Alejandro García Hermida (coord.)Nueva Arquitectura Tradicional MMXXIIINTBAU España, 2022
{"title":"La grandeza de lo humilde y de lo honesto","authors":"Estefanía Fernández-Cid Fernández-Viña","doi":"10.51303/jtbau.vi3.623","DOIUrl":"https://doi.org/10.51303/jtbau.vi3.623","url":null,"abstract":"Alejandro García Hermida (coord.)Nueva Arquitectura Tradicional MMXXIIINTBAU España, 2022 \u0000","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89450445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Las corralas son un tipo de vivienda característico de Madrid cuyo origen se remonta al siglo XVI. Estos edificios con patio se desarrollaron sobre la base de muchos modelos arquitectónicos previos, como la casa musulmana o la domus romana. En este artículo se estudia la relación entre las corralas y otro tipo arquitectónico hermano: el de los corrales de comedia. Estos últimos –considerados los primeros teatros públicos de España– estuvieron estrechamente ligados durante el Siglo de Oro, tanto de manera formal como programática, con las corralas. Mediante el análisis de documentos de archivo se mostrará cómo la actividad teatral y las cuestiones de ámbito doméstico han coexistido en estos dos tipos de espacios y cómo su herencia cultural continúa en la actualidad.
{"title":"Corralas y corrales de comedia en Madrid: Historia dramática y tipología","authors":"Lisa Virgillito","doi":"10.51303/jtbau.vi3.611","DOIUrl":"https://doi.org/10.51303/jtbau.vi3.611","url":null,"abstract":"Las corralas son un tipo de vivienda característico de Madrid cuyo origen se remonta al siglo XVI. Estos edificios con patio se desarrollaron sobre la base de muchos modelos arquitectónicos previos, como la casa musulmana o la domus romana. En este artículo se estudia la relación entre las corralas y otro tipo arquitectónico hermano: el de los corrales de comedia. Estos últimos –considerados los primeros teatros públicos de España– estuvieron estrechamente ligados durante el Siglo de Oro, tanto de manera formal como programática, con las corralas. Mediante el análisis de documentos de archivo se mostrará cómo la actividad teatral y las cuestiones de ámbito doméstico han coexistido en estos dos tipos de espacios y cómo su herencia cultural continúa en la actualidad.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87186816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Este artículo describe el proceso de restauración del tejado de la ermita de la Virgen de las Nieves, en el bosque de Irati, Navarra. Para ello se ha recuperado la técnica tradicional de cubrir los tejados con tablilla de madera, en este caso de haya. En el texto se describe todo el proceso de obtención y colocación de las tablillas, así como gran parte del conocimiento acumulado por un oficio, el de tablillero, en vías de extinción en España debido a la sustitución en tiempos recientes del uso de tablillas de madera por otros sistemas.
这篇文章描述了在纳瓦拉的Irati森林中，Virgen de las Nieves修道院屋顶的修复过程。为了做到这一点，我们恢复了用木板覆盖屋顶的传统技术，在这里是山毛榉。本文描述了获得和放置石碑的整个过程，以及石碑工匠积累的许多知识，在西班牙由于最近用其他系统取代了木碑的使用而处于灭绝的过程中。
{"title":"Restauración del tejado de la ermita de la Virgen de las Nieves, Selva de Irati, Navarra","authors":"Leopoldo Gil Cornet, Javier Goicoa Juango","doi":"10.51303/jtbau.vi3.588","DOIUrl":"https://doi.org/10.51303/jtbau.vi3.588","url":null,"abstract":"Este artículo describe el proceso de restauración del tejado de la ermita de la Virgen de las Nieves, en el bosque de Irati, Navarra. Para ello se ha recuperado la técnica tradicional de cubrir los tejados con tablilla de madera, en este caso de haya. En el texto se describe todo el proceso de obtención y colocación de las tablillas, así como gran parte del conocimiento acumulado por un oficio, el de tablillero, en vías de extinción en España debido a la sustitución en tiempos recientes del uso de tablillas de madera por otros sistemas.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72536240","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Karoline Kolstad Heen, S. Oien, Trond Elverum, Martin Wesley-Holand
Nygaardsplassen is a mixed-use complex of buildings designed by Mad Arkitekter for a previously run-down area of the city center of Fredrikstad, Norway. A square dating from the 1800s surrounded by old wooden buildings, some of them listed log structures, and some postmodern brick buildings, had over time turned into an ill-defined and neglected open space, constituting the rear of the surrounding urban fabric. The new buildings filling it have provided the area with a new layout including a lively piazza and street, with restaurants and cafés on the ground floor and apartments above. The massing, detailing, and brick façades align the new buildings with the existing context, providing a coherent and humanized whole which has proved hugely successful.
