article point out that the theme of space and time has not gone out of sight of scientists and thinkers for more than one hundred years. Representatives of various sciences, including philologists, show interest in it. The contribution to the development of this topic by M. M. Bakhtin, Yu. M. Lotman and others. Attention is drawn to a large arsenal of terms and concepts used by philologists in its study. The novel by ’Ahmad Sa‘adawi, who became the winner of the “Arab Booker” in 2014, the authors made the subject of particularly close attention. The artistic space in it is depicted most voluminously — in its toponymic, color, acoustic, odor characteristics, which allows the reader to create a visible image of the environment where the characters live and act, as well as get an idea of the situation not only in the described locus — Baghdad, but also in the country as a whole, and at a critical period in its history. The textual material of the novel G. as-Samman considered from the point of view of the locus-character correlation, deepens and clarifies the reader’s and philological understanding of the artistic space. It is concluded that modern Arabic writers pay considerable attention to the image of artistic space, use its various references, due to which this image appears capacious and realistic. This achieves the goal of the masters of the artistic word — to convey the truth about their country and its people, to draw attention to the tragedy of their current situation.
为了研究上述主题，我们认为利用两部现代阿拉伯语文学作品的文本材料是合适的，这些作品都是由世界大师创作的，不仅为阿拉伯国家的读者所熟知，也为外国读者所熟知。分别是伊拉克作家艾哈迈德·萨达维的《巴格达的弗兰肯斯坦》(2013年)和《不可思议的小说》。大马士革马赛克”(1997)，作者是叙利亚-黎巴嫩作家Gada as-Samman。“弗兰肯斯坦……”的文本将被研究得最充分，另一部小说的一部分。本文探讨了现代阿拉伯语散文中如何描绘艺术空间的问题，指出一百多年来，空间和时间的主题并没有离开科学家和思想家的视野。包括语言学家在内的各个学科的代表都对此感兴趣。巴赫金(M. M. Bakhtin)对这一主题发展的贡献。罗特曼先生和其他人。注意被吸引到一个庞大的术语和概念的文献学家在其研究中使用的武器库。这部小说的作者是艾哈迈德·萨阿达维，他在2014年获得了“阿拉伯布克奖”，作者让这个主题受到了特别密切的关注。其中的艺术空间被描绘得最为丰富——在它的地名、色彩、声音、气味特征上，这使读者能够创造出人物生活和行为环境的可见形象，并不仅了解所描述的地点巴格达的情况，而且了解整个国家的情况，以及其历史上的关键时期。从地点-人物关联的角度考察小说《萨曼》的文本材料，加深和澄清了读者对艺术空间的理解和语文学理解。现代阿拉伯作家十分重视艺术空间的意象，运用其各种参照物，使艺术空间的意象显得宽广而现实。这达到了艺术大师们的目的——传达关于他们的国家和人民的真相，引起人们对他们目前处境的悲剧的关注。
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