Pub Date : 2020-08-06DOI: 10.37536/RPM.2020.34.0.82590
J. Martos
Presentación de este número: Fuentes poéticas impresas
本期介绍：印刷诗歌来源
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Pub Date : 2019-12-31DOI: 10.37536/rpm.2019.33.0.79935
Elisa Borsari
Portada e índice de este número.
这一期的封面和索引。
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Pub Date : 2019-12-31DOI: 10.37536/rpm.2019.33.0.79936
Helena Bermúdez Sabel, Elena González-Blanco García
Presentación del número por las responsables de este monográfico.
负责这一专题的人介绍了这一数字。
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Pub Date : 2019-12-31DOI: 10.37536/RPM.2019.33.0.72461
Tarrin Wills
This paper describes a digital project to edit the Old Norse poetic corpus known as skaldic poetry, composed between the ninth and fourteenth centuries. The Skaldic Project started in 1997 with the first editions published in 2007, and 75% of the corpus is now published in print and online. The long-term nature of the project, together with the complexities of the corpus and its manuscript and textual preservation, have meant that the digital resource has had a number of challenges to address. This article focuses on three of these challenges: the need to provide a large amount of material about the context of the poetry to contributors, including manuscript images; the need to provide an integrated editing and publication system capable of simultaneous updates by multiple editors and assistants; and instant digital access, online publication and a streamlined process for export for print publication. This article describes these processes and solutions, which encompass both human workflows as well as technical solutions. It demonstrates how the method adopted and data created has provided a foundation for further research projects based on the digital resource, including a lexicographic resource (Lexicon Poeticum) and an index of the complex diction of the corpus (Kenning Lexicon).
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Pub Date : 2019-12-31DOI: 10.37536/RPM.2019.33.0.72419
Pilar Lorenzo Gradín, Carmen de Santiago Gómez
Hace dos décadas que se publicó en red MedDB: Base de datos da lírica profana galego-portuguesa, con el objetivo de acercar a la comunidad científica el corpus de la tradición poética del occidente ibérico de una manera sencilla y ágil. Las ventajas logradas paulatinamente con la actualización de la herramienta determinaron la necesidad de introducir nuevas opciones de busca y, a la vez, dieron cuenta de la importancia que supone la actualización constante del recurso para ajustarlo a las exigencias y usos de la nueva era digital. La contribución aquí ofrecida refleja cómo MedDB adaptó de manera progresiva su codificación, contenidos y posibilidades para allanar el camino de los usuarios en sus pesquisas. Precisamente, la experiencia en el uso y explotación de la base de datos puso de manifiesto que era necesario complementarla con otra que recogiera las transcripciones paleográficas de los códices. El desarrollo del objetivo marcado condujo al diseño del nuevo proyecto que aquí se presenta: PalMed. Dicho recurso pretende facilitar la realización de diversos tipos de estudio (sobre todo, paleográficos, grafemáticos y lingüísticos) a través de la navegación por diferentes interfaces, que harán posible que los investigadores examinen la información volcada en la base de datos al compás de los manuscritos.
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Pub Date : 2019-09-05DOI: 10.37536/RPM.2018.32.0.64336
Luis Gallardo
El aristotelismo es la veta más representativa del pensamiento de Alfonso de Cartagena. En torno a su lectura de la Ética Nicomáquea se desarrollan sus dos primeras obras originales, el Memoriale virtutum (1425) y las Declamationes (1430), libelo contra la nueva traducción de Leonardo Bruni, que dio a conocer a raíz de su participación en el concilio de Basilea. Cartagena se revela como un aristotélico escolástico y con fuerte impronta tomista. Durante su misión diplomática en el concilio de Basilea compuso dos obras polémicas en las que el uso de Aristóteles fue determinante: el Tractatus super repetitione Ludovici de Roma (c. 1436-1437), inédito, y una oratio contra la facción conciliarista más radical (1439), de la que solo quedan las noticias de los historiadores del concilio (Pío II y Juan de Segovia). Ambas obras constituyen un testimonio sumamente revelador de los usos de Aristóteles en un momento crucial del debate eclesiológico sobre la naturaleza del poder papal.