{"title":"Nygaardsplassen: A New Public Piazza in Fredrikstad, Norway","authors":"Karoline Kolstad Heen, S. Oien, Trond Elverum, Martin Wesley-Holand","doi":"10.51303/jtbau.vi3.581","DOIUrl":"https://doi.org/10.51303/jtbau.vi3.581","url":null,"abstract":"Nygaardsplassen is a mixed-use complex of buildings designed by Mad Arkitekter for a previously run-down area of the city center of Fredrikstad, Norway. A square dating from the 1800s surrounded by old wooden buildings, some of them listed log structures, and some postmodern brick buildings, had over time turned into an ill-defined and neglected open space, constituting the rear of the surrounding urban fabric. The new buildings filling it have provided the area with a new layout including a lively piazza and street, with restaurants and cafés on the ground floor and apartments above. The massing, detailing, and brick façades align the new buildings with the existing context, providing a coherent and humanized whole which has proved hugely successful.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88334220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Conchita Añorve-Tschirgi, Ehsan AbushadiThe Architecture of Ramses Wissa WassefAUC Press, 2020
{"title":"Documenting the Architecture of Ramses Wissa Wassef: The Case for the Vernacular","authors":"Daniel Ayad","doi":"10.51303/jtbau.vi3.617","DOIUrl":"https://doi.org/10.51303/jtbau.vi3.617","url":null,"abstract":"Conchita Añorve-Tschirgi, Ehsan AbushadiThe Architecture of Ramses Wissa WassefAUC Press, 2020","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85343849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La metodología de los estudios sobre arquitectura vernácula ha sido siempre puesta en entredicho tanto por su rigor como por los criterios en los que se fundamenta. Trabajos como el del polifacético arquitecto Bernard Rudofsky han sido cuestionados desde diferentes disciplinas, como la antropología arquitectónica, la sociología, la historia de la arquitectura o la propia arquitectura. Sin embargo, gracias a la subjetividad –objetiva– que existe en la metodología aplicada por Rudofsky, somos capaces de comprender la valoración asignada a cada referencia vernácula analizada. El presente trabajo se centra tanto en la justificación de esta metodología, como en el estudio sistemático y la catalogación de cada una de las referencias sobre su trabajo que se han identificado.
{"title":"Subjetividad objetiva: Tras los valores asignados a la arquitectura vernácula por Bernard Rudofsky","authors":"Marcos Merino Pérez","doi":"10.51303/jtbau.vi3.608","DOIUrl":"https://doi.org/10.51303/jtbau.vi3.608","url":null,"abstract":"La metodología de los estudios sobre arquitectura vernácula ha sido siempre puesta en entredicho tanto por su rigor como por los criterios en los que se fundamenta. Trabajos como el del polifacético arquitecto Bernard Rudofsky han sido cuestionados desde diferentes disciplinas, como la antropología arquitectónica, la sociología, la historia de la arquitectura o la propia arquitectura. Sin embargo, gracias a la subjetividad –objetiva– que existe en la metodología aplicada por Rudofsky, somos capaces de comprender la valoración asignada a cada referencia vernácula analizada. El presente trabajo se centra tanto en la justificación de esta metodología, como en el estudio sistemático y la catalogación de cada una de las referencias sobre su trabajo que se han identificado.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79912943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper makes a comparative analysis of the treatment of Georgian heritage in Northern Ireland (NI) and the Republic of Ireland (Éire). It assesses this treatment through a review of listing practices, lost houses, and the parallel evolution of planning policies along with the historical reasons for this, analyzing the nature of the drivers of and limits to the conservation of the Georgian buildings of Ireland. NI and Éire share most of the factors that led in the early twentieth century to significant heritage loss, and later to the creation of effective and inclusive conservation legislation. Our study shows that the political mindset in Éire is what has most discouraged listing and conservation, along with a lack of key legislation as passed in Great Britain but not in Ireland prior to partition, due to the political context.
{"title":"Similarities and Divergences in Attitudes Toward Georgian Irish Heritage","authors":"S. Belgacem","doi":"10.51303/jtbau.vi3.613","DOIUrl":"https://doi.org/10.51303/jtbau.vi3.613","url":null,"abstract":"This paper makes a comparative analysis of the treatment of Georgian heritage in Northern Ireland (NI) and the Republic of Ireland (Éire). It assesses this treatment through a review of listing practices, lost houses, and the parallel evolution of planning policies along with the historical reasons for this, analyzing the nature of the drivers of and limits to the conservation of the Georgian buildings of Ireland. NI and Éire share most of the factors that led in the early twentieth century to significant heritage loss, and later to the creation of effective and inclusive conservation legislation. Our study shows that the political mindset in Éire is what has most discouraged listing and conservation, along with a lack of key legislation as passed in Great Britain but not in Ireland prior to partition, due to the political context.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76303342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article describes an architect's self-funded attempts to revive the war-devastated Armenian village of Karaglukh. The project involved the building of five houses, an agricultural processing workshop, and a new church, along with the restoration of an old one. Both the architectural language and the construction techniques used were uncompromisingly traditional, employing local materials for continuity, connecting the old and the new and, most importantly, preserving the beauty of the landscape.
{"title":"Karaglukh Village, Nagorno-Karabakh: An Attempt at Revival through Traditional Architecture","authors":"Maxim Atayants","doi":"10.51303/jtbau.vi3.586","DOIUrl":"https://doi.org/10.51303/jtbau.vi3.586","url":null,"abstract":"This article describes an architect's self-funded attempts to revive the war-devastated Armenian village of Karaglukh. The project involved the building of five houses, an agricultural processing workshop, and a new church, along with the restoration of an old one. Both the architectural language and the construction techniques used were uncompromisingly traditional, employing local materials for continuity, connecting the old and the new and, most importantly, preserving the beauty of the landscape.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77302637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Robert A. M. Stern with Leopoldo VillardiBetween Memory and Invention: My Journey in ArchitectureThe Monacelli Press, 2022
罗伯特·斯特恩与莱奥波尔多·维拉迪在记忆与发明之间:我的建筑之旅莫纳切利出版社，2022
{"title":"Living Proof That There Is No More Solid Foundation for Architecture Than Precedent","authors":"Alejandro García Hermida","doi":"10.51303/jtbau.vi3.620","DOIUrl":"https://doi.org/10.51303/jtbau.vi3.620","url":null,"abstract":"Robert A. M. Stern with Leopoldo VillardiBetween Memory and Invention: My Journey in ArchitectureThe Monacelli Press, 2022","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77506618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article discusses the challenges associated with the preservation and hurricane code compliance of a significant 1920s Mediterranean Revival building in South Florida: the H. George Fink Studio. It is seen as the first Mediterranean Revival building in Coral Gables, Florida. Though almost 100 years old, most of its significant original elements and finishes are intact, providing a special opportunity to preserve those elements and finishes. Martinez Alvarez Architecture and partners performed a thorough on-site assessment, documentation and study of contemporary buildings in order to arrive at a final strategy for preservation and adaptive reuse. The firm also prepared construction documents for permitting and provided construction administration services for the final project, all the while managing the project team of conservators, engineers, and craftspersons.
这篇文章讨论了在南佛罗里达一个重要的20世纪20年代地中海复兴建筑的保护和飓风法规的遵守所面临的挑战:H. George Fink工作室。它被视为佛罗里达州珊瑚山墙的第一座地中海复兴建筑。虽然已有近100年的历史，但其大部分重要的原始元素和饰面都完好无损，这为保存这些元素和饰面提供了一个特殊的机会。Martinez Alvarez建筑事务所及其合作伙伴对当代建筑进行了全面的现场评估、记录和研究，以达到保护和适应性再利用的最终策略。该公司还为最终项目准备施工许可文件，并提供施工管理服务，同时管理由养护人员、工程师和工匠组成的项目团队。
{"title":"H. George Fink Studio, Coral Gables, Florida","authors":"F. Martinez, A. Alvarez, Peter Kiliddjian","doi":"10.51303/jtbau.vi3.587","DOIUrl":"https://doi.org/10.51303/jtbau.vi3.587","url":null,"abstract":"This article discusses the challenges associated with the preservation and hurricane code compliance of a significant 1920s Mediterranean Revival building in South Florida: the H. George Fink Studio. It is seen as the first Mediterranean Revival building in Coral Gables, Florida. Though almost 100 years old, most of its significant original elements and finishes are intact, providing a special opportunity to preserve those elements and finishes. Martinez Alvarez Architecture and partners performed a thorough on-site assessment, documentation and study of contemporary buildings in order to arrive at a final strategy for preservation and adaptive reuse. The firm also prepared construction documents for permitting and provided construction administration services for the final project, all the while managing the project team of conservators, engineers, and craftspersons.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73955569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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