{"title":"Sobre el aristotelismo de Alfonso de Cartagena. En el debate jurídico y eclesiológico","authors":"Luis Gallardo","doi":"10.37536/RPM.2018.32.0.64336","DOIUrl":"https://doi.org/10.37536/RPM.2018.32.0.64336","url":null,"abstract":"El aristotelismo es la veta más representativa del pensamiento de Alfonso de Cartagena. En torno a su lectura de la Ética Nicomáquea se desarrollan sus dos primeras obras originales, el Memoriale virtutum (1425) y las Declamationes (1430), libelo contra la nueva traducción de Leonardo Bruni, que dio a conocer a raíz de su participación en el concilio de Basilea. Cartagena se revela como un aristotélico escolástico y con fuerte impronta tomista. Durante su misión diplomática en el concilio de Basilea compuso dos obras polémicas en las que el uso de Aristóteles fue determinante: el Tractatus super repetitione Ludovici de Roma (c. 1436-1437), inédito, y una oratio contra la facción conciliarista más radical (1439), de la que solo quedan las noticias de los historiadores del concilio (Pío II y Juan de Segovia). Ambas obras constituyen un testimonio sumamente revelador de los usos de Aristóteles en un momento crucial del debate eclesiológico sobre la naturaleza del poder papal. \u0000 ","PeriodicalId":34343,"journal":{"name":"Revista de Poetica Medieval","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42754338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-14DOI: 10.37536/rpm.2017.31.0.69389
L. Buttà
Presentación de este número: Sobre danza, escritura y teatralidad.
本期节目介绍:关于舞蹈、写作和戏剧。
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Pub Date : 2018-12-14DOI: 10.37536/rpm.2017.31.0.58600
Lenke Kovács
La compilació més important de peces teatrals tardomedievals en català, continguda en el Ms. 1139 de la Biblioteca de Catalunya, presenta una cohesió interna que no es deu únicament a qüestions de llengua, d’estil i d’estructura. Un element cohesionador dels textos coneguts com a «consuetes mallorquines» és la concepció tipològica que estableix relacions de prefiguració entre les escenificacions basades en l’Antic i el Nou Testament.
{"title":"La interpetació tipològica a les consuetes mallorquines (Ms. 1139, Biblioteca de Catalunya)","authors":"Lenke Kovács","doi":"10.37536/rpm.2017.31.0.58600","DOIUrl":"https://doi.org/10.37536/rpm.2017.31.0.58600","url":null,"abstract":"La compilació més important de peces teatrals tardomedievals en català, continguda en el Ms. 1139 de la Biblioteca de Catalunya, presenta una cohesió interna que no es deu únicament a qüestions de llengua, d’estil i d’estructura. Un element cohesionador dels textos coneguts com a «consuetes mallorquines» és la concepció tipològica que estableix relacions de prefiguració entre les escenificacions basades en l’Antic i el Nou Testament. \u0000 ","PeriodicalId":34343,"journal":{"name":"Revista de Poetica Medieval","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44553655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-14DOI: 10.37536/rpm.2017.31.0.69385
Fernando Gómez Redondo
Reseña de: Tomassetti, Isabella, Cantaré según veredes. Intertextualidad y construcción poética en el siglo XV, Madrid/Frankfurt am Main, Iberoamericana/Vervuert, 2017, 352 pp.
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Pub Date : 2018-12-14DOI: 10.37536/rpm.2017.31.0.58895
S. Pietrini
The vast field of musical iconography during the Middle Ages must necessarily deal with the rich and surprising imagery of western manuscripts, showing a fanciful proliferation of playing creatures and bizarre deformations, sometimes inspired by exotic suggestions. In marginal miniatures of 14th century we can discover an interesting and puzzling topic: the parody of entertainers, with hybrid men playing a vielle with tongs, mermaids or apes playing jawbones and so on. The spreading of this topic in medieval iconography is linked to a satirical purpose aimed at professional entertainers, harshly condemned by Christian writers. Strange instruments made out of everyday objects like grills and distaffs, or ‘exotic’ animals like peacocks, mingle in the grotesque underworld of marginal miniatures, in which the noble art of music is often replaced by the cacophonous noises suggested by the devil.
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